Sunday, April 8, 2012

IT'S A GESTURE OF HEART


IT’S A GESTURE OF THE HEART

It’s a gesture of the heart
that no one can explain
that lays its words down like cool herbs
gathered on the moon
to silver someone else’s pain.
We lie down in the same wound
like two stones in the same river
that might make it to the other side
without drowning in the stream
and I speak to you of shores you can reach if you try
and you add yourself like a drop of water to a shoreless sea, and cry.

And for a moment you are the devastated solitude
of a runaway in the rain
who can’t abide the stranger she’s become
as a lipstick butterfly emerges
from the shell-casing chrysalis of your rage
and you put your lips on like wings.
You’re a princess with a white flag
approaching the ashes of a dragon
who sleeps in his own fires
to wake him up from his dream of water
and negotiate a rescue now
if only I’ll concede to show you how.

You want me to respect you because you’re dangerous.
You want to ensnare me
in the white voodoo you’re practising
on the dark side of the moon,
you believe in my eyes
and want me to see something
you’ve never shown anyone before
because a window’s as good as a door to a thief
and you know we have neither in this homelessness
that shelters our grief like dark matter in space
or the far side of a face
we refuse to acknowledge is ours.
I can feel your powers
chafing their scales in the snakepit
like straitjackets they’re urgently trying to slough off
like the old skins of a hand-me-down moon
that don’t quite fit the new one right.
One fang, stars; the other, a starless night,
you know how to open things with a smile
and strike like a gate
should anyone walk between your crescents
like a terrorist with carry-on luggage
who doesn’t dream he’s been detected
as you recoil like a theme to make your point.

It would be easier to tinker with the genes
of the ancient ancestors of a life before sin
than not to want to sleep with you
like a thorn under the skin of your rose,
than not to want to be your bay for the night
and tell you everything’s going to be all right
and mean it and drown the world like a torch or a dragon
in the intimacy of our most urgent delusions.

And even if I didn’t put a match to the candles
they would still ignite
and a black sun would rise at midnight
and let the stars and flowers decide for themselves
whether they wanted to open in its light or not,
and for awhile, deep underground,
there’d be laughter in a coffin
as we posted dirty notes on our headstones
like shocking love poems
that just rolled off the tip of our tongues
like drops of water charged with stars and snakefire
humming down our spines
like the deathbed hymns of the hydro lines
when they break the news to God.

