Wednesday, May 30, 2012

BY THE LIGHT I HAVE BEEN GIVEN TO GO BY


BY THE LIGHT I HAVE BEEN GIVEN TO GO BY

By the light I have been given to go by,
I can see how homeless the journey truly is.
How provisional the shrines along the way like milestones
we stop to paint like the inside of our skulls
or the caves we first dwelled in with our dead
buried under fire and the numinosity of our picture music
impregnating the womb walls of a space made sacred by fear.
The darkness bears my secrets, and in the torchlight,
in carbon and red ochre, a diary of shamans
gored by defecating rhinos speared to death.

I have imagined my way into an understanding
that is a rite of passage into a space that is
a vast abyss of intelligence, a nothingness
that speaks through an intuitive grammar of things
as if a galaxy, a star, stone, tree, raindrop were each a thought,
a sign, a word, the syntax of a growing paradigm
of creative awareness that we’re completely alone
and lost at sea like fish on the moon crawling out of its tides
as if nothing bound us, not even detachment,
nor a god that exists as a confession of the way we do,
nor any medium we work in as reflection of our presence
labouring away at an unattainable world that won’t exist
until we do, and it’s 7 to 5 against anyone making it that far.

But what a joy to emerge out of our own nothingness
like a secret we’re letting ourselves in on,
making it up as we go along like a deportable myth of origin
we can adapt to our infinite beginnings
because for starters, it has none of its own.
We were born to express ourselves like apple trees.
We were born to see and be happy marvelling at the event.
To enjoy longing for things we were never missing
and be guided by wise men we never listen to
back to a silence that has nothing to say for itself
that we didn’t already know in the first place.
Everywhere is the threshold of the return journey.
Life is either an exile, or it stays at home like a follower.
Bless the enlightened apostates of the dangerous religion
that desecrates the mind by worshipping it.
Why make a chain out of your umbilical cord
and get your head wrapped around it like a noose
because you forgot meaning was an art
and not a way to take yourself way too seriously to heart?
Why go to war with your own mind
just to administer to the needs of the suffering
when you can paint a god in blood and ashes
and decultify yourself with the creative freedom
of your imagination deconstructing the fable of your belief
that it’s the being, not the becoming, that endures.
And you can do this without even knowing how to draw.
A starmap doesn’t shine. A blue print doesn’t open a door.
If you ask a crutch to do your walking for you,
it’s going to throw you away like a miracle
at the top of the stairs of Notre Dame de Coeur.
Better to be the sacred whore of a thousand profligate gods
than the unrepentant nun of one who shuts the world out,
like art for art’s sake, to revel in her own extinction
in a mystical connubium with an unregenerate imagination.

You can burn your gates and cages in a wild field if you like
for not being able to keep the flowers in, or keep the wind
from rioting with the leaves way past curfew,
but there was never any risk of being granted what you ask
because life is the unpredictable moon rise
that deepens the calendars with a renewed humility
towards the extraordinary mutability of time.
What have you ever been that baffled your imagination?
It isn’t reason that inspires us to become a stranger tomorrow
to the self we knew today. Genuine faith isn’t
an artificial life support system to keep something alive
that should have been allowed to die quietly away yesterday.
Millions upon millions of facts like a graveyard of skeleton keys
to a door we can’t find open within ourselves
as if we’d just stepped through it to be here where we live
deciphering the shapes of the clouds as if we lived in code.

Hide your secret deep enough if you want it to be known.
Walk alone as far as you can until you can’t
if you want the world to walk the rest of the way with you.
The white demon that knows heaven and hell experientially
mentors the senses in the spiritual subtleties of the black angel
that comes like the new moon of a third eye
to help the exegetes of light see further into the dark
by blowing their candles out like flowers.
All seekers are roads looking for a map to follow.
Preludes after the fact, that set out to look for their own endings.
Be a star. And keep your afterlife behind you
like the shadow of the last form you cast upon the earth.
Be an eye that doesn’t leave any room between the moon
and it’s reflection so that the substance of life is seeing
not that you’re a distinct and separate entity
that cosmically identifies with your exclusion
but that you’re wholly within easy reach of everything
that depends upon you for its existence. Just as every leaf
you let fall in the autumn like an adage of wisdom
about how you can know the world by its fruits
first came to the tree like a smile to your face
when you realized your imagination was
the inconceivable dynamic of a creative state of grace.

