Thursday, May 23, 2013

BEGINNING AND END

BEGINNING AND END

Beginning and end. Two hinges flapping like lapwings
on the same gate to nowhere at anytime, both wishing
they were born sundials. Encores of a grand entrance
trying to make a graceful exit toward an abysmally open door.
Past and future. One foot on shore, one in the boat.
The moment’s always two-faced about these things
because it has no identity of its own, not even
a specious passport. Time must be Palestinian.

I wish everyone a backward blessing as I’m walking away
with no malice in my heart and the moon smiles
like a good-natured scar knowingly overhead.
If you practise life among the dead long enough
you learn to master your own failure, evolution
in the life of the mind, not a fountain or a housewell
but a watershed of inspiration, a meteor shower
crashing like an amber chandelier we’re all dancing under
in a glass house of frozen tears throwing stones
at the mirrors of the telescopes peeping through their keyholes.

Is it a curse or a blessing to be the anti-hero of zero
and where would Zorro go to find a mask for that?
God, I’m sick of people telling me to be myself
like the sky and the sea. I’ve seen both when
they looked a lot more than anxious to me and it wasn’t
just another lie about the pathetic fallacy
of empathizing wholly with your own mental weather
be it hell or halcyon as a kingfisher flying low
over a million suns dancing on the eyelids of the waves
like a stunt pilot gliding along just for the easy sake of it.

Ask any flower. You got it you flaunt it. A lot of bees
depend on that. If you want to look further afield.
Show me a star or a firefly with terminal stage-fright.
Even the lachrymose avalanches of the slothful candles
unburden themselves by turning into light and shadow.
And lest you underestimate the cosmic immensities
in even the smallest fires of life, remember,
a single flame’s enough to be the flightfeather of a dragon
with the wingspan of these days and nights on earth
aimlessly unfolding in an expanding universe
like a loveletter from an empty envelope that ends in solitude
when the many return to the one, or oblivion, whatever
came first like a hidden secret that wished to be known
and has heard and seen enough for awhile to appall her curiosity.

But not to despair. The second innocence of the return journey
is sweeter than the apple boom of the first. You can taste
stars in the honey, music in the eyes of the wine
when the one transcends itself back into the many
and every voice reflects the echo of the silence
like the secret signage of a cursive alphabet of sacred syllables
shining on the waters of life like a blessing in tears
and we were always ten thousand poems in arrears.


PATRICK WHITE

I'M NOT THINKING WHEN I'M TRYING TO

I’M NOT THINKING WHEN I’M TRYING TO

I’m not thinking when I’m trying to.
I’m just drawing up blueprints for a river.
If thinking isn’t as self-evident as your own awareness
whose dream are you practising like an ant in a prophetic skull?
If you labour at an easel in the woods
breaking through the crowns of the trees all day
like maculate shadows and light, the animals slowly
come out of hiding to watch what you’re doing,
so dynamically absorbed in the mysticism of action,
they’re not troubled by the presence of someone who isn’t there.

What comes to you as effortlessly as that,
a tuft of cornflowers at the edge of the unthreshed starfield
like the Pleiades emerging from the darkness into the light,
is as inseparably yours as the sky indelibly reflected
on the mindstream you’re standing over your head in
second-guessing who you are, because you’re a hydra, always
sprouting new heads like the toppled towers of the hollyhocks
swanning on the block like a Puritan in the stocks
below the unhoned crescent moon of an indecisive guillotine
where the road divided like a witching wand
or the root fire of a snake’s tongue tasting lightning in the air.


And that’s ok, that’s ok, that’s ok, too. That’s
what’s actively copulative about who you are. Who else?
It’s all you, arrayed as you are like a sacred clown
who knows how to walk through walls but prefers
to bump into things like the world to amuse the children
lining the curbs of a shoddy parade promoting the return
of a small town carnival by tweaking their noses
like a heritage horn on a unicycle you ride like an egg-beater.

