Wednesday, January 4, 2012

TO A YOUNG POET


TO A YOUNG POET

As you are now, and I have been
a long branch at the top of the tree
in a black spring, reaching out
for the fury of a distant star
to adorn your spine
with a leaf of light
that might be the sail
on a boat full of worlds
that will thunder like windfall fruit
or an army of hearts
pulsing across the drumhead plain
of your moon-salt thoughts,
their liberation, a sea of blood,
a squall of vipers, a murder,
and a brazen idol away
from the beguiling taste of another paradise. What
does this mean? This means
I come before you
like a brutal lighthouse without a warning,
unfolding wings of light like a stormbird
slipped like a letter
under the door of huge winds
that have driven most sailors to shore,
prudently seasoned
by what the ocean can do. But you are
a creature of the depths,
a volcanic thermophile
grown gigantic in your darkness
and your solitude, the Cyclopean shadow
you would cast on the castle walls
in the tiniest burning house of time
if only there were light and life enough
to convince the grotesque it’s beautiful;
the folly of your unknown world
is the secret wisdom of a second moon. Not
insane enough yet
to be a credible witness
to the antics of your own asylums
where the mad angels
swear you’re real and fling you like a drug
they won’t take across
the lunar floor
of your infamous acquiescence, I come to you
like a prophetic lighthouse, arms of light
outstretched on the edge of a towering cliff,
pleading like a Druid with God
for answers I could sacrifice
like rams and humans
to questions on the altars of a mountain brain
that heaves me like a continent
up out of the depths and opens my mouth
to announce a black wind in the abandoned caves of silent oracles.
I can hear the whisper
of the serpent ghosting through the grass
in a cemetery of dead echoes, and I can read the names
of the midnight shipwrecks
you have suffered on the inclement shores
of your own island consciousness. Are you marooned
or is it that you’re just choosey
about rescues and life-boats?
Unfolding these petals of light like straitjackets, like tides,
I come before you,
a navy sunk in a well on the moon,
no footprints on the map to where your treasure is buried
like the jewels and wishbone harps of the dead.
I’ve always disappointed my own wisdom,
and the dark-hearted clowns
of the suicidal circus
that waits like a sense of humour
for an encore,
have long ago died without applause
like unexploded shells
far from their badly-aimed humanity.
Like the universe, whose life
hasn’t been a clown
shot out of a cannon
without a safety-net? So
I come before you without a face, a mask,
a self, or the worn-out authority of a wound
scarred like a book out of the sum
of all my failures, offering
these simulacra of keys to what
has no need of a lock, but conceals your fate
in a mouthless rumour of intimate stars.
And I do not come to fill the dead seabeds of the moon
with tears and raise vast armadas against the fact;
no one need tell the wind the world is sad,
nor multiply the horrors of hell like bitter weeds
in the ashes of the wheat when fire itself,
so long the nun of its own burning,
pledged to ferocious purities,
is corrupted by what it consumes.
And among these murmurs of murder and war,
these corpses and civilizations sandbagged into seawalls
against this toiling deluge of blood, who
but the most unfeeling, could indulge
the obscenity of the lie
that life is beautiful or good
in the radiant marrow of the bone
cracking like a flute in the jaws of an iron dog?
Nor do I come scrying fissures in the sky
marking annual Armageddons
in a calendar of vengeful tomorrows. If the world
isn’t already worthy of love
it could never be worthy of hatred.
No curse, no blessing, no reform or utopian felicity,
ignorance and enlightenment both
one heartbeat shy of the truth,
and freedom, compassion, genius,
three brides on a bridge of snails,
how could I come before you clearly
if there were anything in my hands? Fire
doesn’t need a teacher to burn
nor the wind an instructor to fly
and if you haven’t already been struck
like a birdless tree
by lightning on the moon
what farce of the sublime could show you
what you don’t need to know
to be what you are
when spring comes like a voice, a whisper of bliss,
a green arsonist, a jest of life
to the startled garden
in the rootless urn of your unsayable longing?

PATRICK WHITE

AUBADE WITH AMBIGUITIES


AUBADE WITH AMBIGUITIES

Everywhere I go
I am buckled by sorrows
weeping like executioners
in hooded doorways
for the harvest of doves
they’ve bloodied
with their smiles,
for the ruined roses
that stain the hospital gowns
of soft-spoken guillotines.

And when I ask
for the address
of a rumour of joy
that might risk
a cameo appearance in my heart,
I am caught in the traffic jam
of an outdoor movie
that is just another rerun
of misunderstood butterflies
draped in spider-webs.

