Wednesday, May 2, 2012

APPARITIONS OF THE MUSE


APPARITIONS OF THE MUSE

Apparitions of the muse
hanging her stars
from the end of my nose
like an exotic fragrance of night
more revealing than the light.

There. That’s mine.
The constellation of the donkey,
and there beside it, do you see
that red-haired star
blazing like a woman with a carrot?

I’ve followed that star for fifty years
always a mountain away from the valley
like a passionate Sisyphus
rolling the earth up a hill like a stone
happy with my own absurdity,
happy to go mad for her sake alone.

Elixirs of moonlight
mingled with strange waters
and I drank until I drowned
in the ferocity of my own delirium
like a myth that’s forgotten
which stars it belongs to.

I’ve never been much of a martyr
and bored with lies
I’ve always been two hells shy of a messiah
but I have fallen on the thorns of the moon
more than once
after my long descent
down the burning ladders
of God’s last word on the matter,
so there’s no splinter of the true cross
to needle the issue
like a compass or a crucifix.

And it still puzzles me
why it’s always my blood
that rushes to the end of my pen
like a volunteer army
but it’s always somebody else’s flag
that gets raised above the rubble.
Pyrrhic victories at best
when I’m not feeling cursed or blessed
by any kind of mystic meaning
convincing me I can firewalk
barefoot on stars
when I can’t even get
this blue pebble of a planet
out of my heart like a shoe.

But even letting go of all their leaves
like loveletters home and refugees
the trees can only go so far
as the wind and streams will let them.

And then there’s a darkness
that doesn’t taste of stars.
And decisions that cut
like the smiles of broken mirrors.
And turmoil in the snakepits of desire
that are thrown like angry acids
in the eyes of the seers
who saint the rain with their sorrows
like old calendars the abandoned houses
of crossed-out tomorrows
playing x’s and o’s with the moon.
It’s a freak of enlightenment
to turn love into a discipline
inspiration into a law
and godless wonder into superstitious awe.

So I listen and say nothing,
see and don’t reveal,
understand but never think I know
the gates that pass through me
when you call to the wild geese in the fall
and I am startled by the loneliness of the answer.

I’ve seen you in the nightstream
down the mountain,
the river and the sea
that sits below the salt
at her own table,
and I still suspect it was you
that turned my bitter tears
into the brittle chandeliers
that fell like ice-storms in a fountain
to silence the voices of the mirrors
the birds kept flying into
like windows at war with the sky.
I was out of the egg.
I was out of my mind at last
like a gift I didn’t deserve
and the universe was full of your absence
because you were the embodiment of my longing,
the darkness in the light
that stood aloof from the meaning of everything
as if your only proof were your eyes
and that were enough
to answer the empty skies with stars.

You may put on flesh and blood
and in your human proportions confess
you don’t believe this,
but you can never be attained,
never be embraced
never be contained
by any avatar of who you are
because like space in all directions
you are limitless
and even time is consumed
in the root fires that grabbed you by the ankle
and pulled you underground
to dress a goddess of light
in the nocturnal jewels of the dead.

And it is not a perogative of the beatifically born
to be demonically wrong,
but I have heard the skulls in the song
that allures the unwary sailors
to the lunar horns of your fishbone harps
to smash them on the rocks
as if you took a tragic delight
in the sheer delinquency of your power
to arouse and extinguish desire.

Anyone can come up
with a meaning for life
but you are the muse
of meaning itself,
the meaning of meaning
when anyone asks
without expecting an answer.

What woman that I’ve loved
like a river reaching the sea
have you not been
over these long, intense years
of radiant tenderness
and creative commotion
and an ominous darkness
out over the ocean
when the moon turned around
like a bride in bed
and revealed the far side
she kept to herself like stars?

And it’s still a shock and a marvel to me
when you disappear into the air
like a breath someone neglected to take
when it bloomed on the window.

