Thursday, October 4, 2012

SMALL, WARM BIRDS


SMALL, WARM BIRDS

Small, warm birds of feeling,
a profound tenderness,
something to cherish
in the loneliness of being human
in these vast, cold spaces,
as I read your words
like poppies in my blood again.

What stars could I call upon,
what roses could I ask for their skin,
what darkness charge with radiance,
what ploy of dancing buddhas
could I summon
to let you know
you are all my sky within,
and the assent of my soul in the morning
and the bough of my homing at night,
that there is within me a blind fire,
an invisible flame
that consumes me in the ferocious beauty
of its unseen flowering
even in a flurry of faces
and the business tugging the donkey of the day
braying like a knot in a stream of wood,
and all the objects and forms of the world
are burning mirrors I look into to see
the black pearl of your mystic presence within me,
the iridescent lustre of your shining,
how you are a message in a bottle from ultimacy,
and a dark shrine of desire
that can wake the valley dragons
with the fragrance of your eyes on the wind.

I want to kiss your kneecaps;
I want to crush cool mushrooms against your lips
and feel my kisses break like bread,
I want to feel my mouth
blossoming on the nape of your neck
and my breath blowing across the shy wheatfields
of the softest gestures of hair on your skin,
I want to taste the silk
of the inside of your thighs
as if it were the flavour of an intimate paradise,
and approach your breasts like crowns,
and under a full moon
tenderly turn the sacred soil of your sex with my tongue
like a stranger in the doorway
of an infinite longing to make you shudder
like the void into light
with sexual eclipses on the back of your eyelids
that will fill you like a palace of water with stars.

I am the luminosity and shadow
of your green lamp that glows like the sea,
and my voice wants to bleed like black cherries
over the alluvial plain of your stomach
and touch you like a prophet
running his fingertips slowly over the pages of a holy book,
savouring the revelations
that throb like a pulse in space;
and there are storms that want to exhaust themselves
over the blue thresholds of your hills
and root their lightning in your body
like a tree of light, a new map of rivers
for your blood to follow back to me
like the echo of thunder in a well.
And all through the day
with its curbs and functions
I imagine the lilt of your fingers
on the rim of a coffee cup,
the cougar in the glance of your eyes,
the way you put a knife down on the table
like a smile without a script
and what it would be like
to circumnavigate the equator of your waist
with a rosary of kisses
to raise you like a sunken continent
out of your depths
and explore all your tides and passages
with the fervor of a dolphin in a bay of wine.

I want to be tangled like a kite
in the turmoil of your hair,
the night watchman of your dreams,
the one who notices
what no one else looks for,
the stone of the small grave
you sweep with your eyelashes
when the leaves of autumn
lie down with the shadows of spring
and the virgin windows of your tears
that no one has ever looked through
weep like glass over the secret root
of a flower only a child could see.

Beyond reason, gates, words,
where the bridges take off their shoes
to admire their feet in the water
and the waterlilies kiss the thorn
of the star that tore them like skin
and whisper ancient pollens to the night
softer than flour and saffron,
and everything I say to you
isn’t a wound in the light,
a mouthful of shadows,
a bell of water with a fish for a tongue,
fleets of butterflies
learning how to sail the oceans of the rose
like the keels and wings
of love-letters you can read in the dark,
I want to fold you in my arms like the moon
and pan the nocturnal urgencies of your eyes
for a gold rush of fireflies
in the all night boom towns
of a heart that struck it rich
digging a hole to bury its dead.

PATRICK WHITE

Wednesday, October 3, 2012

WHEN THE GERIATRIC DRUNK NEXT DOOR


WHEN THE GERIATRIC DRUNK NEXT DOOR

When the geriatric drunk next door who was
raising chihuahuas to make a living,
but couldn’t part with one them when it came time to sell
came over one day in my childhood,
shaking like an aspen leaf in the fall,
going through withdrawal, to ask if he could borrow
a few bucks, I watched my mother give him five
of the last ten she had to raise four kids
for half of the rest of the month before
the next welfare check arrived, and say,
Here. Don’t hurt yourself. Something to ease the pain.
Though she didn’t drink and he’d been drinking too long
to turn the herd that had trampled him around.

