Sunday, May 12, 2013

KISSES INSTEAD OF SCARS IF YOU CAN MANAGE IT


KISSES INSTEAD OF SCARS IF YOU CAN MANAGE IT

Kisses instead of scars if you can manage it.
Love, not a science. Still an art. Though a dying one.
The discipline of staying a constant beginner.
As if the morning glory had never felt the light before.
You want to love or be loved? Make up your heart.
But you want to sword dance with queen cobras in heat
like a lapwing in a snake pit, two egg-layers
at opposite ends of the same extreme, you better not
step on anyone’s toes, and if you do, hope
the wing you favoured with a false wound
like a collapsed bridge you lay down like a joker
to trump your Tarot pack, is as long as the other
royal flush you neglected to play like a winning hand.
Human, you might be the measure of all things,
but believe me when I tell you, love’s got a bigger wingspan
than Cygnus and Aquila in the Summer Triangle have light-years
to get a fix on the wing tips of their feathers by parallax.

Love with class if you want to make something elegant
of your absurdity, diamonds of your dirt, if you want to
water flowers with your tears without salting the seed bed.
If you want to steal a little fire from the mystery
to enlighten your nightmare, if you want to be the star
that everyone points to in your lover’s eye,
don’t enter it like a dirty needle of light washed up on a beach,
you keep overdosing on like a starmap with a bad addiction.
Love is a retroactive prediction from the past come true at last.
Even after dismemberment, love is Orphic, a prophetic skull
bobbing like an apple all the way to Mytilene from Thrace,
that can still sing the dead back up out of hell
until they realize the light of love’s too strong
for the eyes of gibbering shades and turn around
as if they’d come too far down the wrong road.

As a working stiff, love is kind, generous, trustworthy, loyal,
like the smell of heartwood after a carpenter has built
his own sturdy cross. Not acrid oak, but terebinth.
As a thaumaturge, love works miracles with silver herbs
cool as moonlight laying its feathers on the sacred pools
you return to like a battered salmon or a sword in tribute
to give back in gratitude what was given to you.
O, yes, you can be a nice guy or an agreeable woman
for a moment, and bask in the whole wheat sunshine
of a promising harvest, but love is the blue,
the second full moon in October and it looks down
on what’s been threshed to see what you’ve left for the birds
and if you ever get so drunk in your delirium
you went dancing with the scarecrows as if you
were all martyred by the same cause like a prelude
of watchdogs to the white nights of the living dead.
Love’s a celebrant high on the bliss of poppy wine
but it doesn’t turn the dancing floors of the starfields
into a bride catalogue for impoverished wallflowers.
Love’s got the eyes of a snake, the voice of a bird
and the wings of a vampiric bat in an unpredictable eclipse.
And when love mystically sublimates its appetites
like black ice into more beatific ionospheres of solar flaring,
the poetry goes aurorally absurd, but nobody cares
because everybody’s more awed by the picture-music
of the rippling veils than they are by the face behind them.

You make love safe. You take the danger out of it,
you defang the lightning storm, you brainwash
the theta waves of the turbulent night sea
where the soul journeys alone, into saying aum
every time there’s a breathless squall of stars in the southwest,
though you might think in your lustreless way
you’re throwing sacred holy oil on troubled waters
you’re just another oil slick running a nunnery of pearls.
You want your honey without a stinger. You want
your rose without a thorn. A one-eyed oxymoron.
I’ve made it a counter-intuitive point of survival
most of my occult romantic afterlife
to never fall in love with a woman until I’m absolutely certain
it’s well within her power to kill me outright
without a word of warning. But she abstains
and in that moment of hesitation you can live
three full lifespans on the cutting edge of a black hole
without a fear of lights or vertiginous heights.
You can ride the helical stairwells of your mutual d.n.a.
like the parallel bannisters of two hawks wheeling
synchronously on the twisted ladder
of their thermophilic passions for the highs and lows of love.

When did Icarus ever fly too close to the sun
with a parachute or a safety net? What fool
shot out of a cannon like a fly into a spider web
doesn’t expect to get entangled in the details
of hedging his bets instead of taking the fall on his chin.
If you fall in love, and you’re not a clown,
or someone who bumbled over the cliff by accident,
be prepared to fall deeper than any place
your death has ever descended into before, and darker,
and more intense than the petty sentiments
of people dropping stones in wishing wells
to fathom the abyss by staring into the eyes of a telescope.

