Thursday, March 28, 2013

AFTER THE LONG LABOUR OF ASHES IN THE RAIN


AFTER THE LONG LABOUR OF ASHES IN THE RAIN

After the long labour of ashes in the rain
the phoenix is shrieking like fire into life again.
I can hear it in the valleys auditioning the mountains
like a voice torn out of the heart of pain.
My shadow is in complete empathy with the ghost
I cast like an imaginative projection of myself
into the emptiness of my crowded solitude
where everyone is recognized by the inside of their faces
in the light of the return journey to the seasoned innocence
of my homelessness beyond the gates I’ve passed through
like an earthly garden blooming in the star fields.
Singing again, as if the stars knew all the lyrics to the song
long before I opened my mouth to swallow their fire
without setting myself ablaze like a funeral pyre
gone supernova in a neighbouring galaxy.
As if a lighthouse off the dark coast of the shipwrecks
knew that timing was the medium of the message
and it was time to rise again on the updrafts
of these buoyant adagios of picture-music,
like a heart immersed a long time in the depths
of its own crazy wisdom abounding
in the bliss of an unknown treasure
rising like a lost continent that drowned in its sleep.

And even in the weeping for things that have passed
through the immensity of the solitude I was the last to leave
like the captain of a lifeboat going down on the moon,
an undiscovered joy in the way I learned to breathe underwater
in the ocean of sorrows that overwhelmed me
like the beauty of a rose that burned
like a torch of blood in the rain.

I’ve given up trying to save the world like a moral ransom
I pay to the one-eyed pirates of circumstance
for the redemption of a self that was more a mirage on the moon
chained like an empty cup to a wishing well
than real water that flows like the tears
of diamonds thawing like glaciers from my eyes.

And may all the wildflowers of this circuitous blossoming
astound the nostrils of God like a fragrance of music
growing like white sweet clover along the roadside.
May every firefly and lightning bolt of insight
illuminate the whole universe like the flaring of a single match.
Let the dead whose souls I bear toward the south
know that I remember their names like loveletters
I’ve sent on ahead like the return address of the future
that waits to encounter them again like birds
that came to the windowsill of this burning house of life
like the notes of a song from a voice well beyond
these spinal cords that bind us like kites to the sky.

I scatter my cremations like ashes on mirrors of ice
for those who would follow me to ground
like the cornerstones of a tent
pegged to the wind like a flower.
I gnaw on the dice of my bones
like a wolf above the timber line
mining the white gold of a motherlode of marrow
and I let tomorrow sing of the things tomorrow brings
like hungry lovers to the round table of feasting stars.

And bless the sword that guts me like an envelope
that bleeds like a wound of love that never scars
the words that are written on a magnanimous heart
that doesn’t pace the rate at which it gives itself away
like a poppy dreaming in a field of leonine dandelions.
And though I fall like an oak on a hill in a lightning storm
let me not live on my knees dumbstruck by the revelation
that burns in my heartwood like a calendar of fire
where somebody’s fixed the dates of spring
as if they didn’t want to forget how to be taken by surprise
like a scholar that can’t bring himself to believe
in the chameleonic nature of his own eyes.
Though I fall like a waterclock of rain from the sky
into the deepest blackholes of time, let no root say
it was ever denied access to my watershed
that even the dead were the guests of a living host
that welcomed them like the voices of a familiar solitude.

Uplifted by spirits of fire, stone, and water,
I’m flying through stars with my wings ablaze
like a comet that exalts in jumping for the sheer joy it
from the black halo that encircles the beatified sun
like the prophetic zero of the final outcome.
And I shall not set my circumpolar throne
on the hills of the skulls of my traditional enemies
nor abide by the jinx of the birds on a prayer-wheel
turning in the direction of cosmic destruction
like an ill wind fouled by the contagion of time.

Every moment of the day, every era of the night
I shall remember the infallible atrocities of blind religion
that gouged the eyes out of the light like gravediggers
cooking rocks in the shovels of the backhoes
rummaging through the remains of the resurrection
for the relics of the names on vandalized gravestones
weathered by the acidic rain of the great desecration.

