Friday, September 28, 2012

I AM A DRAGON


I AM A DRAGON

I am a dragon,
but I’ve got cloudy teeth.
You are a vase among jars,
a feather among scales.
Obviously you are the sea
and I am the seabed.
In the darkness you are the shining.
I come to you
like lead to an alchemist,
base metal to gold.
Already I am transformed
by your mirrors of fire.
There is a light, a glow,
invisible but more illuminating,
not of the moon, or sun, or a star,
but of the heart and mind,
the light of life itself
when it’s the only candle in the room
dancing behind its veil of shadows,
and in the least filament
of the down upon your thighs,
there are suffusions of fireflies and galaxies,
mystic lanterns
ripening like apricots
over the open doors of worlds within,
over eyes that bloom like wild asters
rooted in the earthly fields of the heart.

I have been a ghost
trying to say itself into existence;
and my bread and my blood
have been the whisper and breath of you.
Not the mountains, not
the mothering floors of the wheat seas,
not the forests or the hills or the rivers,
not the ladders or roads or miles between us,
nor the seasons of the threshing clock,
have kept us one eyelash apart;
we have been wings to each other;
we have been the secret tides of the rose
in a bay of blood to one another;
we have been the substance of a dream
that lingers like the impression in cool grass
of where the deer slept the night before.

In the flights of winter birds,
on moist winter days,
I have rehearsed endless summers to come,
when the sky whispered your eyes
in bells of sidereal fragrance
into the abyss of my longing for you
and love seemed a petal of light on the wind,
and you were that petal,
and I was that wind.

And though I have stood for eras
on this bridge of night alone
waiting for you like a letter, an afterlife,
a voice of fire in a well urgent with stars
I want to live with you,
we have always embraced, not two,
arrow and bow,
pilgrim and shrine,
release and enlightenment
reflected in these visions
the insistent palettes of the heart
paint on the impassioned waters
of the lifestream.

I have been a storm of blood and stars;
I have drowned in the crypts of my own tears
and learned to breathe through a new medium,
set the crown of my fin on a rose of gills,
and bloom in a mythically enhanced
immensity of sorrows,
and the shadows under my eyes
have mourned for me
like black bells in a tower of thorns,
two horses of night chained to a heart
that dragged itself around like a hearse
looking for a lost grave.

I buried myself in women
who were torn like the satin lining
out of a coffin just
when they were about to give birth.
Their pain always tasted of an afterlife
that danced like lightning on the tip of my tongue
until my blood caught fire
like a rose with a voice of wine.
Black, apostate madonnas
of body, heart, and mystery,
even the moon a bead of devotion
on a thread of their blood,
a dream vow under the eyelid of an eclipse.

I never knew what to say
that wasn’t a life shy
of an inadequate skeleton
trying to reflesh itself with the ashes
of its last sidereal cremation.
I was born again and again
like a sword drawn out of a stone
to hurl my humanity
like a sparrow
against the windows and eyes of the gods.

They knew I was right
to live the prophecy
written in the book of my wings by the wind,
but their tears fell like glass rice
on the stairwells of the bridal mirrors
that wept like silver serpents
at the heels of the moon
and whatever road I walked,
whatever direction I wandered in
like a drunken river
I passed through my own ribs
like an opening gate
to a sealess exile on the moon,
a lighthouse to the sail of a ghost in a desert.

Events of the spirit,
and the imported executioners
of tormentive ecstasies
that made our bodies shudder with oblivion
until even our shadows glowed
like feathers of light
that glutted the abyss we pillowed like stone
to lay our heads down upon and dream,
every emotion,
keyed like a highwire
over the infinite emptiness
of a guitar in the corner of a tomb
eating the dust of a blackboard
that schooled the scrawl of the angels
into the writing on the wall.

How many lovers have perished in me
like the rings and eras of a tree,
and what enormities of childhood it takes
to sweeten a single ruby of fruit,
what tides of blood and light
collapsing like eyelids on the mystic circus
that pulled off miracles
under the sheets and skies and skin
of our lascivious tents.