PATRICK WHITE

A LITTLE THOUGHT IN A BIG SPACE


A LITTLE THOUGHT IN A BIG SPACE

A little thought in a big space, I’m falling
through my own immensities here at my desk,
one of my Icarian propensities for plunging into things.
My voice intimidated by the violence of the silence within.
I’m on the dark side of my eyes.
No one’s ever been here before.
No window, no wall, no door,
I’m on the threshold of my homelessness again.
I’m looking at stars, but I feel like rain.
I’m talking to ghosts that I don’t remember.
Might be the wrong medium, but it’s the right seance.
I don’t even know what I’m doing here myself
but it seems I’m free to go or stay as I wish.
I’m wearing my shadow like a candling parachute
that didn’t step back from the edge in time.
No point in pretending you’re an airborne dandelion
when you feel like a rock with a message
someone just threw like the moon through a mirror
disguised as a sky the night birds keep flying into blind.

No one asks your name here on this pyre of a sky burial
if your birth certificate says you were born in fire.
Desire anything you like. It was all written in smoke
before you came. And these words that are saying me here
have been out of the aviary of the lantern for light years.
Who knows where the light goes or what if falls upon?
Trying to shine in a dark time without taking anything away
from the lunar eclipses that aren’t in need of enlightenment.
Don’t know if I’m a solar flare, a firefly, a matchbook,
or a lightning bolt that keeps stressing my starmud out
by sneaking up on it from behind and overdoing things a bit.

If you find yourself trying to pry the flowers open
with a crowbar or a koan, and it’s nightfall, it’s
time to turn your hourglass in for a waterclock
and see how the stars emerge out of nothing
as soon as you deepen the dark with a more acute sense of timing
that let’s everything happen spontaneously by itself.
Even if you’re the lighthouse of your dreams
that doesn’t mean you’re the nightwatchman
keeping his third eye on you in the shadows
like a theft of fire you can get away with
this second time around with only a warning.

If you can’t do the time, don’t do the crime.
And if you did, whining about it in your sleep
isn’t going to help and who’s Spartan enough these days
to stash the fox under their tunic to keep
from being caught while it eats them alive?
If you want to be a dragon you’ve got to learn
to swallow people’s hearts like hot coals as if they were chocolates,
without wincing. The stars don’t come out
like emergency candles you’ve been saving
for exactly this kind of situation. And if
you really want to know the truth about illumination,
try and blow one out. Quick, now, look
and see immediately into the clear light of the void
what it’s like to shine without a metaphoric reflection.

The stars here don’t hide their nakedness under a cloak
of black holes and dwarfs that take it all in
but give nothing back like the second hand clothes
of serpents shedding their skin. One size fits all
like a bubble in a watershed of dark worlds
dazzled by how much a single eye can contain
whether it’s hanging from the lip of a flower in the fall
or going down the drain in spring. I know
you hit it like a snowflake on a furnace
and do your damnedest not to cry. Thing is
as unique among billions as you think you are,
there’s not a star in the sky that isn’t a rite of passage.

PATRICK WHITE

Saturday, May 11, 2013

SERIOUS AS A BELL, DEEP AS A HOUSEWELL, I WAS YOUNG


SERIOUS AS A BELL, DEEP AS A HOUSEWELL, I WAS YOUNG

Serious as a bell, deep as a housewell, I was young,
too big for my skull, tight as a nut in my shell
with the sweetmeat of the moon, immense
among the stars, intense, angry, almost scary,
seething with ambitions I took for granted,
like discipline and talent, love I’d be fulfilled by one day.
Blue fire didn’t shoot out of my eyes like a sky dragon,
but I was born in a low place and I liked to put wings
on the snakes I could relate to, scorned as they and I were,
I answered my detractors with brilliant oxymorons
that baffled them into thinking I was mad. Nine in the fifth place.