A little bit of joy balancing on a perilous precipice.
I know about falling. I know the risk. Not a mandate
nor anything I choose to take as if the danger were all mine.
But just a little sweetness in life, a wild grape, the eye of the wine.
A moment stolen from behind the backs of the calendars
like a man in space, with no time to reflect on the outcome
of being younger than when he left. Not listening to signs
but resonating with the hidden harmonies of myriad symbols
arranging picture music for the eye and the ear and the tongue
like dew in the night, whole notes and semi quavers
on the staves of the dreamcatchers and spiderwebs
when the shining comes to the morning as unprepared as swallows.

All my Platonic ideals, the black matter of desire
in a goldrush of the heart that can’t hold anything back
in a Zen panic to stake its claim on nothing
as the fairest jewel of all to give back
to the ocean of awareness you retrieved it from
and hope the moon among the corals appreciates the gesture.

Buddha, too, had an ill-advised attachment to the unnattainable .
I won’t starve my delusions, just to please my insights.
My mirages drink at the same well I do without condition
and it’s ok if they want to leave their veils on too.
And I’ll observe an ethical truce with society
But more goes on in the dark, inconceivably,
than even the light could possibly visualize
on a cold seeing night from a mountain top
with an asphalt road that coils all the way around
like a serpent doing research into the seven ages of man
trying to keep its credibility up with the times.

On my left palm, the star of Isis, keeps me from drowning,
and in my left ear, enough gold, if I’m washed ashore
on some galactic island after another shipwrecked exemption
to burn me down by the sea on a pyre of stars this time.
I want to ingather my ghost out of the smoke, and watch it shine
like fireflies in the fog, like lighthouses along the coast
off the starboard side, looking for moonboats
on the slopes of the swells heaving easily
like bells full of emotion swinging out over the edge
to prove it’s not afraid of falling back
to the ground it arose from like a boy
daring the devil to an apple fight
in the crowns of the trees to see who
can climb high enough to scare the other down.

PATRICK WHITE  

Wednesday, March 27, 2013

COMPASSION IS THE SWEETNESS THAT ENTERS


COMPASSION IS THE SWEETNESS THAT ENTERS

Compassion is the sweetness that enters
the wounded apple of knowledge after
you’ve taken your first bite out of it.
It’s not an antidote to the facts of life and death.
And you should know by now if you’ve suffered at all,
and it’s impossible not to from the moment you open your eyes,
the night is not a reward, nor the lantern of the light
that goes before you on a graveyard shift of the stars.
Compassion is the oldest instinct of the heart
and first muse of the mind that can taste only
the blowing blossoms and bitter green apples of the spring,
gripe brain, before it ripens like a sunset in your blood.
That’s why the heart knows more about it than the head.
And I expect, on that basis, no one is more capable
of loving us who must doubt that we’re worthy of love
to live up to the truth of it than the dead who can open
the tiny koans of the seeds at the core of things
like the lockets of fortune-cookies that break
like twisted cosmic eggs in a rush to spread their wings
like waterbirds who write the lyrics of their songs on the fly.

Words for the eye. Words for the ear. Words
for the voice of the wind like black walnut trees
and kites in a storm. And if you really know how to listen,
I mean if you can hear the wavelength of a black snake
swimming across your blood like a mantra
of terrifying, beautiful wisdom that keeps its secrets
to itself, or hear the unfathomable oceans in the black rose
whose petals and eyelids are always smashing
like white eyelashes in a squall of sunbeams
against the breakwater of a white dawn that passes
like an albino eclipse in a moonlit leper colony
of extinct black rhinos. If you even remotely
hear what I mean when I speak like this sleepwalking
through a dream grammar like a prophetic skull in a trance,
words that dance like light on the mindstream
rejoicing in the clarity of the voice that expresses
the hidden message encoded in the genes of the fireflies.