Now I am a dunce in a wizard’s hat,
a cone of light,
the pillar of a fallen shadow,
freeing the wings of wounded birds
from the nets and mesh of the stars.
I am a dragon
with the soul of a bridge to here and now,
a weed on the stairs of an unknown temple
to a god that sweeps me away like ashes
with the broom of my shadow,
and my face is the footprint of the wind
as flowers are the footprints of the light,
and my heart is a pebble
I keep dropping down a well
to listen for an echo from the depths,
for a whisper of fire on the water,
to deliver me like a burning dove
with a leaf of the moon in its beak,
a letter from you,
to say there is a south of the heart
that can thaw this arctic desolation
that overtakes me like an ageless night
as my thoughts fall away
like the flames of descending matches,
like angels and demons
tilted from heaven,
from the plane of their orbital hearts,
toppled like towers and lighthouses
by an urge to kiss their own reflections.

I am a dragon
chained to the nightrain
that inks the roots of the locust tree
with thorns and stars and flowers,
and my blood is a dusky mess of dawns and ancient sunsets.

My heart was scaled like the moon
by the phases of an empty cup,
my eyes were birdless skies
and nothing flew higher
than the feathered shadows of the trees
that roosted in the grass like water,
and there were no tears left
in the wineskin of the heart
withered like a lily that bloomed for a day
like the soft clarion of a bruised trumpet.

Now I think of you
so many nights and miles away,
and I walk like a bridge toward you,
and my wings are spread out
like the pages of ample skies
that have yet to be written on by the stars,
and I must blow on my longing to be with you
like a spoonful of hot diamonds
just to keep the deserts of my thought
from etherealizing the tropics of my blood,
my eyes evaporating like crucial oases
in the heat of these visions
that burn the air
with fountains of fire
in this tavern of mystic passions
where I drink alone to you,
the furnace of my blood
silked like a black poppy
when I reach out,
a tree in winter,
the afterlife of lightning,
to touch your face like the moon.

I have been a lonely crusade of one
fighting for the gravestone of a dead god
enthroned in the leaf-fire of his falling,
lost in his dream like salt in the sea of the world,
stars in the seed of the apple,
a shadow devoted to the cause of the wind.
I am an era of scars
inspired by the talons of the moon
seizing my heart like a rag of meat
in these elevated bone-bowls of birth and death.
I have been a poet among humans,
an indignant warrior of the heart
with an army of seasoned candles
reconnoitering distant fires in the night
that bloomed like the breath
of insurmountable divinities
gathering like birds
in the border hills of the darkness
that always took the form of a luminous woman
bathing naked in a sea of eyeless windows.

Crowned like an apple star
for the brilliance of my defeats,
I fall like a key of crazy sugar,
a mysterious elixir of midnight orchids,
a squall of renegade stars
into the transformative valleys and bays
of your forbidden paradise,
happier than a fireproof heretic in the flames,
singing into the abyss of an unknown god
that has robed my heart like a wounded boat,
a solitary on his island,
in these auroral tides
that play my blood like the pulse
of this keyboard of light
where I drown like a stone messiah
true to the excruciations of his faith
in these delinquent oceans of you.

All my poems, chalk-dust,
all my mystic nightbirds iron weathervanes
bent by the lightning toward earth
like the forlorn hope of a battered metal,
all my paintings a bleeding and bruising of snow,
and the sincerity of the ways I got lost
in this labyrinth of mirrors
unspooling like a thread of blood
from an immortally wounded star,
an agony of human fire
rooted in the voice of the wind like a bird
the abyss of a night without bounds
squanders on the supremacy
of the oldest silence
time ever distilled from the eyes of the dead,
the perjury of a perishing light,
if I did not love your ashes and orchards,
the way you tear your constellations
on the thorns of the moon
and bleed like black silk
for an innocence that never found its way home.