Of course, I was. Gone, gone, gone, altogether
gone beyond the history of scars that was my childhood,
though I was too experienced at the time to remember
what innocence was and how it doesn’t always
make you vulnerable when you’re nine in a garbage can
where they throw people like body parts and rank orchids
that didn’t get invited to the dance because
they never learned to step on anyone else’s toes
but their own and those immediately closest to them,

crushed hearts like strawberries someone heeled into the dirt,
cigarette butts, left to rot among the black rosaries of the ants
from the enterprising world that carried them away
piecemeal as if they cared, and that was the best
they could hope for. Baby never got a new pair of shoes
and the second hand ones never quite fit
like a yoke of oxen coupled to your feet as they grew
into the tumuli of bunions like moonrises on your toes.

You wanted to learn to walk, you had to get up on your own.
You wanted to learn to see you had to know
what you had to close your eyes to. I could read
books and faces, and which of the housewives
with rollers in their hair, hanging up the laundry
with clothes-pegs in their teeth, hands raw with bleach
and four kids in the yard like manic laughing gas and blasting caps
would be washing her face in the bitter tears of her hands
tomorrow and tomorrow and tomorrow that never came
like a husband home from the pulp mill who wasn’t drunk
with a paycheque in his hand that wasn’t clenched in a fist
for having to return to her, the kids, the dismal job
that underrated him two rungs under the burning ladder
he tried to climb out of the cesspool on like a spider
fighting for its life in the death trap of a toilet bowl
he flushed like the last word he had to say about himself.

I could read the stars. I could read danger leaning
in a doorway like a social worker, a Sunday school teacher,
a truant officer for delinquent offenders, an ex-con
out on a weekend pass who thought my mother
had been waiting for him all her life in isolation.
Egypt and Mesopotamia amazed me with the mystery
of all those lives I could wonder my way into
like the mirages of time, planets I’d never live
to walk on to see how different and strange
everything could be beyond the windows
of my boarded-up bedroom to keep the ghouls
and the pervs and the thieves out. Shadows
on the other side of the curtains that made me lie
very, very still under the covers hoping they
didn’t hear me breathing so I wouldn’t be called upon
to be more afraid of being afraid again than I was brave.

PATRICK WHITE

LOST AND BROKEN, LONELY HOUR OF THE NIGHT


LOST AND BROKEN, LONELY HOUR OF THE NIGHT

Lost and broken, lonely hour of the night. Wounded,
but it doesn’t matter by what anymore.
Intimate estrangement with the sleeping town,
don’t know whether I’m a streetlamp or a window,
but it’s all right, all right for the moment.
Enticingly sweet, almost peace, when
I remember my exile isn’t dishonest
and how far I had to come to believe in my solitude.
Hard not to betray your imagination sometimes
by resenting what you had to lose to stay true to it.

I don’t. There’s a soft beauty like an autumn night,
though it’s spring, in the voice of the ghost
of the train whistle howling by and a distance
even space can’t conceive of that comes close
to breaking my heart like the rain acquainted through tears
overflowing with the sorrows of too many eyes
to care whether it’s a freshly dug grave
or a garden it falls upon. Things we attribute
our mortality to bloom and perish like the new moon
I can’t see through the clouds tonight, but trust is there.

This is the rose of dark abundance. This is the thorn
of bright vacancy. If I saw a star right now
I’d think it’s light were a mode of longing
for something beyond love and death it doesn’t
even know about on the neither side of its shining.
Maybe it wants to whisper something into the ears
on the towers of Pleiadic larkspur that will change their lives.
Maybe it’s just tilting at a galactic windmill
that keeps quixotically turning and turning
over and over again in its heart like a gust of time
blowing on a prayer wheel as fixed as a sundial
following its own shadow like a direction to the light.

Or maybe in some kind of indeterminate way
we’re both wavelengths in synch trying
to sprout wings for the immensities ahead,
fireflies and dragons alike, staring into the darkness,
hoping to open the eyes of wildflowers on a hillside
that have reclaimed the far fields no one’s ploughed under for lightyears,
me, for a bit of blue sky that’s never witnessed a false dawn,
and it, for a loveletter that finally wrote back
though there was nothing but solitude and silence inside,
and the fragrance of burning doves in the emptiness
that take shelter under the eaves of this house of life
that keeps rising out of its own ashes at the faint sound
of the half-familiar song of a sacred syllable
we derived an inalienable solace from once as if
the only way to respond to pain were, indelibly,
with flowers, waterlilies and wild irises down by the river,
blooming in the urns of our childhood like pyres in the rain.