She didn’t judge. She didn’t try to give advice.
She didn’t belittle the man in the way she gave.
She didn’t count how much the giving took off her plate.
She wasn’t indulging her progressive, liberal, altruism.
She wasn’t breaking loaves and fishes on a hillside
or trying to win a popular election.
She just gave like the sea, the earth, the sky,
like fire gives heat and light, all in one easy action
of a heart that has suffered enough on its own to know
we’re all in the same lifeboat on the moon
white-water rafting through the rapids of a waterclock.
And that has been my religion ever since.

Though I’ve never said anything to her about it.
How much I loved her in that moment
of compassionate tenderness, how she pulled
one thread out of the straitjacket of despair in his eyes,
and rewove it not on a loom like the moon but a harp
into a flying carpet of joy so another human
in as much of a mess in her own way as he was
could gain some altitude for a little while above the misery,
and hang on to at least one single wavelength of threadbare radiance
that could still fall on the shit everybody was living in
and turn it into a flower. Indelible,
the understanding in their eyes when he
looked at her incredulously for a moment
and she knew exactly what he meant
as she laughed at herself with a soft, wry smile
as if she’d just seen the sacred fool behind her best sentiment.

That was the whole of enlightenment to me.
The beginning of a spontaneous discipline
and still is, though it’s sometimes bitter to practise,
when your giving is mistaken for having been taken
and you lament how many people can’t tell the difference
between a theft and a gift anymore. How they deprive themselves
of so many jewels of inestimable value,
and that human touch that can pour the heart like gold
from the darkest of ores, the deepest of mines,
or bring meteors to shed hot tears like diamonds upon impact.
Or oxygen and the bases of protein.
Though it be a nuclear winter outside.
Though the bride was left standing at the altar
and there was no one there to lift the veils of Isis
to see the stars in the eyes of the Queen of Heaven even at nadir
like a chance someone wasn’t willing to take.
Though common sense dictate a rational sacrifice,
and Ayn Rand and the Union of Spiritual Snakeoil Salesmen
preach that you’ve got to learn to love yourself first
as if you had a self to nurture that wasn’t rooted
like a mirage in a desert in an hourglass that poured
through your fingers like water when you tried to grasp
the delusion of the flower. Though all the mystics
try to annihilate what doesn’t exist to see God as she really is
as they come before her like busy, busy bees
with money in their pockets and honey in their hives
and all their martyrdom proves to be just another mode of suicide.

You can give a piece of garbage you’ve picked
out of a dumpster like the bruised fruits of the earth,
and when you give it to someone you can eat
from the Tree of Life with impunity without having to choose
between the serpent and the apple, the evil and the good,
or the knowledge you must suffer to be understood
as a human, who can gain altitude by erring on the side
of someone else’s plight without even wearing wings,
to the wonderment of the angels and demons alike,
and occasionally, like me, your angry, eldest son,
who didn’t know until that one moment whether
he should approach the world like a fist
with teethmarks on the knuckles, or
an open palm with lifelines thrown out to another
like billions of umbilical cords woven like a strong rope
into a mother who didn’t need to build an ark to be a lifeboat.
Who could see lucidly through a glass darkly
the veils of her own nebulosity breaking out of the fog
like the search lanterns of the stars
out of the most ancient mystery of love
hidden in her heart without the aid of a teacher or telescope.

PATRICK WHITE

THE NIGHT DANCES WITH ITSELF LIKE AN ONLY CHILD


THE NIGHT DANCES WITH ITSELF LIKE AN ONLY CHILD

The night dances with itself like an only child
to the sounds of its own silence
when it thinks no one is watching.
Every falling leaf, a gesture of the hands,
poised, a word, a bird, a butterfly on a branch,
a sacred syllable from an alphabet that can dance,
caught in the updraft of a momentary insight
of falling to paradise like a flightfeather of light,
and landing the move just right, just so, with perfect timing.

The maples by day, easels for hot palette paintings,
red shift through red, orange, yellow, green
from the outside in toward the trunk, same
as a rainbow, same as the dynastic colours of a sunset.
Same as the fires of life returning to the root.
Same as the starmaps of the visionaries
flying like shamans from the nests they were fledged in.
Same as the ripening of the fruits of the earth,
or roses with green stars under their eyelids.
Different instruments, different voices,
the wind, the rasping of the leaves, the beaver
slapping the startled flesh of the water at my approach,
a twig snapping its drumstick on a rim shot
and the crow, and the squeaking bats, and the lapping
of the waves like the plectra of an aquamarine harpsichord
at the whole notes of the rocks, but a confluence
of picture-music washing the roots of the dead violins
of the wild irises and the timpani of cattails along the mindstream.