And the restaurants are full
of lunar refugees
confessing the names of God
on a rosary of skulls
spooled from the mass graves
of irremedial exterminations;
and on the highways,
drug-soaked children,
famous among milk-cartons,
running from rescue
all the way to Calgary
with Eldorado serial killers
in cowboy hats.

I do not think I was born
to be happier
than any other man,
nor dance with rivers all my life
under the chandeliers
of waltzing willows,
I am content
to let the autumn stars
sugar the apples
and the wines of life
that have dreamed so long
of mystic bloodstreams
wake up from their coma
of midnight suns
to flirt with the morning curtains,
but everywhere I ask for water,
the odour of dogs
rotting in stairwells,
virulent mothers
blistering coke in baby spoons
and lonely adolescents
picking at the scabs
of their showcase labels
like empty whiskey bottles
cruising for flowers
on emergency fire-escapes.

And how could I ignore
the inconsolable clowns
in convulsions of grief,
and the reptilian angel-slayers
that rise from the depths
like snapping turtles
to unfeather the stupefied swans
as if they tore
the pages out of a book,
dragging the clouds down
into the hot mud
of ambiguous bottom feeders?
Everywhere the air
grows tumescent
on the yeasts of grief
and the planet groans
like a death-cart
full of starfish, full
of fractured wish-bones,
full of the severed hands
of TV amputees.

And I want to pay the late fees
on the lightning that struck
the horns of the snail
like a war-crime, I want
to green the emeralds again
that were bleached in a flash
by the physics of food, my heart
burns to proclaim to the tribunals
that reek of thick colognes
and pounds of atrocious innocence,
that humans were born
to see and be amazed,
that there are still plants
in the scalded jungles
that will come forward
like shy cures, and golden salamanders
that will give us back our legs and arms,
that we’re not just a necropolis
of flesh-eating bacteria,
that there are truths and beauties
and ethics of water
that aren’t just triumphal marches
under the arches of our vertebrae,
that there are gods at work
like tender waterlilies
transforming the swamp,
turning the shit back
into intimate constellations
that won’t dwarf the night
with staggering distances
or runt the wonder
of our brevity
with the unattainable radiance
of reversible wedding gowns.

I want to make it all better,
breeze the pain
with blue-eyed summers
from a cedar hope chest,
appease the hungry
with mountains of bread
ored from miraculous grains,
talk the bridges down
from their keystone suicides
by showing them what’s needed
to get to the other side;
do everything I can
to grant immunity
to the bloodbank
that cries constantly
under my window at night
for braver transfusions,
give up an eye if I must
to defray the cost
of blind justice,
do whatever it takes
to prune the hazardous stars
from the razorwire crowns
of our unexempted suffering.

But everywhere I go,
roadkill redirecting traffic,
arsonists in volunteer fire brigades
pissing on a field that’s burning,
closet terrorists in uniformed bomb squads,
defusing suspect shopping-malls,
computer-generated humans
mechanizing the rights of man,
soldiers safer in the army
than children in their beds,
leaders following the followers
in climacterics of lemmings,
the rich bitching the poor
are the reason they suffer,
deviants preaching deliverance
to delinquents on their knees,
free markets enslaving nations
to brand-names on demand,
banks robbing the wretched
to give to those with more,
genocide on probation
while murder goes to jail,
excellence cowed by fools
when ignorance runs in schools,
doctors despising health
as an obstacle to wealth.

Anyway, you get the picture.
When the fleas
train the tigers
to jump through fire
and the crows
coach the hawks
to look for silver,
or the avalanche
tells the mountain
where to stand
for a photo-op,
even if you feel,
even if the heart
bleeds like a blackberry
punctured by thorns,
and you’re up
to your neck
in a starless tarpit
darker than night,
and the bombs fall
like meteors like
the foundation stones
of crystal palaces,
is there a point
a pebble
an afterlife under
these quicksand pyramids,
these deserts in an hourglass,
this crack in the dawn
to build another world upon?

