ENROBING MY NOBILITY
Enrobing my nobility
in the aloofness of a
spurned beggar,
or a musician on a
street-corner
opening the coffin
of his exhumed guitar for
change
to keep his humiliation
enraptured and alive,
his song denied its bough
by a warning
from the window of a squad
car
enforcing the petty
complaint of the loveless
who douse
the flaring of the flowers
in law
as if all that unimposing
ecstasy
were merely another
match
that failed to consume
them,
I conceal the generosity
of the stars
that urgently lavish
their light
on the deepening night
that reveals them
in the lordly pockets of
my impoverished repose.
I want to want something
again
that isn’t an expletive
of acquisition
that ages into the
accusing silence
of an unattended toy.
I want to knock down all
the probabilities,
all the odds and evens
of the gravestones
placed like bets
in a cemetery of bookies
that have hedged their
deaths
with double or nothing
on the long shot.
Love bides its time in me
like fire in a stone
that rings the ashes of
its last revelation
and over the clamour of
ghosts at war,
I try to live up to
myself in the silence
like the impossible
conditions of an unsigned truce.
I have plucked the wings
of angels
and feathered my heresies
in the tars and
flammable shadows of the night.
If I have withdrawn into
myself
it is only to advance and
transcend and array
like a wave or a breath
when the abyss gathers me
into its unassailable immensities
and then sprawls me out
like a map
on the shore of an
uninhabited island
to discover what I’ve
buried.
I am always curled
like the sickle of a
harvest eclipse,
a question-mark, an
imported executioner
over the pure, black
point of my existence
even as I offer myself
up
to the hidden face of the
moon
as the first, shining
stalk of wheat
to venture out of the
tomb
under her inscrutable
auspices.
But I am not the
redivining of an old sacrifice,
I am not a child in the
attic
playing in the valley of
the kings
with the castaway cargoes
of a rudderless moonboat
scuttled in time.
I don’t dress up in the
abandoned wardrobes
of the oversized past
to practice the mute
afterlife of my future.
Denied the bough of the
day,
I am
the nightbird perched in your roots
and singing,
not to summon,
not to warn anyone away,
and even less to convey
the bitterness of
unrequited beatitudes
or the serpentine
intoxicants of unanswerable longing.
Sometimes it feels as if
I were an extremity of
fire
frozen in the ice of
hell,
or I find myself
lingering
over the petals of the
pimped-out magnolias
like the pages of a torn
book
or old Venetian blinds
askew at the window,
to look for eyes between
the lines
I might add to the
watersheds of my seeing like rain,
but I’m never a
pilgrim on a road of smoke for long.
And I don’t know
if I have enhanced the
waters of life
with the tears that fell
inwardly
from the lightless side of
my eyes,
but I am not the urgent
miscellany
of the misunderstood
and I have always been
suspicious of the bread
that calls itself good
and founds its
thunderous, empty silo
on a curse in the cradle
of the grain.
I don’t peck like a
pigeon
in the holy squares of
the doctrinal,
and it’s been an ironic
consolation at times
to wryly affirm with a
quizzical smile
that only my uncertainty is certain.
My life may have been
blown about
like the windswept froth
of a pathetic guess,
and everything I know
be phantoms of foam
clinging to ruinous rocks,
but I have that in common
with the stars,
and there are tides I
ride bareback without a bit
like my own bloodstream
that fly like wild horses
on the moon,
muscling the dead seas
of the heart like waves
that expound no more
with the gavelling of
their hoofs
than the astounded pulse
of the running.
I am no longer estranged
by the parsecs of
solitude
that are the true
measure of my age,
once I realized
it was my only way of
meeting everyone.
And I have never
mistaken a chain
for the rosary of a dead
liberator
and linked the name of
God
to anything that is
bounded by what it binds.
My freedom is slanderous,
lightning and a star,
but my devotion glows
like a firefly in a jar
when I consider that I owe
more
to the things I got away
with
like a fugitive
compelled to cross the
unknown badlands
by a posse of judicial
compasses,
than I do to the
foghorns and lighthouses
that bellowed over my
unsalvageable corpse
because it rose on its
own
like an unschooled
coast,
there’s still a morning
in my smile I can’t regret.
PATRICK WHITE
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