Sunday, September 22, 2013

SITTING AT AN OPEN WINDOW IN THE STUDIO

SITTING AT AN OPEN WINDOW IN THE STUDIO

Sitting at an open window in the studio, nothing
on the easels, watching the night rain
in the storefront puddles on the road below.
Earrings falling from the lobes of the leaves
of the trees in the half glow of the overgrown streetlamps.

I rest the flying buttress of my elbow
against the wall of the abandoned cathedral
of my top-heavy head against a windowsill
chipped, pocked, scraped, thick with years
of old paint discoloured as scar tissue, my cat
a quiet sphinx beside me, and it’s one
of those moments when you know for sure
as it sometimes does like a wounded eclipse of the moon
without a word, or a sign, it’s come to this,
as if the insignificance of an entire lifetime
were summed up by the stillness, silence, and solitude
of a stranger at the gate death left open
when it grew tired of waiting for me to arrive.

Not much of a garden and still less of grave
to house my bones in autumn, somewhere tonight
an old man is contemplating suicide like the tuber
of a flowerless life and it feels all right
to be uprooted like an eye of rain in the dark
without hope of seeing anything bloom again
quite the way it used to. I’m blocking in
an underpainting of the truth to see if the truth
is beautiful or not or just mucky with thought.
Or careless of the way it looks, life blooms
and then it rots. All that contested magnificence
of the rose exhumed like Richard III from a parking lot
to be reinterred in a touristy tomb as befits an English king.

I turn off the lights and light a candle to remind me
of the vapour of a dream I once had
when the arpeggios of the rain last played me
like Scarlatti on the keyboard of a harpsichord,
but it goes out like the denouement of cathartic pity
at the end of an unappealing life in a tragic city
where everyone walks over the corpses of the chorus
as if fate were of no concern of theirs.
Bring on the darkness exorcised of the false gods
that don’t know enough to leave things the way they are.

Everything gleams like a coat of varnish
on oils that have long bled out like Proserpine
leeched by the underworld until next spring.
It isn’t easy to go down singing into death
knowing half of every breath you take
is the expiration date on a prophetic skull
that knows all too well that looking back on the past
retrieves nothing, even when you’ve got wings on your heels,
you can bring to the surface of consciousness
but a last gasp of desperate bubbles that flash
before your eyes like the life of a man drowning
in municipal puddles of agitated starmud
the rain keeps falling into like blackholes
in the asphalt of a road whose cup runs over
like the gutter of a grail drunk down to the lees.


PATRICK WHITE

IF I WERE TO CRY NOW AT THIS AGE

IF I WERE TO CRY NOW AT THIS AGE

If I were to cry now at this age
it would be a grey, September rain, running down
the half windows, half mirrors of my eyes.
Alloys of light. A veil of rivers and roads
I’ve firewalked on burning diamonds to get here.
A waterfall of waterclocks. Time run amok.
A dog let off the leash of a long continuum
to remember tomorrow as if it only happened
yesterday. No more eating the dust at the heels
of Orion as if he were chained to a parking meter,
the dogstar sniffs at the ankh-shaped fire hydrants
as it will, free of the master and his noose,
Black Dog shadowed by Blue Flower on the loose.

If I were to cry now at this age
it would be as a sage washing his face in his own ashes
to get the greenwood creosote off the glass
he looks through darkly into oracular dragon fire
dreaming the world on a lotus of flame
to ember in the blaze of two year old red oak
with cracks through the tree rings of former springs
to testify it’s aged right as eyes and wine,
and still burns hot as blood in the caldera
of a volcanic heart. Prophecy might be the art
of great discretion, but poetry should be as
open-faced as the skull of the moon in a mirror.

If I were to cry now at this age
it wouldn’t be for fame, sex, power or influence
among the literary politics of the nitwits
in the regalia of a kingdom of gnats,
nor yet as any kind of repentance for the life
that demonically guided me in and out
of the stations of the mystery through the rootfires
of paradise that blossomed like stars and waterlilies
in the fetid gardens of the fallen transforming
their swamp lust into paradigms of amorous enlightenment.
I disciplined the severity of my disobedience
into rules of thumb that let more of the defeated live
than the one-eyed angels with blood on their feathers
ever did. Heaven condemned my demon to compassion
for never taking offence at anyone else’s miscreance.