Unique. Irrevocable. Talking in your sleep
like the Tower of Babel drooling alphabet soup,
in a dream where you’re writing an interminable loveletter
like a blood on the mirror for your eyes only
with a message for your heart as long as a waterclock
circled by the shark fins of perfectly evolved sundials.

Everybody’s shining like a first magnitude firefly
in a lost and found of shadows with the lights out at night,
rummaging through unhinged doors they’re the keys for.
That’s as superfluous as climbing up the scaffolding
of your bones to paint your own eyes among the stars
when they’re already shining back at you
in the same chameleonic mood you are
living under the overpass of a shapeshifting zodiac
reading its own signs like a Tarot pack with intelligent design
based on counter-intuitive paradigms in the logic of metaphor,
drinking mirages with the Queen of Cups out of your own skull
like a dragon drinking its own sea of awareness
down to the lees of the moon, hoping to bottom up
like the mystic reversal of the watershed inundating
your darkness subconsciously like night in an hourglass
or a star inside the genie of the lamp it’s wishing on.

It’s ok to master all the distinctions you want
and set the salt of the earth on the table so
everybody knows their place beside the empty throne,
but however hierarchical you get about your pageants
and ritualistic passion plays, remember the jester
and don’t grow selective about miracles that occur
like wild irises startling the river out of the blue,
and for God’s sake, if you can’t see through the eyes
of your own lifemask that everything that happens
is as demonstrably unreal and true as the life
of your own heart, mind, and body, ghost-dancing
for a better outcome among the tribes off the reservation,
as if you were trying to conjure the other half of the moon
that’s missing from your oxymoron, don’t insist
there’s something irreparably wrong about you
because ankh shaped cul-de-sacs do as much to advance
your waxing sentience as open gates with welcome mats
and homecoming smiles. Take the high, hard path
like a shepherd moon who met itself, a stranger
coming the other way like an avalanche in the asteroid belt
on the same road he carried on his back yesterday
like a wounded mountain he shouldered all the way to the top.

You can tell by what you’ve suffered along the way
whether you were born petty or not. A singer
in your own right or a high-pitched voice coach for wolves
listening inquisitively on the far slope to the echo of a human
who hasn’t learned yet how to bare his tuning forks like fangs.

You’ve got this one chance to be absent-mindedly brave
in the face of the danger you pose to yourself
so the quality of your defeat is a peer of the victory it took
to transcend your belittlement and walk away from both
not exalted by your thoughts, not diminished by the lack of them.
When the errant knight rides the dragon without spurs
and the princess isn’t in need of any rescue she can’t effect for herself.
Set up the double easels of lambda in a dilemma
and paint the picture-music you’re singing to yourself
like a battered pine on a precipice out in the open
no less whole for being broken by what it stands up to,
knowing this multiverse of forces and forms is merely
the thinnest of excuses for the light in the shadows to show off
the painter it’s been working on like a mindscape long into the night.


PATRICK WHITE

Wednesday, May 22, 2013

IF YOU WORRY ABOUT WHERE YOU'RE GOING


IF YOU WORRY ABOUT WHERE YOU’RE GOING

If you worry about where you’re going
before you go, you’re not worthy of the road yet.
If you’re not having some black-hearted fun
with your worst nightmares, because they’re
just as surrealistically absurd as the bliss
of your most recurring dreams are, how
are you ever going to avoid taking yourself literally?
If you’re not crazy enough to wander
through a cemetery saturated with the moon
in the early hours of the morning, trying
to organize a choir of singing gravestones,
how are you ever going to recover a voice of your own?
That dowdy wren you let go of when you first discovered swans?