Merrily, merrily, row your boat, life is but a dream.
But to judge from the windfalls of green planets
shaken from the black walnut trees, it’s a dream
that’s urgent with the myriad realities of a multiverse
waking up in a place like here, and a time like now
with a lavish appetite for inhabiting itself
as if appearance weren’t just the rind
that had to be peeled away like the skin and the shell
of the meat of the real, the shapes of the known worlds
the rat snakes shed like intimate illusions
that have naturally outgrown themselves,
the new moon in the arms of the old, like a nightsky
leaving the Milky Way, a mythically deflated windsock
tangled in the tree line like a runway that tried to fly by itself.

Now the Great Shedding as the earth turns
like the old abandoned mill wheel upstream
like a circular waterclock making linear time
take its tail in its mouth like an eternal recurrence
that’s always pouring itself out of itself like life
into the emptiness between the equinox of one thought
and the solstice of the next like the silence between heartbeats,
the night between the stars, like the inseparable gap
between the distant moon and the intimacy of the moon’s reflection
on the newly surfaced dark skin of the water sequencing
its pentatonic scales to the seasonal themes of the mindstream
you can’t step into twice, as Heraclitus said in Ephesus long ago,
though it seems that way if all you’re doing is dogpaddling
like a delinquent green apple on a snow covered bough, instead
of going along with the perennial renewal of the flow
by letting go of your water skin with its lunar tattoo
like the bright vacancy of an old silo of the light
for the dark abundance of the new insight
into the nature of life when it full in October.

The fall. This hour of my becoming
when everything is burning like the sumac
with the fires of life but nothing is consumed.
Because fire doesn’t burn fire and death is unperishing.
And autumn is no less of a transformation than spring
as this new day dances as readily with the old woman
watching from her kitchen window as it does the young girl,
than the rain is to the tides of a lunar ocean
swaying in its shadows as if it were dancing
with its river reeds like a lonely child
in the embrace of her imagination,
like a poet in the grip of his crazy wisdom
flirting like a firefly with the dragons of his madness
without listening to the search parties of the lighthouses
bellowing like the foghorns of mournful trains back on shore
being swept away into the distance like nightwatchmen
and unconvincing ghosts. Things are unmooring
like lifeboats full of seeds and the souls of the dead
taking to their wings like the oars of waterbirds,
and the lowest of earthbound snakes
are dreaming of feathering their scales
into the vans of a dragon firewalking with stars
around the wobbling axis of the earth
on a potter’s wheel, turning it like sentient starmud
that’s fired up in autumn like an urn that burns like a kiln.

PATRICK WHITE  

Tuesday, October 2, 2012

JUST WANT TO STAY INSIDE


JUST WANT TO STAY INSIDE

Just want to stay inside. Don’t want to see anybody.
Don’t want to be anybody. Just want to forget for awhile
that I exist. I’m sick of being besieged behind my eyelids
by a hundred thousand ghosts all gibbering at me
because they were reincarnated as blackflies
that want to be treated with the same poetic protocol as swans.
Flake off and find another furnace to thaw on
and take all these weeping mirrors with you
that can’t look at the stars without smearing them.
I’m sick of splashing through them barefoot.
Go puddle on somebody’s else’s floor. I’ve gone
as deep as I’m going to go with you. Don’t want to mean
anything to anyone anymore. Maybe
there’s someone out there you can tie
your umbilical cord to like a leash on a pet submarine.

Just want to get clean. Take a meteor shower
like the Arabs do when they can’t find any water in the desert
to wash their faces for prayer. Tayyamum.
Who knows? Maybe I can grind my eyes into lenses
like Spinoza in his attic for myopic glaciers
that don’t believe in global warming though the proof
is running down their cheeks in tragic laughter.
Want to be crowded out, effaced, erased like the leftover seraph
of a letter in chalk dust on your blackboard
that dropped out of your alphabet like a Mayan glyph
running in the blood of another futile sacrifice
to avoid the next astronomical catastrophe
they brought down on themselves from the ground up.