PATRICK WHITE

GOING THROUGH A DARK TIME


GOING THROUGH A DARK TIME

Going through a dark time. Antares, the red ant,
the bitter berry in the heart of Scorpio. Why not
blame it on the stars? How could they deny it?
Living penumbrally in the eclipse of a celestial body.
I want to paint my first old rusty bike that I found
languishing under the neighbour’s stairs, its
deflated tires, spider looms and jinxed prayer wheels
that hadn’t turned for years, want to paint it
with model airplane enamels again and run
a perfect red stripe down the middle of a black fender
gleaming like anthracite in the blue-yellow sun.
How many worlds away I am from that pure moment.

Dark in my heart, gnawing on the skulls of dragons
that have finally become like the moon
that’s never known rain, a frozen watershed
in a locket of ice and no light bulb in the well.
I’m striding down the corridors of a well-polished hell
and I’m turning the portraits of my heroes toward the wall.
Why not? I’ve got no use for their eyes anymore.
I’ve drained the lies out of the samples of their deaths.
I’ve chewed the flavour out of what it was they had to teach.
I’ve trashed my best features in dangerous neighbourhoods.
I’ve broken my own brain like bread with them,
offered them my blood like a rose with teeth
and watched them evaporate like stars in the sun
as if they never really knew they had my devotion.

What I made of them to set my own potential an example.
Something unattainable to aspire to
so I would be sure to lose as they did
preferring a brilliant failure to a mediocre triumph.
I think the quality of a human is a direct function
of the depth of their suffering. And I loved the ones
who cried out so beautifully in their agony
the night birds didn’t dare lift their tiny voices
up again for fear of being put to shame
for the pettiness of their desire. Or the wolves
ever howl at the moon again without being aware
of the absurdity of their longing for an old stone.
I have danced barefoot on the splinters
of the winter chandeliers that brought the trees down
like a palace of tears in a brutal ice storm.
I’ve heard the Pleiades crash like silverware
all over the ground of a botched burglary
and seen the junkies run like collapsed veins
to pick the spoons up like fences and crows.
Going through a dark time. The shamans
are dying in the treetops from the shock
of what they had to see and live to be
if they wanted to die thoroughly back into life again,
apprenticed to their own foreseeable pain like savage healers.
Winged serpents angered by the humiliation of the flesh
like a rose too beautiful not to be abused
by those who desecrate life out of their own self-hatred
that they are possessed by what they despise the most
and beauty will have nothing to do with their power
that isn’t forced, or broken, or garbaged.
The mirrors of the spirit freak and flake away
from the ideals of their silver lining in horror.

Funny how you can come to look upon
even the most passionate of loveletters
with the eyes of a three hundred million year old reptile
as if life could not be borne any other way than as a thorn
through the heart of a voodoo doll
that cursed the good in life for the passing of it.
What have I not buried in this desert of stars
as if one night I would be able to come back to it
and ask it what it dreamed of in my absence?
To see if the afterlife of a mirage tasted
like water, blood, or wine, or more real than death,
the tears of someone who had aged into understanding
when the windows that looked out on life
like a valence of silicon dioxide slow down
like glaciers of glass, and the mirrors speed up
as if they were running out of time for reflection.

Ask a man what he misses the most and listen to the echo
of how long it takes to reach his ears and if
there’s an ocean in his eyes he drowns in
and I’ll reintroduce you to someone you already know
talking to themselves in the dark to keep from going mad.
Who toys with the smiles of their approaching assassins
like the slash of a snake’s mouth breaking into blossom?
Life is the puncture wound of the staple
that was meant to mend it like a bridge
that sat cross-legged on a lotus in meditation.
And it’s easy enough to look at the fireflies after a storm
and the stars so out of touch with the world as it is
you long for the innocence of the childhood distances
you traversed every night you crawled out of your sleep
to approach the mystery of your own solitude
like an estranged familiar calling you to come alone
to the furthest extremes of the night and beyond.