If I were to cry now at this age
I doubt if I’d remember precisely why I wept,
but my bet would be it had something to do
with life not cherishing its own creations
like a busload of schoolkids at a railway crossing
with a brutal sense of timing, or twenty-five million children
who starve to death every year in their mother’s arms
while farmers pour galaxies of spilt milk out on the ground
to keep the price of human kindness high
as a subsidized quota of children that have to die annually
to reach the projected goals of unweaned shareholders.
Why so many children open their eyes like flowers on time
to be flogged by the whips of their own umbilical cords
like weed cutters along the fence of an indefensible border.

If I were to cry now at this age
it would be for the beauty I discerned growing
in the cracks and crevices like blueweed and dandelions
between a hard place and a rock
that kept rolling down hill at the peak of life
like the door of a tomb somebody used
for the foundation stone of a corrupt house of life
built on sacred quicksand that lost its footing
like a burning ladder of rafters in an earthquake
that buried the priestcraft of a snakepit
without the last unction of an oilslick on its forehead
as if God looked upon the works of humans
and spit on their eyelids in disgust at a waste
of quantum foam that frothed like hydrophobia
from the shrines of the dry seabeds of their mouths
as if every ditch of hell were once an ocean unto itself.


PATRICK WHITE

Saturday, September 21, 2013

THE SILENCE BEGUILING

THE SILENCE BEGUILING

The silence beguiling. The solitude almost perfect.
The stillness of the silver Russian olives almost
a warning suspended in the air, but nothing to fear
issued as a threat if I don’t move from here
where I’m squatting on the outskirts of the cities
of the dead, for a night, just a night, passing through.
I don’t know where. As if that mattered anymore.
The trees shedding their leaves like travel brochures.

Sixty-five. Getting on. Root-fires still burning
underground. Never wanted to be one of the grey mages
of poetry. Bringing gifts fit for heaven or hell
to the firepits of the mangers in ashes. A mediocre
harvest moon, but the heart of the dragon is heavy
with low hanging fruit the darkness and the moon made sweet.
O, let it fall back to earth if it wants to. Any star
will do to start a journey. Not far to go. Not far at all.

Ingathered within me the sorrows of a lifetime.
And the small joys I take in life I cling to in protest.
Lust a delusion I’m all too familiar with
still gets a rise out of me, and love, the elusive collusion
of the stars and mud I’m made of, manifest
flesh and blood, these eyes, these fingertips,
this voice that sings of supernovas and fireflies
in the same breath and the pause that is neither
life nor death in between, where nothing exists
but, once and awhile, love writes a name
in the mist on the ineffable windowpanes
in a symbolic attempt to spiritualize the abyss.

Love the wise, the beautiful, the true. Love
the ignorant, the unlovely, and the false.
Union and separation, the pulse of the mystery
that appalls us into seeking what cannot fail
to find us once we stop looking for redemption
from the fools we make of ourselves in the name
of an absurdity higher than the flames of the flowers
that bloom in fire, and the stars above our pyres
can reach, though the gesture’s not lost upon
the unattainable. We fall in love with the unsustainable
as we do with our own perishing. Lovers fail,
like poets, dying into the mystery they most excel at
as if they had a painful talent for compassionate death.

It’s the loss of love that makes love indelibly mortal.
Not to have failed at love is to have lived your life
worthlessly as a hungry ghost who thought death
was less of a risk than losing more than you had to give.
The moth didn’t come close enough to the fire
to burn its wing like a love poem going up in flames.
Immolated in flames or cremated by shadows
in the cold furnace of a heart that refused to burn.
You can see it in the soft eyes of an old man
on an autumn afternoon sitting like a scarecrow
on a park bench feeding the birds the crumbs of his dreams
as if they were both gleaning the same garden.
Love is sustained by the grains of starwheat
it’s already lavishly spent on a harvest of sorrows
sweeter than a silo full of promising tomorrows
as if love, not death, were the only way of being
successfully defeated by life with a smile on your face
as deep as any wound you’ve ever been graced by.


PATRICK WHITE  

BORN INTO POVERTY AND HUMILIATION

BORN INTO POVERTY AND HUMILIATION

Born into poverty and humiliation and the degradation
of a woman at the hands of a man who said he once loved her,
had to have her for the world, begged and pleaded,
achieved her and then tried to put her out like a dance step
he was learning to do with a cigarette-butt in the dirt.