If you ever want to sweep across the lava plains of the moon
in a rush of emotion of a homecoming ocean,
but you can’t feel the tide in a single drop of water,
you haven’t cried enough yet to drown in your own sorrows
and see everybody’s life flash before your eyes
as you go down in retrospect, wiser than bubbles
in the way you descend like feathers trying to smile.
O, it’s hard here, isn’t it. Isn’t it brutal at times?
All your beautiful teeth knocked out against a concrete curb?
Inoperable cancer. The savage inexplicability
of the death of children it would be sacrilege
to even think there was an acceptable answer
to appease the loss, to satiate the grief. And I know stones
I’ve turned over I wished for years I hadn’t, things I’ve seen
that make me wish I’d never been born with eyes,
that have rendered my nemetic courage dysfunctional,
estranged from the Pleiadic radiance of my seeing
as if it were a black farce on tour in Taurus.

But if you want to shine like the fire of a pioneer star
in the clear light of the void, as I keep reminding myself
like a mantra over and over and over again,
you’re going to light up the intensity of hell
as readily as you do the cruel immensity of heaven
when it terrifies you with joy. Be a brave boy, I say to myself,
resolved to live all the lives of the Tarot Pack
and then go looking for the cards the Sufis say are missing,
just to say and smile at the end of time, if only to myself,
yes, I played all the stations of my life
as if they were the winning hand of an inveterate gambler
calling my own bluff in an unbeatable casino.
Seven come eleven, I’ve rolled my prophetic skulls
up against the wall like a printer in inky coveralls
in the back alley delivery entrance of a cosmic newpaper
on its lunch hour, throwing snake-eyes around
like the fang marks of a prison tat turning to Braille.

If you haven’t blooded your sword by falling on it yet,
and hemorrhaged by a river wild blue irises, just to add
a little Zen beauty to your death in life experience,
if you haven’t felt love slash its nadir across your wrist
and worn it like the talismanic bracelet of an unmentored initiate,
how are you ever going to transit zenith
as if you were crossing the threshold
of that thirteenth house of the zodiac
you raftered with your bones to accommodate your heart,
to cherish your own ashes like the mystery
of the afterlives you had to live through
until you burned like a star that had learned
the art of shining is the art of inexhaustibly letting go?

More doubt in our joy than in our pain, if
you don’t learn to ignore your certainty to the point
you disappear into the abyss of an expanding universe,
giving no second thought to whether you exist or not,
with no nostalgic attachment hovering over your emptiness
like the halo of a black hole, how are you
ever going to evolve the mystic green thumb you need
to root sunflowers in the darkness like neighbouring galaxies?
How are you ever going to adapt to the things you cherish
if you can’t endure the transformations that come with them?
If you skip the cocoon and go straight to the butterfly,
all you’ve really done is traded your birds in for a kite
that doesn’t know how to sit or sing on the power lines
it’s entangled in, nor how to negotiate the wind with wings.
You may glimpse the unattainable, yes, like a moth
at a closed window, wondering what it must be like
to be annihilated in a candle like an old love poem,
but the vision’s not sustainable as a way of life of your own
until you’ve set fire to your own antennae like wicks
that are not consumed by the flame, or extinguished in the rain.

Spiritual diamonds don’t forget where they came from,
their perishable beginnings, and though they can shine
like water and rainbows, their clarity smeared
by the chromatic aberrations of their colour-blind telescopes,
they haven’t forgotten how to burn like bituminous coal
in a basement furnace, or melt the intensity of their emotions
like a glass river making its way to the sea or how to use
a meteoric explosion as a way of sowing adamantine insights
like seed stars in an immaculate ocean of enlightened awareness,
the life-mask of the inconceivable assuming form
to express itself as an event in time that outgrows itself
transcendentally without a revolution or message for anyone
but itself, thereby ensuring, given our inquisitorial nature,
that everything from stars to rocks to apple trees to humans,
overhears it as a revelation of angelic gossip
waxing the long after-hour halls of a demonic institution
that was founded synarthritically on the cornerstones of our skulls.