I don’t doubt your capacity to devastate
and I have the urns and the burns
and the ashes to prove it
and know on a whim of your arrogance
you could leave the phoenix out in the cold
and douse the dragon like a torch
in your fire-proof waters.

But lately, out of the flesh,
I look for you behind the eyes
of every woman I meet
and it’s rare that I find one
whose blood and passions
you’ve worn as your own,
whose mind is a jewel of yours
that flows like a star sapphire
down a dark mirror
older than the meaning of life
that relflects you in the light of a black sun.

And I know enough not to ask
about those lockets of blood
you hang like thorns
around the neck of your mystic rose
like the first and last crescents of the moon.
I opened one once to see
whose picture you carried inside
like a butterfly you were working on
or a loveletter in a bottle you never sent
and I’m still not certain
I was demon enough
to survive the miracles
you released upon me
like a hive of angry angels
but I came to know
what the loss of heaven meant
when I ran from the garden
through the closing gates
of your wishbone,
on the short end of the stick I write with.

PATRICK WHITE

WHO TAUGHT YOU


WHO TAUGHT YOU

Who taught you to abhor the savage
within you
as if you were
an intolerant missionary to yourself?
Or walk into the room
and sit down
like a civilization that can’t compose itself?

And what strange habits you have for eyes
like ominous seabirds off the coast
of the continent with nowhere to perch
you’ve just discovered about yourself
that doesn’t bear your name.

And o come on now
isn’t it the most grievously wounded
who cry out the loudest
in their delirium of pain
and shake their wills
like steel at the ruthless heavens
though all they’ve ever really done is heal?

And why slash out in your anger
like the moon at everyone
when you should know by now
better than anyone
that whenever you do
it’s the sword that bleeds to death?

And you say you’ve tried to live decently
in an indecent world
but it’s a shame
you’ve never walked barefoot anywhere
without your morals in your hand like shoes.

That’s just the mud and water of it
between your fingers and your toes
but I’ve never joined a Buddha
eating flowers for lunch
who would have it any other way.
Or as Solomon said to so and so,
on his way to the temple
to set an example,
half a baby isn’t the same as a whole bunch.
And then broke down in tears.
We all have our fears and illusions
but isn’t so much suffering in the world
generated by the fact
we cherish our misery
like self-inflicted voodoo dolls
we won’t let go of
because nothing else
looks like us into the void
and sees nothing that looks like us
looking back with stars in their eyes?

But what a surprise to be here at all
stepping in and out
of these coffins and lifeboats
paired like shoes under our beds
where they gape
like mouths before the open sea
that has washed them ashore
like dust out of its one good eye
we just flew into
like birds against a windowpane.

And even more of a wonder
is the day you discover
you can taste the full harvest
in every crumb of a dream
and even in the lamp
that’s gone out in the night
clarity is still faster than light.

Within you I swear
on all that is human
are worlds within worlds
like the spherical mirrors of the morning
hanging their eyes like jewels
in the webs of the dreamcatchers
that looked everywhere
through the spiritual lost and founds of the light
but couldn’t find us until nightfall
when we each came out like a star
above our own manger
and the darkness was sweet with gifts.

The blind don’t diminish
the brightness of the mirror
when they hold themselves
up to it like a shadow
and even when your eyes are open
you don’t add a feather of light to the shining
though you burn like Icarus without a starmap
by flying too near the sun
beyond the heels of your aspiration.
And even when we are crazed moths
in a straitjackets of flesh
seeking asylum in the fire,
isn’t it the Promethean nature
of every living creature
that has ever stolen from the gods
even in a state of ashes
not to be bound for long by anything
that isn’t out of reach?

It’s not the art of a petty life
to know how to long
for the impossible for years
without disappointment
knowing that if appearances
can be deceptive
then so must be the illusion
when anything disappears.

