PUTTING A LITTLE FINESSE IN MY SOLITUDE
Putting a little finesse in my solitude
I befriended a river as the intimate
familiar
of my mindstream flowing under three
bridges
of my vertebrae where I can stop where
I’m going
once and awhile and look down, just
look down,
look down a long time into the rippling
reflection of the sky’s third eye
looking up at me
as if we shared the same tears in
common.
The swallows nest in heritage stone
along the canal.
And the moon, the willows, the
lime-green water tower
trying to look colossally spaced out
among the trees
plunge their images into consciousness
like a telescope
without an inverting mirror to reorient
them.
As above so below. Twenty stars at the
most
due to light pollution, I walk past a
Brink’s truck
emptying the vaults of the bank,
looking
suspiciously unsuspicious as I step
into a crossfire
of overenthusiastic hellos from the
flaps unbottoned
on their guns trying to pass for one of
the locals.
Back door out of town, upstream half a
mile
where things aren’t quite as
dangerously trivial
and the stars aren’t cosmetically
occluded by make-up
and I can hear the river walking on its
own waters
like moonlight writing wave functions
in chalk on a blackboard.
Everything feels closer to eternity out
here
in plain view of what there is to
cherish, perishing
as I remember a woman I’ve remembered
for so long
without ever stepping into the same
recollection twice
like the eye of a jeweller swimming
through star sapphires
as if the patina of time hadn’t found
a way
to dull their shining yet, cling to
their translucency
like a snakepit of oil, breathe on
their clarity
like a milky cataract mistaking a
window for a crystal skull.
Here, I can say she was beautiful and
it doesn’t
echo across the waters like the night
call
of a distant bird always saying
farewell to the music
of some hidden tree the wind’s been
playing
like a flute for the last twenty years.
It’s crucial
to give your past a future to look
forward to
so it can go on growing in your absence
like the painting of a garden you
planted and abandoned
like a constellation of crocuses
breaking through the snow
to get the rest of the way there
according
to their own starmaps. Follow their own
shining
wherever it leads, as mine keeps
leading me here
where I can tend the beauty of the
wound she left me
without listening to all kinds of scar
tissue
offer me well-meaning worldly
unasked-for advice
like scalpels of the moon that wanted
to cut
my heart out of my chest like an
ice-age arrowhead
congealed out of my blood like
flint-knapped rose petals
long before the rock doves discovered
the invention of the bow like the
shadow
of the wingspan of a ferruginous hawk.
Even if you were to uproot all your
sorrows
like weeds from your solitude, what
have you done
but exhume the lightning from your own
grave,
defang the crescents of the moon from
the serpent fire
at the base of your spine? Shame your
passion
with a fire escape, burn out like the
root-fire
of a candle into an echo of smoke that
smudges
the bats from the house of the zodiac
you were born under
like sage and smouldering cedar boughs
that never
break into flame? No. She was beautiful
and as much as it hurts to remember
that
clear-eyed as winter water worthy of
the moon,
because she’s gone like the fork of a
river
that’s moved on like the other half
of a wishbone
from this our secret meeting place,
and the sadness and the beauty of the
fireflies
that are missing among the paradigms of
the stars
that once echoed their earth bound
radiance
sometimes leave an abyss in my heart
a thousand deaths wide I’ll never be
able to fill,
still, like the ghost of a phoenix
unfeathered
like the staghorn sumac in the fall by
the wind,
though space burn as hard and cold as
glass,
I will spread my wings and rise like a
fire
equal to the moment in passing that
shines
through my tears like the arcing
flightpath
of an arrow of light dipped in the
waters of life.
I will celebrate my wounds as a measure
of how deeply I was seized
by what was irrevocable about her eyes.
PATRICK WHITE
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