Tuesday, March 6, 2012

I LEFT YOUR IMAGE OF ME SHINING


I LEFT YOUR IMAGE OF ME SHINING

I left your image of me shining
just where you wanted it
in that glass menagerie
of broken mirrors
you’ve hung from the ceilings
like chandeliers
like constellations of frozen tears
in the thirteenth house
of the misbegotten
on the wrong side of the tracks
off the beaten paths of the zodiacs
that sometimes like to go slumming down here
when the sun shines at midnight
and the moon’s out of town.
I left the light on
but that star is long gone
past these extremities of shining
into the abyss of an unforeseeable future
that disappears into its own illumination
like an eye into its own seeing
or a bad likeness of God
into a human being.
I leave you handcuffed to the dead
like the Standard Model of the Universe
that lost it all
like the physics of the Mad Hatter
to the singularity at the bottom of a blackhole.
I would have met you half way like anti-matter.
I would have found a way
to bend that negative space
that so often distorts your face
into a more comely illusion of time
that isn’t stitched together so clumsily
like some patchwork bride of Frankenstein
taking it out on the mirrors
that keep dodging your reflection
by turning their eyes to the wall
everytime you insist
you’re the most beautiful of all.
So be it.
You are.
Good-bye.
You’re trying to impose
a habitable order on the universe
like the cube of the sphere of life
that would allow you to get by
like Tolstoy
who built a shoemaker’s hovel
in the middle of his aristocratic palace
to improve the commonality of his inferiors.
You’re like the Taj Mahal looking for a room to rent.
You’re a shore-hugger trying to teach
a jumper how to fall toward paradise
without a parachute.
And if I ignore your raging advice
as I do now and have done
it’s only because I play Russian roulette
with the lightning
and you come to the table with a cap-gun.
And I’m wholly at home
even immortally alone
in this compatible chaos
that improvises my life
sometimes as a dirty joke
I go along with for a lark
and other times
raises me up above
the web of my furthest horizons
like a spider that’s transcended clinging to anything
and dancing in my radiance
like a star that isn’t afraid of the dark.
Listen to me, woman.
I’m singing.

PATRICK WHITE

MY HEART SAID YES TO EVERYTHING MY MIND DENIED


MY HEART SAID YES TO EVERYTHING MY MIND DENIED

My heart said yes to everything my mind denied.
Certain women, poetry, doorways, cosmic risks,
a few back country roads that knew enough not
to ask me where I was going that late at night.
My absurd familiarity with sacred clowns
and this ghost dance of stars I see in their eyes
whenever one of them makes me cry in remembrance
of some old rag of laughter that ran before the bulls
like a rodeo clown in a whiskey barrel of fermented sorrows.
I said yes to exile. I said yes to my homelessness.
I said yes to the reflection of the kid
in the broken window of the burning orphanage
he’d just pecked his way out of like the shell of a phoenix.
I said yes to the abyss, to nothing, to emptiness
to the purr of the tides of sand in a desert
combing out the manes of lion-fire
that bloom like spiritual ferocities on the wind.
And I said yes to the rocks on the mountainside
who repeated what my secret teachers had said.
If you’re still clinging to one placard of your freedom
you still haven’t truly let go. And I said yes
and jumped like a snake at cruising altitude
without a parachute into a sudden enlargement of everything
and said yes to the dragon of that transformation
as it took to the wing like a fire in a furnace.
Yes to the altars when it was time to sacrifice the hero
to the unattainable he surrendered in the name of.
Yes to the dark niches of love
when the candles have gone blind
so much like eye-sockets in a skull beside a wishing well.
Yes was a way of sharing what no
had a tendency of hoarding for a day that never came.
Yes is doing it for everyone. No
does it for no one and can’t even make it on its own.
There’s something fundamentally revolutionary
and heretical about yes that burns in cleaner fire
than the dirty holy water no washes its hands in
to rid itself of the matter once and for all.
No takes account of every injury like a mandarin
standing off in the shadows of a rain dance of willows
to see who prefers the moonrise to the lightning.
Yes hasn’t even figured out it’s wounded yet.
Yes is the sacred syllable that all others words aspire to.
Yes opens more eyes than there are stars to look at.
More flowers and doors and hearts to the mystery
than there are keys in the spirit’s lost and found
outside the gateless gates to paradise on earth
where no throws its crutches down as things
of no use anymore, and yes, the seed
that everything shape shifts out of
plants them all over the barren mountain side
like rootless trees with a path and a voice of their own
such that every time the lightning strikes another one down,
they say yes, and drop another pine cone
on the fire that will give birth to them
like an encyclopedic fortune-cookie
whose cup runneth over with assent.