The important thing is not
to try to attain anything
by reaching out
a finger shy of God
for things like life and love and light
as if you were a dead battery
asking the stars for a jumpstart
when one of the myriad truths
of the dark matter at hand is
you don’t have to work hard
to earn your own gifts
like a beggar in a palace
that doesn’t recognize her own face
looking down upon her
like her own reflection in the heavens,
as if her eyes always had to go
in the same place either side of her nose
and couldn’t flow along
with the shoreless starstreams
like easy fish dopaddling through space.

And if you must cry out
like an insatiable mirror
for things you’ve lost
or pine at the gate
of your own homelessness
like a long sad farewell
to all those things that never came
like the sea to your feet
as if every wave
were meant to fit you
like a glass slipper,
then I suggest
with only a whisper
of night in my voice
to tempt the light out of hiding
that the next time you cry
like a wounded sword
that no longer divides
the empty grotto of the pain
that separates lovers
like two halves of the same brain,

look up at the nightsky
as if you were looking into the eyes
of your own prophetic tears
and see and be more deeply
than any kind of telescope
or wishing well
in every single one of them
the dark pregnant mother
of the billion chandeliers
that hang like stars above you.

PATRICK WHITE

Tuesday, May 1, 2012

ISN'T IT OBVIOUS


ISN’T IT OBVIOUS

Isn’t it obvious by now
matter is the language
of the spirit
that expresses itself
as flowers and trees
and you and me
just as we are.

Matter is the mother-tongue
the alphabet
the periodic table of elements
of what can’t be said about God
without resorting to signs
like water and oxygen.
The runes of the mountains.
The purple passages of the sea.
And the moon who couldn’t find
anything beautiful in her bleakness
long before Samuel Beckett.
Out of an almost perfect vacuum
out of nothing
out of space
its thirteen atoms of hydrogen
per cubic centimetre
like magic beans
a longing for existence arises
spontaneously out of the abyss
as if it just remembered the name
of something that came back to it
like a lost thought
and happily blurted it out like the Big Bang.

God mind the abyss nothingness
the cosmic id
call it what you want
they’re all just waves of the same sea
iridescent bubbles rising out of the depths
like independent cells with shapeshifting nuclei
or the membranous worlds in hyperspace
that start with a kiss
and end with a face in the window
staring out into the same old darkness
like a syllable of dust
in awe of the silver-tongued stars.
Mind does its best
to take a good guess
but it doesn’t really matter
if you’re right or wrong
because everything’s
been clear and true all along.
The point is.
There’s no point to this.
You just break into song
like a bird that can’t help itself.
You gather everything into yourself
like a blackhole
with a creative affinity for stars
and a key turns deep inside you
and suddenly you’re walking
through an infinite number of doors all at once
that have freed you from yourself
like a replicating cell.
Water looking at itself
with eyes of water.

Mind looking for mind with mind.
The snake trying to swallow its own head
as a sign from infinity
that it’s going to take forever.
Illusions of light
burning like jewels
in the mirror of rain
rooted in the starmud
of the human brain
that thinks if it elaborates enough laws
it can hold the universe to account
for the cause of its behaviour.
Oceans roll off its tongue
like drops of water
from a blade of grass
and things keep on happening
like galaxies and starfish.
Be the bright vacancy
that shines out of your dark abundance
like a waterlily putting a white spin
on the death and decay of the swamp
that aspired to it
like the Buddha watching Venus in the dawn
or a magnanimous loveletter
as long as autumn
at the end of a mean affair
that sweeps it like stars and leaves
off the helical stairways to heaven forever
like the memory of mutant genes.
Be the eleven that comes of seven
and dot the dice with the starmaps
of the chance constellations
that rolled your way
like a genome
without asking for your advice.

If you were really down on your luck
you wouldn’t be here to know it
so why not risk it all
like a universe in the beginning
in one throw against
the wall in a dark back alley
that’s been breaking banks
and bringing the house down ever since
like an incommensurable decimal
that escaped the confines
of a whole number
that couldn’t restrain it like a straitjacket?

