Sunday, July 8, 2012

LOOKING FOR SILENCE LIKE THE OTHER WING


LOOKING FOR SILENCE LIKE THE OTHER WING

Looking for silence like the other wing
of what I’ve got to say, landscaping with meteors,
or the planet having a face lift, some of the words
have echoes and some of them proper names,
and a few still homesick for their prison cells,
I keep painting on the white noise of the world.
I keep writing like a wolf in the fleece
of a shepherd moon with a secret life of water.
Scofflaw, a poet, driven into the wilderness
to listen to the voices of disembodied messiahs,
kings of the waxing year, flesh stripped from their bones
like desert shipwrecks waiting for
the providential tide of their tears to return.
God particles that got in their eyes like sand.
I hear them gnawing on their bones like calendars at night.

And I’ve said it in a flash of demonic indifference
trying to pretend they were listening immaculately
and I was compassionate, as soon as you give
your fulsome assent to a few simple things
you turn into a test of what you refuse to let go of,
as if you were always faith-wrestling with rattlesnakes
you establish a church of denial that will stone you to death.
You save your soul but you render your flesh expendable.
This for That. Betelgeuse for Aldebaran.
How to read a starmap like the Wall Street Journal.
The optical illusion of a bifurcated consciousness,
loss and gain, but the viper can swim across quicksand
as if it were all one wavelength, the Egyptian glyph
for intelligence that hasn’t been wounded by the heart
and spiritually materialized into a path to follow.

Do as the wind does with your mind and eyes. Let go.
Blow the stars off your windowsills, treat all holy books
as if they were trees and let go of their leaves in the fall.
There’s always a few jewels of insight in a gossip column
but most of it’s rut, rant, and judgement, dream gossip
and slaughter, history with an expiry date.
There’s always going to be some demi-god somewhere
asking you for your fingerprints like a paranoid magician.
Kick the skulls off your stairs like last Halloween’s pumpkins
and start acting like you’re in the world and of it.
Break the neck of the hourglass of heaven and hell
and let time pour out of your cells like exorcised mirages.

Illusions are like rats and seagulls and insects. They thrive.
No more than the night, is life a reward. Water
doesn’t live its whole life fearing the indelible
like a wavelength of its own immutable mindstream.
There’s no big sky blueprint behind why you’re alive.
No circus tent covers your foolishness.
And you’re not here to answer for everything else.

PATRICK WHITE

HALLOWED BE THE GENTLENESS OF A PACIFIED MIND


HALLOWED BE THE GENTLENESS OF A PACIFIED MIND

Hallowed be the gentleness of a pacified mind.
Uplifting, a gust of stars, dust doing wheelies
in a back alley like a vehicular Sufi in a Ford,
because, and this is significant, it doesn’t, I swear,
mean a damn thing and therein lies the joy of it.

Inspiration never aspires to meaning. It doesn’t
cling like a God particle to give the matter at hand, mass.
The morphology of the multiverse is bubbles.
Iridescent, rainbow-smeared grackle-headed bubbles.
And that includes the black-pearled oil slicks
shining like new moons after their first eclipse.

Meaning, that hovers like a ghost of grammar
over the things of the world that can find
their own place in it without consulting anyone.
Who turns around to ask their shadow where they’re going?
Grammar’s a dead shaman. Time for new orthodoxies,
to let the rain make some new creekbeds to flow in
when it’s lamenting the death of a Spanish guitar
like a gored matador scarred by a Babylonian bull.

I’m smothering in the parachutes of the morning glories
as if it just snowed outside by mistake. It’s not fake.
It’s playful, profoundly playful, unsayably so.
Putting things together like table legs
is the basis of perception. Put any two
disparate elements together that share the same metaphors
and guarantee you you’ll laugh at the shock
of photonic insight discharged like a power-surge
down the backroads of your nerves, out for a joy-ride.