You have mouths. Speak for yourselves.
Some like lighthouses along the banks of life.
Some like thieves with searchlights for eyes on a bomber’s night
when everyone is underground and the bummers are out
plundering the evacuated houses of the zodiac.
Might be the ravings of a star struck maniac talking to himself
to make sure nobody else is listening. Might be
the surrealistic lament of a Dadaist night bird
singing out loud in its sleep for things it doesn’t know
it longs for, or maybe a lunatic is waxing prophetic
in a labyrinth of his own echoes trying to sound his way out
of the mountains without end he’s being trying to befriend
like a cloud or an eagle silvered a moment
like the ore of a dream in the corner of the eye
of a moonrise coming on like a hurricane
with a black pearl in its teeth. The eclipse of a sacred lie
compassion concedes to an alibi without a myth of origin.

Compassion is the child of imagination that identifies
with its simulacra of suffering by applying the heart
like a bloodbank to the wounded eidolons of eyeless images
that didn’t know how to bleed, or breathe, or cry or see
until compassion tempered their impression of themselves
as paradigms of rationality, by shedding real tears
in an ice age of lenses that kept their illusory distance
from the stars that came out after the rain, wet and shining,
laughter radiating through our tears, because life isn’t a dry fire.
It’s the hand on the rudder of a lifeboat
that keeps you from drowning from the day you were born
in the undertow of the tides of the new moon
until the night of the full when you haul everyone aboard
who’s been swimming through glaciers of tears
like baby mammoths for the last twenty-five thousand years
afraid of extinction if they ever stopped to catch their breath.

Compassion is accepting everyone’s death as a portion of your own.
Everyone’s life as your third eye, a vital organ of your own body.
Compassion is an undisciplined action of the heart.
Compassion arises like a moonrise of inspiration
in the eyes of the older sister of the muses
who walks too much alone as if she’d devoted her solitude
to the suffering of a wounded stranger she met along the way
when she let her hair down like willows of rain
to cool the scorched earth and slake the roots of pain
until they bloomed like foxfire in the shadow of her passing.

Most poets sit around the lesser fires of their art
trying to divine the smoke of what’s burning in their hearts
like autumn leaves they’ve heaped into books
that smoulder in tears more often than they break into flames.
But if compassion turns her eyes toward you
like a star in the darkness beyond your blazing
the Milky Way runs like a bloodstream through your veins
and you see in terrifying clarity the great mystic details
in the deep watersheds of picture music efoliating
like wildflowers and galaxies, grails, fountains,
lunar herbs, and starfish raised up off the ground
to take their place among the shining, radiant with life,
in the low valleys and high fields of an imagination that heals.

PATRICK WHITE

THE GREY RAIN RIFFS ON THE WINDOWS


THE GREY RAIN RIFFS ON THE WINDOWS

The grey rain riffs on the windows
as if it’s been listening to too much rap.
Fragrance of gasoline blooming in the gutters.
People all look like daffodils in baseball caps.
Wish I wanted something enough to buy it again,
and it’s been a while since I’ve been with a woman
who wanted anything for me. I’m inside here
dethorning the intensity of the black rose
imploding under its own mass as its core
condenses in a withered star like a heart
whose light’s run out. The fire in my blood
took it all one nightshift further than red
and now I can see in the dark like a black hole.

Nightvisions in broad daylight. I can see the stars
shining through the smudged pearl of the sun
trying to glow its way through the clouds.
I can see the skulls of insurrectionist dreams
deep underground in the cults of my cells
trying to assess the direction of the bomb blast
to insure the maximum damage. Not all roads
are trying to make friends with people
who walk them like cowpaths littered with road kill.
It’s better to be lost as the lesser of two evils
when clarity scorches the heart radioactively.
Dissociation, Deconstruction, Disintegration,
I’ve evolved like a language into a grammar
of oxymorons just to keep my thoughts and feelings
together in a syntactical world of unpunctuated scalpels.
Alloys of a stronger metal are not estranged
like copper and tin from the cutting edge of the sword
by the colour of their skin or religion in the Bronze Age.