Add yourself to things like zero
and amplify their effect
like a deep canyon foretells
the echo of things to come
that are well beyond your voice.
You don’t need to choose
when there’s nothing you can’t refuse.
There’s nothing to win or lose.

Time may well be
the adolescence of eternity
that puts cracks in its vinegar
and wrinkles its wine
but who wouldn’t rather play
than work at being who they are?

Honour the wound with a scar
that’s worthy of what you have suffered
to express yourself as you are
like a firefly in a palace of light
with a deep insight
into the black mirrors of dark matter
that multiply your afterlives like stars
in the eyes of the windows
in the house of life
that were broken from the inside out.
Astound your own vision
with the kind of crazy wisdom
that knows the crown of the universe
doubles as the dunce-cap of a cosmic egg
and say what you have to say
to add yourself to the conversation
like a bridge to the few bars of picture-music
that look and sound just like you
when you refused to crush
the head of the serpent under your heel
like the end of the long interminable road you were on
to salvation.

And you were amazed
when it struck you
like an elixir of life
emerging from the eclipse
of a dark venom
you didn’t get up off the ground
like St. Paul who had been Saul of Tarsus.

And you weren’t the Tiresias of either sex.
There was no blind catharsis.
But your heels sprouted wings
that mastered the wind like words
and the snake flew away like a dragon
with a lot in common with birds.