Going through a dark time. Too many gates.
Too many doors. Too many worn thresholds
Too many threadbare carpets under the one-sided window.
Too many dead birds killed by a lack of transparency.
And still, I refuse the blindfold when I’m standing
in front of a firing squad of stars
armed with the latest telescopes.
I’ve always been one of those who prided myself
upon my strength to see it coming from afar off
and stare at my own death in the third eye of it.
And what monument could you possibly raise
befitting someone who made exile and rebellion
the two monolithic cornerstones of their life
if not a rogue planet beyond the reach of gravity
looking for a star they could thrive in the light of
without the slightest shadow of ulterior spontaneity?

Going through a dark time. I will not put my eyes out
by turning up the light on what befalls me,
as if there were something I could save myself from.
I will eat every detail of the pain and not waste
one unmarrowed bone of it. I will consume it whole
like a prophet in the belly of the whale, make the message
flesh of my flesh, blood of my blood, and then
I’ll spit it out like a bullet I pulled out of my heart
with my teeth, my soul, the elegance of my desolation.
I’ll make key chains for the blind out of spite
and striate the rocks of this cold prison with the runes
of the horned ones who linger here with me.
I’ll be a mile-high corrective lens of ice
and putting one hand over my third eye
I’ll read the writing on the wall from memory
and renounce every sacred syllable of it like heretic
that thrives on fire, that scatters his ashes in triumph
and feathers the wind like a gnostic phoenix
with gospels of my own where there’s not one imperative.

Pain demands my obedience, threatens to break me.
I smash myself on the rocks like an empty wine goblet
and say, you can break what remains. You can grind
me down to dust, if you like, you can step over me
like Spinoza lying down in the threshold of the synagogue
to atone for what he opened the world’s eyes up to,
but my vision of life, though a squall of stars, remains my own
and the seeing isn’t in my eyes, and the one who suffers
isn’t in chains, nor the door locked on my heart
for fear of the night, for fear of turning to stone
when I look the snake pit in the eye with a microscope,
and observe the minutiae of the heart’s addictive attention to detail.
Though every word be a thorn through my tongue,
Yet will I sing of the agony of lemons and roses
bleeding on the razorwire in No Man’s Land for mercy,
and those compelled by the whips of circumstance
to dance themselves to death because it amuses the cripples,
and the little, amoebic man who never amounted to anything
and his wife who has aged like salt in a conquered city
still thinking she’s a garden ornament, I will sing
in the name of what even the worst must endure,
just to set this methane moon afire in the darkness
like a furnace in an abandoned school of unregenerate clowns.

Going through a dark time. A rite of ordeals,
the brutal pit of the mystery you can break your teeth on
like a koan or an iron-nickel tektite in Antarctica
to get at the life inside your own panspermic mind.
I should happily break my flesh like bread upon the waters
for the fish and the birds, and save the life
of an unworthy man from drowning
like bad meat in a well, or lose
my own precarious foothold on the precipice of an abyss
that humbles me to the point of no return. I should do this
for the thought-trains of the birds that shall come after me
high and late at night through the bars of my longing,
yearning to return to my ancestral homelessness
like a wandering planet that doesn’t give off any light of its own
but shines with life, despite the odds, shines
tenaciously with life through all these transformations
I take on like a river in its own running,
pouring myself out of one life wholly into another
like an igneous fireclock on the nightshift
that keeps adding more carbon to my steel.

Going through a dark time, I will not suffer
this passage passively like smoke, I will not plead
to abstract my senses from reality to deaden the pain
or thin my blood with holy water from a dirty fountain.
This dark child of my life shall not be an orphan.
I will not disown the pain, I will not drive
myself out into the wilderness like a scapegoat
to wash the soot off the temple I cry in
though they were my doves that were stained
in their own blood in the name of a useless sacrifice
to a unity that includes as much of separation
as of love that welds a stronger bond
that doesn’t scar the spirit, or dull the eyes,
or deaden the tongue to the taste of the stars
on the lips of the people who pass through our lives
like thresholds on their way to somewhere else
than this palatial homelessness we dwell in alone
throwing boundary stones like asteroids through the mirrors
just to keep things abundantly clear and open between us.