PATRICK WHITE

WERE THERE STARS


WERE THERE STARS

Were there stars in your hair that night?
I cannot remember,
so taken with your face
and the mystery and the silence and the sorrow
of the tender bell in your eyes
that could summon ghosts
of yesterday’s embodiments to the fire
of any passion that lost itself prophetically
at a rave of shadows among the trees.
You eased out of your wardrobe of rivers
like a snake on the moon
sloughing its skin like the eclipse
of a far more vulnerable shining,
and I couldn’t tell if you were
a doe or a lynx
stepping out of the alder groves warily
to lap the moonlight
that flaked the shore
with the silver petals of an undulant rose
older and darker than nightblood.
I could feel the danger within you,
the abyss of the early grave
that waited for you like a key
to come in out of the pain
that bled you like a shadow
pouring out of an open wound
that whispered to you like a secret scream
only the dead who owned you could hear.
Your hunger desperately sought salvation
from the eyes
that pleaded with you
to blow yourself out like a candle,
cancel the inevitability of your suffering
with the shudder and sigh of sex.
We lay down naked together
by the willow-stained waters
in that summer of flesh
and sought oblivion from each other
like two compatible cremations
that concealed a ravenous phoenix
ending its fast of fire.
Purified by the depth and darkness
of your intensities,
I burned in you
and felt the flames
of a dangerous angel
who had broken her afterlife like a curfew
flow over me
like dawn at a keyboard of feathers.
Your breasts still come up overnight
like supple mushrooms against my chest
and the moist heat of your mouth
throbbing with flowers like July
as you seized your joy
from the agony of the roots you tormented
to give up their dead
like bruised cherries.
I have never died as fully since
at the insistence
of any woman’s appetite
nor known a night so final,
so brutal with time and beauty
as the pendulous moon swung
like an executioner’s ax
over the nape of its own reflection
swanning on the waters.
We made love as if
we were both defying
the truth we didn’t need to say.
I wanted to plead with you,
I wanted to call out into your emptiness
like a beseeching bird
disappearing into a dark valley,
but my voice ran ahead of its echo like light
and the things I would have asked you
not to do
had already been achieved.
Heroin, your asp,
at the funeral I stood back
beyond the baffled wreaths of flowers
and the ambivalent silence
of the modest gathering that mourned you,
maculate in the shadows
of the Japanese plum tree
we once made love under
and I kissed the rose of your blood
shedding in mine
like a wound
my love was never sword enough to heal
as they closed
and boarded you over like a well.
I spent the night like an empty vase
beside your grave
until the stars that bloomed above you like wildflowers
thawed my tears in the morning light.
I walked out of the cemetery
through the hard harps and spears
of its iron gates
and I have never been back.
The years since have been
chameleonic as a hooker
who plys her art
on the stairs of a temple
even the priests of my lust
are forbidden to enter,
but as you said I would
as you lay with me that night
like a knife beside the sea,
I have returned to you over and over again
like a witching wand
looking for water in hell,
like a cult of one to a lost island
that holds you like a secret
and wept like a candle of honey
in the dark hive of your unanswerable silence,
intoning the names
of an impossible god
on a rosary of black suns
until my heart hangs like a bell
dumb with grief
looking up at the stars
you rinsed like a tide from your hair.
And I lean on the crutch and the crook
of a shepherd’s question,
looking everywhere for you
like the wind
sweeping the shadows of fireflies
like the fall of hair from your eyes
that night you tore yourself away from me
like a veil of blood and sorrows
wounded by the terrible light
of the black pearl
that ripened within you like the skull
of a full eclipse.
O my poor, broken angel,
you might have been fat and frumpy by now
if you had lived.
I could have watched your beauty
shed like the moon over the years,
and smile like an island
to remember how lost I was in your tides once,
a constellation of starfish
tumbled like dice in your dark undertow,
trying to shine, god, how
I tried to shine for you, how
I ached to embrace your planet safely
in the mandala of an empowering radiance
that could show you
I was worth living for
if nothing else.
Given the freedom
of the emptiness that engulfed us both,
we could have lived within each other,
we could have evolved our own atmospheres,
appointed our own stars,
written our own myths of origin
on the black pages of that journal of skies
where you scribbled down the events
of your per-emptive afterlife
as if you wanted to make your ghost indelible.
As it was, the only thing I could do,
was take you in
like the last breath of a summer night
I could never let go of
without following it
like a shadow of you into death.
I haven’t wished for much over the years,
and the dreams have come and gone as they will,
and my hair has gone gray
and my eyes are looped like powerlines
and the sad bells of a heavy solitude
that has yoked me to grindstone of the turning world
to mill the stars like a tide
on the bloodwheel of a worn heart.
I finally burned and broke all the weeping mirrors
I consulted like half-assed mediums
to see if I could restore you somehow
to the more intimate shining of that last night
you turned and ran back,
your shoes in your hand,
to make sure your final kiss would endure like a temple.
You pitied the agony of shapeshifting
you knew the black water ahead
was about to go through
as it smashed like goblets and crystal chandeliers
on the roaring skulls of the rocks;
you pitied me because you knew I loved you,
because you knew you were already
a future memory
and I was a prophecy from the past
that had ridden beyond itself like light
to illuminate nothing but your absence
measured in the filaments and lifelines
of eyeless oceans like a seabird
circling a blind lighthouse on the moon.

PATRICK WHITE 

ON THE WOLFPATH AROUND THE LAKE


ON THE WOLFPATH AROUND THE LAKE

On the wolfpath around the lake,
a narrow-eyed moon keeping an eye
on my intrusive solitude, my equivocating silence.
I can feel the air saturated with wet noses.
I try to imagine how the stink of a human
must impinge upon the wild things that live here.
Mustard gas in No Man’s Land.
I listen to the recombinant rhymes of the nightbirds
to see if I can remember them by name.
I hear the water moving like a rat snake
through the stuffy cattails
standing like an honour guard of cannoneers
from Napoleon’s Grande Arme beside me.
Encylopedic duff of decay. Wet black leaves
of last November’s body found six months later
perfectly preserved under the snow,
cling like leeches to my leather jacket and boots,
trying to patch me with their colours
like skin grafts, as if there weren’t already
enough constellations and starmaps on my back for that.
The sun in the Circlet of the Western Fish
committing murder-suicide, or were they hung
like ballet slippers with blue ribbons
beside a door way that gave up dancing for good?
Stubby birches that have been
through the pencil-sharpening beavers
once too often to make much of a point anymore.
Vlad the Impaler’s idea of a white picket fence
around a pioneer stockade of pick up sticks.
On the wolfpath around the lake,
strewn with branches like handlebars
and the genderless frames of mountain bikes,
I hold on to whatever I can
to help me keep my balance.
I make my way to a stony clearing in the woods
nothing belongs to but a space
where everyone feels right at home
like the prime focus of a neighbourhood watch
with eyes like suspicious windows.