PATRICK WHITE  

Thursday, May 9, 2013

I SEE THE NEW MOON OF A BLACK PEARL


I SEE THE NEW MOON OF A BLACK PEARL

I see the new moon of a black pearl
stuck through your tongue like a sacred syllable
in a cult of one you only whisper on your knees
when you’re giving head to the false idols
of the gods you worship, the jewel in the lotus,
hoping they’ll love you back because you pleased them well.

Your eyelids smeared with bruised mascara
like the petals of a black rose, o my poor flower,
my battered teen-age friend, my heart breaks
to see how you squander your devotion on men
with feet of clay, who envy you that flesh and blood
you give away so readily like a bride of Corinth
or a beatified prostitute outside the gates of the Iseum.

I hear the faint music of the bells of the columbine
growing on a mossy rock like a hair transplant
and I want to hang earrings of rain from your lobes
like a shower of stars that wash you clean of yourself
in the light so you can see how beautiful you are
when you’re not dressed up like deadly nightshade
in fish net stockings to catch the dolphins by their fins.

I could delight in you, not just for your breasts
and your lips, or that desperate disappointment
in your occult eyes as if someone had just cut down
all your sacred groves, amputated the limbs
of your mistletoe and apple bloom with a golden sickle
of the last crescent of the moon in hypocritical reprisal
for making a human sacrifice of yourself to them
outside the Colosseum. My God, what a body rush
of mystic oblivion and carnal ecstasy would sweep
this man’s island galaxy out to sea if I were ever stung
by the toxic elixir of that weeping ruby hanging
from a blade of stargrass like a lantern in the red light district
of Scorpio. When the music’s in the flute of the snake-charmer
who wouldn’t want to be bit by a young cobra in training
that sways like a river reed in the mouth of a sleazy oboe,
or a mindstream smothered all over in the albino kisses
of nocturnal waterlilies opening like poems and loveletters
addressed anonymously to the stars that gape in astonishment
at the power of black magic rooted in the starmud of a swamp
to bring them to enlightenment by blooding their vision
of night and love that shudder through space like the wavelengths
of these human intimacies that feather snakes in the flames
of the fires of life dying on the pyres of their sky burials?

In the name of lust and love, rapture and denial, sorrow
and the panaceas of snake-oil that make liars
of all those tomorrows that disappeared like smoke and mirrors
when a real witch approaches the frauds with a longing
in her heart that subjects her like a black star
to the tinfoil luminaries of all her bad imitators.

You hear me, sweet one, even this many lightyears away,
I’m tempted to double-back on this martial discipline
that restrains my demonic soul and faster than an enzyme
can outpace the speed of thought, go retrograde on myself
to meet you like bad timing in the spring run off
of a waterclock that knows it’s not long before
it freezes up at the end of autumn like the lens
of a telescopic contact on the third eye of this
longer view of life I take like the shadow of a mountain
cast by the earth like the cursive script of a poet
flowing like a garden of underground rivers on the moon.

I’ll be your wise apple with no worm in it,
your big brother, with no emotional espionage
going on behind your back like a street camera,
a grey-haired familiar you can beat like the stump
of the green bough I used to be in orchard time,
to see what pops out of it like a sacred clown
in a jack in the box, a warm mammal or the usual reptile.

I’ll be your substitute anti-father who isn’t trying
to cultivate you like a weed in a soiled flower bed
that doesn’t feel like a grave everytime you get up from it
and try to bloom again, despite the pain, I can feel it,
boiling in you like acid rain thrown in the eyes of the stars
trying to read you like the subplot of an enigma of tears.
Forget your heavy metal father corroded like an alloy
of black mold and bubonic plague who seeded you
with the fleas of a disease he could treat like a slut
he could carry around in the medicine bag of his loins,
hexing the love you still long for like a bad drug
you seek from all these other dealers as if love
were a taboo you had to violate to get fixed up.

Or do you really think you can overcome
this hemorrhagic fever of love like an antidote
you can milk from the fangs of the venomous
unkindness of life that raped you in its underworld
like a paradigm of the power of death to make the spring bleed
like the jewels of wild columbine a grave-robber couldn’t resist?