And, yes, even as the night approaches me
like an animal it no longer has to be wary of,
as the shadows of the trees lengthen into rivers
that disappear into the oceanic deltas of the night
like the leafless boughs of the trees of life
slendering into the sky like smoke from a sacred fire.
And, yes, to the crazy wisdom of this life I’m dreaming
I’m living on behalf of someone else
wholly inconceivable to me, not shallow, not deep,
neither near nor far. Not the intimate familiar
of fireflies, nor yet a perfect stranger to the stars.

PATRICK WHITE

ANSWERING THE WOLF


ANSWERING THE WOLF

Answering the wolf.
Its agony, my own.
Its long howl of irreproachable pain
enough to silence the mountains
with trepidation before something holy.
Desecration. A photo. Two dozen wolf corpses
pouring over the tail-gate of a pick-up.
The bounty of two happy hunters
kneeling beside their rifles
as if something had been accomplished
it would be worth telling their children about.
Hard truth. Here is a human. My species.
It can do this to anything that lives.
From blue algae to Auschwitz,
Uganda, Syria, Wounded Knee.
Whales, buffalo, Sabra and Shatila, the Amazon,
twenty-five million famished children a year,
an avalanche of wolves at the back of a pick-up.
Beyond wanting to know why
there’s this black spot
in people’s hearts and minds,
where sentience turns rabid,
where intelligence seems
the most inspired enabler of death,
where the wine of empathy turns into an oil slick,
how do you answer the innocence
of the wolf, the child, the old growth forest?
Life gets in the way of our enterprising hatred of it?

You kill a wolf. You kill a whole landscape.
You kill a wolf. And the moon marks you out
with an X on your forehead
for a thousand excruciating transformations.
You kill a wolf. And the rivers
will turn against you and bide their time
until you come down to the water to drink
from your own blood-stained reflection.
The sun will begrudge you a shadow.
The wind feel fouled by your smell
like dead meat in your own house well.
Even the maggots who will come
to your heart one day
like undertakers and garbage-collectors
will look upon it not
as the virtue of a noble enemy
but as an undertaking that’s beneath them.
They will not stoop to clean your body like a wound.

Wolf-spirit, wolf-heart, wolf-mind, wolf-mother,
even the white-tailed buck laments
this atrocity of psychotic caprice
that slaughters simply because it can.
I see the moon bare its fangs in proxy for these
and the stars dip their spears in poison.
And I will dance around the fire with you
mad with grief at this wounded eye of life
and smear my face with the ashes of a deathmask
to regret everything about me that is
pathogenetically deranged and inhuman.
To rid myself of the reek of those who could do this.
Do this to our own. Do this to natives.
Do this to wolves. Do this to the air and the water
they breathe and drink from. Do this ultimately
to themselves when there’s no one left to care or notice.
These kill to eat.
These eat to kill. You and all like you
who did and condone this, I ask you,
what will you do with the bodies of these wolves?
You never ravened for the meat;
was it their death that glutted your heart?
Were you compensating for some hidden impotence
giddy with the knowledge you could
extinguish life anywhere on the planet on a whim at will?
Were you urinating on your own wombs,
the graves of your ancestors because
you’re the illegitimate runt of your own myth of origins?
Are you angry at life because you were born?
Do you despise the rose and admire the thorn?
I see the narrowing in the eyes of the ancient taboos
you’ve violated like thresholds with your boots on,
bruising sacred ground without knowing
where it is you walk or the risk you take,
the danger you will encounter,
because you have been made deaf, dumb, and blind
robbed of your eyes, ears, tongue, heart, mind
insensate to what now lifts its nose to the wind
to find you when you least expect it
from the least expected quarter.

