IN THE CEASELESS SILENCE
In the ceaseless silence, is it my soul
I address
in these barely audible whispers of
blood,
you, are you there, a friend to me,
aloof companion,
intimate stranger, are you just the
longing of an echo
after the nightbird’s flown, the
light that goes on shining
well after the star is dead? Did I
create you
out of the loneliness of my imagination
to talk to under the stars down by the
river,
where life seems so sad and beautiful
much of the time
and even the most trivial seems
supercharged
with a significance that bears no
resemblance
to the tiny fireflies of meaning I
attribute to the stars,
vaprous candles sublimating in the
blaze they try to illuminate,
my eyes, mere raindrops in an infinite
sea of awareness?
Science too dazzling right now to be
wholly credible,
blinded by its light, its field of view
narrowed
by its own expansiveness, is there
sorcery beyond this
that isn’t quantumly entangled like
you and I in the same dilemma
or is it all clear to you who you are
and what you’re doing here,
my simulacrum, my shadow, the dream
under my deathmask
that will carry on without me like a
creekbed in the absence of rain
waiting to return to consciousness like
a fish buried
in the sediment of its own starmud, an
urn in a kiln
baked to hold its own ashes like the
prophetic skull of the moon
until you return again like an
atmosphere and the wind
delights in making the waters of life
tremble with anticipation
all that has thrived and died within
them shall be renewed again
in your presence standing at the gates
of all my arrivals and departures
as if your greeting and farewell were
one and the same
gesture of acknowledgment. Or am I
second-guessing myself
in a monologue of the alone with the
alone that sees
eye to eye with me as if we both made
each other up
creator and creature of our
interdependent origination?
It’s late on the graveyard shift and
I can’t help asking
though I know you won’t answer, am I
at least getting
the questions right? In this floating
world, are there
shipwrecks at the bottom of a mirage,
or are we
walking on stars like spiders at the
edge of a lake
trying to connect the dots like a
waterclock of constellations?
Are we pearl diving in these bubbles of
life
for new moons that will help to keep us
afloat
by keeping us self-contained like
fishing buoys and crystal skulls?
Mindstreams digging our own graves in
our travels,
do we labour to see what we have
achieved undone
by hands as busy as ours once were? Are
we
working at one another like habitable
planets, spiritual proxies
of each other’s supersymmetrical
afterlives,
the interreflection of moonrise in an
hourglass,
the donkey looking into the well, the
well looking back at the donkey?
Times I feel I know what you want of me
and you’re easy to adapt to by
holding my mirroring awareness
up to you like a shapeshifter, like a
lake to the moon,
a candleflame talking to the wind, and
things seem
to find their own equilibrium like
water flowing
into puddles of starmud and the clouds
not getting dirty.
My earthenware integrity is renewed in
the peace I enjoy with you
and nothing is excluded. Resigned to
whatever
diminishment must be endured as the
aperture narrows
the cat’s eye of the needle I’m
trying to thread
with a narrative theme that could weld
the disparate parts
of my discontinuity into something
whole like a loaf of bread
I left out for the ghosts or some kind
of chrysalis
I can crawl out of to dry my wings like
a dragon
on the celestial parapets of the
waterlilies, or the sunset
of a scar that did the decent thing and
gave the wound a proper burial,
fulfilled in a way that’s more a
grace of the moment
than a reward for anything that was
done or left undone,
the shadows of my life are reconciled
to the light that’s casting them.
It’s wisdom and beauty, untroubled
freedom
and the lyrical enlightenment of
inconceivable myriads
just to be alive as a peer of your
complementary presence
I’m always breaking into like a star
in a windowpane.
But what does it mean to have lived in
vain? To spend
the whole of your life on your hands
and your knees
looking for a key in a duststorm,
whether it’s gold or dirt
that’s lashing your eyes into tears?
Time’s holy commandment.
Don’t waste it. You might wish you
hadn’t later on.
Not because any immaculate omnipotence
is going
to punish you for it but the very sin
of omission is itself
the karmic nemesis that arises
synchronistically
like a teaching device that doesn’t
impart anything to you
you don’t already know. It’s
crucial not to underestimate
the inconceivable. To tempt the truth
out of hiding
when you’re not prepared for it,
duped by your own ideals.
When the stars aren’t there, our eyes
are the less for it.
For the lack of other signs, even a
mirage sometimes
serves as a direction of prayer like a
scaffolding serves
the bigger picture without intending
to. Reality is not
a static state of mind, it’s a
supratemporal creative event
and everything that happens,
irrevocably once, indelible as space,
inseparable as the moon from its
reflection on the lake,
is neither fictive nor true, not one,
not two, no gap
like an abyss that must be bridged
between one
distinct extremity and another, no
thought moment
billions of lightyears old between you
and I.
I hear you like music in a dream, I see
you like a mindscape
painted in fire, I think of you as the
bone-box of my innocence,
the avatar that embodies my experience
of the intangible,
my scarecrow, my voodoo doll, my
dolmen, my anti-self
my strawdog, my mentor, my buddha, my
fool,
and a dead branch flowers on a rootless
tree,
as we differentiate ourselves
collaboratively
in the ceaseless silence of our
configurative unions,
the many returning to the one, the one
returning
to transcendence, whole in every part.
Five petals of a flower open and one
hand blooms.
PATRICK WHITE
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