JUST GO. JUST GO.
Just go. Just go. I don’t want to do
an autopsy
on your voodoo doll. Leave me to the
asters and stars
on my long walks into the fields and
woods around here.
It was your fault, your fault, as you
keep pleading.
I’m glad you see me now the way you
couldn’t before
but the roses keep bleeding and
candidly, lady, I’m bored
with the abysmal misery of trying to
understand
why you look like the Taj Mahal but act
like a hamburger stand where they pat
the meat down
with dirty hands. You did what you did,
now be done for good and bad with it.
Let’s not
look upon it as a mistake you made, but
as a creative opportunity for us to
separate
the salt from the fresh waters of life
in our tears.
I don’t think I was cut out to be an
organ donor for love.
Full measure and a bit beside. Enough,
or too much,
as the poet once said. I gave you all I
had to give
with a full heart and an open hand. You
were great
in bed, a demonic mystic with a hunger
for sex,
but the blood-caked altars remind me of
guillotines these days,
blocks to swan on at Tyburn and
Smithfield,
and if I thought putting mine on the
black market
might bring about a change of heart in
you,
the river might flood, the wheat grow
taller,
the scapegoats stop boiling their kids
in mother’s milk,
I might be more inclined to take a
message to the gods,
stimulate my stem cells into
reconstituting my body parts
like a Promethean liver eaten like
roadkill on the rocks
by turkey vultures circling like
undertakers on the fly.
I suppose you expect me to cry or
something
and I will, after my own fashion, when
this glacier
retreats like an ice-age my species has
been adapted to
for way too long. I’ve been flint
knapping new moons
like shards of obsidian into spearheads
with a razor-edge,
and I may have mastered the art of
hunting bigger prey
than I am, but the dreams of the
Neanderthal
that has been living on inside of me
against the odds
has left me a little flakier than a
shaman in a cave bear’s hide
and I’m weary of singing in the false
dawns
of the genetically engineered
beginnings you keep
offering me as an alternative to my
imminent extinction.
The death songs don’t sound the same
when they’re accompanied by a backup
band
and a drum machine that never misses a
beat
to be real enough to roll with the
pulse of the moment
when the heart begins to jam with the
rhythm of life
too close to last call to take another
request. So please
just go, just go. Shut the lid on the
coffin
of my guitar case and save your change
for someone else.
I’ve stretched the membrane of my
heart out
far enough for you to jump on like an
animal skin
that thought of itself as more of a
drum at a ghost dance
than a trampoline on the rebound when
you
finally came back down to earth like a
shooting star
I’d wish on like a lucky scar that
might not disappoint me
like the last time you shattered my
glass house like a Perseid
throwing the first stone at what you
were capable of,
the dregs of a comet that didn’t burn
hot enough
to burnish your golden chariot in the
emotional crematorium
where the slag of a slum’s been mined
out like love.
I buried the yellow canary that used to
warn me
you were coming like the Wailing Wall
beside the Dome of the Rock in a bed of
Jerusalem artichokes.
Take your body with you when you go.
Take
your lips and your hair, your hips and
your breasts
and the mammal magnetism of those
dresses you wear
as if they were being modelled on a
catwalk by the floor
beside someone else’s bed, and I’ll
walk skinless
through the world awhile and feel
everything again
like a wild aster in the acid rain of a
significant climate change
it’s a lot easier to adjust to
without you, than it is
to explain to my solitude looking for
signs among the stars,
fireflies burning in all these ice-age
Mason jars
I’m releasing like the Pleiades from
the urns of my eyes,
chimney sparks in a gust of wind,
lights out over
the sea at night, and when you’re
gone, lightyears up the road,
these first magnitude starmaps I’ll
use to start a fire
I’ll sit around, and listen to the
wind rustling
through old creation myths like leaves
well into autumn,
and try to identify the sound of a tree
falling
in an old growth forest when there’s
no one there to hear it
and the Canada geese are heading south
like hearses of the spirit,
hello and farewell, included in the
same calling out
to the silence and the distance between
one absence and the next.
PATRICK WHITE
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