Feel bad about this. Mean. And casually ungenerous.
My heart was a wild rose a moment ago, now
it’s a withered green star with the bulbous body
of a black widow spider at the bottom of a teacup
that’s about as Zen as venom, leaking out of itself.
biliously weary of prognosticating the future for people
numb as pharmacies in their outlook on life.
Don’t want to reach out to anyone. Don’t want
anyone reaching out for me when I’m not the one
who’s drowning. Just want to be an empty lifeboat
drifting down my own mindstream as composed
as a leaf torn by the wind from a tree like a censored page
of the Book of Life. Don’t want to be there at dawn
like another excited bird breaking into song
when the sun comes up like the Taliban
and splashes acid in my eyes because I can read
the signs of our demise in three dead languages
and one that’s on its deathbed mouthing the sacred syllables
of its last words fouling the air with lies about the disease
that it’s dying of like everyone else listening to a guru
like a poultice to draw the infection out and break the fever
of the nightmare they’re sweating in. I don’t need a holy man,
selling snakeoil like an antidote to the dragons of serpent fire
running through my veins when I’ve got
home remedies of my own I can administer to myself
like the breast milk of the Medusa that can keep me
from turning to stone with a tincture of the lunar serum
I can drink from my skull cup, bottoms up, in a single gulp.

Spare me your alibis. The interrogation’s over. Forego
the duplicity of your two way mirrors and all your mea culpas
enraptured by the felicity of your own happy sins or not.
All the lanterns of the truth in the hands of the nightwatchmen
are nothing but fireflies covered in soot. Chimney sparks
flying out of a black hole of creosote to tar and feather the stars.
I’m out of here like the heigh ho Silver of yesteryear.
You might hear me howling late at night
like the last of the hunted wolf shamans on the wind
high above the timberline where the air is lucid and thin.
You might be a snakecharmer but I can still shed you like skin.

PATRICK WHITE

ANGRY, SMASHING ANTIQUATED CROCI LIKE FABERGE EASTER EGGS


ANGRY, SMASHING ANTIQUATED CROCI LIKE FABERGE EASTER EGGS

Angry, smashing antiquated croci like Faberge Easter eggs.
The air is rationing its oxygen, and even the wind begs.
I’m holding it all together like an abandoned barn,
but there are flashfloods in the mirror trying to humble
my lack of concern whether it rains for forty days
or all goes up in fire as I’ve been forewarned.
Don’t care if it’s nuclear winter, or just a passing storm.
I’m not mining diamonds like stars in the rifts of the clouds.
They can do without my eyes for awhile. Looking
for a white hole on the other end of this black one
like a ground hog with two, or the flip side of a telescope
shining at the other end of the tunnel the dead go through.

Madness imparts a significance to everything I do.
The spiders are weaving dreamcatchers and badly tuned harps
between the antlers of a dying caribou, and here
in this cow pie of starmud I call a brain, the warp and woof
of my axons are hairbraiding dead protein
into straightjackets for the two-headed wavelengths
of my meditative theta snakes. And it hurts to write this
like an exorcism of myself without fireflies in attendance
or the scribes of the wild grapevines
intoxicated by their purple passages of blood.
But I’m the only ghost writer left in this scriptorium
of solitude, where the beeswax candles dripping
with lachrymose honey keep confusing their wicks
for the stingers of drones defending the hive
like the Golden Dome of Jerusalem. Though it comes
as no surprise when I tell them God’s not on anybody’s side.

Wild crab apples crushed underfoot with no appetite for war,
it’s flight or fight in the woods once you get past
the autumnal equinox like a truce between day and night
to give the herbivores a chance to squirrel away the dead
before everything slips into a coma with the raccoons
and the bears, and the houseflies cluster like black dwarfs
into a galaxy of anti-matter between the walls
of the hovel that’s all that remains of the pioneer ice palace
two farms over and six generations down the sway-backed road.
Sickly sweet, the smell of decay, like the corpse of an angel
under a tumulus of fieldstones shrouded in bracken
to keep the wolves from digging it up like grave-robbers.
And all around it the clarions of the daylilies
with their flaming swords and trumpets
all tapped out at sundown like collapsed lungs.

The lake has less to say now that the loons are gone
and the trashed cornfields are pitstops for the Canada geese
bumping into each other without a traffic cop on take-off.
Joy always receives a warmer welcome than despair
when it comes like guest to the door, but, in fact,
one can be as dangerous as the other when its car breaks down
on a lonely dirt road, and yours is the only heart
for miles around, where it can seek shelter for the night.
So how could I set a place at the table for one above the salt
and the other below. When guests come. Receive them,
knowing you can delight in a disease that intrigues you
and sleight the cure because it tastes of hopelessness.
I celebrate the graces of joy and observe the protocols of despair.
Butterflies and bluebirds yesterday. Alcyone in the Pleiades
now Algol bloodied in the fist of Perseus. I break bread with both.
Yesterday I wined and dined with the stars like a chandelier.
Tonight I’m gnawing on an avalanche of moon rocks like a glacier.