Love comes at me in the darkness of these depths
like a crossroads of light from all directions at once
by which I know the radiance that’s found me
is not just another flashlight that’s still looking.
And there are Sufis whirling like weathervanes
in blue woollen robes, and enlightened Zen masters
gently picking the fleas out of their chest hairs
and thanking the thieves for leaving the moon in the window,
and demonic demons with the insight of black diamonds
all telling me you lose control if you hesitate in the moment,
or stand up, sit down, walk, or run, but whatever you do
don’t wobble. And I plunge into the galaxy with both feet
hoping to make a big splash in the red tide of the stars
and I either drown in the light, or I end up
blowing hyperbolic bubbles into a bulky multiverse.

I haven’t turned my senses into lenses,
starmaps, and spectrographs, but I’m not blind
to what’s living under my eyelids in a chaos
of crazy-wisdom playing picture-music
in a band of clowns, just to get a good laugh
out the oracles that are prone to never
take their own advice so seriously
they couldn’t change their minds.
You can’t refit a round suggestion
into a square meaning, and it’ cruel to try.
I have long wavelengths of thought
that burn like iodine and salt in sea kelp
but I don’t whip the eyes of the tide
just to get things flowing like tears my way.
I don’t throw acid in the faces
of tomorrow’s beauty queens learning to read
the writing on the wall as just the wall’s way
of threatening you into letting it protect you.
I don’t boil kids in their mother’s milk
and I don’t practise the kind of spiritual judo
that uses a person’s best ideals against them.

Especially as I get older, I would rather be
obliterated by wonder and gratitude
that I got to be all this without any effort of my own
than have my awe underwhelmed
by petty renditions of the black farce
that welds some people’s eyes shut like
an eclipse stronger than the original bond.
But there again, if you’re happy being a scar, mend.
What could it mean to the stars
if you can’t see them during the day?
And I’ve said it before, and I’ll say it again
to those of you who have taken a more radiant path,
blazing is a kind of blindness too
that keeps you from seeing the diamond in the coal.

Yesterday oxygen was alien ore as toxic
as the love apples of superstitious tomatoes
two hundred years ago it was death to eat.
And it’s poignant to remember that any ground
you plant your flag in like a flower without a root,
like a placard without a rally, is
a charged particle field that reverses spin
synchronistically like a revolution
in an hourglass relationship with what it overthrew.
Consciousness is necessarily bifurcated by its blossoms
into two points of view, but deeper down
in the bloodstream of its darkest roots
it doesn’t make a distinction between an I and a You.
Subject and object aren’t separated
by a skin of water empty as the mirage
of a bubble within and lustrous as the stone
that broke the window without. This world
isn’t happening to you from the outside
and you’re not making it up within like a lie
you can tell your children about being alive.

No one’s wholly wise who still possesses a mind.
No one’s totally ignorant if they give
a red cane to a blind traffic light to see it coming.
I don’t trim the wicks of my comets
as if they were candles at a black mass.
I can breathe fire like Draco at the North Pole,
but when I’m not axially aligned with the earth
I can look into the eyes of my fiercest dragons
and see at the bottom of a telescopic well
millions of fireflies lost in a labyrinth of mirrors
looking for an insight into the nature of life
that would true all the others like crystal eyes
caught in the eleven dimensional net
of enlightened lies where time and the timeless intersect
and synteretic sparks ricochet like spiritual eagles
off the slopes of mountainous eras of grace.

PATRICK WHITE

Tuesday, March 26, 2013

TIME TO STOP DYING AND PRAISE THE SKY


TIME TO STOP DYING AND PRAISE THE SKY

Time to stop dying and praise the sky.
Time to set your eyes free from what
you’re looking for and marvel at the stars.
Time to forgo the Leggo girders of your intent,
and offer up a few sand castles to the tide,
release your mind from the petty chores
you apply it to and grow astronomical
in the way you let things come about as they will
without trying to raise a sail or attach
a rudder to chaos, as if you could so easily lead
chaos astray into doing things your way,
forgetting you’re not the road, you’re
just the one who walks it like a dream figure
in the omnipresence of the rain. So many eyes,
so much to see, and you’re still looking at it all
from the angle you were born with.

