Saturday, April 27, 2013

NARCISSUS LOST HIS FACE IN THE MIRROR HE STORED HIS IMAGE IN


NARCISSUS LOST HIS FACE IN THE MIRROR HE STORED HIS IMAGE IN

Narcissus lost his face in the mirror he stored his image in
while Lady Nightshade was saying grace over the wrong coffin
rats from the shipwreck were rowing ashore
in the last lifeboat with a trapdoor in it for an emergency exit.
The holy men who couldn’t speak our language
without trying to fix it with an accent of their own
were recruiting for an army on the moon
to start a new crusade against futuristic infidels
who didn’t share the same direction of prayer
as the wavelengths that reached the ears of the extraterrestrials
with high ideals encoded in a scripture of esoteric starmaps
that spoke like oracles stoned on volcanic gas
so when you asked how things were going,
they always answered, perhaps, in an ambiguous tone of voice.

I was sitting in the window of a burning house
trying to write poems that smelled like smoke to the Holy Ghost,
when you showed up like a stranger’s doorway
out of my solitude like the bell of a three alarm death knell
with the smile that lingered like junkmail on the threshold
of a black hole that said jump right in, there’s light
on the other side of sin if you go through this
like a death in life experience in love with cosmic bliss.
Who could forget that day you came like a muse
up the leaf strewn stairs of an abandoned orphanage
looking for a heart you could inspire with the ruse
of the poetic refuse you left in the wake of your pilgrimage
like the desolation of your absence from the earthbound
that languished in the eclipse of your innocence
like a spiritual lost and found trying to make sense of itself
like a horse with a broken leg on a zodiacal merry-go-round.

I felt the fangs of your crescent moons pierce my flesh
like a staple gun under a rosebush in league
with an alliance of thorns that liked to see a poet bleed
as if the great mystery of love were nothing
but a conspiratorial intrigue of sword dancers on drugs
though I did everything I could to prove to you I was wrong
about the moonrise, you weren’t strong enough to be right for once
without starting a pogrom that interrogated
the light in my eyes for all those dark winter months
I never confessed, I never cried out as if ice were my only alibi.
I sat in the corner like a left-handed guitar with a dunce cap on
and wrote out lyrics that sang like the stars with a lisp
on your celestial blackboard until I felt like Sisyphus
a note shy of pushing my heart like a moon rock over the top.

It was the immanental sixties on a grailquest
for the objective correlative of a universal paradigm
it could fight under as the sign of a revolutionary new design of chaos
that made love not war to the thunder of home-made sonic booms
in a battle of bands with saturation bombing riffs and rimshots
that urged us to surrender to the enemy as if
they were dragonflies and quarter-notes of music
in a riot of helicopters dropping tear gas over Watts.
Even the madness wasn’t enough to mollify the sadness
of what we lost when everyone turned the lightshows out
in the concert halls and went back to the their atavistic law schools
to get a grip on the necks of the things they had let go of for a lark.
And the last time I saw you, before things went totally dark,
you were trying to set fire to my voice-box
like a lightning rod with bad wiring shorting out
like a bass amp on the stage of your burnt out farewell
to the audience that made a gracious bow to your frantic id
and headed for the exit like an arsonist long before you did.

PATRICK WHITE

LOOKING FOR AN ORBIT IN THE RIPPLES OF RAIN AT MIDNIGHT


LOOKING FOR AN ORBIT IN THE RIPPLES OF RAIN AT MIDNIGHT

Looking for an orbit in the ripples of rain at midnight
like a rogue planet that doesn’t belong anywhere.
I enter this page like a tent city in my homelessness
without self-pity, a vagantes wandering in exile
having cast myself out like an ostrakon of one
when my heart shattered like an urn full of ashen insights
into my own insignificance as an ageing dragon among the stars.

Scars, scars, scars, the cuneiform of my flesh
trying to translate itself into the linear A of my mother-tongue.
I don’t pair well with women who aren’t as self-forsaken as I am,
though I’ve tried, though I really did love the effort they put into me
and how I was moved to see the eclipse of God
through their eyes darkly so I didn’t go blind
in the mountains of the moon no prophet has ever climbed
without a warning not to look directly into the sun.

As I’ve said somewhere before I can’t remember
my tongue is a leaf on the wind, my eyes are clouds
in a sky that absorbs me like the vapour of a contrail at dusk.
Ghosts of hindsight, no wiser than the man who lived them once,
I mistrust the wisdom I derive from them at these
lonely seances of the heart like an expiry date
on all I’ve ever aspired to in the name of love and poetry.

A great fool, I risked it all, knowing what I was doomed to lose.
My sincerity knew no bounds. My intensity made
the sidereal ore of my Canadian immensity weep starwheat
into ploughshares that laboured to harvest
the mistletoe of the moon as if I had to cut off
my own balls with the golden sickle of my last crescent
like the King of the Waxing Year to keep my imagination fertile
and the siloes full of the dark abundance I reaped
like a reward for the lightyears of bright vacancy
I had to endure like Spica in Virgo at the autumn equinox
before the days got shorter, and the long, cold nights
doled out short straws at the foodbanks for the blind
that wintered in my mind like star-nosed moles
that shone underground like the light at the end of a tunnel.

I raised a black sail like a new moon among
the startled angels fleets that scattered
like the phases of apple bloom on a brisk wind
that blew them out to sea like a deepening awareness
of how transitory even the most beautiful are
running before the storm like butterflies
over the flatlining event horizons
of the black holes I warned them away from
like the skull and crossbones of a poem on a headstone
I dedicated to them like a bride catalogue
of transfigurative unions, alloys of paradisaical hells.

Moonboats and bottles of wine, tokes, guitars, poems
and paintings, existential sex, tomorrow with a no exit sign,
fame a passing acquaintance of mine, I threw my heart
back into the fire time and time again. I ate
the blistered grapes of vinegar that soured
the still-life depressions that censored my subversive silence
like a cut flower on a chequered table cloth
next to the long stem knife in an operating theatre
where I stitched the wounded roses of my miraculous passions
up with their own thorns to make something holy
out of nothing. Holy, holy, holy, the archival dust
of love affairs heaped like the Library of Alexandria
to keep the fire burning in the cracked heartwood
I threw on the flames like a heretical gesture of forever.

Not good times, no, never what anyone would ever ask for,
no winterized cottages with organic orchards at the end
of a country lane, but whole and crazy, resonant
with meaningless significance at the time, no intercessors
between me and my emotions like second thoughts
before I jumped like a skydiving dandelion toward paradise,
encouraged by my failures to find a place to land
to try, try again like the little train that could or a bird
meditating in the third eye of a hurricane like a shelter
for the homelessness of the words I turned out like muses
on the streetcorners of the wellsprings and literary watering holes
of binging poets trying to get it all in before last call
when they turned the eye-burning gaudiness of the light on again
and the proprietors of profitable mundanity who thrived
as our vices flourished, said in unison like a choir of cowbells
haven’t you got a home to go to, knowing quite well, the answer
was invariably no. Not in the way you imagine four walls.

PATRICK WHITE