I can taste the dark prophecies
and oracles of infernal delight
written in scars on the dangerous mushroom
of your nuclear body,
and flow like the silt of stars
white mountain gold and night honey
through the hives and deltas
that enshrine the ore of the rose.
I can prolong the dawn like the wishbone of a note
broken like a harp
in the throats of the singing masters of the flesh.
I can blood the night with a fever of poppies
and scoop weeping diamonds
from the black fountain
in the furnace-heart of an electric glacier.
I can wield ecstasy
like a blade of the moon bewitched by its wound.
I can untie the knots and nooses
in the spinal cord of the butterfly
pinned like a calendar of eclipses,
a quarantined blossom,
to a dead branch under a bell of glass
and wire Eden back
to the infernal nerve of the lightning
that severed the afterbirth of the moon
from the dark mother in the garden
like an angel with a slash of fire at the gate.
I know how to make love
like an embassy of shadows
to the most distant longings of a woman in exile.
I can pour the oil of winged serpents
into the lamp
and entice a ghost of snow
to dance naked in the fire.
I can lead the lost cloud
out of the mountains of the key
to the doorway of candles and stars
enshrined in the skulls of seeing.

And even when I turn my back
on the darkest flowers of fire in my roots
to rise up like rain
into the immeasurable wingspan
of these desert clarities
that bead me like a caravan
of nomadic moons,
no more than a breath of light
in a gust of stars,
I’m still only a ladder of thresholds away
from stealing you like the night sky
through the astounded vowel of an open window.

PATRICK WHITE

EYES IN THE SHADOWS, IN BLOOD, IN SPACE


EYES IN THE SHADOWS, IN BLOOD, IN SPACE

Eyes in the shadows, in blood, in space, incubating the light
that has yet to be born, wild asters in the deflowered fields of death,
and the return of the living out of the eyeless abyss, delinquent,
and a redness in the air of this September night,
saturating it like a deep wound it holds under its breath,
a black rose, a fossilized thorn that no longer grows old,
memories fixed like crucified bats to the sticky brown stars
of the fanatical burdock trying to wear me like a starmap
as if every day of my life has felt like the approach of autumn
watching the constellations turn like the pages of a calendar,
a waterclock of new moons flowing like dark matter,
sundials at midnight encircling me like shark fins
slashing the water like sabres with surgical precision
and their eyes, oblivion, a focus of shadows, perennial night
after a supernova of dismemberment, dehumanizing horrors
in a hydrodynamic abattoir. Spirits of old root fires
smelling of pine and cedar at large in the dark like hunting magic.

And the clouds a wolf pack of shapeshifters among the stars,
the exhilaration of spiritual wariness out in the woods alone at night
where it’s unwise to trust anything too beautiful at first sight,
and a sudden flash of inspired self-destructive courage
to do just that in protest of the abuse of beauty as a Venus fly trap.
But it’s not hard to tell a real muse from a false one
because a real muse never wastes her passion on the sane,
and if there isn’t an occult side to a poet who works his madness
like a medium in the dark he had to sacrifice his eyes to see
beyond the visuals of the retinas and the cameras
with lizard eyelids that blink like guillotines, into
these visionary realms where galaxies are shed
like the feathers of migrating swans, gravity’s gone,
and if you want to go up, you’ve got to go up without a parachute on.
Mystic physics. The illogic of the heart delighting
in the absurdity of itself just because it can and you can hear
a sword master of black Zen singing his heart out in a brothel:
A good heretic never disciplines his disobedience.

The brutal moon offers me the cup of my own skull
and says drink, and I know it’s death to hesitate
because you lose control of everything in the moment
if you do, so I drink it like an elixir of dark tears
from the eye of the shark in eclipse, and I peer
into the black mirror of a midnight lake to see
if I’m still alive or dead, and the mirror breaks
like the unleavened bread of a gnostic gospel in my hands,
wholly enraptured by a spell I wasn’t ready to wake up from,
and I can feel the lustrous radiance of a light
so inconceivably darker than the one I go by
like a shadow of that, the ferocity of the clarity
immolates my heart with a terrible joy
in a prophetic furnace of hot diamonds
that howl like the insights of a firestorm of dragons in extasis
breaking out of their cosmic shells like stars out of the void
shining out of the dark heart of things within
like eyes seasoned by compassion
for the low hanging bells and fruits of the earth
trying to express the infinite solitude between birth and death
where we walk alone together forever with everyone
and everything, like pilgrims sleepwalking
in the unattainable dream that animates us all
to keep on divining the inspired limitations of the impossible.