PATRICK WHITE

Monday, October 1, 2012

NARCISSUS LOST HIS FACE IN THE MIRROR HE STORED HIS IMAGE IN


NARCISSUS LOST HIS FACE IN THE MIRROR HE STORED HIS IMAGE IN

Narcissus lost his face in the mirror he stored his image in
while Lady Nightshade was saying grace over the wrong coffin
rats from the shipwreck were rowing ashore
in the last lifeboat with a trapdoor in it for an emergency exit.
The holy men who couldn’t speak our language
without trying to fix it with an accent of their own
were recruiting for an army on the moon
to start a new crusade against futuristic infidels
who didn’t share the same direction of prayer
as the wavelengths that reached the ears of the extraterrestrials
with high ideals encoded in a scripture of esoteric starmaps
that spoke like oracles stoned on volcanic gas
so when you asked how things were going,
they always answered, perhaps, in an ambiguous tone of voice.

I was sitting in the window of a burning house
trying to write poems that smelled like smoke to the Holy Ghost,
when you showed up like a stranger’s doorway
out of my solitude like the bell of a three alarm death knell
with the smile that lingered like junkmail on the threshold
of a black hole that said jump right in, there’s light
on the other side of sin if you go through this
like a death in life experience in love with cosmic bliss.
Who could forget that day you came like a muse
up the leaf strewn stairs of an abandoned orphanage
looking for a heart you could inspire with the ruse
of the poetic refuse you left in the wake of your pilgrimage
like the desolation of your absence from the earthbound
that languished in the eclipse of your innocence
like a spiritual lost and found trying to make sense of itself
like a horse with a broken leg on a zodiacal merry-go-round.

I felt the fangs of your crescent moons pierce my flesh
like a staple gun under a rosebush in league
with an alliance of thorns that liked to see a poet bleed
as if the great mystery of love were nothing
but a conspiratorial intrigue of sword dancers on drugs
though I did everything I could to prove to you I was wrong
about the moonrise, you weren’t strong enough to be right for once
without starting a pogrom that interrogated
the light in my eyes for all those dark winter months
I never confessed, I never cried out as if ice were my only alibi.
I sat in the corner like a left-handed guitar with a dunce cap on
and wrote out lyrics that sang like the stars with a lisp
on your celestial blackboard until I felt like Sisyphus
a note shy of pushing my heart like a moon rock over the top.

It was the immanental sixties on a grailquest
for the objective correlative of a universal paradigm
it could fight under as the sign of a revolutionary new design of chaos
that made love not war to the thunder of home-made sonic booms
in a battle of bands with saturation bombing riffs and rimshots
that urged us to surrender to the enemy as if
they were dragonflies and quarter-notes of music
in a riot of helicopters dropping tear gas over Watts.
Even the madness wasn’t enough to mollify the sadness
of what we lost when everyone turned the lightshows out
in the concert halls and went back to the their atavistic law schools
to get a grip on the necks of the things they had let go of for a lark.
And the last time I saw you, before things went totally dark,
you were trying to set fire to my voice-box
like a lightning rod with bad wiring shorting out
like a bass amp on the stage of your burnt out farewell
to the audience that made a gracious bow to your frantic id
and headed for the exit like an arsonist long before you did.

PATRICK WHITE

SITTING HERE BECOMING WHATEVER DRIFTS MY WAY


SITTING HERE BECOMING WHATEVER DRIFTS MY WAY

Sitting here becoming whatever drifts my way.
Cedar boughs smouldering in an attic to smoke the bats out.
Thought-watching without looking for the answer to anything.
Spiders like badges walking on the waters of my mind.
The autumn’s new, but it’s the same old passage of things.
Apples like bells in the trees of the steeples, shepherd moons
of sloppy solar systems strewn on the ground
with seeds that are going to take them down
a notch or two yet before they make a comeback.
Seven times down. Eight times up. Such is life.