Anybody ever made love to your mind, or have you
dumbed the gnostic gospel of your intelligence down
to make fires in the morning that smell like the ashes
of old urns for a meathead that wants his cosmic eggs
overturned without breaking the sunny disposition
of the way he flares at you like the ingrown hair
of a black dwarf with no light to shine on anyone
that doesn’t fester like ulcers in the frying pan
you jumped into like the caldera of a dead volcano
at the expense of the fires that once bloomed in you
like passionate sunsets in an archipelago of Polynesian islands?

Prudentia might have been a fit remembrance
for the lack of sex behind the pews of Thomas Aquinas
looking for a flying buttress for the cathedral
of his Summa Theologica, but I’ve got no tomes of wisdom
I can feed you like the staff of life turned like flesh
into books and bread. No carnelian dot of blood
to mark your pineal gland like a poppy catching
your third eye burning among the starwheat like Antares.

Nor can I answer you like the male principle of the world
that abandoned all standards by excising
the mysterious matrix of the female from
the headwaters of its distant source overgrown
with screening myths that give birth through
the skulls and thighs of the mutated alternatives
that amuse themselves like pseudomorphic stem cells
ravaging mortal women like bulls, swans
and showers of gold as if they were fecundating animals.

But I’ve swept up more than one new moon
in the arms of the old before as if I were dancing
on my grave with fireflies that lit me up
like the ghost of a constellation glowing in the dark.
I know the mystic terror of falling in love with a woman
like Johnny Appleseed ploughing shepherd moons
like the tree of life in a Medusan snakepit of crazy wisdom
that holds the grail of everything that ails you
up to your mouth like the breast of the dark mother
that suckles the dead like the Milky Way merciful
as an aberrant phase of Kali on a rosary of prophetic skulls.

And it still seems after all these eras of ashes
I’ve scattered like doves and crows from the aviaries
of my voice-box, to scry my own signage to see
if the stars were propitious or not for me
to open my eyelids like dawn again without fear
of being blinded by the blazing of the light
at the end of the tunnel that never fails to amaze me
like the Seven Sisters of the Pleiades glimpsed
through the leafless branches of a winter birch grove
and two illegitimate muses of memory that inspire me
to burn brighter than a lightbulb in a housewell
or a night light in a morgue, like the dark genius
of a root fire not even life with all its tears can put out.

This thief of fire wasn’t born like Prometheus
when Metis cleft Zeus’ skull with the double-headed axe
of the moon for wanting to consume his own progeny
like food in defence of the realm he’d become
accustomed to like a shoe that had wearied of the road
he was on like a cannibal eating everybody out of house and home.
If I hold these myths up to you like a starmap
can you see the dark abundance, the bright vacancy
of the darkly profound and sublimely shallow
this business of love is when it takes you more seriously
than you’ve been in the habit of listening to yourself?

Homeless as a rogue planet making pitstops at the stars
for an occasional taste of honey from the hive,
I’m not on the make as much as I used to be
when I looked for fertile crescents in the deserts
of the opposite sex that kept their oases under wraps
for the good of us all, though we shared mirages for awhile
that are harder to forget than my first sight of Orion.

I know I must sound like I’m talking like a field fire
out of a burning bush with New England asters on my breath
in the valley of Tuwa, that there’s madness
in the medicine of what I say about the short straws
of the bad magicians that have thrown the dead heartwood
of their dozy wands like vipers of bad luck in your way.

And I’m not preaching about anything I wasn’t
the spell bound victim of once myself, as if no sword
I’d ever drawn like a blade of moonlight out of the stone
could ever come between me and the women I’ve loved
more like Merlin Morgan la Fay than King Arthur, Guinevere,
but, goose-bump, I never gave all my magic away
like Prospero at the end of the mystery play
taking a step back into the cowardly world
that isn’t so new or very brave to anyone who’s been
exiled by it for not short changing Ariel at the expense of Caliban.