PATRICK WHITE

Thursday, September 27, 2012

ALL THESE BOTTLES WITH S.O.S. INSIDE


ALL THESE BOTTLES WITH S.O.S. INSIDE

All these bottles with s.o.s. inside
but not a genie in a lamp among them.
Occasionally the Cutty Sark
in a forty pounder of whiskey,
but the masts snap like matchsticks
whenever I try to pull them out
as if I were trying to give a caesarian
to the chrysalis of a dragonfly
that got turned around somehow. Too often
a viper body surfing the dunes of the Sahara
in the hourglass of a gamma ray burst.
A lot of starfish that have quit shining
that I pick up off this sad, far shore
and bury them in the starfish cemetery
each in their exact place in a starmap
that replicates the constellations perfectly.
It’s what the enlightened do when they’re bored
and there hasn’t been a word
they don’t want to hear from anyone
for lightyears. All the sages
have left the house with Elvis
and Morrison’s just turned the lights out.

Raw solitude underneath such thin skin.
Hush, the flatliners are meditating.
They’re putting transalpine creases
in their theta waves, hoping to levitate
like a lifeboat up off the rocks they’re scuttled on.
Neap tide in the affairs of providence
for barges and schooners alike I guess.
Met this man once who said he was homeless
then gave me his card with a name
and a home address, so I asked him
if he could spare any change for postage
and after that, his mail never came here anymore.

Just thought I saw a ghost, but now
I’m convinced it was only a reflection
on the rim of my chromatically aberrated glasses.
O, ya, or maybe they’re the magic circles I draw
around my eyes empowering me to exorcise
the apparitions as I please, or spiritual junkmail
that lavishes way more on the promise
than it budgets to spend on its fulfilment.

Whenever I want to remember how the truth feels
I run the blade of the moon along my tongue
and sit in a sacred place where two rivers
of lightning join to split the oak, and if the truth heals
hope it isn’t cruel to realize, even to myself,
that most of us are the unrealized simulacra
of things in accord with the contradictions
of what we once wanted to be. The palettes
of the lichens that mixed lunar blues and greens
on the rocks, are scattered all over the place
around here like folk art in a Zen gallery of minimalists.

What’s important, crucial, in fact, when things turn infernal
is to observe the protocols of hell if not the content
with unparalled grace and distinction. Demon up
until you’ve burned all the slag out of your field of view
like asteroids trying to make a big impact on you
like a swarm of blackflies buzzing all around you
like spy satellites and semi-colons. Until
their radios short out. And I’m awash again with stars
in the cooling silence of my dispassionate clarity
with a wry slash of a smile on the deathmask of my face
it would be uncharacteristically ignoble of me
to let anybody else see, even if they had
the eyes and the mirrors for it because
I didn’t abandon all hope when I entered here.
I transcended it. I got real wicked. And clear.

PATRICK WHITE

WHEN I GET TO THE ROOT OF WHAT I REALLY WANT


WHEN I GET TO THE ROOT OF WHAT I REALLY WANT

When I get to the root of what I really want
it all comes down to the nothing that I’ve got.
If a mirror were to publish me the way I really look,
I’d look like a rootless tree, scattering all its leaves
and dropping its fruit like tears that got too heavy to bear.
I look at a beautiful woman now as if she were art,
a Caravaggio in a gallery, as my eyes are
just as happy to see, as my hands once were to touch.
Noli me tangere. Because I don’t love anyone,
not even myself. Love is a double-edged sword
that can’t dance solo, and my longing’s been
a wandering troubadour for so long now, I can
mark the eras of my life by the number of windows
I’ve stood under singing to the waxing moon as it opens up.