Going through a dark time. Swimming through a tar pit.
Another doorway without an exit or an entrance.
Another keel-hauling on the hull of the moon
trying to maintain discipline aboard a shipwreck.
And the unbearable sadness that crushes your heart
like a pop can in the depths of an unrevealing ocean.
Your face is a skin graft on a burn victim.
People reach out for you, but only with their hands
when there’s nothing at all, nothing at all to grasp
of what has already come and gone for good or bad,
who can tell? I’m centered like rain in my falling.
And there’s something vaguely radioactive about the way
I glow in the dark, though there are dozens of dead fireflies
on my windowsill that dropped like exhausted stars.
I move into the available dimension of a future
that hasn’t won my confidence, and the past
is the burnt foundation of a crack house in the zodiac
cooking rocks like a meteor shower with its radiant
in the eyes of everyone I meet who’s trying to shoot the stars out.

Going through a dark time. A bardo state. Nirvanic doubt.
The new moon no brighter than the last eclipse.
I hear the disembodied thunder of my amplified heart
making its way toward me like an enlightened storm front.
I’ve always chosen the hardest teachers to ignore
and where the road divides, I’ve gone both ways at once
just to give my earthbound guides a chance of a wishbone
to find their way back on their own by following
the choices they made to get here like an avalanche.
I’m as effortless about my despair as I am about bliss.
I treat them both as if they were none of my business.
The birds and apples come to this rootless tree
of their own accord and the tree does not protest
the unleaving of an earthly excellence
that blossomed awhile in the human heart and was gone.
A windfall of loss. The dead flower frosted with winter stars
in a dream where the waterclocks are frozen in time
and this is perfect and that is perfect and if you take
perfect from perfect, it’s still as perfect as it was then
and as it is now and shall be tomorrow.
I watch the moonrise without breathless aspirations.
I observe the sunset without lingering disappointments.
What I have received in joy, I will not deceive in sorrow.