Sylvia, uncuff your shepherd moons
from the dungeons of your bedposts.
Life is cruel. Stop blaming the swallows for it.
You ever get caught nude in a squall of fireflies before
and stay in the water long enough to feel the delicacy
of their lightning sending little shocks of ecstasy
whitewater rafting down the axons of your deltas
as if you had a chance to drown in your joy
at being alive for a change, instead of holding your head
underwater in your sorrows to see if you’re a witch
that’s huffed too much rue? Time to let go,
fledgling, your first nightflight into the abyss.
Time to ride your own thermals, my kestrel,
like bannisters down the stairwells of the maple keys
then swoop up like an arrow from the bow of a lead guitarist
and take hold of the moon in your talons.

You can do it. Turn your scales into feathers.
The low raised up high like moonrise
on the threshold of your wingspan, come on, dragon,
one big gulp of atmosphere to overcome
your fear of koans at these precipitous heights,
stop lingering in the doorway like a portrait in a picture frame
it’s time, it’s time, it’s time to jump.
Don’t tax the tolerance of the wind for shore-huggers.
Get rid of all those thought chains that tie you
to your own wrist with a hood over your head
and designate your prey like an agenda with a menu.
Thinking about freedom enslaves it. Don’t try
to earn it like a gladiator longing for a wooden sword
from the emperor, take it. Be a great thief of fire
and do a victory roll because you got away with it.
You jumped into the black hole of chance
and trillions of stars smiled favourably upon you
like a zodiac of fireflies when the sun’s off road on its own.

Sylvia, dry your tears like puddles on the footpath
and let your eyes, vapours in the sky, fly on the wind
as if your seeing weren’t a lapwing and your crying
weren’t a housewell with a lightbulb that keeps burning out.
Get around like sentience in a dream for a while,
No lack of nightmares in the world to make you sleep
like a trap door spider peeking out from under your eyelids
like a false dawn, or squinting at the stars as if
you were looking into oncoming highbeams,
frozen in your tracks like the ghost of a doe on asphalt.

Lavish some space on yourself and take a bubble-bath
in the universe and you can tell the gargoyles
on your Gothic cathedral you’re sitting in a blast furnace
trying to come up with new ideas for stained glass
and you think you might be on to something
more seraphic in its zeal than fire and blood.
You’ve got the attitude. Maybe it’s time
to de-alpha your beatitude as if life were a friend
with nothing to prove like a river that isn’t always
swimming for its life or a waterclock that overidentifies
with aqueducts and is convinced time runs in a straight line
only a slight gradient off true midnight well within
the margin of error between the mountains and the swamps,
between this inconceivable life and that unbelievable death.

What are you holding your breath for, it’s
a generous atmosphere, let it out like genie from a lamp
no one’s ever wished upon before. Imagine,
a star of your own. The first time the light’s ever
seen your eyes you weren’t trying to hide them
like sunspots, though all those beautiful
auroral storms of yours were a dead give away
there was a star sapphire somewhere beneath
all those bruised orchids of yours you grew for lightyears
in the shadow of an outhouse in a shitty world.
Don’t be so corvid in your approach to the moon
you forget you had a bright side once as white as doves
when you went looking for land and they went looking for you.

So what if the dove came back with a leaf in its beak?
Silver-tongued cousin of diamond, you still speak
less incorruptibly, an eye to the eloquence of moonlight
on the dark side of your neglected veracity.
Black is always the colour of wisdom in an aniconic abyss
that compassionately takes every wandering wavelength in,
every one of them a prodigal daughter of the dark mother,
that’s you, Sylvia, raven flint-knapped from pure obsidian,
all around you like the thorns and petals of a black rose
little chips and lunettes of a spear point in an eclipse
of the new moon, the new moon, Sylvia, opening
its eyelid like a star or a waterlily out of the muck
in the cauldrons of our fetid starmud working its morphic magic
already one white feather into the flight of a wild, wild swan.

