QUARTER MOON IN SAGITTARIUS AT THE
AUTUMN EQUINOX
Quarter moon in Sagittarius at the
autumn equinox.
The ecliptic intersects the celestial
equator
at the equinoctial colure. Sagitta.
Arrow in Latin.
Toxos. In classical Greek. Attic
dialect. As in
toxin. Or toxologist. Archaic word for
archer.
I’m a little teapot short and stout.
Here
is my handle. Here is my spout. Tip me
over
and pour me out. Zen is the taste of
tea.
And maybe those aren’t stars, but
flower arrangements
at a Chanoyu ceremony with raku tea
bowls,
where even the cracks where the stars
leaked out
are cherished like scars on the moon.
The porous face
of someone pitted by smallpox. One
stone
in a sand garden of stars raked into
wavelengths.
If Zen is the taste of tea, then Islam
must be
the flavour of coffee. The Christians
have
their blood and wine. And the Jews
drink deep
of the fountainmouths of their tears by
the rivers of Babylon.
Suspiciously symmetrical thought for a
heretic like me,
More that of an engineer than a seer
watching stars.
A dog barks at sly shadows farms and
forms away.
The leaves are brittle and tense. They
scratch cold runes
like glacial striations on the wind in
passing.
All the waterlilies have candled like
parachutes.
The willows are using a lot more
hairspray than they used to
and their supple tresses now sway like
arthritic rivers
that stiffen up in the damp weather.
But soon
you’ll see the stars shining through
the veils
of their branches, and the pathos of
their ruined beauty
will be renewed by the mystery of a
high priestess
that taught Medusa how to dance
gracefully
like Algol in the hand of Perseus, in a
radiant ballet
of whips and wavelengths. The river
seems
more hermetically aloof, withdrawn,
removed
from itself as if some deep insight
preoccupied it
and even the longing of the nightbird’s
lyrics
seem coarsened by hunger in the
predatory air.
As for me and my house, I come here
alone
where I can turn a hovel of solitude
into a palace
of water and wonder and sit until the
silence
grows inhuman, and nothing of me
remains
but the impersonality of the universe
that’s traded its feathers in for
sequins and scales again.
Warm ostrich boas of pampas grass
for sleeker gowns of snakeskin.
Revelation of the burlesque for
something
more alluring and dangerous. And the
darkness
a northern siren calling me to the
rocks like a muse
to the occult grammar of her body
language.
I am Hermes Trismegistus the
Thrice-Blessed.
I am Thoth who brought the alphabet.
Who only a moment ago as old as the
universe
was wholly unmanifest. A fountain
asleep in its watershed.
A bird with its head under its wing.
Not anything.
Not one. Not two. A wide-eyed, gaping,
open-mouthed
zero of an awareness that had burned my
identity away
by reaching out to the stars like a
thief
torching his fingerprints off like like
tiny labyrinths
with search warrants effaced like moths
and maple leaves in a candle.
I was out of here like the
constellation of the swan
going down over the eyelashes of the
western treeline.
After defaulting to the sensuality of
the dark all night
who wants to wake up beside the dawn,
wincing in the light?
I was out of here like Auriga, the
Charioteer.
I always reveled more in the role of
guide to the dead
and messenger of the mystery and its
eloquence,
master of the occult visionary sciences
expressing themselves
as a physics of metaphors, not numbers,
the intuitive logic
of synchronized happenings in a charged
particle field,
not syntactically linear paradigms that
strive fruitlessly
to make things perfectly clear, as if
they’d rinsed
all the nectar of life out of them and
the light that was left
were the direct result and residue of
spiritual erosion.
The sun can boast of the number of
sunflowers
it’s got for followers all it wants.
When she appears, a thousand mirrors
open
like the third eyes of observatories
capstoned
on cold, lonely mountain tops with only
one road down or up
and all the reflecting telescopes on
clock drives turn their heads her way,
affixed to the mysterious trajectory of
a new moon rising in the north
in the thirteenth house of a zodiac
that baffles the starmaps
with a darkness that’s brighter than
any of their high hopes.
PATRICK WHITE
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