I’ve always been a foolish dream weaver
trying to make a waterbed out of a snakepit for two
knowing how long it takes for the flying carpets to wear through.
I’m Pictish enough to live with a blue body
covered in lunar tattoos, or play the sacred clown
so I can use my absurdity as an alibi for the loss of my innocence,
and everybody’s innocent at the beginning of love,
as if the moon were renewing her virginity in you.
I’ve lived with a lioness, two witches, an apostate madonna,
a beast mistress, one demon with juno, a couple of butterflies
that landed on the tip of the split dragon’s tongue
divining for water in hell a moment or two
before their flightpaths got so erratic I couldn’t keep up
and not wanting to fly wingman anymore,
tilted my wings good-bye, and banked back
into the depths and the heights of my reptilian solitude.

If things aren’t perfect after you get over the shock of moonrise
believe me, the night you stop blaming
the flaws in your telescope
or the cinders in your own eyes
and realize how much dark ore it takes
for a nugget of gold to cast it
like a mountain of shadows behind it,
you’d make a much better astronomer than you are now.
You’d be able to relate to the asteroids
as easily as you do the radiant rings and shepherd moons
with their alluring promise of a mysterious life
just under the eyelids of their ice-caps,
as you peer through the cracks in their cataracts.

My heart’s been savaged by firestorms of stars
sweeping across deserts of volcanic ash and pumice
by thousands of delusions arming themselves like mirages
to wound the very water they depended for their lives upon
because they didn’t think there were enough bubbles in the hourglass.
You wake up one morning and find the skull of the moon
polluting your wishing well, it’s time to pack up
and take your lute on the road again like uprooted rain.
Try for a graceful exit but if it’s a little more brutal
than your entrance, do the best you can one abyss at a time
so that when you’re on your death bed reviewing all this,
you won’t have to wince too hard
at all your futile attempts to remain indefensibly human.

PATRICK WHITE

WHEN GRIEF GROWS SAVAGE AND THERE'S NOTHING TO HUNT


WHEN GRIEF GROWS SAVAGE AND THERE’S NOTHING TO HUNT

When grief grows savage and there’s nothing to hunt
and all your mandalas are turning back into cave paintings
running down a limestone wall like spears
in the tears of weeping shamans, and you want
to tear your heart out and eat it to nourish your emptiness
but you’re not sure if it’s still the noble enemy it used to be,
or if the power of its sympathetic magic has past
the expiry date, and you think you might be
the last of the big mammals to go extinct in the ice-age,
time to sit down on the ground and have a good laugh
at how the things we take most seriously in life
make sacred clowns of us all in the last analysis
just before enlightenment. Put your lifemask on again,
coax a star or a firefly out of the tinder of that nebula
you’re blowing on until you’ve got a good blaze going
then throw all your grave goods on it as if
you were sending them on ahead of you
while you danced the pain away like the sky burial
of the ghost of another age that’s been haunting you
like a glacier that’s slowly beginning to wash itself clean of itself
as the numbness in your heart thaws like a baby mammoth
that fell into a crevasse of ice, and your fingertips
are melting like elk horn candelabra at a native exorcism.

And, yes, it stings for a while just as things are starting
to warm up, but that too will pass like a wet snowfall in April,
when your blood will begin to flow again
as if it were teaching the wild columbine and gypsy poppies
to waltz to the picture-music of the wind without banshees
howling and scratching at your eyes like dead branches
as if they were raking their fingernails against the glass
of a cold, crystal skull disappearing like an ice-cube in a night cap.
Sit down on the ground and have a good laugh
on the tab of everything that’s ever wounded you
and you just watch how easy it is to wipe
that gruesome grin off the face of the moon
like the sabre-toothed Smilodon that mauled you
and replace it with the smile of a Chesire cat
that just ate the canary in a coal mine of fossilized constellations
because grief can intensify the darkness into diamonds
that can see through the translucency of the tears in your eyes
new stars breaking out all over like waterlilies in the night skies
waiting for you to name them and give them myths of origin
derived like starmaps from the legends of your own shining.