PATRICK WHITE

CRUCIAL DELUSIONS


CRUCIAL DELUSIONS

Thinking sometimes I may have gone in too far
and rendered myself mad on metaphors, thinking sometimes
the river’s turning has degraded into a metaphysical noose
and I’m the prime candidate for some kind of exotic extinction,
with or without enlightenment, and considering too
the exponential myriads of incommunicable interpretations,
as many as the radiant directions of a single shining, though even that
is saying too much, too little, or nothing at all,
I sit here in front of a computer screen,
smoking, drinking black coffee, priming the morning
like an eerie stranger to spring, even the willow
under the church spire, exalting
in its being poured out of something into something
like a waterclock. Over my life, as far back as I can remember,
even in daylight, even in the green morning,
I have always walked under a dark shadow of sky, a long night
that has fallen like a palladium, or radioactive dust
from an ancient, nuclear winter I must have survived
to wonder what food-chain I’m part of now. Who
can understand the myriad selves in a single moment,
the thousands of temples whose foundations 
are sapped and torched in a blink of the void
when slavery changes masters and one by one
we become part of the new linkage, precisely
where we are most empty, most apprehensively free,
contriving a bond we can belong to, something
proportional to our courage to be, to create
a delusion that might convince us for awhile that understanding
is not beyond our capacity to make things up
and forget it all began as a kind of play.
In the brevity of always, I am the dark clarity
of the unnamed witness who is and isn’t me,
and I am the actor cast into the stage lights
of the dream and the dreamer, not the thread
of the tiniest spider between them. What
I see of myself, when I’m the cowled observer,
is a long night alone with time and the stars
among the vast indiscriminate deserts
that particulate our despairing monuments and distinctions.
I drink from my own muddy well of wisdom,
looking deeply into the perversion of my reflection
for any sign of love, for any
sign of assent in the light of my glacial seeing. Never
have I been assured of anyone or any part
I’ve ever played to the single occupied seat in the house
that neither applauds nor condemns
from the cold intimacy of its throne
the antics of these crucial delusions, deliberate or spontaneous,
that adorn the mental marquees, the garish neon
of the all-night feature that is me.
The same appalling silence greets the hero
as commends the clown, the theater itself
the owl of an inconclusive afterlife
enacted alike in a brothel or a shrine. No word
from the other side
has ever flowered here, no
ground of being ever sprouted keys to unlock
the efflorescence of this urgent spring, to liberate
the farce of my unknowing
from these straitjackets of affirmation and denial
and let me live sufficiently beyond both
on the nothing I am and the nothing I am not.

PATRICK WHITE

COSMOLOGIST WITH TWEEZERS


COSMOLOGIST WITH TWEEZERS

Palace after palace of blood I feed my idiot heart
to the fish and the cannibal stars
from a barge of funeral swans sullen as books.
I told myself not to look for this death when I dropped it
the day I was born, to leave it lie in the violent grass,
a key to a door that doesn’t exist yet,
an insect crushed between the pages of the sky
that reads like the failing eyes of an ancient astronomer
compiling an expanded preface
to an encyclopedic suicide note. O I can say anything
when the mirror is having an affair
with the moon’s oceanic face.
I can put lipstick on the corpse of a rose
and die for the whole cemetery like a callous messiah
sick of being resurrected at the take-out window.
My love forsaken, a beggar reaching into a serpent’s nest
for an egg that longs to be turned
like the handle to a door
that might be a way out, I consult
the crazy wisdom of the crows,
and a sage of the black night
to find my way back to a grave
that has not forgotten the taste of the dream
that was blood and wine and light.
This is a shabby afterlife, an unworthy war of mistakes,
where the orchids are raped on their wedding nights
and a peace treaty is chalk on the sidewalk
around a murdered mailman.
It would be a lie to say I wasn’t wounded,
it would be a falsehood to say I was.
This pain is the blundering apprentice of a mystic knife.
This agony is stupid and futile and vain, this sorrow
a brothel of homesick nuns.
I give my tears the address
of a man I know in Boston, a bibliophile
who might take them in as a first edition
of a bride who was published posthumously.
I give my heart like a fire-alarm to two women
waiting by the bus.
My skull begs for campaign funds
to run as an alternative planet
to the one I’m walking on,
but the terrorist behind the door
with his redressals and reforms, his ancient future
strapped to his waist like a broken promise
has already ruined my vote
by killing off the candidate.
I confess to a puppet government
with the excrescent sickle of the moon at my jugular vein
that I have always been, even in eclipse,
an avid fan of significant absurdities.
They accuse me of consorting with swans
and I give up smoking
in front of a firing squad.
The sun comes up like an afterthought, an iron rose
or a bullet hole through the troubled forehead of dawn.
“Is there no end to the wonders of God?”
cries a highschool prophet on a diving board
while his seeing-eye dog runs off
with a shoe full of massacred dice.
And this is the meaning of life,
and this is the meaning of life,
chants the scorned heart
pulling stitches out of a scar,
a cosmologist with tweezers
who bleeds to death
every time he opens his mouth to heal.

PATRICK WHITE