Life still sits at my table like a lonely autumnal equinox
in this thirteenth house of the zodiac where the angels
come to slum on the wrong side of the tracks
when the midnight sun is at the zenith of a total eclipse
or just relax like a black swan that’s given up
looking for its reflection at night in the negative space
of a white starmap that tarred and feathered it like Braille
or binary snake-eyes on the cube root of a bad throw
of the dice. No false idol of love embodied like a dung heap
covered in snow, until things start to get hot is ever
going to come down off the pedestal you put it on
and raise you up eye to eye out of this lower ditch of hell
you’re digging for yourself like a grave so deep and wide
you’re never going to fill it in with the vacuous absence
of all you abide as if the crumbs of the dreams
that fall from your table were loaves and fishes on a hillside.

Stop masticating your own heart to make it easier to feed
like a dirty pulp novel in the shadow of the Tower of Babel
to all these illiterate thugs you apotheosize in their high chairs,
spoon-feeding love like crack over a candle flame
in the middle of an ice-age shrink wrapping the larger mammals
so they don’t burn in the freezer like the body parts
they keep dismembering from you after bleeding
that hapless heart of yours in the bathtub that won’t ever
wash the stain of your snarling father clear-cutting
the orchard of your sex like Eden with a chain-saw.

Say screw it, lady, and throw gasoline on the snakepit
as you head for the exit before this snuff flick’s over.
Go ask the albino crows, nothing’s indelible not even
these oilslicks that are killing off the marine life
in the gulf of your sex in the fathomless depths
of your sea of awareness so the whole world looks polluted
through the same eye you look upon it with
at the small end of the telescope that’s stuck
its head in the sand like a field easel in a Buddhist hourglass
where the wind paints like the blowback
of the dust storm that’s grinding you down like a lens.

Try something new. Learn to be kind and compassionate
to all those voodoo dolls you keep sticking pins in
like effigies of yourself on a terminal psych ward
off its placebos like meds. And, yes, it’s hard
to respect yourself when you’ve never known how
but even so little as an atom nudged in that direction
can start a chain reaction of photons jumping orbitals
in a nuclear liberation of heat and light in the core of yourself
that changes the elemental nature of how you’re put together
whether you melt down like a candle at a black mass
of your inverted passions in insincere tears
or empower yourself to burn like a star for lightyears.

If you just stop trying to shine down on these eyeless slag heaps
trying to burnish the fool’s gold in their played out souls,
I swear there’s a habitable planet out there somewhere
waiting for your light in a dark cold abyss
with flowers in its eyes, o yes, chicory and cinque-foil,
wild poppies, enamel buttercups, marsh orchids
and white sweet clover in its voice when it rises to greet you
when you enter the room at dawn, and it’s not false,
and all your clothes are on like apple bloom that knows
when to take them off like a nebula on a summer night in the starfields
and shine, sweetheart, shine like fruit on the bough
of the evening star in the gardens of the Hesperides.

PATRICK WHITE

Wednesday, May 8, 2013

VOICES IN THE LABYRINTH


VOICES IN THE LABYRINTH

Voices in the labyrinth at the end of this heartless space
I seem to have wandered into, weary of sorrow, numbed
like a sand-blasted hourglass to the passage of time
not going anywhere it hasn’t been before, each day
greeted like the potato of an old lover with the charms
of a rose, though I can say no less of me, as we stop
to dogpaddle in each other’s mundane mysteries
without being drowned like dolphins caught in fishing nets.

No more wise sententiae please that slam my fingers
in the door, no more trying to squeeze mystic wine
from the blisters on my winged heels trying to shake
the pebble of the world like an avalanche off the road
between the mountains and the Skeena River from Terrace
to Prince Rupert, knowing it’s not safe to stop for long
without being buried in an asteroid belt. The harder
people try to be happy, the more miserable everything gets.
Happiness is more like luck than a premonition of things to come
if you’re flawless and patient enough to labour at it
like a nightshift in a coal mine praying for diamonds
that taste like the waters of life on the blackened lips
of a thirsty man in a desert of stars swimming toward
a lifeboat on the horizon of a delirium of mirages
like an aviary of dead canaries at the end of a long, dark tunnel.

Every insight into the nature of what I’m doing here,
my awareness arrayed before me like a well-soiled world
or a tree full of crows that know their way around
like undertakers of the occult in broad daylight
being chased off by smaller birds like pickpockets
seems like a seed of light embedded in the starmud
of a whole new world I won’t have time to explore on my own
like wildflowers in the starfields of what will bloom after me
and come to fruit on its own, by which, it’s been rightly said
a man is known, though he lie like a windfall of habitable planets
under his own bough, ripe, sweet, fulfilled, dead.

