EVERY STEP I TAKE
Every step I take either a crossroads,
an impasse,
or a dubious suspension bridge that
looks like
the work of spiders swaying over an
abyss.
Eerie thresholds that don’t scare me
the way they used to.
I take them now as if I were dancing
with clear-sighted surrealistic
suicidal abandon
and what used to threaten me so deeply
I laugh at now as if it were just
another buffoon
that overdid it, and turned its legend
into a farce.
The furies that swarmed me once for
things
I couldn’t even imagine doing at my
most bitter
have mythically dwindled into black
flies of the mind.
Now I smile at them like a miniature
Pearl Harbour
dive-bombing a rotten piece of fruit.
Malignant pests.
Even in my homelessness, kamikaze
pilots
drunk on sake, bad house guests binging
on a divine wind that sweeps them all
away
from the brittle sky above the
windowsill
that fakes them all out eventually,
though it’s sadder
on the other side, to witness the death
of birds.
Once you accept you’re going to lose
everything
you’re inestimably freer to spit in
the eye
of your tormentor, and in that moment
of enlightenment
the power and superstition of a madman
in the joint
that could scare even Joe Frazier like
Muhammad Ali
losing it at a weigh-in, overcomes you
as if
your death were already behind you,
inconceivably achieved.
You learn to stay ahead of the past,
like a star,
shining down on the future history of
who you are
even when you’re convinced you’re
not anything
whether you win or lose and everything
you do
is a risk you must take to keep on
deepening your solitude
without shaming the eagles by living
like a maggot
who sees a rainbow in a drug-induced
mirage
and dreams it’s turning into a
butterfly
with the dead-eyed instincts of a bird
of prey.
Compassion isn’t the mirage a white
flag you hang
like a bed sheet outside the window
to surrender your ego like a weapon.
Like a flower, it’s a sign of
resistance that begins
deep underground in the blood roots
of a cult of rain and light that death
cannot suppress.
It’s a compact with pain that
enlightens the way of the other
by taking the egg-laying turtle of the
world off the road
or using your own backbone to splint
the broken rafter
of a house of life that could not stand
without you,
one light enjoined to another like
honey in the heart of a beehive
buzzing with stars. Not an alchemical
crack house
freebasing its own mythic inflation
like a dealer
tripping out on his product in a riot
of vacillating ideals
that wobble like uninhabited planets
losing their spin.
Compassion is a warrior. Not a martyr
of circumstance.
Or the short straw of the last chance
to be someone
on your deathbed like a sword between
you and what you loved
as you lay side by side together and
dreamed
your courage away by hesitating in the
moment.
Sometimes mystic disobedience is a
greater sign of love
than all the echoes and shades of our
oaths and vows are.
Compassion’s a candle with the heart
of a dragon
and it roars into the silence of its
imperious empathy
like a black czar at the wedding of the
waterlilies,
raising them up like paupers and
constellations
or the crystal palace of the Celts
wheeling in Corona Borealis
like a Sufi dancing with the dust and
the wind at a crossroads
to celebrate his own annihilation in
the rapture of his wisdom
to leave every room in his heart open
to everyone else
as one of the fundamental conditions of
intelligent space.
Not to fit the uniqueness of the human
face to a life mask
compounded of enculturated delusions of
its just proportions,
but to see in every one of its tears, a
locket with the moon inside,
like a ripening lyric to the beauty of
longing fulfilled,
a windfall shaken down in a sudden
squall of stars
that fall to earth like the seeds of
urgent cherry blossoms
to make way for the vital fruits of
their unspoken exile.
PATRICK WHITE
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