Not a humiliation of mine, not a degradation of me
I didn’t have the rage and discipline to overcome,
but the boyish impotence of watching her suffer
day after day, the occlusion of the light and human warmth
she was to four frightened children who were witness
to their black out father’s swarming drunks
when he got out of jail like a hive of killer bees
and she were too isolated and hurt to keep
anything back from me, the eldest, her sounding post,
who couldn’t do anything to help her except
pray to an unforgiving god to let him grow up in time
to murder his father while he was still conscious enough
to feel the bright steel of a son’s sterling blood
shuck the flint knapped oyster of his heart
to see if there were ever a pearl inside I could pluck out
like the evil eye of a mad moonrise on another binge.

As my mother withdrew like an ice age into herself
I tried to decipher her tears like unbroken circles of rain
in the heartwood of a young boy’s smashed guitar.
A strawberry heart with the savage scar of the moon
across the bass string of her throat like a martyr
garotted by what she had to go through to survive
her own life with four kids she controlled like the damage
done by love on the rampage that had trampled them.

I’m not a Momma’s boy. She didn’t cling to my brother
and I like an umbilical cord on a burning box kite
and we took more than our quota of self-destructive
chances in the world to prove to ourselves we might yet
outgrow the stigma of being men in the image of our father.
And the rough-hewn diamonds in my two sister’s eyes,
as well as my mother’s intransigent independence
to sacrificially transcend her circumstances at all costs,
long before the feminist revolution, I took it for granted,
all women who had grown up poor were as liberated
as the life-nurturing events of underwater volcanoes
breast feeding the ocean like islands of drowned sailors
that had smashed against the rocks of their seafaring wills.
Viking mermaids in bobbi-sox and saddle shoes
who sang alluringly to their vagrant boyfriends
they weren’t amused by the course they had set for themselves
by relying on their starmaps like mythically inflated safety nets
as they lowered the Titanic like a lifeboat on the moon
they inherited from their parents like shipwrights in drydock.

Pull yourself up out of poverty by your bootstraps, Paddy.
Get an education. And I thought, why was that? No one
going to lower the bucket to help pull me out of the birth canal
I fell into like the wrong housewell? And I did. Amo, amas, amat,
amamus, amatis, amant. I was taught civilization owed
everything it stole from the poor to agriculture,
and ruining a few wolves by turning them into sheep-dogs.
Animal husbandry that culls the people like roadkill.
I don’t think that anymore. My teachers were the dupes
of the lie they benignly bought into to keep their jobs.
Civilization, government, law, education, economics,
no more than the pine-scented deodorant the rich use
to disguise the blood musk of the abattoirs
slowly butchering the poor emotionally, creatively,
imaginatively as a kind of collateral damage
like torn beavers, wrecked muskrats, meaty groundhogs
water-logged in a ditch the turkey-vultures administer
like bankers and undertakers eating the guts out of
as the rich pass by every summer casually on their way
to the vacation cottage that will enable them
to get back to nature, ravening on the fat of the poor
like the American dream or whatever passes for one
in Canada from the floor of the House of Commons.

The rich sustain their vision of a good life like ants
eating the eyes out of the heads on the soft shoulders
of a way of life that has made them arrogant, stupid
and extinctually feeble. You know what civilization is
when you boil the fat out of chaos, it’s a deodorant
for the rich and powerful, corrupt, hateful, and mendacious
to smell like herbivores instead of overseas bloodbanks
that stain their teeth and lips red in claw and fang
like a dowdy, middle-aged political rose smearing
thick lipstick like dubbin on her waterproof mouth
she’s lies through as if life were a strawberry milkshake
she’s sucking the bubbles of the bottom up
through the proboscis of a straw longer than the budget
she proposes to make everyone else but her go first?