Eventually the jesters of crazy wisdom will come to us all
and wipe the tears from our eyes and paint stars in their stead
we can point out to the cloaked ones
under the covers of their death beds
as if the deeper and darker the night the better to see
trillions of fireflies flung off the wheeling
of the celestial spheres like compassionate insights
into what we suffer for, what we lose whenever
we try to possess forever by trying to pour
the universe out of the universe like a waterclock in Aquarius
when we’re already swimming through eternity
like Pisces and there’s never a moment that passes in life
that isn’t a vernal equinox in a locket we hold close to our hearts
that doesn’t bloom in the fires of enlightenment
like star seeds hidden under the eyelids
of last year’s dolorous windfall of pine cones
because however the wind screams
through the broken wishbones and harps
of our shattered limbs, our torn dreams,
the eighth time we get up from our seventh time down
we get up and stand our ground like evergreens in the starfields.

PATRICK WHITE

Wednesday, September 26, 2012

I DON'T WANT TO HAVE MY EYES GLAZED OVER NACREOUSLY


I DON’T WANT TO HAVE MY EYES GLAZED OVER NACREOUSLY

I don’t want to have my eyes glazed over nacreously
if I were a grain of sand, a diamond in the rough,
living in a pearly world. Cataracts in the eye,
flowers in the sky. I don’t want to live in a spiritual trance
blissed out like the first crescent of the moon
smiling down upon everything as if I weren’t
attached to any particular atmosphere and all
the waters of life were frozen like tears in a jewelled locket
I kiss once in awhile in a rush of gushing devotion.

I love the mystic details of the concrete specifics of the world.
The stylus of the birds that can write with their beaks and feet
like cuneiform on the skin of an apple,
and wormholes that burrow even deeper
into the sweetness of the flesh, neolithic barrow tombs
aligned with the vernal equinox, and that soft blue talc
as if the dew had turned to powder that clings to the autumn grapes.
I like the spelling errors fate makes
on the staves of our foreheads where it writes
the picture-music of our destinies in such a way
that everything that’s written there, over the course of time,
our eyes will live long enough to see.

I don’t want to turn my spirit into a cosmic perfumery
and extract my essence from the ambergris of my presence.
I don’t want to transform whale vomit into an alluring fragrance
that isn’t naturally its own. Or suggest to certain flowers
they gargle the rain like mouthwash, or smear
the eyelids of the rose with a snailtrack of stars.
What did the Zen master say? The stone is lustrous,
but there’s nothing inside. The ore is different
but from it comes gold. Why hide the bruises and scars,
sunspots like black eyes, or the pitted complexion of the moon
from the third eye of Galileo’s telescope trying futilely
to show a Vatican cardinal the mutability of the firmament?
Things are rough out there, and happenstance is neither fair
nor unjust. Things pass into their return like the earth
going around the sun in a five billion year old roulette wheel,
and every asteroid might dream it could grow up to be
the cornerstone of a planet, and then come down
on the dinosaurs like an avalanche without sin
that threw the first rock at Mary Magdalene.

I don’t want to disperse every breath I take and exhale
aurorally like veils, as lovely as they are, over the face of the sky
as if it had something indecent to hide like snow on a dungheap.
I don’t think the dung needs to be dressed up like a festering virgin
that needs to be purified. Snowflakes on a slow methane furnace
I think the dung and the snow go the way of all flesh
though some walk, some run, some flow, some evaporate
and some are just inflammably combustible, but all
know their own way back to their roots as well as anyone.
Never known a river that needed a guru
to find its own way back to the sea, or a cloud
that was ever unhappy about the way it was shaped by the wind.