Zen might be the taste of tea. But if you’d rather spice the water,
do it with all the flavours of life, dip an eclipse
in the full moon of your cup now and again,
and let the darkness work its cure upon you like a spell
deeply steeped in your imagination like a school bell.
Attend to your shadows, not as a theft of flowers,
or the clone of a brighter garden you’ve lost your way back to,
but as mute voices with a grammar all of their own
deep enough to show you the stars you wish upon
from the bottom up of a well with fireflies caught in its throat
it articulates like chimney sparks, even at noon,
or when the black sun shines at midnight
through a clearing in the tree-line of the starfields.

The snake that takes your life grows wings
and turns into the bird and the dragon that uplifts it
with oxymoronic lyrics of fire and rain that are as real
as any symbolic gesture that plays suggestively with your heart
in the cauldrons and fountains of being
that elaborate you as you are, slack water in a mirror
that neither ebbs nor neaps, as the tides reverse direction
like a heartbeat or the flow of your breath.
This mysterious third extreme in between life and death
where everything you sought among the mountain peaks
finds you at the moment of your withdrawal
from your circuitous passage through the valley of longing.
And in every emotive thought, the serpentine wavelength
of the immensity of the transcendent silence
overwhelms you with the intimate impersonality
of its approach to you in every risky step you take toward it.

PATRICK WHITE

YOU WERE A HOOKER BY SIXTEEN


YOU WERE A HOOKER BY SIXTEEN

You were a hooker by sixteen.
Your mother, your madame
The navy at N.F.B. Esquimalt, your john.
In the triplex, next door, upstairs
on a Friday night, all the windows
broken from the inside by whiskey bottles.
My friend, since you were seven,
how we struggled to keep our innocence
out of the world’s greasy hands.
Oil slick on the rose.
White peonies of blood-stained Kleenex
in the toilet bowl. Eclipse of the flowers
in a city of gardens. Even when the stars
were out, the darkness lurked, the doorways
housed strangers like trap door spiders.
Joy held a grudge against our wariness.
The windows didn’t trust us, and the street
was a firewalk of ordeals to test us
for things we really didn’t comprehend
but sensed, like broken glass, were crucial.

Painful to remember even now,
grey, grey, grey, the middle-aged children
trying to inch their way through the concrete
like dandelions or blades of grass,
or when it was wet, wrote their names in it,
each the founding member of a different slab,
gravestones with graffiti epitaphs
laid like bets against a future
that had been conditioned
by violence, poverty, disappointment.
The mythic inflation of human extremes
venting fumaroles of pent up emotions
entrenched like killer bees in their hearts
swarming the children in the agony of their perversity
as if they were always trying to get even with God
for something that drove them mad
with distemper and spiritual rabies.
Desecration always the answer.
Smashing beautiful things, debunking
the rare gestures of human divinity
that reminded them of who they weren’t,
fouling the waters of the children
with the effluvium of their own degeneracy.

I can see the chestnuts of your big brown eyes,
your helical blonde hair, your mulatto lips
and the pearl of your nacreous smile
when we walked through the wild broom fields
at the edge of town, and you forgot
how much your life hurt. Your mother.
Your body. Your corrosive acquiescence.
I should have made love to you
when you asked me why I hadn’t
and all I could say, because it was true,
I wanted to be different for you.
I wanted to show you what water couldn’t manage,
if you filled a bathtub up with tears,
you could always wash off in the stars.
You could burn off with light.
You could polish gold in the fire.
You could get out of the net
like the Circlet of Western Fish in Pisces,
out of the fetid uncleaned fish tank,
and see for yourself how vast the ocean is.
I didn’t know of a better way to be with you
especially when you showed up on Saturday morning
with wounds you’d keep to yourself
the rest of your life, and I wouldn’t ask,
it could have been anyone of a dozen men,
who bruised the beautiful blue eyelids of the rose,
and how, phosphorus and dry ice in my heart,
I wanted to give them a sex change
and turn them out like working girls on car seats
in the badlands of the Hindu woodlots
that reeked like seaweed on the moon.