I studied history at university. The filthy rich
and their inconsequential bloodlines like varicose veins
that have grown stiff with the plack of their porky progeny
killing the poor of one country off against another
then flying like Churchill to Poland to sit down with Stalin
to see who gets to imperialize the cadavers
in the boneyards of Europe behind Roosevelt’s back,
because the U.S. is still too much of an ingenue
to know how to use a secret police force effectually
over port and cigars to keep a strangle hold on the people
they hang from meat hooks like abstract eviscerations
of foreign policy, as if flesh and blood had nothing to do with it.
Look at their bodies scotched by overindulgence
and privilege, see them naked at a photo-op
squealing like pigs at a trough living in their own shit
as Napoleon said of Talleyrand like excrement
in a silk stocking. Imagine history sitting on a toilet
listening to the vital organs of an overfed sea cow
like a trickle down theory of economics claiming
as it breaks like a political wind in an executive bathroom,
it can eat your food for you as a way of filling your empty bellies
with the crumbs and fins of the loaves and fishes
it feeds on as if it eliminates through the same bung hole
of a mouth it feasts with. Monostomes. Look it up.

Who hasn’t compiled a secret hit list of black ops
to be meted out contractually like an apocalyptic mode
of creative street justice for the atrocities they had to swallow
like bad medicine in an age of nuclear miracles
where the rich eat pearls and gold to avoid the black plague
of the fleas that docked their yachts in Genoa, or Cape Cod,
to teach Europe first and now North America
to the chagrin of the McCarthyite clones of Ted Cruz
and the feudal Republicans, death is an equal opportunity Democrat
that treats everyone fairly without distinction
like a plague rat chewing through the morgues of Congress?
Imagine that. The high and mighty brought low
by a little bug the NSA didn’t plant in the name
of the panic button on homeland security
genetically modifying the collective unconscious of the mob
like the super id of Monsanto in a cornfield of dreams
killing the bees and the Monarch butterflies with neonicotinoids
as surely as the Germans used Zyklon B at Auschwitz
or Assad fumigated the suburbs of Damascus with sarin gas.

Whatever direction the wind blows, World War I
all over again. Rumsfeld peddling mustard gas
and the dragonfly helicopters to deliver it to Baghdad
against the Iranians and the Kurds like cologne to a dictator
with sons more subordinately vicious than their old man
smiling like a Pacific dawn on the smog of Los Angeles.
And don’t tell me the terrorists don’t roam in packs
of rabid pit bulls tearing a child on her way to school apart.
Or the profiteering capitalists in the black markets
of the wars they start don’t think the poor are the reason
they suffer, and don’t take anyone’s pain to heart but their own.
Or the poor themselves don’t eat their own when
there’s nothing else in the house of life to chew on
but the gummy cliches of the snake-oil politicians
selling them the artificial fangs of yesterday’s vampires
as if everyone were entitled to a bloodbank of their own
as an antidote to the poisons they ingest like their daily bread.

Looking for a happy ending to the black farce
of the life you’re living? Who can blame you? I don’t.
Every little piggy’s got to get its own, every dog,
its bone, only so much time and then forever and forever
and forever, nothing to look forward to, nothing
behind you to look too kindly upon. Nothing but
a waterclock of empty moments to preoccupy you
with how minisculely irrelevant everything is at a distance
that disappears into itself like a blackhole
nothing can get out of, the bones of star-nosed moles
buried alive like tubers that groped the dark
with the green tentacles of their eyes awhile
and then withered like used condoms that have the feel
of the skin of old men in a wet dream. Life peaks
like an amoeba on a mountaintop, fish in the sky
out of their heights, a few astronauts like dust
on a starmap, lies that binge in the mouths
of corrupt politicians crying big slow tears
of crocodile saliva for the victims of their hydrophobia.

I wish I had a dad in the grave I could lay flowers upon
and talk to in the intimacy of the eternal silence
like a son that went fishing with his lighthouse of a father
and got lost at sea on the moon as my mother
called out to us from the far shore like a foghorn into
the forlorn dampness of an impending echo in the air
of a recurring nightmare that ended with a dove descending
as if somebody cared enough to return the message.
Three bells and all’s well. Or straight from the heart
of Julian of Norwich, all shall be well, all shall be well,
and all manner of things shall be well. Instead of this hell
that, too, shall pass. Like a kidney stone we pissed out
like a diamond in the rough. Like the ostrakon of an asteroid
with our name on it coming at us like a right cross
to the jawbone of the asses braying like pundits on tv
as if this were Periclean Athens, spinning fables
of oracular equality at the beginning of democracy
for those of the citizenry rich enough to be free,
and for the rest of the mob, the afterbirth of what’s left.
Optimistic autopsies chalked like flow charts
on the godforsaken sidewalks of the stillborn.