But you’ve got to be free to do this. Unpack
all those preconceptions you’ve hoarded
like a coral reef you’ve got to navigate around
to keep from running aground without a life jacket on.
Travel light. Don’t even take yourself. On the road
let your thumb go on by itself like an over eager companion.
Hellfire’s just the smell of burning rubber
bored by life on the farm. No risks worth taking.

Life refuses to be denied its vastness, stunted
into a black dwarf that limps like the king of something.
Even the stumps of the clear cut slopes of literature
are being burnt out like old gurus in their pine-cone temples,
seeds opening their eyes in fire like a nirvanic experience
that nobody knows anything about. Who can’t hear,
anti-solar gegenshein above the horizon, the distant mutter
of another breech-loading revolution in the distance
moving like a weather front toward us with eviscerated intent?
You don’t have to live like a bird in an air-raid shelter,
a canary in the mine, you just have to gain some elevation
on the bombs. Let the sky do the flying for a change.
And then move on to stars where you can trade
your flight plans in for the source of your own radiance.
No more Nazca lines. No more fireflies organized into runways.

You just shine. Amazed at what you can do, as the light
always is, at what can be achieved without even trying.
Joy and inspiration, for example, love, wonder,
shape shifting in the mystery without having to be anyone.
Anywhere. Anytime. Anyplace. As if you had
a message to deliver that would upstage the course of history
and you sent it downriver like a paper boat
so the butterflies could marvel at how easy it is to float.

PATRICK WHITE

Saturday, July 7, 2012

WHEN MY HEART ISN'T A HUMMINGBIRD ON A KEYBOARD


WHEN MY HEART ISN’T A HUMMINGBIRD ON A KEYBOARD

When my heart isn’t a hummingbird on a keyboard,
it’s a spider on a guitar. The long fingers of a surgeon
my mother used to say, the air bright with potential
and the creature with a purpose, a future it meant,
a destiny it was born to fulfil like a chain reaction.
Now it’s an error of evolution just to make it through another day.

And nights, sidereal ballerinas leaping like Cygnus at zenith
over the toxic wavelengths in this snakepit of street life.
Blessings on everyone’s head, I’ve shed a few lives of my own,
but I mean the nights, sometimes the nights,
scatter my own ashes over my head in mourning
like a nuclear winter that won’t let me forget.

Now there’s nothing perennial about my paradigms
and the flowers don’t grow as imperial as they used to.
Ferocious weeds spring up among the downtrodden
and swarm the gardens of the sun-king, the cattails
impaled, and the heads of the poppies on pikes by the gate.
I’m looking for new moons in the calendars of chaos
to sow the teeth of a dragon under. Soil made vintage
by the dissolution of the dead who are buried in me
as I keep on living their deaths like an impossible ending
to a recurring dream I haven’t woken up from in years.

Red alert. Don’t climb higher than the mountain is tall
unless you’ve got a star in your eye you’re going to follow
for the rest of your denatured life. But no one’s listening.
They’re all taking polls of bad examples on talent shows.
Can’t stand the artificial lights or the trained hilarity
of the audience defrocking sacred clowns at a cult ritual.
But I found a flap at the back of the circus tent
I like to slip out through and let the darkness
wash the patina of blazing out of my eyes
and encounter six thousand stars whose shining
ease the mind by enlightening its unique insignificance.

I like to blunder my way into places alone
where who I am is nobody’s business but the willows
and they’re not saying anything to the wind
that’s heard it all before. One moment you’re the canvas
and the next you’re a paint rag up to your alligators
in muddy oils trying to save an orchid from its own hysteria.
If there’s any rafter of my life left standing
it’s as fragile as a compass needle wobbling on a thorn.
One moment you’re teaching spiders to play the guitar
without barring their chords, and get rid of
those old harps of theirs that have been collecting in the corner
like dreamcatchers they couldn’t hold a note
if it were a velcro butterfly, and the next
you’re boiling strings like spinal cords in a bird bath.