These you killed. You killed in the concrete,
and exonerate the act in the abstract.
These were blood, flesh, fur, bone, each
with a mystic specificity of its own,
wild, free, whole, intelligent, and communal
each the work of some unknown muse of life,
the spontaneity of some lavish genius,
the inspiration of the same dark mother
that never creates the same masterpiece twice.
These had seeing, mind, emotion.
These had been touched by the mystery of life
and in the shrines of the trees and the mountains
offered their delirium up to the moon
like drunks beneath a vacant window
singing to their own reflections. These
accepted their homelessness in this strange place
without doing it any harm as if
there were no other place they could belong to.
These were at peace with themselves and the earth
in a way you weren’t born with the courage to imagine.
These were alert and alive and quick with curiosity.
These were noble without lording it over anyone.
Were they executed for their innocence?
Was there not enough room in your cage
for their kind of freedom? Did you envy
an understanding they had among each other
you haven’t enjoyed once in the last twenty years
you stayed drunk as a gun lobby in a lazy-boy
staring back at the glass eyes of the animals
looking down upon you like a decapitated zoo
with the pity of the unaccusing
that anything that’s ever lived
could be so full of self-hatred,
so full of disgust at the inadequacy of themselves
in the midst of so much spontaneous sufficiency,
from blue algae on over to blue whales,
could be so estranged from their inalienable nature,
could be so vindictively blind
they’d rather shoot the eyes out of the stars
and finger the braille of the bullet holes
they’ve put in the side of their coffins
like a mailbox with a return address on it
than open their own and read the writing on the wall.
Does Cain still blame God
that his sacrifice was unacceptable?
The farmer! The farmer! Not the hunter?
The meat of the hunter not sweet to Her nostrils?
So you murder your brother
and then you murder the animals
as if they somehow let you down.
And in the death shroud of the dark mother
she sends a crow not a dove,
not the wolf, nor the eagles of Rome
to teach you how to bury the dead,
to teach you how to sow the earth you’ve salted
with meat and bullets and how they only bloom
and come to fruition in you
like self-inflicted wounds square
in the third eye of your own infertility.
There used to be hunters wise enough to know
the animals they stalked were meant as a gift of a gift
not something they ripped off like a petty thief.
Now when they catch a whiff of you coming
it isn’t a hunter they run from but
that sickly-sweet freakish smell of death
that clings to the skin of an undertaker
who moonlights as a serial killer
in the deathmask of a terminal disease.

PATRICK WHITE

Monday, March 5, 2012

THE BLONDE SHOCK


THE BLONDE SHOCK

The blonde shock of wild sea grass from New Brunswick.
At first I thought it was your hair.
And tiny beads of iridescent peacock seeds
as small as the myriad hopes of a poppy
she’ll come again
that fell out of the envelope
into my coffee
as a muse of patchouli oil
inspired the air like an Egyptian temple
tending to the rites of Isis
when the moon’s in the nymph phase
of her ancient seduction.
And a drawing of a rainbow phoenix
in the form of a flower
and a money-order for five hundred dollars
to paint violet horns
on the black inverted star
with its plinths open like legs
giving birth to helical vines and snakes.
A symbolic tattoo
that means you
that will hang like a flag from your spine
down your back
as a sign of whose country it is
should anyone ever get lost.
You’re right.
You can’t draw butterflies.
But your darkness intrigues.
Your light is true to its star.
Space bends around you like water.
And there’s not a chained tree
in the whole of your wilderness.
The gates of your rivers are open and free
as the salmon who jump them
conjured out of the sea
by the siren who sings to them
like a journey of things to come
at the end of the long way home.
Love breathes life into death
and even on the fly
love is the prime circumstance of now.
And I feel the gold of your harvest in every seed.
And there’s no scarecrow with a sword
trying to defeat the ploughshare
it was born from
like the moon as it moves
like a white horse
through a wounded valley
looking for its lost rider
somewhere out there like the wind.
I’ve been blinded by squalls of stars before
the sphinx blew in my face
and I have felt my eyes
evaporate in the blazing
of certain fireflies
who could read the braille of my face
like elegant fingertips of light
deciphering the writing on the wall.
And I’ve lived through it all like space
whether I was a celestial snakepit of passion
with a mouse for a heart
or I was blowing kisses
like the petals of bruised flowers
into the grave of an enlightened starfish
passing by in a deathcart.
And sometimes the geni gets his wish
by rubbing the lamp on the inside
and asking the night to need him
like water needs a fish
like fire needs a tree
like air needs a bird
like earth an unpoached elephant.
I’m not a species bent on martyrdom
to any cause lesser than the love
I aspire to
and I won’t burn my eyes
on insincere candles at a black mass
or the votive fires of delusional crucifixions
that yearn without conviction
for a better infancy in their afterlife.
Things have been tough
but I still go to bed at night
with the door wide open
as hope to folly
to catch a thief
that might put the moon back
she stole from my window
like the coin from my mouth
I had hoped would pay for my passage.
And I’ve been given up
like the sea gives up its dead
like the ghosts of old cliches
to the voice of a new medium
and I’ve discovered
that love isn’t the forensic history
of a mystery that can be cracked by the truth.
It’s apocalyptic lightyears beyond both
like a prophecy
uttered in the secrecy of your solitude
that can only be overheard
with your eyes.
And there is no age in it
no youth that leaves the stage
a wiser happier skeleton
no shrines to spring
no pyres of autumn.
It isn’t the beginning or end of anything
that wanders in a world of forms
like a road with all the answers
to questions it never stops to ask.
Love isn’t a lost cause
looking for someone to take a risk.
And it isn’t the silence
it isn’t the singing
it isn’t the longing
to be pulled out like the lucky straw
in a random draw among exiles
to decide who should go first.
It isn’t a thumb in a plum pie.
It isn’t the kiss that lifted the curse.
Or a lifeboat on the moon
that overturns like a blessing
that only makes matters worse.
And it would be unforgivably spacious of me
though I have loved long and intensely
to say what love is
when it wings its own immensity
like a nightbird of blood
that sheds its hood
to fly among the stars
like a fire feathering its own solitude.
But if I were to say anything
I would say
love might be a mighty sword
drawn from a dark ore
tempered in secret waters on the moon
enfolded like time in space
like a worldly loveletter
in a cosmic envelope
with a return address by the sea
that keeps faith with its prey
by giving its word to life
it’s not the expedience of the slayer
or the obedience of the slain
not the exaltation of joy in death
or the mystic terror there is in birth
that calls the lightning down
to make the weathervane crow at midnight:
I have tasted the light on my tongue
like the tine of a new direction.
A dragon sheds it skin
like the ashes of a spent fire.
And the serpents of desire
dance to the flutes
of a lyrical resurrection
like words that take
their meaning from us
when love’s the native language,
the grammar, the muse, the voice, the silence
the playfully profound way the picture-music
hides like a Rosetta stone
that doesn’t want to be found
like a key to the meaning of everything
when we’re what it’s trying to say.

