SHOCK ONE BIRD INTO TAKING TO ITS WINGS
Shock one bird into taking to its wings
and all the others will fly up out of
the sacred woods
into an emergent symphony of
spontaneously choreographed words
like rivers reeds dancing in unison to
the music of a distant sea.
Fish do the same. And the fans of the
corals before the moon
turns them into stone. Listen.
Aldebaran
bellows from the heart of the bull
sacrificed to creation
like the gift of a gift to itself. It’s
raining blood
in some parts of the world. If I don’t
look for asylum
in reality it’s because I completely
trust my imagination
not to schedule any dress rehearsals
for my dreams
as if you could improve the play by
upgrading the stage.
And my religion can’t bring itself to
believe in a god
that created the world just to let
herself be victimized by it.
I don’t take the universe as a sign
of intelligence
because I can’t look at a stone
without feeling I’ve added
a little wisdom to my thoughts, an
earthy, sage laughter
to the unworldly seriousness of my
moonrocks.
Life in the universe, elaborating its
redundancy
through sex and fractals into an order
of complexity
that weaves every wavelength of its
picture-music
into a lyrical tapestry that would
otherwise
be hanging in hyperspace like a blank
membrane. Life
is intelligence in action like a mystic
that got up off his knees
to fix the church roof by opening it up
to the stars
that keep falling like the mercy of a
transcendent rain
to wash the starmud off the roots of
life with light
until they shine like lightning
breaking into blossom
from the bottom up. Whether things are
good or bad
synchronicity reverses the spin of my
atoms
like the turn and counterturn of matter
and anti-matter
dancing creatively as if love could be
measured
in direct proportion to its potential
for annihilation.
That’s how things have always gotten
done around here.
Someone manages to peel their snowblind
reflection
off the mirror like the sunburn of a
coronal halo
a throne too close to home, and the
night begins
to cool things off with the moonlit
salve of a herbal darkness.
Everything lives, animate and inanimate
alike,
the lotus eaters, the condottieri of
the vulture capitalists,
and in the great reservoirs and
watersheds of memory
that generated muses to inspire the
living with the fires
of the dead, to keep them from going
out, everyone, everything
down to the last mystically specific
detail of scarlet paint
flaking off a fingernail as if someone
painted a window
to cover up a moonrise with a sunset,
lives, endures, thrives
in the well springs of an expansive
mind that celebrates
its regeneration out of the magical
black holes and top hats
it’s been pulling itself out of like
rabbits by the ears for lightyears
while supernovas go berserk with
applause just to tempt itself
into finding out how the trick was done
by its own sleight of hand
without anyone catching on. Whatever it
washes its hands of,
science is still an antiseptic magic
that keeps reminding itself
of where it came from the harder it
tries to deny its roots,
but there are other vital organs of the
body that can
lay claim to being children of the mind
as well, not just
this one changeling of a brain child
laid on the steps of a temple
or found among the bullrushes.
Eye-child, the bird
that lives like a larynx in your
throat, heart child,
and the shy child that can feel the
light breathing on her skin.
We are the neurons and axons of a
galactic intelligence this week
and we’re communicating with shepherd
moons and starclusters
that are as alien as we are sending out
space probes like genes
unlocking the secrets of the universe
like wardens and nightwatchmen
breaking koans like keys to the cosmic
eggs where they’re imprisoned
like seven sleepers in the cave of our
genome. If you
can put up with that many similes in a
row like variations
in the evolutionary bush that might or
might not catch fire
like sage brush happy to lay back on
the wind and drift, just drift
in the wanderlust of not really knowing
what we’re doing here
but taking it on faith, it’s blind
luck to be aware of it.
And the available dimensions of
tomorrow will have recourse
to these metaphors poured out of the
heart like a waterclock
and new dinosaurs will walk the earth
among the emotional mammals
in boas of ostrich feathers and
suggestive snake-skin sequins
that shimmer like the waves on a lake
at night, liquid anthracite,
dark tears with black diamonds for eyes
burning heretics
in the unconfessed fires of their
adamantine translucency.
Maybe it’s time to let the caves we
enter like carbon-based life forms
paint us for a change in colours that
have yet to be seen
in anyone’s paintbox like the bulbs
of wildflowers about to bloom
in the starfields with a rainbow
coloured thumb for gardens.
Let’s turn our astral portraits
inside out as if the stars
were embodied within each of us like a
starmap
in the crystal skull of a drop of water
on a spinal blade of grass.
Mind only. Everything is mind. Not two.
Not one. Not nothing.
In every part, in every grain, the
whole of the harvest moon.
And the formlessness isn’t inchoate.
And the form
is as homeless as the mind looking for
its lantern
with its lantern, as if it wasn’t
accompanied by its own light
like an honour guard of stars and
fireflies the whole way
to the gate and the threshold of an
endless beginning.
That’s what’s inconceivably
beautiful and playful
about being alive in a mind as
aniconicly vast as this.
We only hide the secrets from ourselves
that we must urgently want to be known
like mirages breaking water in the
wombs of our wells.
We’re rummaging for grails in our own
spiritual lost and founds.
We’re sending telescopes into space
like foreign embassies
acting as plenipotentiaries for our
eyes only
as if our seeing had to be diplomatic
about
the infinite number of ways there are
of deciphering the stars.
Make it a loveletter from a bride
catalogue of Asian mermaids
if you want to hear the lyrics of what
they’re singing to you
about the music of the mind walking on
the waters of life
like the Pleiades webbing the
constellation of Taurus
among the leafless boughs of the horned
locust trees
standing in the moonlight gaping like
gored matadors.
Or make up stories to keep the fires
within you amused
with a ghost of smoke on a rocky road
rising
out of the ashes of its deathmask on a
distant hillside
with a nebular glow on its face and a
secret syllable
you have to hear with your eyes before
you’ll believe its yours
hidden like a jewel in the folds of its
veils like a prefix
that isn’t just another false dawn on
the mother tongue
of the word for bliss because no one
yet has even known
how to say it in the silence of waiting
for it to speak for itself.
PATRICK WHITE
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