Sunday, October 28, 2012

O LITTLE SISTER


O LITTLE SISTER

O little sister you’re an alley-cat alto-sax
howling on the fire escape
under a blue moon
that’s driven you into heat
just outside my window
for that arsonist boyfriend of yours
who used to puke in my potted geraniums
every time the two of you got drunk enough
to crash across my coffee-table laughing
even with each other for a crutch
you haven’t got a leg to stand on.
I was charmed by your romantic desolation.
I was intrigued by how much original sincerity
you both saw fit to squander on a cliche.
C’est la vie, c’est l’amor, c’est le guerre.
Elvis Presley is well and living in Tweed.
And Arthur Rimbaud is running guns
with Jim Morrison in Ethiopia for Al-Shabab.
Most people work harder at hope
than they do at achieving their downfall
and you were a fire hydrant
and now you haven’t got a hose.
No pun intended
I’ve known you too long
to see you this upended slurring your words
like the simultaneous translator
of an hourglass speaking
out of both sides of its mouth at once.
I don’t know why he left you.
Maybe there was nothing left to put out.
You burned out.
A piece flew off your heat shield upon re-entry.
Maybe any man who couldn’t hold his liquor
realizes sooner than later he couldn’t hold you.
I don’t know.
Go ask my geraniums.
They’ve got more to say about him than I do.
You make your death bed.
You got to die in it.
Next time build your house on stilts
in Stanthorpe Queensland
to keep the snakes away from your pillow.
What can I say?
He had a shoulder on his chip
that just couldn’t hold his end of the world up?
And don’t get me wrong.
I’m not laughing at your pain.
I don’t laugh at pain.
Pain is pain.
Different planets.
Different moons.
Who hasn’t gone swimming with dolphins
in the saturnine seas of Titan
or dropped a comet like a match
on a methane moon of Neptune?
Endomorphs and dopamines
can make you do a lot of funny things
that love is at a loss for words to justify.
Even if just for one wild night
of occult hunting magic
everyone longs to run with the wolves.
And howl, o little sister, you can hear them howling
in their blood agony at the waxing moon
as if something had died within them
that was so deep and crucial
it tore their hearts out
in an ecstasy of unrepentant pain.
And many many years later
when the solid abyss and hollowness of life
has grown even greater
you can still hear their voices
screaming like winter winds
above the timber-line
so high-pitched no echo
has ever been able to reach that high again
without shattering like a night bird
against the mirage of the open sky in the window.
Like you, little sister, now.
I’m not a sump-pump for anybody’s tears
not even my own
but I’ve been known
to throw a little heavy water
on a nuclear meltdown every now and again.
Pain. Separation. Loss. Dream death
you keep reliving like an afterlife in your sleep
you’re dying to wake up from
like a coma that’s lost everything worth waking up to.
Not two. Not two. Not two.
That’s the way it is here.
That’s as far as words go.
That’s where Statius takes over
from Vergil on the nightshift
and the stars nod off like children
who couldn’t finish the story
and the quality of the poetry drops
as dark genius opts out
of the company of bright mediocrities
trying too hard to make it a better world
than it needs to be.
For things it didn’t do.
And in a merciful world
that lived up to its teachings
and didn’t shrink the heart
with fear of its own extremes
while everything else is expanding
shouldn’t be asked to suffer like a placebo
in the glands of spurious cure.
And, yes, I know sometimes
it’s hard to keep up with the mysteries
like the elements of life on a geometric scale.
How many jugulars does a woman have
for someone to cut
like the downed powerlines
of the Medusa’s head
for having cast the first stone at herself?
You can wake the serpent fire
at the base of your spine
just above your coccyx
the hardest bone in your body
the little throne
the modest gravestone
you’ll be resurrected on
when you’re summoned from the dead,
but you can’t train love
to bite the people you want it too
and run like an antidote to the rescue.
That’s why you’re getting high
on your own poison right now.
That’s why your drunken tears
oscillate between a broken chandelier
that’s bleeding out
and acid rain that burns like love
congealing into a new ice age.
However deep you dig the grave
to bury someone you once really loved
even a desert at night
when the stars weren’t looking
wouldn’t be enough to fill it in.
It’s a wound without scar tissue
for the rest of your life.
The ghosts keep being pulled out of the box
like that kleenex you keep using
to dry your eyes at this seance
you’ve called on the spur of the moment
to be appalled by how lonely it is
to plead with the dead for severance.