Murder too good for the likes of them
in the ferocity of what was left of my boyish purity
I wanted to introduce them to the kind of agony
that feeds on itself, a root-fire, an inflammation
that can’t be contained by remorse or forgiveness.
Thorns on the roses they use to wipe their asses.

How many gates ago was that, how many
forbidden thresholds crossed, how many
long sidewalks you walked down alone
like a gazelle in the rain
with your stilettoes in your hand
thinking about nightschool
to become a nurse’s aide. Gone now,
noxious vapours from a street vent.
Heard you dumped a trick in Montreal
as soon as you got off the plane.
I went on to university which was
a different kind of whoredom without the fun
and then deepened my alienation as a poet
by refusing to forget about you
when I entered the witness protection programme
and disguised myself in my solitude
to keep the nightmares from seeping back in
like radon gas summoned to a seance in the basement
where all the bodies were buried
that had made their bones at our expense.

Still doesn’t make sense to me after all these years.
Surreal atrocities and ironic black farces
you didn’t know whether to laugh or cry at.
As I get older, little archipelagoes of memories
surface from that lost continent of childhood
before it broke up and went its separate ways.
I take little doses of depression everyday
to immunize myself against the poison
of all those people who threw themselves
like bad meat down the wishing wells of the children
we did an unconvincing job of being,
so little joy in the way we looked at ourselves
when no one else was. Salvage and shipwrecks.

Time insulates and buffs, brokers and deals,
but it does not heal. You love someone,
and you loved them even before
you learned how to feel, and they’re in
a worse mess than you are, and you burn
to help them out like one constellation to another,
a bear trap in a marijuana patch baited
like Andromeda chained and helpless on the rocks
and you want to slay the inevitability of dragons,
but all you’ve got for a sword is the hand of a clock
and the courage of a badly mauled heart
and thirty-seven light years of remembering
your unspeakable silence on a Saturday morning
and the tenderness of you leaning your head
against my shoulder as we walked
as if I were the mountain and you
were the avalanche looking for someone
to hold on to you like a meteor shower
at the end of an era of one-eyed telescopes.

Hope you’re a nurse somewhere now in the world.
Clean sheets and a compassionate bedside manner.
Maybe staring out of a window on the nightward
at the stars above and the city lights below
as we used to look down from Mt. Tolmie
to see the firefly of Port Angeles across the Georgia Strait
like a sister galaxy, Messier 31,
in the Great Square of Pegasus
where I buried our new myth of origin
in that constellation I made up for us
like a time capsule of what we could save
of our childhoods, and never dig up again.
O but that fathomless silence on Saturday morning
like a black hole in the sunshine, and the sky,
the injured bird in your eyes, has taught me more
about the crazy wisdom of compassion
and the injustice of suffering before you had a voice
to shriek it as if your nails were striating glass
like a diamond-cutter or a snow blind glacier
or a mirror you clawed until it bled red roses,
than my last eight books and four awards for poetry have.

Every anti-hero needs an anti-muse of dark energy
to fire things up like a cold furnace
in a lighthouse on the dark side of the moon,
that doesn’t listen to its own storm warnings
and goes off in a lifeboat to look for you
as if I could still keep you from drowning
in a sea of shadows after all these years.
Three bells and all’s well, I hope.
Though probability’s seldom esteemed
for the prophet it is. You left me your silence,
as if nothing else could answer me,
and I’ve been listening in my solitude ever since
for the hush of your shoes coming down the hospital hall.

PATRICK WHITE

Tuesday, May 21, 2013

AT PEACE WITH THE SADNESS OF MY SOLITUDE


AT PEACE WITH THE SADNESS OF MY SOLITUDE

At peace with the sadness of my solitude
I sense your presence like the estranged music
of a mood drifting out of a miasmic abyss
that almost overwhelms me as intimately as it did
lifetimes ago when the thorns were still green
on the rose and I wasn’t quite as sure then
as I am now they’ve hardened enough to penetrate
the heart with how immensely someone
can long for the dead like an empty lifeboat
appearing out of the soft glow of the fog
in a blur of moonlight, the fragrance of an apparition
that ferries me back in the undertow
of oceanic emotions like an s.o.s. at a seance
intimate with the prophetic sincerity of your absence.

