VOICES IN THE LABYRINTH
Voices in the labyrinth at the end of
this heartless space
I seem to have wandered into, weary of
sorrow, numbed
like a sand-blasted hourglass to the
passage of time
not going anywhere it hasn’t been
before, each day
greeted like the potato of an old lover
with the charms
of a rose, though I can say no less of
me, as we stop
to dogpaddle in each other’s mundane
mysteries
without being drowned like dolphins
caught in fishing nets.
No more wise sententiae please that
slam my fingers
in the door, no more trying to squeeze
mystic wine
from the blisters on my winged heels
trying to shake
the pebble of the world like an
avalanche off the road
between the mountains and the Skeena
River from Terrace
to Prince Rupert, knowing it’s not
safe to stop for long
without being buried in an asteroid
belt. The harder
people try to be happy, the more
miserable everything gets.
Happiness is more like luck than a
premonition of things to come
if you’re flawless and patient enough
to labour at it
like a nightshift in a coal mine
praying for diamonds
that taste like the waters of life on
the blackened lips
of a thirsty man in a desert of stars
swimming toward
a lifeboat on the horizon of a delirium
of mirages
like an aviary of dead canaries at the
end of a long, dark tunnel.
Every insight into the nature of what
I’m doing here,
my awareness arrayed before me like a
well-soiled world
or a tree full of crows that know their
way around
like undertakers of the occult in broad
daylight
being chased off by smaller birds like
pickpockets
seems like a seed of light embedded in
the starmud
of a whole new world I won’t have
time to explore on my own
like wildflowers in the starfields of
what will bloom after me
and come to fruit on its own, by which,
it’s been rightly said
a man is known, though he lie like a
windfall of habitable planets
under his own bough, ripe, sweet,
fulfilled, dead.
Thousands upon thousands of poems I’ve
shed
like oracular eclipses written on the
skin of snakes
like the fingerprints of emission
spectra on the wavelengths
of first magnitude stars redshifting
into old age
like apples on the low-hanging branches
of the tree of life
more tempting than the bitter innocence
of knowledge
that devastates itself like junkie
hooked on his own amazement.
Not how I’m here, though that’s
surrealistically
intriguing enough, but that I’m here
at all in this dream
with these disembodied dream figures
passing in and out
of awareness like swallows flashing by
the windows,
gone by the time you turn the light
around to look them in the eyes.
Constellations of fireflies
exacerbating your astrolabe
like a shapeshifting model that won’t
sit still long enough
to have her portrait done like the myth
of someone’s origin
somewhere in the universe the stars
aren’t fixed like a corrupt casino.
PATRICK WHITE
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