Thousands upon thousands of poems I’ve shed
like oracular eclipses written on the skin of snakes
like the fingerprints of emission spectra on the wavelengths
of first magnitude stars redshifting into old age
like apples on the low-hanging branches of the tree of life
more tempting than the bitter innocence of knowledge
that devastates itself like junkie hooked on his own amazement.

Not how I’m here, though that’s surrealistically
intriguing enough, but that I’m here at all in this dream
with these disembodied dream figures passing in and out
of awareness like swallows flashing by the windows,
gone by the time you turn the light around to look them in the eyes.
Constellations of fireflies exacerbating your astrolabe
like a shapeshifting model that won’t sit still long enough
to have her portrait done like the myth of someone’s origin
somewhere in the universe the stars aren’t fixed like a corrupt casino.

PATRICK WHITE

ASKED WHAT I WANTED TO BE I'LL SAY


ASKED WHAT I WANTED TO BE I’LL SAY

Asked what I wanted to be I’ll say
this is my achievement just as it is,
what I am, counterintuitively second-guessing
whatever this is. What else can a river say
winding its way across the moon
seeking fulfilment in an abyss it’s trying
to fill like a heart-stopping waterclock
that knows it will never catch up
to its own emptiness, but what the hell,
at least you can die knowing you tried
the impossible, you failed at something crucial?

The lovely green-blonde willows are leaning
like a rain storm out over Stewart Lake
and there’s a galactic rush of creation
in the small rapids of the Tay River
coming at me on this hard park bench
as if God were revelling in squandering her talents
just to empower the glee of knowing she can
transcend herself like the one returning to the many
through a million suns dancing on the wavelengths of her eyes.

God’s her own worst heretic and the last
I’d entrust a secret to given how she hides things
out in the open where everybody could see them
if they only stopped searching long enough to look.
Feel free to fill in your own pseudomorphic image
or colour outside of the lines as you wish, tattoo
a starmap on your eyes or howl like a moondog
or a tree ring there’s no green bough in your heart
for a red-winged black bird to perch on anymore
and startle you with the beauty of how
long you’ve forgotten how well it can sing.

When you’re sitting in the sunshine and you don’t want
to be an ignorant eclipse and punch a black hole
like a pupil in the evanescent radiance of the scene,
as the wild irises yearn for the colour of your eyes,
open your fist and try to live like a flower does
not knowing what brought you to bloom
but shining back at the stars nevertheless.

People, dogs, and lovers on the Little Rainbow Bridge,
and I don’t know if I’m dreaming this or not
or if some occult imagination anticipated me
before I happened like a sign of the continuous forthcoming
of the waters of life that have metaphorized me like a mindstream
as my vaporous sensibilities wander off into oblivion
beyond the boundary stones of my prophetic skulls
popping up overnight like mushrooms and moonrises
from the death valley of stars I buried them in
to temper the white lightning of my self-annihilating insights
into the heartwood of a rootless tree like a firefly
in a miasmic cloud of incorrigible unknowing
waiting to see what incomprehensively appears all by itself.

That’s a rush, I know, but if you don’t say it fast
you begin to lie. My space-time continuum’s
deranged at the speed of thought but that doesn’t mean
the shore-huggers see more than those
who flow along with the stream do whether
they’re overturned in the whitewater of their tears
or liferafting down the spring run off of the Milky Way,
what did Dogen Zenji write about how much
we can know about human life---no more
than the reflection in a water droplet on a heron’s beak?

It’s doubtful we’ll ever be able to speak to each other
in the same voice we’re listening to in the solitude
of the silence within, but ask yourself in the slang
of your own indecipherable mother-tongue, because
everyone’s caught in the same crossfire of life
ricocheting off the waters like a quantumly entangled multiverse
of noetic dark matter looking for the light,
in your own inner voice so the furthest galaxy
can hear you like a gamma ray burst of fierce insight,
in this spiritual lost and found, do you still seek solace
from the dumb-founded echoes of your own voice
or have you given up, assented to the silence, and begun to rejoice?

PATRICK WHITE