PATRICK WHITE

IN THE CEASELESS SILENCE


IN THE CEASELESS SILENCE

In the ceaseless silence, is it my soul I address
in these barely audible whispers of blood,
you, are you there, a friend to me, aloof companion,
intimate stranger, are you just the longing of an echo
after the nightbird’s flown, the light that goes on shining
well after the star is dead? Did I create you
out of the loneliness of my imagination
to talk to under the stars down by the river,
where life seems so sad and beautiful much of the time
and even the most trivial seems supercharged
with a significance that bears no resemblance
to the tiny fireflies of meaning I attribute to the stars,
vaprous candles sublimating in the blaze they try to illuminate,
my eyes, mere raindrops in an infinite sea of awareness?

Science too dazzling right now to be wholly credible,
blinded by its light, its field of view narrowed
by its own expansiveness, is there sorcery beyond this
that isn’t quantumly entangled like you and I in the same dilemma
or is it all clear to you who you are and what you’re doing here,
my simulacrum, my shadow, the dream under my deathmask
that will carry on without me like a creekbed in the absence of rain
waiting to return to consciousness like a fish buried
in the sediment of its own starmud, an urn in a kiln
baked to hold its own ashes like the prophetic skull of the moon
until you return again like an atmosphere and the wind
delights in making the waters of life tremble with anticipation
all that has thrived and died within them shall be renewed again
in your presence standing at the gates of all my arrivals and departures
as if your greeting and farewell were one and the same
gesture of acknowledgment. Or am I second-guessing myself
in a monologue of the alone with the alone that sees
eye to eye with me as if we both made each other up
creator and creature of our interdependent origination?

It’s late on the graveyard shift and I can’t help asking
though I know you won’t answer, am I at least getting
the questions right? In this floating world, are there
shipwrecks at the bottom of a mirage, or are we
walking on stars like spiders at the edge of a lake
trying to connect the dots like a waterclock of constellations?
Are we pearl diving in these bubbles of life
for new moons that will help to keep us afloat
by keeping us self-contained like fishing buoys and crystal skulls?
Mindstreams digging our own graves in our travels,
do we labour to see what we have achieved undone
by hands as busy as ours once were? Are we
working at one another like habitable planets, spiritual proxies
of each other’s supersymmetrical afterlives,
the interreflection of moonrise in an hourglass,
the donkey looking into the well, the well looking back at the donkey?

Times I feel I know what you want of me
and you’re easy to adapt to by holding my mirroring awareness
up to you like a shapeshifter, like a lake to the moon,
a candleflame talking to the wind, and things seem
to find their own equilibrium like water flowing
into puddles of starmud and the clouds not getting dirty.

My earthenware integrity is renewed in the peace I enjoy with you
and nothing is excluded. Resigned to whatever
diminishment must be endured as the aperture narrows
the cat’s eye of the needle I’m trying to thread
with a narrative theme that could weld the disparate parts
of my discontinuity into something whole like a loaf of bread
I left out for the ghosts or some kind of chrysalis
I can crawl out of to dry my wings like a dragon
on the celestial parapets of the waterlilies, or the sunset
of a scar that did the decent thing and gave the wound a proper burial,
fulfilled in a way that’s more a grace of the moment
than a reward for anything that was done or left undone,
the shadows of my life are reconciled to the light that’s casting them.
It’s wisdom and beauty, untroubled freedom
and the lyrical enlightenment of inconceivable myriads
just to be alive as a peer of your complementary presence
I’m always breaking into like a star in a windowpane.