I wash my hands, and I’m bathed in the waters of Jordan.
I open my eyes, and God says fiat lux, let there be light.
I walk over to the window and look down on the morning street
and Muhammad makes that my quibla, my direction of prayer,
and under the eaves there’s a mourning dove
singing the shahada like a muezzin to its young.
I put my clothes on, slowly rising to consciousness
until my thirteenth year and I’m wearing my tallit and tefillin
at my own bar mitzvah, listening for the Aliyah
to call me up and recite the Torah. I admire the stamina
of the petunias still brimming over the rims of the whiskey barrels
municipally placed between the parking meters
in a biting autumn wind, and the Buddha hands
Ananda a flower and smiles as if I could understand him.
I rescue a fly from drowning in a toilet bowl
with a piece of kleenex like something it can cling to
because I think one day that could be me
praying for a lifeboat, and Beelzebub commends me
for my lack of discrimination, and Lucifer’s intrigued
while Jesus befriends me because my compassion isn’t fastidious.

What’s so unspiritual about mundanity as it is?
Samsara is nirvana. Delusion the door to enlightenment.
Every chore, a religious ritual, a do, a path in a participatory world.
Every farmer in the Perth Restaurant at their daily coffee clutch
a sage as wise as the rocks and stumps he’s cleared
like a backhoe from his fields laid out like scripture
covered in mustard, goldenrod, vetch and purple loosestrife.
Ashes to ashes, dust to dust. You want to touch the soul,
it’s not out there out of palpable reach, it’s
the starmud between your fingers and your toes,
under your nails, the sweetmeat of your brain
in a black walnut shell, the very stuff your hands are made of.
And this is more of a mystery than looking for it anywhere else.

The black-eyed Susans, the New England asters,
the last of the wildflowers aren’t just things to look at
but seers in themselves the stars consult like oracles
of what’s to come, and when you look at the maple trees aflame
who needs anymore martyrs or heretics than that,
and sometimes you can even see Raphael throwing his paintings
in the Bonfire of the Vanities while Savanarola rails like the wind
against the Medici he’s trying to drive out of Florence
or the Taliban trying to purge what’s she’s reading
out of a young girl’s eyes with the formic acids
of stinging nettles and ant heaps clinging to the Koran
like a no trespassing sign at all the crossroads of life
where the Sufis whirl like galaxies into rapturous extinction
and Allah sends no more rasuls like prophets with books
and forgoes the words for the grammar of natural things
as signs of the Friend within and without
and everything’s a metaphor of the tauhid and unity
of the worlds within worlds in light upon light.

Work is as much a form of worship when you see it right
as the Hindus do, as love is. So when you’re feeding the cats
or putting out oats for the horses, this is the mysticism of action
beyond the contemplative, actualizing the abstract
in an act of devotion such that for every roofing nail
a carpenter drives into a rafter, a temple is built in the heart,
and hundreds of loveletters are released for free
like doves and flamingoes or sidereal swans and eagles,
Japanese plum blossoms into the sky that writes back like the moon.
And, yes, there are times when I go mad in my isolation cell
and fling my inkpot at the wall like Luther at the Devil,
and want to get out of here so badly I set my desk afire
and let it drift like a Viking funeral ship all the way to the bottom
and the next thing you know coral’s trying to grow
a Gothic cathedral out of it, complete with angels and gargoyles,
virgins and saints, and grief turned fluid once more
is flowing like a river of stone back to the sky again
as all the masons and their families that laid the heritage field stones
dance around it like fish in the Great Barrier Reef
as the cardinals stand around in their bifurcated, goose-necked,
bi-valved barnacle hats astonished by what metaphors can achieve
polyp by polyp, drop by drop in a limestone cave, star by star
in an expanding universe, or cell by cell in the body of a human
when imagination is free to work in tandem with the random
like genetic mutations on helical stairwells of dna
sliding down the bannisters as if even evolution
were a game of spiral snakes and ladders with oxymoronic rungs
and if you’re lucid and want make things clear as starmud
you have to resort to speaking in tongues.

