IN THE STRAIGHT UP BUILDING ACROSS THE
STREET
In the straight up building across the
street,
a master work of stone masons dead at
least a hundred years,
now abused as a bank, the fieldstones
that were pink in the dawn,
roseate quartz, are still yellow as
wheat in the dusk.
Mood rings of the way the light feels
about things.
Milky blue sky and grimy windows, a
crystal menagerie
of perfectly still mobiles and stained
glass stars
with stubby white candles waiting
for someone to light their wicks with
conviction
hanging from cuphooks on the
windowframe
to glean the lean insights of the light
in winter.
I adorn my solitude with a palace of
translucencies
in a dumpy upstairs studio apartment. I
paint
the walls of the cave my prophetic
skull contains
like an abyss in the palette of my
emotions
with starlike things and wheeling solar
systems
that would make you think the only path
in life to take
is dancing around one another,
pendulously suspended
from thin silver chains linked like
ripples of rain
into the vertebrae of slender spines,
gleaming stems
of the low hanging fruits of the earth.
Among them. My brain.
Deep blue jars on the windowsill,
mystic nights
in a poor man’s cathedral, how many
highbeams
on the cars passing down below like
blood cells
have they brought to enlightenment
without
anyone realizing it as the achievement
of their usual discipline?
That wisdom is as capricious as beauty
about
the fathomless lucidities of life that
happen in the blink of an eye.
The light doesn’t insult time
apportioning out its gifts.
One firefly’s enough to ignite an
entire universe.
Icons of bliss. I make a shrine to the
light of any place
I’m living in. I illuminate the
innate darkness
that overtakes me from time to time
like an eyeless nightsky.
Black holes in my galactic spirit
crazed for the light
that sends out missionaries to convert
their void bound invisibility
through the medium of my sensory
starmud into wildflowers
blooming like starmaps of my
imagination all over the earth.
PATRICK WHITE
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