THE EVENING DEEPENS INTO THE LEES OF
ITS MORDANCY
The evening deepens into the lees of
its mordancy.
The broken pines seem more tragic. The
corpses in the cemetery
less lifelike. Spirits move over the
face of the leaf littered grass
as if someone were throwing thousands
of loveletters away in disgust.
The darkness is more threatening. You
can feel the presence of the dead
slipping under the doors and the cracks
in the windowsill
like smoke and cold wind and life
threatening protestations
of undying love. Not a rumour of sound
from the town.
The wind is holed up somewhere in a bar
that doubles as a lair
knocking another one down for the
obliterate illiterate night ahead.
Recite. Recite. Recite. The unlettered
prophet was told
by the angel of light. I don’t recite
so much as I let it write me
into the destiny scribbled on the lines
of my forehead,
birds coming and going like musical
notes on hydro line staves
with ivy treble clefs coiling around
the pole like medical snakes.
Baby, I’m a caduceus. You be the dove
above it all.
The silence pregnant with
manifestation. The furnace
has stopped cracking its knuckles. The
flanks
of the American flag above the real
estate office downstairs
has stopped flexing its muscles at the
command of the wind
and the horse whisperers are out in
style trying to calm things down
to a ghastly serenity. The stillness is
a bread knife
cocked diagonally on the white vinyl
kitchen sink counter
like a sabre of the new moon sitting
there the koan
of a blank but focused stare with an
essential existential question to ask you
about whether you want to live or die
by seppiku.
The mirrors are hiding their eyes.
Someone’s in bed
bleeding to death because of a
loveletter they’d just read
that said life was better off without
you falling in love with it
all over again with the unbearable pain
and joy
of having to leave it this way through
a hole in the wall
they just painted over to sell the
thralls to a new slumlord
from the underworld who keeps bragging
about his dirty jewels
and excoriating the fools who are not
dead enough yet to appreciate them.
PATRICK WHITE
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