PATRICK WHITE

Friday, September 20, 2013

ALWAYS WRITING IN THE SHADOW OF AN AVALANCHE

ALWAYS WRITING IN THE SHADOW OF AN AVALANCHE

Always writing in the shadow of an avalanche,
ashes on a white page, miscarriage of an urn,
are they mine, a freak of time, Stonehenge around a firepit?
My ears pinned flat against my head like a brow beaten cat,
waiting on the next move of a meteor shower
that’s been pummelling me like a clapper in a bell tower
that’s gone a couple of rounds too long
without calling off the fight. Firing squads
taking tickets and standing in line to shoot the stars
out of my eyes, like a repeating decimal, and here I am
writing another poem like a bird at the bars of a prison.

Beats staring down the plaster walls, the deserted street,
the middens of the Hooker’s green garbage bags
leaning against the parking meters like the afterlives
of prophetic archaeologists scrying my remains,
or trying to retain my composure in a snakepit of anxieties
like the third eye of a hurricane of razorwire
heading my way like a skill saw in a morgue
trepanning my skull cap off like a hard-boiled cosmic egg
to relieve the oceanic pressure of my underground madness
like the surface of Europa flowering
like a fountain of the sulphurous waters of life.

I was born trying to return to some place like a salmon
through a gauntlet of grizzlies, rocks, and eagles
as if only exiles find their way back home
from this turbulent sea of awareness upstream
against the flow of the mind to sort the swimmers
from the drowned. Have I spawned? Is it time to die?
Is my genome satisfied? Are the water sylphs
of the sacred pools gathered from the tears
of all those who cried out in vain for the unattainable
happy with the ingot of moonlight I’ve returned to them
like the blunted edge of a silver sword I will never
be called upon to use again like a third feather
in defence of the tribe in a hermetic holy war with myself?

I’ve always remembered what the garden-master asked
when I was boy. What’s madness but nobility of soul
at odds with circumstance? Meaning hydro, the rent, the heat,
the need to eat minimally, clothe yourself in the raiment
of the flowers of the field, keep the bearings in the wheel
of birth and death well-oiled to keep from seizing up
like the surgical amputation of my brother’s diabetic leg,
or the black dwarf with a clenched fist at the centre
of my solar system playing Russian roulette with itself
to clarify my nirvanic response to the trivial and tragically mundane
by showing my brain what an astronomic extinction event
looked like to the dinosaurs after years of volcanic activity
poisoning the atmosphere like acid rain thrown in the eyes
of the wildflowers learning to read the stars for themselves.

The night is cold and dark, eyeless, starless, indifferent
to people pleading at their windows for whatever they need
to survive their own minds in a sensory deprivation tank
of another night on earth of going without in the name
of an ambivalently greater radiance that can’t be measured
in candle flames and starmaps, but the light so pervasively intense
even your diamonds evaporate like dry ice and carbon directly
into the spiritual life of a lost atmosphere on a shepherd moon
that opens its heart like a meat locker to the question marks
it’s hooked on like a Sioux warrior at a sundance in Leo
with crescent moons pierced through its chest like a fish
acquiring prophetic powers in the rapture of the pain.
Angels singing in the autos da fe of unconfessed heretics
in an ancient agon of draconian flame throwers
and monkish fire hydrants outside the Scotia Bank across the street.
Scotia, the dark one, watching the watchers from boreal caves.

I don’t ride golden chariots through the slums
blithely dismissing other people’s pain like a new age
bureaucratically quoting their post-graduate karma
like a correct choice of shoes they made that don’t pinch
or slash your calves like first magnitude spurs
on your winged heels that at least get off the ground
as if a spiritual life were just a matter of footwear
and never walking anywhere barefoot with your own starmud
oozing between your toes on a long firewalk of ghosts
rising up into the air like smoke from the distant fires
of sea stars and galaxies flowing across the firmament
like the spilt milk of a lactating rheostat nursing Jupiter
in a cave in Crete to keep him from being eaten alive by Titans
lording the paternity of time over the maternal instincts of space.