But alone, where there’s no assent or denial,
and the false redeemers are orphaned
in their baskets and mangers among the hay and bull rushes,
I can juggle the crazy wisdom of myriad worlds
bubbling up in my blood like a playful multiverse
without dropping one of them, and swallow the swords
the moon lays down on the lake in tribute.
No blackboards in my freedom. No chalk fossils
among my crayons, I have been schooled
in the ghettos and still life studios of my solitude.

Here where the river emerges from a larynx of dead trees
I can think my way into the most open-minded modes of death
without having to turn around and go home again
or forget I’m just an organ of light that makes things visible
for anyone with an eye to spare, or the time
to listen to the picture-music where their senses meet
like parallel lives that have suddenly come into focus.

PATRICK WHITE

O NO WITNESS TO ME YOU CAN'T GO


O NO WITNESS TO ME YOU CAN’T GO

O no witness to me you can’t go,
though I long for it, you don’t follow,
my shadow stops leaving itself behind as a sign.
I have been ungrammatized by the madness of scientific magic,
a waterclock of life boats I kept bailing out of
until I threw the baby out with the bathwater, mushy as soap.
I tore down the shrines of chaos as an act of irreverent devotion
and the dead thanked me for stealing what they couldn’t give away.
Divine solace without earthly consolation,
I wanted to be crucified diagonally as a random act
of symbolic defiance, but I was buried
under an avalanche of skulls on the moon
and all these voices in my head that swear they’re prophetic
keep baffling me with alternative universes
that have no interest in cultivating me as a way of life.

But you my heart, dark star, dying insurgent of my solitude,
homeless door into the open, your eyes more beautiful
than reflecting telescopes on a cold mountain
far from the city, I am a casualty of space, what hands
do I have to hold you with? Time has ripped out my tongue
like an autumn leaf, and the clouds gather, sweetness,
the clouds, hushed like a book-signing at a mortuary.

Whatever value I had once as a man has turned
against the mirror of miracles, the chthonic excellence
of elegizing the teen age suicides and untactical drunks
that curled up in a coma on the train tracks
as the inevitable came into view with a warning whistle.
I poured libations of poetry to beseech the poppy gods below
among their immortal bees, to explain something to them
gentle and soothing, cool honey on a burn. Delusional
but compassionate in a useless kind of way. A gesture
of ineptitude that swept me away in tears for how much
has yet be lost in the abyss of human affairs
that doesn’t even taste of us after all these years.

At the window of wonder, if you don’t throw
the moon through it, you’re going to drop like a fly.
No more questions to pin down like the head of a snake
to keep it from turning on you like the lethal insight
of a gamma ray burst into the nature of nothingness
across the great divide of the razorwire
that twinkles like stars that are deaf and dumb
to the wishes we make upon them. I wish I may,
I wish I might be seen by you as the missing wing
of your cosmic symmetry, and you, the dark matter of mine.
Could we fly? Could we shine? Could we go mad together
under your bedroom window in a connubium of moonlight
and even the insincere candles from the dollar store seem sublime?
This far out at sea, would you be my island galaxy,
would you let me be washed up on your coasts
among the drowned, my whole life flashing before your eyes
as I reached out for you ingenuously as the tide
leaves things at your door like nomadic starfish
and my fingers, almost touching your face,
as I have so many times imagined
an enlightened savage might your talismanic sorrows,
feathers of joy and sacred dirt in a sexual medicine bag?

PATRICK WHITE

Friday, July 6, 2012

YOU WERE A HOOKER BY SIXTEEN


YOU WERE A HOOKER BY SIXTEEN

You were a hooker by sixteen.
Your mother, your madame
The navy at N.F.B. Esquimalt, your john.
In the triplex, next door, upstairs
on a Friday night, all the windows
broken from the inside by whiskey bottles.
My friend, since you were seven,
how we struggled to keep our innocence
out of the world’s greasy hands.
Oil slick on the rose.
White peonies of blood-stained Kleenex
in the toilet bowl. Eclipse of the flowers
in a city of gardens. Even when the stars
were out, the darkness lurked, the doorways
housed strangers like trap door spiders.
Joy held a grudge against our wariness.
The windows didn’t trust us, and the street
was a firewalk of ordeals to test us
for things we really didn’t comprehend
but sensed, like broken glass, were crucial.