PATRICK WHITE

Tuesday, January 3, 2012

AT SEVENTEEN


AT SEVENTEEN

At seventeen, having crawled out from under the street
and made my way through the culture shock
of my first year of an affluent university
with easy access to the sea,
I made my way north to a pit stop coffee-shop
on a lonely highway at a place
called Windy Point as I recall
northwest of Prince George.
I remember the tractor trailers full of strawberries
festering like hot sacrificial hearts
bruised by the quick summer,
and the electrically charged aura of bees and wasps
that hovered over them and hummed
like a powerline tuning up in the rain.
I was a young teacher assigned by Frontier College
to live and labour and teach
five hours a night after dinner on a work train,
lining, tamping, laying track on an extra gang
of the Pacific Great Eastern Railway,
forty miles as the crow flies into the bush.
I remember the impoverished trees
that grew smaller and smaller
in the immensity of their solitude and mine
as I was driven deeper into the bush
by two railwaymen who said about as much
to the long-haired hippie in the back of their jeep
as I’d said all year to myself in my sleep,
as the silence grew more aggressive by the mile
bumped along by the side of the track.
You him. Yup. Get in. And that was it.
That was as much of a welcome as I was going to get.
Or as far as they were concerned
I had a right to expect because
the illusive idealism of the sixties
was still an embryo in the matrix of a dreamcatcher
trying to jimmy the locks on the doors of perception
forgetting it’s just as easy as light
as it is for a thief or the moon
to get in through the windows.
The threat of their worst nightmare
coming unglued like the perfectly bound
paperback edition
of their unlovable orthodoxy
and unlivable reactionary redneck rectitude.
Flower power spread like fire
through the radicalized roots
of the underdogs, draft dodgers and drop-outs
fight for the right to cast its vote
like Japanese cherry blossoms on the wind
to accommodate a better more spontaneous world
to the portable Zen of their creative imaginations.
The hawks and the doves,
the fireflies locked in ice
and the snowflakes on a furnace
fighting over whose cosmic eggs
in a war of F-4s against
magic carpets with a flight plan
best measured up to the wingspan
of the winds of change
while down below their nests
in the highest crowns of the trees
dark wavelengths
hatched out of their black holes
like baby snakes
that had just passed through
the third eye of the needle
aspiring to win their wings
and become dragons of the air
by swallowing the eggs of either species
whole cosmologies at a time
and regurgitating the remains
like the collapsed parachutes
and used condoms of the moon
as if they could shed their skins
from the inside out.
Either extreme a fang in the skull
of a harvest moon in a year of famine.
And there were far fewer people
trying to firewalk their way to the stars
back in those days than there were
spiritual tourists trying to walk on water.
So I took the middle extreme of the dragon’s path
and grew a third wing down the spine of my back
like the keel of a schooner,
the dorsal fin of a shark
with the heart of a dolphin
or the tail rudder of a plane
just to keep things immensely balanced
like a phoenix between Icarus and the sun.
I oscillated like a wavelength of starmud
between the Himalayan apexes
of mystic contemplation,
the death valleys of meditation,
and the troughs where it got down and dirty
as the mysticism of action
that had to follow the blossom of insight
like water all the way up from the root
and then take it a step further, into the fruit.
And that’s why I volunteered
the sceptical lack of innocence
of my ambiguous idealism
to be brutalized by the wilderness
into the scar tissue of experience
as if I had just skinned a unicorn
and now I had to tan the leather.
And that’s why I was on my way
to bring education to the working man
in the wilds of northern B.C.
At seventeen, I was
the Johnny Appleseed of knowledge
armed to the teeth
with the revolutionary rose
of a virtuous cause
righteous as the thorn of the moon
in the side of the dawn.
I was the ladder out of the same snakepit
of poverty and ignorance I had crawled out of
like the skeleton of a hummingbird
out of a continental shipwreck
that had nowhere to dock in Atlantis but down.
One foot each astride two ties of a railway trestle,
nothing but a fifty pound iron lining bar
wedged under the track
as I pulled with all my might
backwards into oblivion
to align with one parallel line with another.
And through the gap between the ties
a hundred and twenty feet below me
a thin silver stream, tinfoil in sunlight,
wandering through the grey skulls
of a washed-out cemetery of insight.
The rocks I would be smashed upon
like an egg head out of the nest
if I were to suddenly fall like Icarus
through the gaps in the supine ladder
I was standing on,
or in the cruel grey eyes of the men
who were sizing me up
showed any kind of cowardice
to remind them how dangerous this was,
or if I used my education
like a parachute I could pull out of my ass
every time I was called upon like a bridge
to bestride the abyss like a man
and keep my shit together
as if courage weren’t a virtue,
but a gland I was missing from birth.
Gnothi seauton Socrates said in his Attic dialect,
as he was about to drink the hemlock.
Know yourself and I did well enough
to know as I often had in similar situations
when bravery might let you down
madness was enough to pull you through,
and for reasons they well understood
made me as crazy as they were,
I slowly won their respect
and one by one they came