PATRICK WHITE

Tuesday, May 29, 2012

SOFTLY, SOFTLY, NOW


SOFTLY, SOFTLY, NOW

Softly, softly, now; here there is no beneath or above, no hell
for miscreant flowers opening for the moon, no ghosts
who can’t find their way back to the grave. No one
is unacceptable in this place where even the dead dig
for the blue bones of heaven, cracking
them open like fortune-cookies
to taste the light gold of the marrow. This is the kingdom
of empty cups waiting to be filled
by the black wine of union that ripened
in the skull-shrines
of a thousand drunken buddhas
begging outside a brothel door
for the same holy candle to show them the way home. People
are seldom grateful for what they don’t know
and thought is only the dog of reality
if you can catch my drift in this back-alley
where I’m dancing with a gust of wind. How lightly
you step off my tongue into your veils and shadows
dropping your masks like petals all over the asphalt
until you can’t be seen. Is that freedom or death; do you
bathe in your grave or your heart
when you remember the sorrows you’ve buried like daggers
in the wounds that widowed you? Do you tremble
like a kite at the end of your own life-line
waiting to be found by the witching-wands of the lightning;
or have you forgotten your madness, the dark jewels
in which you took sanctuary for the night
like an orphan in her longing, the crazy wisdom
that put on the costume of a dead clown
and offered herself to the blind and humourless
like a chessboard? Do you still swim naked in sapphires, raise
gardens of fish on the moon, perform
open-heart surgery on paralyzed serpents
that wake up from the anaesthetic between your legs
like a spring thaw, believing they can walk and then
come crawling back, veteran amputees
demanding crutches? Wild moon on a lonely river, night-lotus,
flesh and stars, every moment of you is origin; why doubt
your own reflection in the mirror of my voice? I’m
not selling snake-oil on the midways of eternity, filling the sails
of a slave-ship and calling it the love-boat; this is not
a wardrobe of auroras I buy up cheap in Montreal
and hawk from the back of a truck in Sunday parking lots. If the words
dance, if the wind plays lightly in the leaves, if the fire sings
and the diamonds flow and the rain falls musically
like phantom fingers on the spotted touch-me-nots, should I impugn
the graces of perception that sing, unseen, in the deep woods
because they fly without a limp, praise without a stutter?
I see in whispers; I hear in glimpses. Nameless affinities rooted in silence
bloom in the saying and fall back into themselves,
fountains within fountains, pursing their waters
to kiss the light as it breaks like glee against them. Fountains,
not pedestals. Deep sky-dwellers ride the helix of their own thermals,
their wings spread from dawn to dawn, and if they build,
they build from the sky down, not footstools, scaffoldings, and temples,
not ladders of bone at the bottom of dry wells, but tents of light
in the secret grottoes of space, supple as life.
Up is not up nor down, down, when you dream in the seed, neither
born nor unborn, yet nothing missing; creation within the Uncreate,
the intimately impersonal holy mother that is born and perishes
with us. I walk this vastness alone; who, then, to impress or pedestal
in this empty, pathless, mouthless, dark bliss of a world
where even the silence is speechless before it? If
the ignorant see the world as an open hat on a lonely streetcorner
begging for change and prizes; let them. That is their hour,
their seeing, their word. All seeing is a kind of love.
Orchids and dandelions alike. All that is loved is seen to be beautiful
but not all that is beautiful is seen to be loved. I see
a blue rose, shedding lives like petals and skies,
night skies, freaked by stars tattooed on heavy eyelids, falling
into dream and destiny. Graffiti Mona Lisa mother Bacchanal,
mad, menstruating, moon-dump bag-lady, I see you
vaulting topless over the horns of lunar bulls in ancient Crete,
or lady of the lake, royal witch-bride, bored with weddings
and vase-tamed bouquets, waiting to grasp the hilt
of magic swords whose power is older than the stones
from which they’re drawn. And there, in the window
of the thirteenth house of the zodiac, isn’t that you
plucking dead leaves off the herbs you grow on the sill, hanging curtains
you’ve pirated thread by thread from old mythologies
and woven again like the moon into light? Crow-weaver,
tell me, have you ever stolen silver from the mirror to heal a wounded vision,
or known an appetite so great, so incomprehensible
it consumed the galaxies like krill? Death is the dark inspiration,
pure energy, radiant and whole, the mute mirror that reflects nothing
that stands before it in an arrogance of forms; the face you wore
before the beginning of faces. Already achieved,
not something up ahead, a black star on a white night, the dark mother
who fills the wombs with gestures of light. Death is the ancient future
that passes instantaneously, the crone-nymph, oyster and pearl,
the miner in the ore that releases the child like a bell. The dream that wakes you
from a dream, the dead tree that gives birth to a bird. Death is
the terrifying abundance, the terrible joy of perfection falling
into perfection, the honey and the horror of the sacrificial wound. The child
that carries her mother in her womb. Death is no less life, no less us,
than a wave is water. Death has no beginning so life is never
finished. One afternoon, in an autumn garden, the air shuddered with mine
and I knew that it was already done like the stars above the flowers
of gardens to come. What death, then, to stare into
that isn’t already under your feet? Wombs, waterclocks, and coffins;
can you tell me the difference? Here’s my skull. Break it.
The bird’s already out singing you like a handful of joy
hurled well beyond itself into the dawn, and in the morning market
among laughter and apples
the phantoms array their illusions.

PATRICK WHITE

Monday, May 28, 2012

WHETHER I LANGUISH HERE


WHETHER I LANGUISH HERE

Whether I languish here in the cold tin rain, everything
black, green, and gray, and the violet crocus
adjusting its bruised crown to the fragile light,
and the willow already an accomplished dancer,
and the sad brooms of the pine
that sweep the stairs of the wind
heavier than ever in their helpless plight, or
tired of the slow exorcism of old Septembers
that still shine blue and gold
in the back of the family bible where people
come and go like migrant doors, I accept myself
like a heresy of rogue stars
and look for a deeper night within
for the honey and wine of the radiant wonder
that walks like a woman in the guise
of a silver herb through the valley of the wound
that life can be when the geese return from the dead,
I am the lament of a pointless mystery,
an intimate namelessness, an unknown agony
that consumes me like an exile, a severance
and a longing of which I am not worthy
even now among the leaves and birds, all
these manic, animated nations of the spring.