But sometimes everyone needs a voice to ride with them
through the inverted arches of their triumphal defeats
to remind them they’re not mortal after the gates
close behind them in the wake of a book of poems
someone gave them to read like the heartwood of a sacred oak
standing up to the lightning in courageous dread
of what’s about to befall it like a crack of revelation
running like serpent fire from the roots up
to the sword that hangs like the Orion nebula
above the grailquests and cosmic eggcups
of Cygnus sticking its long neck out to swan
for the double-bladed axe of the waxing and waning moon
threshing the pawn shop mistletoe of the globular streetlights
with a golden sickle, coming and going, while I’m ploughing
lunar boustrophedons like the runes of retreating glaciers
into the mute rocks of the Canadian Shield weeping
lakes full of stars in the scars I’ve kept like vows
to get some sleep being carried home upon it
like Scutum in the southern hemisphere or the stretcher
of another poem by a conscientious objector summoned
by the siren of a singing ambulance, bound to the mast
of a shipwrecked world scuttled high and dry in the mountains
after the flood, apres moi le deluge, like the ark of the Burgess Shale.


PATRICK WHITE  

IN THE FIRES OF LIFE

IN THE FIRES OF LIFE

In the fires of life stand up for the heresy of your humanity
as if there were no one else to burn for it, but you.
When you’re enveloped in the flames of an estranged loveletter
that embraced you like a flower that bloomed in fire
a long time ago, o how many afterlives has it been
since the hive had a dark queen to attend upon,
whether they honour your urn or spread your ashes
on an icy walkway for more pedestrian traffic,
don’t hitch your dragons to the death cart of a false dawn,
but ride the wind exhilarated as Icarus in your own updraft
like the errant flightpath of a firefly with a mind of its own
knowing there’s more insight in the sun that shines at midnight
than there is in the shadowless noon of a shallow enlightenment.

Listen to your heart as if it were real, not solid
and soon enough you’ll be able to hear with your eyes
what your ears can’t see that far beyond
the aerial perspective of the dark where parallel lines meet
to focus on burning another black hole in the sky
with the congruence of the intensity in the iris of your third eye.

Fire doesn’t burn fire, so you can shine lyrically like the earth
in the presence of your own star without being consumed.
How do I know this? I can taste the words life puts in my mouth
like a prophet in a fireproof furnace steeling the iron in my blood
like the growing edge of a sword tempered in my tears
that kills me back into lightyears of life every time I fall upon it
to save the face of some unknown tomorrow from debasing
the integrity of its sorrows by not hammering out the slag
of lesser stones than we draw the best Damascene swords from
as we do the sabres of the moon to the rhythm of a pulse
on the anvils of our percussive hearts forging fire-breathing dragons
shedding the darkest nights of our eyeless ores,
like a bunting of skin, a ribbon and windsock for the stars
that keep circling the north pole like the exoteric tree rings
of the lost art deep in our heartwood of calling down the lightning
like the roots of a seed embedded in our starmud, waking up
after a long sleep, like a pine-cone in the firestorm
of a germinating desire to live as immensely as possible.

While there’s time to grow the preludes and epilogues
of the next threshold we’re about to cross like refugees
over a bridge that spans the omnidirectional extremes
of our mindstreams getting on with their going
like waterclocks and aqueducts, or nightcreeks
whispering their lyrical way like the ode of a dark road
out of a grove of sacred aspens into a clearing brighter
than the light of the stars that pilot the orbs of the dung beetles
or shepherd dragons to graze on fire in higher pastures
than the world mountain could imagine in its wildest dreams.

Swept up in the fires of life, in this delirium
of inconceivable probabilities sleepwalking among the stars,
clarity isn’t so much a matter of burning your old tattoos off
like constellations that leave scars or cauterizing sunspots
like dangerous moles before they eclipse your immaculate wholeness
with the veils of isotopic ghost fleets raising sail in the bays of the north,
as it is in losing yourself in the picture-music of the lightshows
the mind puts on like an artist who isn’t looking for an alibi
to justify his eyes to what he sees without corrective lenses
like a starmap of fireflies without a fixed place in time and space.

In the fires of life you must be perfectly combustible
like the rainbow bodies of the wise men of Tibet, your eyes
inflammable as two lumps of coal in the skull of a snow man,
dead branches for arms, and your heart so generous
nothing left of it can be found like an ice cream cone
that’s fallen to the ground from the hands of a child for the ants,
and melted away into diverse forms of life that ensure
it doesn’t go to waste. We will all break bread in time
with the worms that shall nibble the crumbs of our dreams
from the corners of our eyes. Maggots overpunctuating
our mouths with too many commas and semi-colons,
necrophagoi editing our hearts and brains like turkey vultures
amending us like roadkill as if we were merely the first draft
of a poem ablaze and scattered with life as rapturous frogs in the rain.