PATRICK WHITE

QUARTER MOON IN SAGITTARIUS AT THE AUTUMN EQUINOX


QUARTER MOON IN SAGITTARIUS AT THE AUTUMN EQUINOX

Quarter moon in Sagittarius at the autumn equinox.
The ecliptic intersects the celestial equator
at the equinoctial colure. Sagitta. Arrow in Latin.
Toxos. In classical Greek. Attic dialect. As in
toxin. Or toxologist. Archaic word for archer.
I’m a little teapot short and stout. Here
is my handle. Here is my spout. Tip me over
and pour me out. Zen is the taste of tea.
And maybe those aren’t stars, but flower arrangements
at a Chanoyu ceremony with raku tea bowls,
where even the cracks where the stars leaked out
are cherished like scars on the moon. The porous face
of someone pitted by smallpox. One stone
in a sand garden of stars raked into wavelengths.
If Zen is the taste of tea, then Islam must be
the flavour of coffee. The Christians have
their blood and wine. And the Jews drink deep
of the fountainmouths of their tears by the rivers of Babylon.
Suspiciously symmetrical thought for a heretic like me,
More that of an engineer than a seer watching stars.

A dog barks at sly shadows farms and forms away.
The leaves are brittle and tense. They scratch cold runes
like glacial striations on the wind in passing.
All the waterlilies have candled like parachutes.
The willows are using a lot more hairspray than they used to
and their supple tresses now sway like arthritic rivers
that stiffen up in the damp weather. But soon
you’ll see the stars shining through the veils
of their branches, and the pathos of their ruined beauty
will be renewed by the mystery of a high priestess
that taught Medusa how to dance gracefully
like Algol in the hand of Perseus, in a radiant ballet
of whips and wavelengths. The river seems
more hermetically aloof, withdrawn, removed
from itself as if some deep insight preoccupied it
and even the longing of the nightbird’s lyrics
seem coarsened by hunger in the predatory air.

As for me and my house, I come here alone
where I can turn a hovel of solitude into a palace
of water and wonder and sit until the silence
grows inhuman, and nothing of me remains
but the impersonality of the universe
that’s traded its feathers in for sequins and scales again.
Warm ostrich boas of pampas grass
for sleeker gowns of snakeskin.
Revelation of the burlesque for something
more alluring and dangerous. And the darkness
a northern siren calling me to the rocks like a muse
to the occult grammar of her body language.
I am Hermes Trismegistus the Thrice-Blessed.
I am Thoth who brought the alphabet.
Who only a moment ago as old as the universe
was wholly unmanifest. A fountain asleep in its watershed.
A bird with its head under its wing. Not anything.
Not one. Not two. A wide-eyed, gaping, open-mouthed
zero of an awareness that had burned my identity away
by reaching out to the stars like a thief
torching his fingerprints off like like tiny labyrinths
with search warrants effaced like moths and maple leaves in a candle.

I was out of here like the constellation of the swan
going down over the eyelashes of the western treeline.
After defaulting to the sensuality of the dark all night
who wants to wake up beside the dawn, wincing in the light?
I was out of here like Auriga, the Charioteer.
I always reveled more in the role of guide to the dead
and messenger of the mystery and its eloquence,
master of the occult visionary sciences expressing themselves
as a physics of metaphors, not numbers, the intuitive logic
of synchronized happenings in a charged particle field,
not syntactically linear paradigms that strive fruitlessly
to make things perfectly clear, as if they’d rinsed
all the nectar of life out of them and the light that was left
were the direct result and residue of spiritual erosion.
The sun can boast of the number of sunflowers
it’s got for followers all it wants.
When she appears, a thousand mirrors open
like the third eyes of observatories capstoned
on cold, lonely mountain tops with only one road down or up
and all the reflecting telescopes on clock drives turn their heads her way,
affixed to the mysterious trajectory of a new moon rising in the north
in the thirteenth house of a zodiac that baffles the starmaps
with a darkness that’s brighter than any of their high hopes.

PATRICK WHITE