Painful to remember even now,
grey, grey, grey, the middle-aged children
trying to inch their way through the concrete
like dandelions or blades of grass,
or when it was wet, wrote their names in it,
each the founding member of a different slab,
gravestones with graffiti epitaphs
laid like bets against a future
that had been conditioned
by violence, poverty, disappointment.
The mythic inflation of human extremes
venting fumaroles of pent up emotions
entrenched like killer bees in their hearts
swarming the children in the agony of their perversity
as if they were always trying to get even with God
for something that drove them mad
with distemper and spiritual rabies.
Desecration always the answer.
Smashing beautiful things, debunking
the rare gestures of human divinity
that reminded them of who they weren’t,
fouling the waters of the children
with the effluvium of their own degeneracy.

I can see the chestnuts of your big brown eyes,
your helical blonde hair, your mulatto lips
and the pearl of your nacreous smile
when we walked through the wild broom fields
at the edge of town, and you forgot
how much your life hurt. Your mother.
Your body. Your corrosive acquiescence.
I should have made love to you
when you asked me why I hadn’t
and all I could say, because it was true,
I wanted to be different for you.
I wanted to show you what water couldn’t manage,
if you filled a bathtub up with tears,
you could always wash off in the stars.
You could burn off with light.
You could polish gold in the fire.
You could get out of the net
like the Circlet of Western Fish in Pisces,
out of the fetid uncleaned fish tank,
and see for yourself how vast the ocean is.
I didn’t know of a better way to be with you
especially when you showed up on Saturday morning
with wounds you’d keep to yourself
the rest of your life, and I wouldn’t ask,
it could have been anyone of a dozen men,
who bruised the beautiful blue eyelids of the rose,
and how, phosphorus and dry ice in my heart,
I wanted to give them a sex change
and turn them out like working girls on car seats
in the badlands of the Hindu woodlots
that reeked like seaweed on the moon.

Murder too good for the likes of them
in the ferocity of what was left of my boyish purity
I wanted to introduce them to the kind of agony
that feeds on itself, a root-fire, an inflammation
that can’t be contained by remorse or forgiveness.
Thorns on the roses they use to wipe their asses.

How many gates ago was that, how many
forbidden thresholds crossed, how many
long sidewalks you walked down alone
like a gazelle in the rain
with your stilettoes in your hand
thinking about nightschool
to become a nurse’s aide. Gone now,
noxious vapours from a street vent.
Heard you dumped a trick in Montreal
as soon as you got off the plane.
I went on to university which was
a different kind of whoredom without the fun
and then deepened my alienation as a poet
by refusing to forget about you
when I entered the witness protection programme
and disguised myself in my solitude
to keep the nightmares from seeping back in
like radon gas summoned to a seance in the basement
where all the bodies were buried
that had made their bones at our expense.

Still doesn’t make sense to me after all these years.
Surreal atrocities and ironic black farces
you didn’t know whether to laugh or cry at.
As I get older, little archipelagoes of memories
surface from that lost continent of childhood
before it broke up and went its separate ways.
I take little doses of depression everyday
to immunize myself against the poison
of all those people who threw themselves
like bad meat down the wishing wells of the children
we did an unconvincing job of being,
so little joy in the way we looked at ourselves
when no one else was. Salvage and shipwrecks.

Time insulates and buffs, brokers and deals,
but it does not heal. You love someone,
and you loved them even before
you learned how to feel, and they’re in
a worse mess than you are, and you burn
to help them out like one constellation to another,
a bear trap in a marijuana patch baited
like Andromeda chained and helpless on the rocks
and you want to slay the inevitability of dragons,
but all you’ve got for a sword is the hand of a clock
and the courage of a badly mauled heart
and thirty-seven light years of remembering
your unspeakable silence on a Saturday morning
and the tenderness of you leaning your head
against my shoulder as we walked
as if I were the mountain and you
were the avalanche looking for someone
to hold on to you like a meteor shower
at the end of an era of one-eyed telescopes.

