IT ISN’T RESIGNATION SO MUCH AS HALF
AN ASSENT
It isn’t resignation so much as half
an assent
to the inevitable I know so little
about
as I’m becoming it, living it like a
lamp in my hand
shining in the dark to illuminate
what’s there,
not by reflecting it, but creating it
on the fly.
My eyes are bubbles on the mindstream.
The jewels of an animal in the shadows
of the woods.
The star makes the eye it wants me to
see it with.
Not just retinally with my iris like a
moondog,
but interiorly in the heart of my
imagination
where sight is a kind of love, and
seeing
is dusty with stars clinging to the
windows
the mercy of the rain cleans off when
it’s time
to let the world see me anew as the
light turns around
to look at me from the inside out, not
two, not two, not two.
Music from the cover band across the
street.
Apocalyptic hilarity of drunken
ordinariness
extraordinarily trying to sing along to
the lyrics
of the chantreuse who makes them feel
special
about having everything in common with
everyone else.
We can sing about pain. We can sing
about joy.
And by the way we cry and laugh, know
what we mean.
An apartment away, a man is endearing
himself
to his own solitude without any
separation in the tone
of the farewell he’s preparing, and
nothing perennial
about the sacred syllables of that
imaginary first hello.
He watches people’s voices rise like
incense into the night air,
mystic paths of smoke disappearing down
a road
into the intimate distances that deepen
the darkness within
with the afterglow of humanity
lingering among the half-cut stars.
PATRICK WHITE