to my little frontier school
where I bunked alone
coupled to my long, lonely train of thought
like a mutant gene
to a helical protein molecule
we went to work everyday with lining bars
to straighten out after
underground rivers of clay
had moved under them in the night
like flesh and blood drawn to a new idea.
I taught the Portuguese, who,
after working ten hours a day
would wash up, eat, play soccer till dark,
and then come to me
to learn how to swear back at bigots
like the low men on the totem pole
of British Columbians, Albertans,
New Brunswickers, Newfies and natives
in that hierarchical order of serfdom.
Exiles, outlaws, refugees, lunatics, outcasts,
who’d fill their pillows with modest samples
of the pubic hair of every woman
they’d ever slept with for years
or by four in the afternoon, every afternoon
when the timekeeper called a break
to let it happen, would shake their fist at the sun
and throw shovels around as hard as they could
that would kill you outright
if you ever got in the way of one
like a proofreader mistaking verbs for nouns
in an unknown mother tongue
that only the sun
and thousands of hectares of muskeg understood.
These were the mad ones, the ones
who worked like troglodytes all day,
arms sinewed like railroad tracks,
hearts beating like anvils in the hot sun
and said nothing,
as if nothing need be said
after forty years in the bush.
But come night in the separate cars
they each were assigned
to sleep isolated in the dark,
had raging conversations with themselves
like a treeful of roosting crows
so you couldn’t tell if you were listening
as I did every night in curious apprehension
the anguished echo of one voice
from another being thrown
across the room in rebuttal
by a polyglot ventriloquist
like Luther’s startled inkwell at Lucifer.
And then at four again, every afternoon,
shovels flung anywhere
like the hands of a clock
flying off like the petals of a propeller
as if they hated God for something
and for ten to fifteen minutes
at four in the afternoon every day
for as long as anyone could remember
felt compelled to start a riot
against the sun, the sky gods,
the wind, the wilderness, who knew,
but even they seemed to know
like crows at the highest pitch of their protest,
they couldn’t do anything about.
Nothing in the Norton Anthology of English Literature
nor a few weeks in a training session
at the University of Calgary
to see who would be posted where
had prepared me for this
but I winged it like a stone or an Arctic Cat
out over the open water of a lake
and soon I had several classes
of natives, Portuguese, drunken reprobates,
and a mix of curiosity seekers
more interested in being entertained
than educated on a work train
where nothing much ever happens
except extreme violence on a Friday night
and tragic accidents in the workplace
that could have been avoided.
And what surprised
and humbled me the most
two philosophers, one
from New Brunswick
and the other, Alberta,
who’d been out here so long
in the brutal isolation of the bush,
keeping their lives to themselves,
they made Henry David Thoreau look like a fake.
And for five months it went on like this
until UBC sent me the first film
to be screened on a work train this far north
and it turned out to be opening night
for the much anticipated premiere
of two teenagers learning about syphilis,
that immediately estranged a packed house
who thought I was talking down to them
as if they didn’t already know
everything there was to know about the disease.
Though I tried to plead with them
this wasn’t my choice of movies
but some idiot’s down south,
I knew my Socratic moment had come
to drink the hemlock of my idealism
and after I was knocked out in a bar fight
stepping out of a washroom in Prince George
I woke up back on the train
with a raging migraine that felt like
forty thousand hectares of muskeg
and a time keeper urgently insisting
I go back into Prince George without hesitation,
buy a thirty-eight from a friend of his,
and shoot the motherfucker who did this to me
to teach him some respect for the English language.
And that was it, time to go,
time to blow Windy Point,
time to thumb my way back to Vancouver
as if I were turning the pages of book
where art had failed to imitate life
convincingly enough to put a full stop
like a bullet hole through the temple
of some drunk logger’s head
which is what I had to do in their eyes.
Pick up a gun to prove I was man enough
to go on teaching them
about John Donne’s attitude toward death
and know from first hand experience
that left no doubt in their minds
I knew what I was talking about.
And of course I wasn’t and didn’t.
And for hundreds of miles
of black asphalt after that
I felt like a tractor trailer
hauling thousands of wounded strawberries
bruised by their own innocence
in a freak encounter with experience
to a hard empty free bench for the night
in the Camby Street bus station
that helped immeasurably in the morning
put all this behind me for awhile
like the wake of a ferry in the Georgia Straight
threading its way through the islands
wondering what just went down in despair
like another undermanned lifeboat over the side
of the flat moon society
rowing for all their worth
in a dead sea of shadows
that Sisyphus would have understood
balanced on a turtle’s carapace
like the skull of the earth
when it rises over the horizon
like a magic mushroom
or the podium at the head of a classroom
everyone pushes out of the way
to prove they can relate without barriers
to anyone eye to eye
without knowing whether
they really can or not
and whether the bond
is mutually reciprocal
until it’s way too late
way too late not to, brother.

PATRICK WHITE