Is it myself I mourn,
some diamond fiction of the mind
that refuses to thaw in a season of flowing,
or have I acknowledged, without knowing,
there never was anyone real to regret,
no one to let down, no one to raise up
and nothing ever missing, no lack
of what I needed to be to live, no
second person to assess the outcome,
and all the coming and the going,
the exits and entrances, transits and transformations,
all the urgencies and emergency graves
were the immaterial props
of a dream, of a life, that was never mine
and isn’t me. Even when I hold
the invisible ink of the wind
like a page of the sky up to the light,
I cannot read my name, my death or birth
perched like a bird
in the concealing foliage of revelation. It seems
in the mystic ore of the oyster
I am not a pearl or a planet
or even a grain of sand
to found a universe upon,
not even the slightest of these agitations
robed in the nacreous dawn of a new beginning.
How many years, how many days and ways
have I groaned like an old wheel
in this river of grief
trying to grind a harvest into bread,
sorting the weeds from the wheat
to allay the chronic torrent
of this bridal hunger on my death-bed?

What faceless love is this
that wakes me with a kiss again and again
in every moment, the lips of the rain,
to squander myself on nothing
in the shrines and asylums of my eloquent pain,
the aging conviction
of a fetal contradiction
trying to celebrate the unattainable
in the resurgent fountains and fictions
of the unexplainable? And what a fool is here
to deride the gestures of his own devotion,
laying his life on the altars of the years
to make a gift of a gift
that isn’t his to give, stealing the wave
to pay tribute to the ocean, easing the flame
from the purse of the fire
to spend on the blaze? What could possibly be ours to give
when the only acceptable sacrifice
in the elusive eyes of magnanimous life
is to live?

PATRICK WHITE

NOT IMITATING ANYTHING WITHIN MYSELF


NOT IMITATING ANYTHING WITHIN MYSELF

Not imitating anything within myself. Not
cloning, replicating, or even confining
the same seeds to the same plants, endlessly
spiralling through space like a galaxy or a hawk,
drift, release, and disperse, condense and shine,
shudder with motherlodes of lightning in the ore,
let the light turn back on itself like a solar flare
or an ingrown hair, let the presence show me
the absolute purity of its absence if it must,
and that which is greatly unknown retain its sublimity.

I seek nothing. And find it everywhere. I make
no appeal to the silence to make something happen
for a change, as if it had a mind of its own
that didn’t come with an explanation or an alibi.
Neither indictment nor confession, I’m not listening
to the stars through the black walnut leaves with my ears.
Three blocks away the teen agers sound like
white water in a small rapid, and the heavy night air
can barely keep its eyelids open, and though
I’ve lived here before they were born,
I am always the occasion of a stranger
who takes note and moves on down some deserted avenue
or path through the woods where the moon
and the stars appear more luminously invigorated
as they were before the town began to smoke them out like bees
and they dimmed to mere chalk dust on a blackboard.

I give a military salute to the lamp posts of the Imperial Guard
and go into exile like Napoleon. Je me souviens.
I will make no more wars upon my solitude.
I will walk with Sister Lunacy, my strange companion,
and we shall return our shadows to the darkness
like the feathers of two birds of prey renewing our wingspan
just to wheel on the wind like figure-skaters no one is watching.
Not to aspire. Not to long. Not to fulfil, acquire, or achieve.
Simply to act boundlessly as the smoke from a fire.
As the breath from our mouths on the afterlife of a star
that was a great arsonist in its time,
as the ashes of the bridges it crossed will tell you
in words of white phosphorus that will burn through your eyes.

Sweet absorption into the darkness on the other side
of seeing, I leave my images and metaphors behind me
like a man who’s just wandered off the job
leaves his tools as they are, and follows some intuition
lingering like the fragrance of a night out of time in the air
that means nothing sustainable to anyone but him.

PATRICK WHITE

THE BIRTH OF RAIN


THE BIRTH OF RAIN

Drifting on a drab Sunday in Perth among the ashtrays and leftover sublimities of the church bells. My studio window above the rooftops a smear of willow and wet pine undulating gently in the stillness that followed the rain. Wolves on the easel, waiting to pay the rent. May of the fifth year into the twenty-first century, fifty-six, I sit in a blizzard of tobacco crumbs because I’m too poor to buy tailor-mades, coughing at the computer, wiping small drops of water like pygmy tears from the Cyclopean eye of the screen that glows with the same effulgence as the dirty sheet of the sky. The main migrations are over, but maybe these words are rosaries of late-returning birds. Two anthracite, boat-tailed grackles on a branch just beyond the grimy glass and a gust of sparrows chirrup like squeaky alternator-belts, manically elated in the wake of the storm that has just passed. My freedoms are more sober, my resurgencies probably less profound than the gray roses I give birth to here at my desk, waiting for one of these terminal urgencies of insight to sway me like a bell.

