EVERY STEP I TAKE

EVERY STEP I TAKE

Every step I take either a crossroads, an impasse,

or a dubious suspension bridge that looks like

the work of spiders swaying over an abyss.

Eerie thresholds that don’t scare me the way they used to.

I take them now as if I were dancing

with clear-sighted surrealistic suicidal abandon

and what used to threaten me so deeply

I laugh at now as if it were just another buffoon

that overdid it, and turned its legend into a farce.

The furies that swarmed me once for things

I couldn’t even imagine doing at my most bitter

have mythically dwindled into black flies of the mind.

Now I smile at them like a miniature Pearl Harbour

dive-bombing a rotten piece of fruit. Malignant pests.

Even in my homelessness, kamikaze pilots

drunk on sake, bad house guests binging

on a divine wind that sweeps them all away

from the brittle sky above the windowsill

that fakes them all out eventually, though it’s sadder

on the other side, to witness the death of birds.

Once you accept you’re going to lose everything

you’re inestimably freer to spit in the eye

of your tormentor, and in that moment of enlightenment

the power and superstition of a madman in the joint

that could scare even Joe Frazier like Muhammad Ali

losing it at a weigh-in, overcomes you as if

your death were already behind you, inconceivably achieved.

You learn to stay ahead of the past, like a star,

shining down on the future history of who you are

even when you’re convinced you’re not anything

whether you win or lose and everything you do

is a risk you must take to keep on deepening your solitude

without shaming the eagles by living like a maggot

who sees a rainbow in a drug-induced mirage

and dreams it’s turning into a butterfly

with the dead-eyed instincts of a bird of prey.

Compassion isn’t the mirage a white flag you hang

like a bed sheet outside the window

to surrender your ego like a weapon.

Like a flower, it’s a sign of resistance that begins

deep underground in the blood roots

of a cult of rain and light that death cannot suppress.

It’s a compact with pain that enlightens the way of the other

by taking the egg-laying turtle of the world off the road

or using your own backbone to splint the broken rafter

of a house of life that could not stand without you,

one light enjoined to another like honey in the heart of a beehive

buzzing with stars. Not an alchemical crack house

freebasing its own mythic inflation like a dealer

tripping out on his product in a riot of vacillating ideals

that wobble like uninhabited planets losing their spin.

Compassion is a warrior. Not a martyr of circumstance.

Or the short straw of the last chance to be someone

on your deathbed like a sword between you and what you loved

as you lay side by side together and dreamed

your courage away by hesitating in the moment.

Sometimes mystic disobedience is a greater sign of love

than all the echoes and shades of our oaths and vows are.

Compassion’s a candle with the heart of a dragon

and it roars into the silence of its imperious empathy

like a black czar at the wedding of the waterlilies,

raising them up like paupers and constellations

or the crystal palace of the Celts wheeling in Corona Borealis

like a Sufi dancing with the dust and the wind at a crossroads

to celebrate his own annihilation in the rapture of his wisdom

to leave every room in his heart open to everyone else

as one of the fundamental conditions of intelligent space.

Not to fit the uniqueness of the human face to a life mask

compounded of enculturated delusions of its just proportions,

but to see in every one of its tears, a locket with the moon inside,

like a ripening lyric to the beauty of longing fulfilled,

a windfall shaken down in a sudden squall of stars

that fall to earth like the seeds of urgent cherry blossoms

to make way for the vital fruits of their unspoken exile.

PATRICK WHITE

IF YOU WORRY ABOUT WHERE YOU'RE GOING

IF YOU WORRY ABOUT WHERE YOU’RE GOING

If you worry about where you’re going

before you go, you’re not worthy of the road yet.

If you’re not having some black-hearted fun

with your worst nightmares, because they’re

just as surrealistically absurd as the bliss

of your most recurring dreams are, how

are you ever going to avoid taking yourself literally?

If you’re not crazy enough to wander

through a cemetery saturated with the moon

in the early hours of the morning, trying

to organize a choir of singing gravestones,

how are you ever going to recover a voice of your own?

That dowdy wren you let go of when you first discovered swans?

If you ever want to sweep across the lava plains of the moon

in a rush of emotion of a homecoming ocean,

but you can’t feel the tide in a single drop of water,

you haven’t cried enough yet to drown in your own sorrows

and see everybody’s life flash before your eyes

as you go down in retrospect, wiser than bubbles

in the way you descend like feathers trying to smile.

O, it’s hard here, isn’t it. Isn’t it brutal at times?

All your beautiful teeth knocked out against a concrete curb?