But what does it mean to have lived in vain? To spend
the whole of your life on your hands and your knees
looking for a key in a duststorm, whether it’s gold or dirt
that’s lashing your eyes into tears? Time’s holy commandment.
Don’t waste it. You might wish you hadn’t later on.
Not because any immaculate omnipotence is going
to punish you for it but the very sin of omission is itself
the karmic nemesis that arises synchronistically
like a teaching device that doesn’t impart anything to you
you don’t already know. It’s crucial not to underestimate
the inconceivable. To tempt the truth out of hiding
when you’re not prepared for it, duped by your own ideals.

When the stars aren’t there, our eyes are the less for it.
For the lack of other signs, even a mirage sometimes
serves as a direction of prayer like a scaffolding serves
the bigger picture without intending to. Reality is not
a static state of mind, it’s a supratemporal creative event
and everything that happens, irrevocably once, indelible as space,
inseparable as the moon from its reflection on the lake,
is neither fictive nor true, not one, not two, no gap
like an abyss that must be bridged between one
distinct extremity and another, no thought moment
billions of lightyears old between you and I.

I hear you like music in a dream, I see you like a mindscape
painted in fire, I think of you as the bone-box of my innocence,
the avatar that embodies my experience of the intangible,
my scarecrow, my voodoo doll, my dolmen, my anti-self
my strawdog, my mentor, my buddha, my fool,
and a dead branch flowers on a rootless tree,
as we differentiate ourselves collaboratively
in the ceaseless silence of our configurative unions,
the many returning to the one, the one returning
to transcendence, whole in every part.
Five petals of a flower open and one hand blooms.

PATRICK WHITE

Sunday, March 24, 2013

SILENCE, MOST ELOQUENT GHOST OF MY OCEANIC EMOTIONS


SILENCE, MOST ELOQUENT GHOST OF MY OCEANIC EMOTIONS

Silence, most eloquent ghost of my oceanic emotions.
Solitude, irrevocable seance of a summoned heart,
linger with me awhile like a night fog sweeping
off the sea on a deserted island beach, softening
the air and the edges of things, saturating time
with an iconic awareness of advanced evanescence,
cloud of unknowing, feather on the mountain,
down of the Orion nebula in last year’s leftover herons’ nests.

Birth and death in the same breath, are you the shroud
or the cocoon? The aftermath of a vision in a distant fire
that went out a long time ago like a candle in a lighthouse
trying to signal to an empty lifeboat on the coast
where shipwrecked men could talk to the sea like a woman
who could answer them with her eyes and they knew
without doubt, she understood more deeply than they did
how to love the world like a rose that was given to everyone
thrown from the stern of a journey into the wake
of a star that was always moving on to stay ahead of its shining
so that it would have a future to look back upon
when everything came full circle like a tide
of providential highs and lows, widow walks
and wedding aisles, rowing roads, and the seeps of the drowned?

It’s taken me Russias of suffering to discover
the most enduring wisdom comes of joy, not pain,
though there’s precious little of it to communicate,
no more than salt in a tear from the eye of a life
with a leak in it that can’t be engineered into restraining itself.
I rejoice in the stability of my flowing as if
there were more to the going than just passing beyond
another gate into the open wide-eyed with fear and wonder.
A gate can’t tell you anything on either side
of the sweep of a lapwing hanging by a hinge
like the wing bone of a broken windshield washer
or an insight lingering in the doorway of enlightenment
as if the longest journey it’s ever taken were a threshold wide.

I’ve seen the ballerina scrubbing floors for a cash cow.
I’ve seen the rich boy maltreated by jackals like a lunch-bucket.
The stars don’t think the fireflies are pretentious
for trying to shine a light on themselves, but there are frauds
who vy like Coca Cola and poets for prime time on the shelves
like clerks in the emporia of their ghost towns
long after their fool’s gold didn’t pan out
like scar tissue in a volcanic rift where the viciousness
of their mediocrity hisses and evaporates
like spirits of hydrogen sulphide from rotten cosmic eggs.
A splinter under their fingernails, and they swear
they’ve been crucified to elevate the elect
to vertiginous altitudes that give them sacrificial nose-bleeds.