Maybe Louise later today with her Cola and cassettes, and her rough, voluptuous, laughing humanity scorning the random acids of the vulgar world that schools her, a muse who doesn’t take requests, a generous longing that’s been through a lot. So I sublimate the root-fires of my leafless batons into an auto-de-fe of white canes tired of trying to tap their way through a maze of sexual creeds, blind. The result? A novel and dozens of poems apples above the worms. And I keep her cats, Morgan and Rain, mother and kitten almost fully grown. There are no humans Louise loves more.

The kitten was born beside me on the couch at one-thirty in the morning while Louise was in the hospital and I read La Mettrie, d’Holbach, Diderot, d’Alembert, Voltaire, Rousseau and Helvetius, eighteenth century French les philosophes. Two days ago, remembering, she asked me to write a poem to celebrate the birth. And it’s two hundred and fifteen years since the French revolution went into convulsions and mothered daggers out of its wounds, and we are neither free, nor equal, nor brothers, and the birth of Rain, by association, is only the smallest of iota subscripts below the voluminous pretext of that slaughter, hardly, if at all, a mote that matters; but in a way she was born while the peasants stormed the Bastille, and time sent corpses and ideas floating facedown on one of its more famous rivers of blood all the way to the embryonic comma of this tender, contrary event. And there was honour in being a witness when Morgan jumped up beside me

and lay her head upon my right arm as a pillow, the great red text
with ivory pages open to the public like the Vatican before me
as the soft, gray satchel of her body shuddered with the natal lightning
of a different storm, the quickening eruptions of a different riddle
than the one that dropped its answer like a blade
on the necks of the cropped carnations as I kept on reading, thinking
to run for a towel before deciding not to disturb her,
that a little blood on the couch wouldn’t hurt anything
compared to the streams of gore that caked the pages of my book.

And there was a humility in the act of watching, and a trust,
as if a great secret were demanding something of her
she was willing to go through hell to give. And my heart
laboured with her like a sympathetic strawberry, convinced of a miracle,
and even the colder lizards of my mind were awed
by the conception of the material immortality achieved
by the platitudinous genius of replicating genomes,
and who among temples and havens and research labs
could hold a candle to that, and what have I written, or felt, or thought,
that even comes close? And there wasn’t a manger,
but the whole of the vast, star trailing night
crowded in behind the adoration of the angel-winged lamps to observe
genesis in the portent of its light
as Morgan rose like a violent squall
and squatting let slip with a howl of wounded passage
a black, sleek pickle of life wrapped in pink ribbons
tied to the tongue-sized kite of a pink placenta
with nothing left to say
while the French Revolution lay open on the table,
crazed with vertical caesarians. Two minutes more
and the afterbirth was eaten, Rain, because she’s rippled, blind
because her eyes were queered by the living room light,
groomed and heading for the tit the way
a baby turtle waddles out of its cosmic egg with the world on its back to the sea,
her three-toed paws not yet the heavy seals of tigers,
and stumped by the impasse of continental plates
between the cushions, her first obstruction, tried, but insurmountable, I
appointed myself a force of nature as good as any
and gave her a boost to the bottle, Morgan,
a cat that seldom purrs, purring like dough
at having the cleat of her nipple kneaded into milk.

Two and a half hours I walked and waited to see if she would live;
window to window, through doors and back again, two and a half hours
to ascertain if the uncertain droplet of her heart
that reflected the hidden glory of the living
pulsed to a martial strain or the beat of a funeral drum,
or better yet, fell like music from the eaves. Everything
was given, as black cherries are given
and fingertips and stars and saffron orchids under eel-skin leaves
and drunken voices in the street proclaiming imperious ecstasies
and names and gods and dragonflies
or the silence coiled in the throats of overgrown wells
like the psalms of sleeping serpents older than the rocks is given.

