SOME FEW OF THE WOMEN I’VE LOST
Some few of the women I’ve lost
and it was like giving birth to the
moon
so much was ripped out of my heart
I had not known I had so much to lose.
Still shudder like space with certain
wavelengths
of a gamma ray burst that burns like a
memory
of an abyss all my rivers flowed into
like my mindstream plunging off a
precipice
into the haze of the maid of the mist
down below the falls, a ghost of ice,
my blood unravelled from my heart,
tears flowing from my eyes like hot
glass
on a good day when I could melt time
with the absolute intensity of the way
I stared at things like a mad child
transfixed as a lens on the tragic
onceness
of change that threshes the antennae
of the swallowtail butterflies that
used to
touch the world so lightly in love,
eyelids
and fingertips, with the last crescent
of the full moon at harvest time,
reaping
the burnt loaves of what love sows
like starwheat at the vernal equinox,
spring as much a gate of departure as
fall.
Love is stranger than plutonium
and only the greatest of mystic
heretics
can stand in its fires and not be
utterly consumed.
O how enviously young I must have been
to believe that nonsense. Each, after
their own nature hangs on the same hook
prophesying in voices that are
devastated
by what they communicate. Too late. Too
late.
Absolute pain splits everybody’s
tongue
with a razor blade like a cedar shake
witching for water in a private hell
so impersonal it’s not even
interested
in punishing you for mistakes you may
or may not have made. No point in
trying
to improve the mirages of polluted
water
by taking a bath in your grave
everyday,
but you do just the same to approach
your absurdity proactively to distract
yourself
from a black hole enticing you to let
go and jump in.
Even if it’s radioactively
surrealistic
eat the pain as you lie down in your
bower
of stinging nettles trying to cauterize
your heart,
no secret love potion, no sword of
moonlight
between you and your beloved now
foresworn
not to violate the taboos of the mythic
diminishments
that have come between you
incontrovertibly as you realize
how many eras of darkness it takes for
the light
to cast a single shadow in the shape of
someone
you loved as indelibly as the night
loves its stars.
Mundanity becomes a feature of mercy,
an anodyne of pettiness, a placebo that
helps
you brush your teeth in front of the
mirror,
wash your face and comb your hair as if
you were performing some kind of
religious ritual
by scrubbing the blood off the altar
that tore
your heart out, a hefty directory from
a telephone booth
you consult like an oracle in a Pythian
snakepit
and then hang up for fear of disturbing
the bones
of the dead you buried in the deserts
of the moon
swearing you’d never dig them up
again like a dog,
though there you are, caught
red-handed, lapping
the marrow out of the receiver in your
hand.
We all get dropped off eventually on
some
lonely dirt road in the abandoned
countryside
with half a chance of surviving the
excruciation
like a declawed pet no one wants
anymore
without knowing what our offence was or
how to fend like a beginning without
end
against the odds of having been
disarmed by love
like a sword thrown from a bridge in
tribute
to the elixirs of the water sylphs we
surrendered to.
But let me tell you this from the
heartwood
of a tree that’s been made sacred by
lightning
and rootfires more than once, love,
like poetry,
isn’t for petty people, daunted as
they should be,
by living through their own
incommunicable death
like the unwanted poster child of their
estranged absence
longing for someone to call them back
out of the vastness like a seance that
could
channel the ashes of the cremations
that fill
the urns of their heart like the last
trace of smoke
from the firepit of a dragon weeping in
the rain
for what befalls whenever you swallow
the moon
like a cosmic egg from the love nest of
a widowed crow.
Like the other wing of the fly that
falls in the milk
of human kindness like a meteorite in
Antarctica
you’ll eventually find the cure in
the heart of the disease
by dipping the other wing like an
antidote into it,
or going down on the Medusa without
turning into stone,
hoping it doesn’t wear off before the
sands
of the albino tattoo of an hourglass on
her back runs out
and the world is overturned again like
the shocks
and changes Shakespeare says keep us
sane,
though love’s an occasion to doubt
that at the extremities
of an oceanic devotion dismembered like
a sea star by pain.
Or Orpheus rent asunder, gone insane on
his own music.
As anyone who’s ever mainlined the
stars
of the Via Galactic knows, love is more
of a dangerous gateway drug than lust
is.
If the surfeit of joy in the mystery of
the spell it casts
doesn’t kill you bobbing out of your
depths
like a prophetic skull in the deep end
of reality,
then the withdrawal of all your life
masks
from the artificial paradise of fool’s
gold
and tinfoil badges of star-crossed milk
caps will
as you shoot up the sheriff and die
like a wounded deputy.
But if the curse isn’t lived
immensely you give birth
to a feeble star, a penumbral blessing,
disappointed
as a shepherd moon you’re not shining
down
on a habitable planet of your own where
love thrives
like an afterlife in the open star
fields of a great wind
that once passed through your life like
a wildfire
that consumed everything in its path
like a comet
dislodged like a jewel from the black
halo around the sun,
o the bright vacancy of the radiant
coronas,
o the dark abundance of the total
eclipses,
impacting the earth in the Gulf of
Yucatan.
PATRICK WHITE