More springs than I have left to live
I gave up judging the insufficiency of my love
to break the generic grip of death
you so severely desired to die in the arms of.

I see you in the feathered war bonnets
of the new leaves of the trees I’ve forgotten
the names of since I stopped sitting under them alone
too numb to be troubled by the lightning,
too cold to rise above the absolutes
like a thermometer filled with frozen blood.
Land-locked among the ten thousand lakes
of a shattered mirror I held up to my broken nature,
I followed you as far as I could like a train whistle
into the distance where time and silence
are indistinguishable destinations, and then
I sat down like a drunk with a lantern
at the side of the tracks, and I waited, o
it must have been eras for you to come back
before I lifted my head off the rails
of our parallel thresholds and returned
to the spiritual hovel of my homelessness
grateful to touch something solid again
as if all I had to lose was a key to a door
that didn’t recognize me on the inside anymore.

Nor would you any of the death masks I’ve shed
like the eyelids of the white peony of the moon
scattered in diaspora on the waters of life
when I woke like a ghost from a recurring dream
of the way I once imagined you returning
to the surface like the buoyant skull of a moonrise
asking me if I still remembered your face
and could I love you now like a leper colony.

It’s still easier for my heart to make sense of your love
than it is for my mind to attribute a meaning
to your death as you once said it wouldn’t have.
But whenever I grow weary and irritable at
the chronic torment of casting lifelines out to you
that have inadvertently rescued many for your sake
like dolphins cut out of the fishing nets of the constellations,

I bury you in pearls like new moons among the coral
in the lunar gardens of dead seas swaying
to the music of water snakes among the shadows of kelp
beyond the range of the wavelengths of the nightbirds
that haunt my voice like a mindstream whispering its way
through the hidden watersheds of the willows
with stars in their hair as bright as they were in your eyes
when these clouds of unknowing were dispersed
like nebulae breaking into light with every breath
you took in and let go like a woman swimming away from shore
as if we’d all learn to live out of our depths at last.

Diving bells among the shipwrecks that don’t ring
when they mourn. Foghorns that don’t bother to warn
ships in the night there’s no shallow passage
when they encounter each other on the Road of Ghosts
like the lights of Port Angeles across the Georgia Strait,
heavy with a cargo of imported coffins, and the heart,
as always, ballast they’re trying to throw overboard
to lighten the load and rise above the waterline, float
like waterlilies umbilically moored in our starmud
or the Little Dipper of the north star bailing glaciers
like delinquent waterclocks out of a sinking lifeboat.

PATRICK WHITE

WATERLILIES SOON AND A PLEIKU OF DRAGON FLIES


WATERLILIES SOON AND A PLEIKU OF DRAGONFLIES

Waterlilies soon and a Pleiku of dragonflies.
Shipwrecked fleets of the naked limbs of the trees
gone long in the teeth, buried at sea wrapped
in a starmap of the sky they’re anchored in
like the remains of old bridges that made the crossing alive.
I’ll read the runes of the watersnakes
like an indecipherable language that uncoils
like a sacred syllable rolling off the alphabet blocks
and mute rocks of the tongue lying dormant in the sun.

I will thrive on the beauty of life awhile
as a spontaneous counterpoint to its quantum entanglement
with the death stars in the steeples of the white hyacinth
entrancing the bees with honey in the hives of shepherd moons.
These are the killing fields of life empowering
its own annihilation at the expense of its own creations.
I will walk warily around the bones of the muskrat
and the fox, and the feathers of the wild swan
scattered like moonlight by snapping turtles
entrenched in their starmud like World War 1 helmets.