Inoperable cancer. The savage inexplicability

of the death of children it would be sacrilege

to even think there was an acceptable answer

to appease the loss, to satiate the grief. And I know stones

I’ve turned over I wished for years I hadn’t, things I’ve seen

that make me wish I’d never been born with eyes,

that have rendered my nemetic courage dysfunctional,

estranged from the Pleiadic radiance of my seeing

as if it were a black farce on tour in Taurus.

But if you want to shine like the fire of a pioneer star

in the clear light of the void, as I keep reminding myself

like a mantra over and over and over again,

you’re going to light up the intensity of hell

as readily as you do the cruel immensity of heaven

when it terrifies you with joy. Be a brave boy, I say to myself,

resolved to live all the lives of the Tarot Pack

and then go looking for the cards the Sufis say are missing,

just to say and smile at the end of time, if only to myself,

yes, I played all the stations of my life

as if they were the winning hand of an inveterate gambler

calling my own bluff in an unbeatable casino.

Seven come eleven, I’ve rolled my prophetic skulls

up against the wall like a printer in inky coveralls

in the back alley delivery entrance of a cosmic newpaper

on its lunch hour, throwing snake-eyes around

like the fang marks of a prison tat turning to Braille.

If you haven’t blooded your sword by falling on it yet,

and hemorrhaged by a river wild blue irises, just to add

a little Zen beauty to your death in life experience,

if you haven’t felt love slash its nadir across your wrist

and worn it like the talismanic bracelet of an unmentored initiate,

how are you ever going to transit zenith

as if you were crossing the threshold

of that thirteenth house of the zodiac

you raftered with your bones to accommodate your heart,

to cherish your own ashes like the mystery

of the afterlives you had to live through

until you burned like a star that had learned

the art of shining is the art of inexhaustibly letting go?

More doubt in our joy than in our pain, if

you don’t learn to ignore your certainty to the point

you disappear into the abyss of an expanding universe,

giving no second thought to whether you exist or not,

with no nostalgic attachment hovering over your emptiness

like the halo of a black hole, how are you

ever going to evolve the mystic green thumb you need

to root sunflowers in the darkness like neighbouring galaxies?

How are you ever going to adapt to the things you cherish

if you can’t endure the transformations that come with them?

If you skip the cocoon and go straight to the butterfly,

all you’ve really done is traded your birds in for a kite

that doesn’t know how to sit or sing on the power lines

it’s entangled in, nor how to negotiate the wind with wings.

You may glimpse the unattainable, yes, like a moth

at a closed window, wondering what it must be like

to be annihilated in a candle like an old love poem,

but the vision’s not sustainable as a way of life of your own

until you’ve set fire to your own antennae like wicks

that are not consumed by the flame, or extinguished in the rain.

Spiritual diamonds don’t forget where they came from,

their perishable beginnings, and though they can shine

like water and rainbows, their clarity smeared

by the chromatic aberrations of their colour-blind telescopes,

they haven’t forgotten how to burn like bituminous coal

in a basement furnace, or melt the intensity of their emotions

like a glass river making its way to the sea or how to use

a meteoric explosion as a way of sowing adamantine insights

like seed stars in an immaculate ocean of enlightened awareness,

the life-mask of the inconceivable assuming form

to express itself as an event in time that outgrows itself

transcendentally without a revolution or message for anyone

but itself, thereby ensuring, given our inquisitorial nature,

that everything from stars to rocks to apple trees to humans,

overhears it as a revelation of angelic gossip

waxing the long after-hour halls of a demonic institution

that was founded synarthritically on the cornerstones of our skulls.

Zen might be the taste of tea. But if you’d rather spice the water,

do it with all the flavours of life, dip an eclipse

in the full moon of your cup now and again,

and let the darkness work its cure upon you like a spell

deeply steeped in your imagination like a school bell.

Attend to your shadows, not as a theft of flowers,

or the clone of a brighter garden you’ve lost your way back to,

but as mute voices with a grammar all of their own

deep enough to show you the stars you wish upon

from the bottom up of a well with fireflies caught in its throat

it articulates like chimney sparks, even at noon,

or when the black sun shines at midnight

through a clearing in the tree-line of the starfields.

The snake that takes your life grows wings

and turns into the bird and the dragon that uplifts it

with oxymoronic lyrics of fire and rain that are as real

as any symbolic gesture that plays suggestively with your heart

in the cauldrons and fountains of being

that elaborate you as you are, slack water in a mirror

that neither ebbs nor neaps, as the tides reverse direction

like a heartbeat or the flow of your breath.

This mysterious third extreme in between life and death

where everything you sought among the mountain peaks

finds you at the moment of your withdrawal

from your circuitous passage through the valley of longing.

And in every emotive thought, the serpentine wavelength

of the immensity of the transcendent silence

overwhelms you with the intimate impersonality

of its approach to you in every risky step you take toward it.

PATRICK WHITE