PATRICK WHITE

Thursday, September 19, 2013

NOT SITTING HERE TRYING TO FLINT KNAP THE SPLINTERS OF A MIRROR

NOT SITTING HERE TRYING TO FLINT KNAP THE SPLINTERS OF A MIRROR

Not sitting here trying to flint knap the splinters of a mirror
into Clovis points for pygmies to go hunting mammoths with.
Maybe if I can make them small enough to go on Twitter
or Facebook, two minutes with a hook in the imagination
and I might be able to make of a little stardust, a big constellation
of gaping fish dying of thirst beside a freshwater lake.
I might make a big splash, like Basho’s frog,
for the lifespan of a haiku in prime time for nitwits.
I want to lay my vision out like a surrealistic starmap,
I don’t want some lazy idiot laying its egg on my forehead
like a carnelian, or worse, a contact lens on my third eye
to cure my astigmatism by eating little peep holes in my vision.

I don’t want a news feed for an intravenous muse
spoon feeding me whatever she wants me to hear
like a distant rumour of inspiration running like an opioid
at the end of a morphine drip with fangs.
Beauty’s not an ephemerid, nor the truth
a media fashionista on a catwalk, or an anchor’s desk,
that doesn’t so much as illuminate and deepen
the darkness and the light, but distract the heart with agitprop
and show off its lipstick as if Van Gogh just ate his paint again.
God bless the insane glorious souls dying alone in vain
as the old order changeth and giveth way to the new
and the language of the spirit that expressed itself
in a grammar of wildflowers breaking into a purple passage
of New England asters, is all thorns but no roses
on a bouquet of razorwire that was born without leaves
but still fits the brow of some silly poetling like Apollonian laurel
for having enough money to buy a good book review
if you don’t have the breasts or the chest or the talent
to get it for free. Literary criticism in a dead spin.

Why make a mockery of the lie poetry used to be
when yours is so trivial and petty your pretty snowflake
is going to piss in its pants if it ever encounters
an emotional blizzard or a spiritual avalanche?
And that little night light of yours you keep on
like a dream journal beside the bed, isn’t going
to seed the darkness with stars when all you’ve got to sow
is artificial sugar and organic sea salt. And even then,
you’re not Carthage, though you share the same impotence.
What does the candle know of the calling
of a lighthouse on the moon, waiting for light years
or why the foghorns are always in mourning
for the ghost ships it exorcises with a warning
not to come near, or its all downhill from here to the bottom
of a housewell with the literary ambitions of a black hole
the fireflies won’t come to sip from without going out
because they won’t drink from any fountain mouth the stars don’t
and you haven’t even gotten drunk on the blood
of your own skull yet, singing by a river to a moonrise.

Let the strong rope unravel as it will into a million weak threads
clinging like a mountain to a spider web, or a spinal cord
that’s never been frayed like the delta of a river or a mindstream
that can smell the great nightsea of awareness up ahead,
or even a shoelace passing like a needle through an eyelet.
The planet’s on fire, this is Dresden, this is Hamburg,
this is Gaza in a squall of white phosphorus, this is the inferno
that sweeps you off your feet like a whirlwind of igneous Sufis
and evaporates your eyes like dew off the grass in a flash
of inflammable insight that not even your guru or your shrink
are fireproof enough to live through this astronomical catastrophe.
And you, you want to write and tell me, in poems
that make me want to ask them to come over and do my hair as well
how domestically troubled you are by the pebble in your shoe.
You blindfold yourself with a no smoking sign
in front of a firing squad that thinks it might be a good career move
to make a literary martyr out of you like James Joyce
going blind in Trieste while Ezra Pound
sends him cabbages and shoes to survive on.

Bathetic, trivial, irrelevant and effete, you think
it’s radical not to explore the roots of things
like an underground fire in a valley of cedars,
or immolate yourself like the sumac in the fall
hoping to ignite an Arab spring in the middle of your perishing.
Two parachutes on your back, and one in the trunk of the car,
and still you won’t jump, even when the stars
are underneath you expecting you to join in the firewalk
and Icarus hands you a fire-extinguisher
and says, here, put them out if things get too hot.


PATRICK WHITE