Hope you’re a nurse somewhere now in the world.
Clean sheets and a compassionate bedside manner.
Maybe staring out of a window on the nightward
at the stars above and the city lights below
as we used to look down from Mt. Tolmie
to see the firefly of Port Angeles across the Georgia Strait
like a sister galaxy, Messier 31,
in the Great Square of Pegasus
where I buried our new myth of origin
in that constellation I made up for us
like a time capsule of what we could save
of our childhoods, and never dig up again.
O but that fathomless silence on Saturday morning
like a black hole in the sunshine, and the sky,
the injured bird in your eyes, has taught me more
about the crazy wisdom of compassion
and the injustice of suffering before you had a voice
to shriek it as if your nails were striating glass
like a diamond-cutter or a snow blind glacier
or a mirror you clawed until it bled red roses,
than my last eight books and four awards for poetry have.

Every anti-hero needs an anti-muse of dark energy
to fire things up like a cold furnace
in a lighthouse on the dark side of the moon,
that doesn’t listen to its own storm warnings
and goes off in a lifeboat to look for you
as if I could still keep you from drowning
in a sea of shadows after all these years.
Three bells and all’s well, I hope.
Though probability’s seldom esteemed
for the prophet it is. You left me your silence,
as if nothing else could answer me,
and I’ve been listening in my solitude ever since
for the hush of your shoes coming down the hospital hall.

PATRICK WHITE

THE SERPENT


THE SERPENT

The serpent sits enthroned
at the top of its own stairwell,
helically reposing in its own empryean
like an August hawk
coiling up its own thermals;
its fangs, a stargate
to an unknown afterlife, emancipation,
and the jewel of its head,
the first stone thrown,
a small planet without
the eyelid of a sky,
a nugget of mystic uranium,
looped in a turban of orbits,
a sacred arrowhead
that flys from itself like a bow
drawn back long before the wind
knew its first feather.

Lethal healer,
the sword that kills is the sword that saves.
This morning,
the drubbing of the rain on a tin roof,
the hiss of traffic
flaring like matches down the sleek asphalt,
if I were to say
I want the emotional life of space,
I don’t know if I’d mean it,
but I’m so weary
of being this slow crisis of a bird
mesmerized by the swaying eyes
of the black lightning
that has caught me in the net
it weaves of my own nerves,
I want to douse my heart
in the next providential tide of tears
like a torch I put out in the night
to see better in the dark.

I asked for wings
and my spine was adorned with fire.
I asked for water
and I’m a fish on the wind.
and now this desert I hoped to remain,
a craze of sand,
has grown teeth
and is overgrazing the starfields like pyramids.

I don’t think
I will ever recover
from the wound I received
like the hidden twin of the moon,
trying to love the world, myself, women, people.
Every word was a road, a pulse, an eye,
a drop of blood
I could ride to the end of and beyond
into the implacable subtlety
of my own empty, ageless temples
where even the silence isn’t ghost enough
to conjure a medium
to jar the table as a sign,
and death is buried in its own vacuity
like an embryo in a mask without eyes.

I was bound by my own boundlessness,
my nerves, wicks in the abyss
that enhanced the darkness
by cleaving me like a tree
vision after vision,
another world
with every blink of the eye
that wiped the mirror clean of me like an ax
until I understood
that even the most enlightened watersheds of wisdom
are just a smear of perception
on the least drop of that splendour
I went looking for like a cloud
saturated with the ancient seas of the moon
that was covered by my own looking.

I lay at the bottom
of my oceanic odyssey,
trying not to sink,
but I wanted to give something back
for what I felt I had received;
not an ethic or a metaphysic,
but a spontaneous action of the blood
that remembers it was once a rose.