PATRICK WHITE

CHEWING ON MEMORIES LIKE BROKEN MIRRORS IN HER SLEEP


CHEWING ON MEMORIES LIKE BROKEN MIRRORS IN HER SLEEP

Chewing on memories like broken mirrors in her sleep
tears of blood run from her eyes.
She doesn’t know I’m watching
but I’ve got windows everywhere.
But for her
just for her
because nobody else cares
third eye satellites with unlimited airspace
in her choice of skies to match her eyes.
A haemorrhage of sunsets.
Fly little bird fly
as if you weren’t the shattered sparrow
God took his eye off
when you fell.
Sometimes the mystic oversights
have more to say
about the great revelations of the world
than all the burning bushes in the valley of Tuwa.
Rumours and news.
Fly little bird fly.
Be an apostate waterbird
and let your skull skip out over the lake
like the moon through a glass house
that’s been asking for it for years.
There must be stars
that haven’t bloomed yet
somewhere in the corner of a leftover garden
that no one’s trampled on
like moon rocks
on a firewalk with a spoon
that hisses like the head of a viper
boiling with venom
at the tip of the tongue of a Zippo lighter.
Fly little bird fly
into a state of grace
that isn’t tainted by your experience
of the taste of humanity
that threw you like bad meat
down your own wishing well.
How they pried your innocence out of you
like a flower before it was ready to open
like a keepsake from a locket
your mother gave to you on her death bed
like a silver bullet that would keep you safe
from the grave robbers
the moment you used it on yourself.
Fly little bird fly.
I don’t know why
people attach more of an emergency
to the exit
than they do to the entrance
but I guess you’d have to ask a junkie about that
who’s used to coming in through the back door
with a ticket to ride
that’s better than a forged passport
to Disneyland
after you’ve done business with the Pentagon.
Fly little bird fly.
Don’t lose your nerve for enlightenment.
There’s the Bodhi tree.
There’s Venus in the dawn.
And there’s all this emptiness.
Isn’t it sweeter
than a hot fix
once you’ve gone beyond
the last judgment between right and wrong
like the pick up sticks of the I Ching
into the nirvanic bliss
of discovering nothing
was your best guess after all?
Fly little bird fly.
Disappear into your own eyes
like a candle
that’s stopped sticking its tongue out at the darkness
looking for a new place to hit.
Fly little bird fly
as if you weren’t tarred and feathered like Icarus.
And may the sun that shines at midnight
find you a lot more approachable
than apple blossoms
scattered like ashes on the wind
or fireflies that can’t hold their fixed positions
like the stars.
O it’s so anatomically true
that life on earth hurts
especially when you’ve fallen
out of love with love
like a baby out of the nest of a lullaby.
Down will come baby
shaman and all.
I see your bruised body on the bed
like the embryo of some past miscarriage
that taught you how flesh
can grieve for its own death
while it’s still alive.
I see the black haloes.
I see the bright horns.
I see the butterfly feelers
that have burnt out
like the short-lived filaments
of your average light bulb
and the place where you were anointed
with holy oil that hissed.
And it’s hard to miss where the apple sat
when William Burroughs
shot you through the head
pretending he was William Tel
like your crackhead boyfriend did last night.
Luckily he missed your heart.
He should have hired a firing squad
instead of relying on a sniper.
You don’t send a single viper
to do the job
of the whole snakepit
when you take out a contract
on anything as elusive as that.
I’ve made the bed
and you can lie in it alone
for as long as you want.
I’ll keep watch over you
like a mongoose or a lighthouse
over a bird that was stared to stone by snakes
and I won’t have anything to expiate
if I see their shadows
sliding hate mail under the door.
Fly little bird fly.
No more skies that lie like windows
about what you’re going through.
No more pretending
those bruises on your arm
are rare orchids of jungle love.
When you went to sleep
tangled up in the powerlines
you couldn’t teach to dance to your flute
and the rhythm of your body
like bullwhips
you might have felt
like a broken kite on a funeral pyre
but if my magic still works
by the time you wake up
I’ll make sure
you open your eyes like a phoenix.
So fly little bird fly.
The world won’t heal while you sleep.
Your lover won’t have a change of heart.
He broke you like a chandelier
he threw down the road
in a drunken rage
on a Friday night
like a bottle of beer.
One solitude denies another theirs.
Lovers take each other hostage.
The rest is the Stockholm syndrome.
One fanatic.
One addict.
It looks like devotion
It looks like a life raft on the sea of love
but the ocean’s gone rabid and mad.
Just look at the way it foams at the mouth.
Things are bad.
Fly little bird fly.
You’re not caught in the chimney
with no way out.
You’re the genie of the lamp.
You’re the one that tunes the power lines
that are humming along with you
like Mozart with a sparrow.
You’re the silence
that times the rhythm of the music.
You’re the tuning fork
not the lightning rod
of a wanna be god
in a pick-up truck
who keeps you around
to beat on like a false idol
who shalt not come before him.
Stop pecking at the crumbs of your dreams
like the leftovers of a garden
that used to be secret
That’s no way to get out of a labyrinth
when you’ve got wings.
So fly little bird fly.
Disappear into the depths of a starmap
that breaks into flames as you approach
the creative intensities of your own shining
like sumac in the fall.
Here’s the dead branch.
Here’s the green one.
You be the moon.
You be the blossom.
You be the firefly.
You be the hidden night bird
with the faraway call
that doesn’t make the distinction at all
because you’re too far gone to tell
by any feature of the light
you can often see things deeper
in a black mirror
than you can in a white.

PATRICK WHITE