MY SECRET PLACE 
My secret place down by the Tay River.
I deer-bed down among the autumn
grasses 
and last of the New England asters 
half-lotus in cowboy boots
with a clear view of the stars 
dancing on the water.
The waterlilies have perished. 
Jupiter. 
And the moon at last crescent. 
No one knows I’m here but me. 
I’ve never come here with another. 
A place where I talk to the universe
alone 
as if it existed
more personally 
than the mere immensity 
of a cosmic intelligence 
super-saturating time and space.
Belief’s a bad habit of mine 
and sometimes I want to be deceived 
into believing someone’s listening 
even when I know they aren’t
and that the worst always happens for
the best
even though I know it doesn’t. 
The sky’s a windowpane I can fly
through
without breaking my neck on delusions 
and the moon feels like 
a cool poultice on a hot wound. 
I watch a spider repair its
dreamcatcher
and say good luck.
And the stars don’t really give a
damn 
how they shine deep in my dark inner
spaces. 
Everything is so perfectly entranced
with being itself 
I wonder what it is about a human 
that has to take time out like me 
to reconsider what I’m doing here 
wandering around on the earth 
without any certain purpose 
other than the ones I make up like
poems
to spin bedtime stories out of my
nightmares.
A birch leans out over the water 
like a woman washing her hair in the
river 
and I sense there’s an inevitability
about a tree 
that isn’t like me. 
I can’t find a fixed reality 
to be in harmony with. 
I have no doubt the rocks along the
shore 
are getting it right
but with me consciousness is a light 
that contradicts its own clarity 
the moment it reveals itself.
There is no path to follow 
no way to flow 
no aspiration to fulfill 
that isn’t pure folly. 
Or just another way of running out of
myself 
like sand in an hourglass 
piling up pyramids
until I’ve exhausted myself like
Sisyphus
rolling stones uphill. 
And then I’m overturned like an empty
shotglass 
to begin again 
or just sit here by the river like an
amphibian 
and let the universe do what it wants
to my brain
without assuming it wants to do
anything 
or that the damage hasn’t already
been done. 
A new way to be partially whole!
Flesh and blood with a mineral soul!
Prophetic tents full of snakeoil
salesmen. 
But I’ve never been tempted 
by things I couldn’t give my heart to
and the curse of spiritual valium 
is the same as it is on earth. 
The withdrawal is as dangerous 
as following the addiction 
all the way through
to the emergency ward in heaven
that handed out the prescription in the
first place. 
It isn’t the soul of a butterfly I
see 
when I look the money-maggots in the
mouth.
I’m not praying for an afterlife
that’s worthy of me
as if anyone knew what that amounts to.
What would you suggest 
for an agony of snakes in a bag of skin
that’s got nine holes in it? 
The tears I’ve wept for the world 
have all turned into serpents.
The tears I’ve wept for myself
watered the roots of a mirage
in a desert where the stars 
burn your eyes like sand
and turn your blood to glass. 
I wonder if the birch knows 
what’s passing it by.
If the river is its mindstream.
And then it comes to me 
like a message in a bottle. 
Maybe my sole purpose on earth is
passage. 
Maybe I’m just time looking for a
reason for itself
to go on like a season that’s known
by the way it changes
by always being estranged from itself. 
Maybe I’m the more-than-me I can’t
conceive of. 
Maybe all these things seem 
self-possessed in their tranquility 
because I’m a mess.
Maybe my being as screwed-up as I am 
helps get them through it
and all my pain and turbulence 
all my preposterous longings 
to be well-meaning and beautiful 
all the black elixirs of the ruthless
mystery 
I’ve drunk from my own skull 
held up to the gods 
like the begging bowl of the moon 
when it’s full 
just to see if the darkness tastes of
light
the way a lump of coal 
foreshadows diamonds to come
after aeons of excruciating
transformations
and if there’s more room for chaos on
a calendar 
than there is space in the scheme of
things for thought. 
But there I go again. 
You see what I mean? 
Fish jumping out of the stream at the
stars 
that lure them up out of their depths
like low-flying insects 
to take one great leap into a new
medium
out of themselves 
like an arrow through the back of a
bulls-eye of ripples 
it didn’t know it was aiming at.
But things are getting too elaborate 
and at this rate I’ll soon be
speaking in voices 
like some right-brained polyglot in a
rapture of saying
going on like the Rosetta Stone 
as if I weren’t sitting here alone
like the misbegotten seventh son of
zero 
trying to come to terms 
with a formless reality 
I keep stubbing my heart on.   
Mahaprajnaparamita. 
Great wisdom for the further shore. 
Gone! Gone! Gone! 
Altogether gone beyond.
Isn’t that what the Buddha said 
in his secret place 
when he went out of his head 
trying to stare the world in the face
and all he could see was Venus in the
dawn?
Desire and its afterbirth
at the beginning of nothing at all?
An insight into what’s unearthly
about the eternal 
or just the way the light’s bent by
an atmosphere?
To those who can’t let go of things 
and to those who cling to letting go
impermanence is suffering
and the only way to cure that 
is to pour yourself out upon the earth 
like the bitter cup of the moon 
when she’s had enough of herself
and find peace 
in the sweet potential of your
emptiness 
to be filled up again. 
To sit here in a secret place 
like I do
tangled in my human roots  
with waterlilies on my brain
strung out all the way from earth to
Venus
like a chain of thought
severed in the distant past 
we had resolved would never come
between us. 
Where is the peace?
Where does that flower bloom 
that’s rooted in blood and starmud
if not in the solitude of a human heart
that’s wandered this far from home
along the shores of its longing to
return?
Why does my heart argue 
against the will of the world
like a salmon swimming upstream 
on the down slope of a cosmic mountain?
I’m not trying to scheme my way out
of 
my dream of this 
like someone who turns his back on his
eyes.
I’m sick of lies. 
I’m sick of universal truths. 
I’m sick of how blithely everything
obliges death 
with every second breath. 
I’m sick of the grailquest.
I’m sick of the hypocritical
crusades. 
I’m sick of Aztecs and Christians 
with the blood of gods and children on
their lips.
I’m sick of atheists who claim it’s
lipstick. 
The lightbulb in the well on the moon 
to keep the water from freezing up 
has gone out
and I’m sick of the way things don’t
flow anymore
like a tide in a sea of shadows 
like the road of ghosts
through the cold dark vacant
interstellar spaces
of an enlightened lunatic with a
creative abyss for a heart. 
I’m sick of the bitter black ghost
bread of my art 
that tastes like the futility of burnt
paper.
I’m sick of trying to understand 
what isn’t understandable 
about my own and human nature. 
I’m sick of all these long
incommensurable interminable questions
I’ve walked all the way to the end of
time and again 
only to return with an ambiguous answer
that’s rarely communicable through
form.
In all humility 
take the low place like the sea 
and the sewage of the world runs down
into me. 
Take the high like the open sky 
and the mountain turns into a mudslide.
The best is to be here right now as I
am
with all my dilemmas answers
contradictions 
insights questions and aspirations, 
all the paradoxical sorrows that have
come
of my physical assurance that life is
joy 
and ultimate unity is bliss 
without the oxymorons 
and love’s a deeper insight into life
than death 
if only by a breath 
and though why we’re here in the
first place 
is anyone’s good guess
intelligence is not the anti-Christ of
chaos
but the genius of dark matter becoming
aware of itself
like a hidden secret that wished to be
known.
What is dark will appear light 
if you surround it with something
darker
like a star shining in daylight 
no one notices 
until the night reveals it
like a wolf that lies down with the
lamb.
And the best is to be wholly here right
now as I am. 
PATRICK WHITE
 