I wanted to return spring like a water-key to the moon;
I wanted to harvest the shadows
of my own non-existence
and break bread
with the famine of ghosts
that came like royalty to beg food from their servant,
blind doors standing on the thresholds of awareness
asking me to address myself
to the terrible openness
of their unanswerable need.
I have eaten my own ashes
in the furnace of every star
I have ever looked upon.
I have drowned in the wells
of the faceless, fathomless mirrors,
and every woman I have ever drunk from
was a grail with an enigmatic black pearl in it
lustrous as the moon in eclipse.

O promises of bliss
that tuned the webs of the spiders
like a guitarist with perfect pitch
to the frequency of my spinal cord 
that I might entangle a star
in the silk of my conceiving;
that I might seize a firefly
in the fangs of my thought
and taste the honey of the lantern
that lit my dark corner
in the era of the moment.

O sweetest of lies to ripen with longing
like the eyes of a child in the darkness
far from home.
I was trying to find a road
that fit my walking like shoes on a mountain;
I was trying to walk on water with mystic crutches;
I was looking for an arrow
dipped in the blood of a serpent with wings,
set aflame by a demonic star
and feathered by spiritual fire
to restring me like a bow
severed like the branch of a sacred grove
by the oracular blade of the moon.

I was too deeply sheathed in the truth
to appreciate the arcane sagacity of my lies.
I stood like a shadow in the burning doorway of my own fire
and looked deeply into the night
to answer my own knocking
like the echo of a stranger in the darkness,
walking away from someone who didn’t know
how to greet himself.
I was a tree crucified on a man,
a vandal in the shrine of the moment,
bleeding like stained-glass,
a rosary of vertebrae and skulls
reconstructed in the future museum of now
I played myself into like a funeral plan.

Now everywhere the wind is a pilgrim,
I leave my heart like a shrine
I will never return to.
And the sadness, and the solitude
and the vastness of my insignificance
is the shadow of a bird on a cloud.
The only way to perfect my defeat
was to sit at the feet of my most cherished delusion
like a rootless flower watching over a coffin,
then rise like the wind
from the rubbish of the shedding,
the loneliest pillar and sole cornerstone of the sky.

Now my apish profundities
no longer crack fleas of light like stars
I picked out of God’s burning beard
with the forceps of the moon.
Now I am infested with constellations.
I no longer turn the pages of the waterlilies
like the holy books of an inspired swamp.
I no longer seep down to the river
to drink from the moon
like a serpent at the water’s edge 
and watch the panicked angels jumping
from the reflection of an uncrossed bridge
that collapsed like a covenant with hell.
I no longer shred my heart
like a secret document
in an abandoned embassy of swans
looking for asylum further south,
tormented by the unattainability
of a woman’s beauty,
looking for sanctuary
in the ashes of a black sail
that flared like a poppy with passion
at every gust of desire
that silvered the trembling grass
with sidereal aspirations.

Why bother to laminate your lovers, your legends?
Let them go like autumn leaves and smoke,
the last breath you took
before you were interred
like a scream in the larynx of a deaf-mute,
a foreign currency you can’t spend at home.
Naked is the only way to dress for the rain,
but it doesn’t matter which
from the wardrobe of all your many lies
you wear to the fire that waits for you
like a fledgling waits for its plumage.

And this is a long river
and this is a long day and a night
and maybe only the silence is listening
to what the stars are preaching
from the pulpits of the flowers,
and this that says me now
is just the promo for the intensive care ward
of a new religion
the founders are always the first to betray;
but when I truly let go
it was my falling
that taught me to patch my shoes with the sky.

And have you come this far,
passed through this many gates
for wisdom, compassion, freedom,
wandered aimlessly until you could not tell
the stars from the sand,
the journey from the arrival,
suffered worse than all the things you cannot say
until you forgot what you were looking for
in the first place, until
you despised what you craved the most?

I don’t remember how long I slept
before my dreaming woke me up
and I realized
no fool could defame my solitude
and that life
was only the story of a scar
looking for the knife that inflicted it
like a shadow
in the forsaken valley
of the mountains of the moon.
Looking for a pear of light
I had to plunge into a darkness
deeper than anything
my eyes had ever given birth to.

PATRICK WHITE