PATRICK WHITE

LIFE'S A GENIUS


LIFE’S A GENIUS

Life’s a genius.
Not a mediocrity
looking for reasons to live in the morning.
Life’s not a plan.
It’s a spirit that doesn’t need one
whether things go right or wrong.
Life is light and water.
It delights in going everywhere at once.
Mediocrities have genius
but they don’t know how
to play with it like a child.
Their eyes peek
through knotholes in the fence
but they sacrifice their longing
on the conventional altars of common-sense
and never throw the ball back over the hills
like the moon coming up
or the sun going down
without worrying about
breaking the neighbours’windows.
Life throws whole mountains around
and turns the cornerstones into quicksand
and goes down with Atlantis
only to come up again like Moby Dick
spewing stars out of its blowhole.
Mediocrity has its feet planted firmly on the ground.
It never goes anywhere it hasn’t gone before.
It’s the kind of fire
that sleeps with an extinquisher
in case things get too hot to put out.
Mediocrity shares.
But life’s the kind of genius
that gives like an apple-tree
that fully expresses itself
through infinitely more
than four seasons
no two alike
without caring if it’s of any benefit to anyone.
Mediocrity’s stunned by the blossoms.
Genius tastes the fruit.
Life’s the kind of fire
that doesn’t have a root
you can pull up and take home with you
to add to your garden
like a new word to your vocabulary.
Mediocrity spells it out.
But genius is the dream grammar
of a spiritual alphabet
that isn’t used to taking orders.
It doesn’t have twenty-six words for inspiration
like potted geraniums all in a row
and only one for freedom
it weeds out like morning glory
and dandelions
whose vagrancy threatens
to overwhelm the rest
with a longing
for the happier memories of their homelessness.
Mediocrity’s a highway lined with roadkill.
Genius is a river
that goes around
not through the hill
and though there are fleets of waterlilies all along its banks
that gather like the Spanish Armada every year
to burn the infidel irises on the far shore
back into the true church
they never set sail.
They stay anchored to the coast
like loveletters from buddhas upstream
rooted in the flowing.
Mediocrity writes a great poem.
Genius lets the poem write itself.
Mediocrity signs its own vanity.
like a work done well.
But genius doesn’t have
anything to sell
that ever belonged to anyone
in the first place.
Life is the generosity of space
that blows stars in your face
and gives you the eyes to see them.
Mediocrity confines the muses to a hareem
to compel their obedience.
Mediocrity is a great sea without any tides.
Genius sleeps with women
it never thinks of as brides
because it can feel their power
like a waterbird feels the waves
breathing like the sea beneath it
wild and profound
cannibal creators
oceans in the black rose
dripping like the blood
of enlightened virgins
from Kali the Crone Destroyer’s mouth
eating her own like the moon
as if she were life itself.
Mediocrity never includes
enough destruction in its creations
to be credible.
It goes along with the swans
like afterlives in the moonlight
but not the snapping turtles
that drag them down into the mud
like constellations brought back to earth like kites.
Mediocrity defangs the moon.
Genius flows down
its first and last crescents like blood
knowing one fang kills you
and the other heals you for good.
Mediocrity is hemmed in
by thresholds it never crosses.
It never colours outside the lines
into the negative space
of the forbidden white beyond.
It’s never gone gone gone forever gone beyond.
It’s a star with a lazy eye in an expanding universe.
It never reads the writing on the wall
between the lines
like fossils.
It’s afraid of the dark.
It fills whole galleries
with works like arks
with two of every kind
that are signed like truces
it made with its imagination
as if the imagination
ever kept its word
to anyone who was afraid of it.
Mediocrity keeps an eye on itself
like a documentary.
It comes to the right door
but it never gains entry.
It’s lost in the labyrinth
of its own fingerprints.
It leaves too much evidence
at the scene of the crime
and turns over on genius
at the drop of a dime
for getting away with everything
like the mastermind behind it all.
Mediocrity sings like a canary in a coal-mine.
Genius howls at the moon
among the mountains
high above the timberline
where she takes
her first and last crescents off
like handcuffs off an escaped convict.
Mediocrity lives
as if it’s always
making up an alibi
for something it never did.
It’s easier to lie about a sin of omission
than it is to tell the truth
as if you weren’t signing
a celebrity confession.
Genius lives out in the open
where everything’s well hid
like a mason jar full of fireflies
without a lid.
Mediocrity hugs the shore
like a lighthouse
that’s afraid of everything
it can’t shine a light on.
Mediocrity shows you its scars.
Genius shows you the wound.
Mediocrity’s amazed
that the universe
got as far as it did on its own.
Genius walks the rest of the way alone
and doesn’t care if the path it’s on
reads like an exit or an entrance.
Mediocrity looks for acceptance.
Genius throws the audience out the window
like an old typewriter with keys missing
and all its loved ones
smiling in the front row
as if they were in on the know
and sits down by itself at the piano
and lets the silence play
whatever it wants
all night long.
Mediocrity makes a big splash
like an inert gas
in a flickering neon sign
advertising one night stands
in a cheap roadside motel.
Genius shapes space like black matter
that stays hidden
on the far side of gravity
behind the leaves
that grow on its boughs like galaxies
that wait like nests in the treetops
for the shamans babies and birds
to fill their bright vacancy
with the dark abundance
of a language older than words.
There are lyrical swords
that have mastered the art
of writing their eloquent history
in scars that pre-date cuneiform.
That’s one muse.
And when the dark mother
who gave birth
to the ten thousand things
whispered the mystery of the universe
into her own ear
she said it in stars.
That’s another.
And when you listen to the moon
as she summons her own
like lost echoes and mad shadows
to the fullness welling up inside her
she sheds her eyelids like loveletters
she’s read over and over again
out loud to the lunatics
like cracks in a dry creekbed
or a prophetic skull
waiting for rain.
She’s beauty pain and death
all rolled up into one
black rose of inspiration
she hands out
to those of us she loves
like an eclipse
without an explanation.
Mediocrity doesn’t understand this.
Three lucidities in one black mirror
before the arising of signs
and all it’s looking for
is its likeness
in the meaning of everything.
Humans may have been created
in the image of God
but the world’s not created
in the image of humans.
It’s a lot crazier than that.
Mediocrity makes a habit of significance
to justify its eyes
to the nightwatchman in the mirrors.
Genius pulls the hat out of the rabbit
and the magician disappears.

PATRICK WHITE