PATRICK WHITE

Sunday, March 4, 2012

YOU KEEP LOOKING


YOU KEEP LOOKING

You keep looking for meaning in a world
you say hasn’t given you one
worth living for
and you’re down and disappointed
and all that red passion
that used to burn like books and leaves
has turned as mystically brown
as the background of a Rembrandt painting
or gone up in smoke
at the Bonfire of the Vanities.
Now you’re a copycat Savanarola
in a faculty lounge
trying to turn God back like the Renaissance
for behaving like the Medici.
You used to be a little on the teachy side
but now you’re boring and preachy
having settled the whole issue
of what you’re doing on earth like a fist.
You once went looking for the point of life like a grail.
Now you plunge it through everyone’s heart like a spear.
Like the terrible angel at the garden-gate
to prove you’re sincere as fire
you’re ready to kill anyone
who likes what they see in the mirror
that never wears the same face twice
when it looks at you.
The truth is
since you’re fond of the word
you never found a meaning big enough
to accommodate that Delphic python of an ego
that’s kept sloughing you like skin over the years.
You were always too big
for any chrysalis or cocoon you ever crawled into
and the greatest miracle of transformation
as far as you were concerned
is the shape you took in the womb
like the pearl of the moon
from a grain of dirt
at the bottom of a seascape.
What unified field theory could ever contain you
like some cosmic Houdini in chains and locks
twisting upside down over a snakepit of thoughts
trying to think your way out of the box
as if you were the ultimate escape-artist
and could pour the universe out of the universe?
Even space wasn’t enough of an embrace
to hold you
and now time’s given up on you as well.
Eleven dimensions were never enough
to take your measure.
You wanted to be the golden Buddha
that wormed its way into the heart
of an enlightened rose.
The blackhole in the heart of the galaxy.
The exception that became the rule.
But you never understood
the candle of life that burns within us all
sheds more than one petal
over the course of a lifetime
spent gazing at the flame
fixed in the seeming stillness
like a flower that blooms in fire
every two thousand years
you can’t look at with the same eyes twice.
You never understood that when you look at things
long enough with an open heart
and an unbounded mind
they estrange your eyes
into new ways of seeing.
They bring you into being
like a star turning in its own light
or dark jewels of anti-matter
to see what value
you might place on them
when the gem looks through its own eyes
into the radiance of life without an appraiser.
But the flaws in perfection
are the laws of a fool
or to secularize a mystic dictum
the same eyes by which you see them
are the eyes by which they see you.
Two dunces on the same stool.
One a myth of origin
that got lost in its own meaning
chasing its own tail to see where it begins
and the other the head of a reform school
for black matter
absentee without permission.
Two abnormalities
looking for reality
in the corners of the human condition
that baffles it with the clarity
of a hundred million books
giving private lap dances
in sheep-eyed sylvan nooks
for the savage wolf-popes
with shepherd’s crooks
whose greed is the meaning of prayer.
But the universe whispers itself
into its own ear like a secret
even it couldn’t keep to itself
and everything in existence
from starfish galaxy to solitary night bird
cherishes what they’ve heard
each in their own awareness
not of the word at the beginning of things
as if things were created out of choice
but of the voice behind it
that sings freely to each alone
in the silence of their solitude
like a fountain-mouth of light
that lavishes the world on everyone
without intention or design
as if everyone were privvy to the same mind
and it were thinking out loud
in the picture-music of colours
you can only see
before the arising of signs.
That’s why it looks empty and dark
beyond the blazing billboards
of your highway paradigms.
And for someone like you
who prefers to jump into snakepits
to ask for directions
when the whole world is free-falling