And what could I do as life divined the outcome, the wyrd
of a beginning innocent as whiskers, but live the history of everything
in the mystery of the moment and wait with the wind and the trees
as others had waited for me to pull the ore from the stone
and crown my own existence? And I thought of the children
of the French nobility, I thought of Lavoisier and Buffon
who loved animals and plants and oxygen,
and fifty thousand pikes forged for the Paris militia, and Goethe
who affirmed the auspicious aspects of the sixteenth Louis’ reign,
and the train of death carts that creaked toward the guillotine
with their saloneries of elegant women shaved for death,
and of all those who had been bled for centuries by the lies
of the mitre, the robe, the sword and the crowns of luckier stars,
wasps who laid their eggs upon a living host constrained to entertain
their vicious myth of origins, and it seemed to me in passing
that this simple birth of a common kitten
in the smalltown hours of a bird-freaked morning on the verge of dawn
washed out the blood of millions in their indistinguishable graves
at the first sign of this feline gesture of primogenitive rain.

And born a Leo, flame in the tinder enough, equal to her claws, a gift,
she lived and suckled and slept in the bay of her cloudy mother
as I went off to bed, my nightwatch ended, more enhanced
by a single birthstain on the couch, her watermark,
than the thousand pages of bloodshed that drenched my weary head:

And I dreamed, a marvelous dream, a crazy blue dream
as if Bast, the Egyptian goddess of cats slept at my feet commingling
her visions with mine, images and symbols and the strange arcana
of things released from time and sequence and history
to dance freely with the dead who lived again emphatically
beyond the clamour of their chains and violated thresholds,
and it seemed to me their eyes, their incredible gold-flecked eyes
were slashed by black crescent moons that waxed and waned
like cups and flowers, like tides and the improvised hours of childhood
as if each were the pearl and the lens and the seeing
of a vast ocean of a living liquid light that fed
the umbilical rivers and womb-waters of all it called back from the night
like the words of a wounded song. And slowly as my mind
adjusted to the subtlety of the nurturing glow, I realized
this fathomless reservoir, deeper than any idea, wider
than any feeling, was the watershed of my own frail knowing,
the nacreous mother of all, older than beginnings, creatrix of all,
whole and unbounded in every atom, star, leaf, cell, skull, tear and firefly,
the fountain-mouth of form and time, nights and mornings,
everything the issue of the bell of her being, storms, bones, dreams,
suns and their planets, starfish and leopards, heroes and snails,
the thief in the window, and the burnt salts
of the excruciating murderers who cut out their own tongues
everytime they kill, spiders, fish, wheat and poppies,
and the blackholes that are the engines of other universes,
all the language and the lyric of her substance, the birth of time
in every heartbeat, chaos and cosmos in every pulse that shakes the void,
space, her skin, intelligence, her eyes,
and the wavelengths of her wild hair, the fragrance of ancient nights
that ripened like apricots, everywhere curled into galaxies,
and all, forever, without exception,
the auroral transformation of her vital radiance, and she,
without dimension, the broad canvas and inspiratrix of life.

And in an instant I saw the shadows of the generations,
billions of men, women, and children, maligned and celebrated alike,
the cursed and the blessed, the beautiful, the wise, the athletes
and the cripples, the criminals, the tyrants and the saints,
moving like the sloppy surf of autumn leaves through the darkness,
dry, used-up things, heavier than the sorrows of coal, tears of coal
and the torn pages of banished books
ushered by a wind that seemed the breathing of time itself
toward her lavish shores to drink from their own reflections
and be restored, not saved, because nothing can be lost,
like flowers to the luminous wines of life
that poured into their desiccated creekbeds like rain, like roots,
like trees and the dendritic boughs of space, like bloodstreams
in the hazardous course of tumultuous histories, each, like anyone,
like me, like you, like Louise, Morgan, Rain and Voltaire,
because the whole of the sky, the moon, the stars
are mirrored in every eye, shine in every eye like being itself,
and from every tear, every droplet at the tip of the stargrass,
from every berry of blood that stains its own seeing,
from the tiniest womb of water that falls into life through the night,
Egypt and the Nile, France, kittens, dreams, insight.

PATRICK WHITE