Such horrid self-esteem in the middle of so much to celebrate
they settle for reputations they calibrate like dung beetles
by the Milky Way that rolls their world up into a ball
in an exhausted bingo hall for arts and letters. It’s a drawing
of the awards lottery for the improvement of middling chromosomes.
Tomes and tomes of it like an anthology of gravestones
where all the epitaphs read like approximate haiku
that had their body parts compacted like a wrecking yard
and sent to Japan to rust in a recalled vehicle on salted roads
to keep the bluebirds and chicory from singing like Carthage
on the soft shoulders of their marginal attempts
to nest in the rafters of a world that’s too heavy a lift
for a bubble in a hurricane that thinks it’s the third eye of Eden
relieving the Hubble on the nightshift. Evil never sleeps
in the naked city, but it’s the darkness that keeps
the details honest, not flashlights peering into the eyes
of a morgue like graverobbers that keep the night lights on
in their own tombs for fear of seeing anything other than themselves
out of the unusual like the Standard Model of the Universe.

O let the gripe of our green spirits ripen in the sun and the rain
so the dusk doesn’t need to explain why it’s worth looking at.
So the apple the moon bites into is sweeter than a mentor
that says nothing about what you want to know
about tasting life for yourself through long exposure
to the emerging elements in a dark room urgent with stars.

Forget the orgiastic corruption of emperor penguins
that didn’t get laid enough in highschool to stop
interrogating their sex lives in the House of Commons
as if they were giving a drunken address to the Press Club
across the street from the safety nets around the tower of suicides
where the fledglings fling themselves from the Peripeteian Rock
as undesirables. The providential tide turns around
like a messenger reversing the intent of what he meant.
Though once you’re falling, you can’t be held responsible
for your descent into hell or who looks back and who doesn’t
whether it’s Gommorah or Hades you’re running from.

Out here in the country, O Canada, there are red-winged blackbirds
singing like quarter notes on the staves of cedar rail fences
plastered with lichens like decals on the guitar-case of the moon
hitching down the 401 for a gig in Toronto it’s trying to sober up for.
The snowmen aren’t weeping in self-pity at the approach of the spring.
Blackflies soon, to be sure, but two days of intense heat
at the end of May when the temples are cleaned, and they’re fried.

The triune identity of the silence, stillness and solitude,
three faces of the same Druidic deity whose eyes follow you
like phases of the moon in the crowns of the black walnut trees
swimming upstream against themselves through the xylem and phloem
of Pisces coming into leaf like fingerlings of catfish
in the exuberant nightcreeks running their luck
like couriers de bois trying to paddle faster than the whitewater
of the current in a commotion of dangerous glee
as if the deepest cheap thrills of all were still free for the taking.
The lake exorcises its crystal ball like cataracts and fog
and the wraiths are on the move like a smudge on a mirror
trying to make things clearer than waterbirds to itself
or sunspots behind the veils of their beautiful auroras
hanging in the air like music to disguise the complexion of their voice.
And the fireflies aren’t organized like clips in a machine gun.

They snipe at you one by one from the bushes like bad shots
playing paint ball with your eyes. But let’s not track
our starmaps into the house of life like the slime of morning snails
trying to resilver the mirrors of last night’s telescopes
in their own image. Let’s acknowledge how unreal
everything is the more familiar you become
with your own stranger who isn’t interested
in standing at the gate waiting for you to look up
from the cemeteries you’re planting like secret gardens
in preparation for spring. Just because you
take the lead in the dance doesn’t turn your partner
into a lost follower anymore than the brown star of Jupiter
is a disappointment to the sun, or the bone-box of the moon
is any less of a sacred reliquary releasing the wind
to sweep the oceans off their feet with the breath
of God waltzing in three four time with the brides of life
like apple bloom in orchards of moonlight opening their eyes
like whitecaps stepping like Venus out of their own surf.

PATRICK WHITE