without a map or parachute
through a bottomless abyss
without any sense of up or down
it must dwarf you the same as it does
a featherless bird breaking out of the egg
like a new universe into a nest of flying serpents.
Daring says feathers
and falling takes flight
because it’s in the nature of the abyss
to heal itself like wounded water
when it bathes in its own light
like light and stars
or snakes in the talons of eagles
the lowest of the low
raised up to the highest of the high
like a constellation
when they suddenly realize
in the annihilation of opposites
how dragons win their wings.
You ask fraudulent questions
and expect honest answers.
You try to define what you’re seeking
even before you look.
You stir the starmud in the mirror
to make things clearer
but you still end up looking at things
with dirty eyes.
And out of the darkness
like bats to burdock
blinded by that porchlight of a mind
you keep on all night
in a frenzy of insects
your thoughts are glued
like kites that flew into the powerlines
or flies into a spider-web
of sticky views
on how to keep it together
like a shepherd of clouds
trying to pasture the weather
in the starfields of a mountain sky.
You want to be the mystic arachnid
with fangs like the moon
and radiant elixirs for toxins
you can cook in a spoon
without flagging the fit
with a pennant of blood
that puts its cosmic armour on
and shouldering its lance like a syringe
tilts at the windmill of your arm
like the meaning of Don Quixote
lost like a peduncle in the ensuing phylum
of a species that went extinct
for refusing to adapt
to a reformed chaos theory of evolution
flintknapping the future fossils
of an improved Stone Age.
You keep thinking
if you roll enough rocks up a hill
like Sisyphus
you can build a fortress
or the Al Hambra
or the Taj Mahal
or even the Parthenon
but things just keep coming down on you
like an avalanche down from the world mountain
into the valley of the kings
where the mummies wait for their afterlives
under pyramids of quicksand.
Only a fool would spend a whole lifetime
trying to learn
what he already knows.
In order to understand such a thing
one must be such a person.
Already being such a person
why bother to understand such a thing?
You’re trying to map
the stars in your genome
to find your constellation
like a long lost home
that walked out on you like a threshold
when you went a step too far
and added yourself like a big capital I
to the beginning of that tongue-tied alphabet
that made profound spelling-mistakes
in your amino acids
the moment you started
to proof-read your protein
for punctuation marks
that were too big-hearted.
Vicarious mind!
Faecal pile and pit.
Snake-eyed jewel
at the bottom of the dung heap
that schools the fools’ laughter
by ignoring it
you can keep on looking for a kissing-stone
in a hail of Leonid meteors
that keep knocking you out
like a dinosaur
that takes it on the lip
like a quick jab
from an under-rated mammal
or you can hoard water in your humps
like a camel on the moon
that moves through the cool of the night
in a caravan of shadows
trading with the desert
toward ancient oases of ice
that taste like the frozen tears
of the ballroom chandeliers
that gathered like stars
to take advantage of the night
by twisting your words
like a speech impediment
that whispers like the sea in her ears
at a dance
for club-footed glaciers.
But you can’t wriggle out of the universe
like an anaconda in thin-skinned panty-hose
that’s just swallowed itself all the way up to the nose
like a mystic condom
playing it safe
down on its knees
to make cosmic contact
without contracting an unforgivable disease.
And there are dangerous cave-bears
that live at the back of your mouth
among the skulls of your ancient ancestors
and bones like bad omens
so you won’t find much shelter there
to keep the fire alive long enough
through the long night ahead
to finish the painting
you were working on
without saying a word
that would discolour your voice with a meaning
that won’t be discovered for years
long after your words have moved on without you
like the common language
of a migrant tribe
in the direction of their spears.

PATRICK WHITE