I won’t think about all the Orphic dismemberments
that taught the birds to sing as if there were prophecy in their words.
I’ll follow the same trails I did last year but
they won’t know me as the same man
who wandered here off the beaten path
with a maple branch for a divining rod
looking for something deeper than a watershed,
or the dusty stars kicked up on the Road of Ghosts
gravelled with gravestones. I’ve changed since then
like a mirage of rain in the deserts of an hourglass
that bloomed in a flashflood of unsummoned tears
as if its cup runnneth over like the full moon at sea
longing for its lost atmosphere and its genius for making waves.

I’ll marvel at the windfall of scorched planets
rooting under the leafing boughs of the black walnut trees
and I’ll set up my French easel like a fawn
getting up on its legs and paint the evanescent patinas
on the wings of the starlings in the willows
as if the northern lights were mirrored in chips of anthracite
like the mysterious veils of a woman with black eyes
that shine like occluded sea stars at the bottom
of a widowed housewell bemused by the sunlight,
nocturnal silk on the looms of the mulberry moons that weave it.

I won’t feel precious and aesthetic, radiantly exquisite
in an abattoir of pleading flowers whose petals
have been splashed with the blood of children
like fingerpaintings smeared like poppies on the wall
of an enclosed garden trying to keep the world out
like an embassy of one when a junta’s out hunting.
Just as soon be initiated into the corporate cults
of mystical pharmaceuticals handing out drugs
like the angelic heirarchies of prescriptive states of grace
available to the neo-feudal dimensions of medieval futures
yet to come. I’ll be a post revolutionary in a world
that made a bad start and if my art’s a weapon
I’ll tilt at windmills like jinxed prayer wheels
and swing from bells like Quasimodo playing to the crowd
like a carillon of columbine before the heat grows too intense.

I’ll pretend I’m in Eden again and I won’t
put my winged heel to the snake without making it
my dragon familiar, my spiritual vehicle, not large or small,
who knows the road like a rat snake knows a farmer on a tractor
and reminds me from heartbeat to heartbeat
like a friendly oxymoron that those who like to fly
as high as I do, sometimes find things get so vertiginous
their only recourse is to get down in the dirt and crawl
as if high and low were two wheels of birth and death
on a death cart pulled by dragons plumed with flowers
that only bloom in fire every seven thousand years or so
though the pine cones pray for conflagrations that will come
much sooner than the rejected stones of the pagodas could disseminate.

I’ll trample down a deerbed behind the pale of the cattails
and I’ll rejoice in peace for awhile as a natural birthright
to celebrate a world I’m surrealistically adapted to
like a mother tongue I haven’t addressed myself in
since childhood stopped delighting in its own renewal,
incoherent with wonder at the silence of the stars in its voice.

I will forget I am aging. I will be a medicine bag
of healing metaphors and powerful occult charms
with oracular effects on the crazy wisdom of the inconceivable
and lie down upon the earth in the unassuming grass
after I’ve finished painting, fascinated by the prodigality
of the stranger I’ve become to myself listening deeply
to the picture music of the life of the mind like a kid
with forty-eight crayons and the whole of the sky to draw on
as I wait for the stars to make themselves apparent
in the sweet, sweet darkness that envelopes me
in the green flames and violet shadows of another
vernal martyr to the cause of keeping their fires alive within me,
a dragonfly in a chrysalis, a hermit thrush in ecstasy,
a sulphur butterfly with antennae like burnt match sticks
looking for a light from the lanterns of the nightwatch
reigniting the passions of old poems like fireflies
inspiring the ashes in the urns of the stars to enlighten their afterlife
with incomparable myths of origin that have yet to be written
by the root fires in our starmud breaking out like lightning
fracturing koans like diamond insights into
a labyrinthine gallery of mirrors that see me
with the same eyes by which I see signs
of the disastrous happiness of life in them.

PATRICK WHITE