I watch the picture-music flowing through my mind
like a home movie that’s happening as fast as I am
playing the role of everybody else in the universe
all at once as if every ray of light incarnated
in the emanation of an essential existential insight
into the nature of every mystically specific human being
could all be traced back to the root of the same star.
And what does the star do when the many return to it
if not apocalyptically go supernova into transcendence.
Just because the ashes sleep sweetly in their firepits and urns,
doesn’t mean they’re not dreaming and scheming
to wake up from themselves

I’m firewalking in the ether like a sad volcano.
I’m alone in life and it’s not as bad as I thought.
Prolonged solitude blurs the distinctions between
the trivial and the sublime. Beauty seems
the most engaging waste of time I know of.
I think about love more as an event than a thing,
and I’ve made enough attempts in my life
to convince me it wasn’t for lack of trying
that I’m walking alone with the Alone like Plotinus
trying to keep my telescope in focus and stay open-minded.
But as John Keats said. If it come not as naturally
as leaves to a tree, it had better not come at all.

Space, too, has its sirens. And time, its lamias.
A gust of stars and the desert’s full of fantasies.
A star blooms and a comet falls from its dark halo
like a queen bee looking to start a new hive
and I’ve seen enough oases with hourglass figures
turn into bag ladies in paradise to stay shy of gardens
that don’t have any weeds in them that might
uproot me as so many have like a botanical mistake
as if I were some kind of hallucinogenic angel of death.
Amanita ocreata. A mushroom in the death cap
of a nuclear winter when all I am is interspecially creative
in the way I adapt to my extinctions. Attentive and tender
toward the flora and fauna that inhabit my solitude.
Though the peduncle is always lost in the ensuing phylum
as I am like the star in the eyes of the women
who’ve drowned me like a firefly in their tears,
I still send bouquets of constellations to the asylum
like the last of the New England asters this time of year.
Sanity might smudge the tomb with a noose of sweetgrass
but the madness stays clear as the waters of life
in the womb of enlightenment giving birth
to bubbles in hyperspace that can spontaneously pop
as easily as they cohere like skin to the shape shifting multiverse
for better and worse, and all the permutative modalities in between.

God bless them all. Each, a rite of passage
I stumbled through like the blessing
of an excruciating ordeal that seasons you
for what’s to come, or who. I must have loved them
better than I thought to miss them as much as I do
now that I do not. Incubus, muse, sphinx, witch,
oracle and water sylph, I gave to each my crystal skull
they could wear around their neck like a prophetic locket
to remember what we were to each other once
before the moon in the corals fossilized the shipwreck
to set sail on this sea of shadows without a star to go by.

Amor vincit omnia. Maybe. But I’m more a pirate
with the eclipse of my third eye for an eyepatch
and a parrot that’s teaching me to keep my mouth shut
than I am a navy even if there isn’t a rudder on this lifeboat
or a bay to sail into of my own. And I’m not looking
for a northwest passage to Cathay through a periscope
that’s stayed under too long to know where it’s going
without a starmap. I’m not interested in exploring decay
from the inside out like some submersible in a lunar ocean.
I’ve sailed under the skull and crossbones all my life.
And I’m not about to strike my colours like the maples,
lay them down like the burning blades of the angels
at the gates of dying garden. I’m going to hold out
long after the irises have surrendered their rainbows
to a retinal circus without any sacred clowns or animal acts
where the judas goats train the tigers to jump
through the brindled hoops of their own screening myths of fire.
It’s wise to tread cautiously among the duff and detritus of death
like a protocol of your own instinct, good spiritual manners
among the extinct so the dead don’t sink into oblivion
like a garbage barge. I revere the autumnal exorcism
as much as the vernal summoning to a seance.
I’m as sincere about my farewells as I am my hellos
as I watch the wavelengths shift from blue to red,
lowering the frequencies of fountains into watersheds
as if a musician were putting his guitar back into the coffin
he carries it around in. Green bough. Dead branch. Same song
as far as I’ve learned to sing to myself in the dark coming on.
The snakes can tie themselves into knots and hibernate
as long as they want, and all my summer visions
can turn into hard cold facts. I’ve still got a dragon of serpent fire
walking my spinal cord like a high wire act
without safety nets because I’ve always made it
a point of balanced awareness along this dangerous coast
to sail with the wind behind me like the light of a star
a wingspan ahead of my fall. The ghost of a battle scar
that’s made it this far into a wounded future
without a pyre or a lighthouse to chart the course
of my desire not to live like yesterday’s flowers
strewn on the corpse of tomorrow’s hearse.

PATRICK WHITE