Monday, February 20, 2012

O THIS MORNING MORE THAN EVER


O THIS MORNING MORE THAN EVER

O this morning more than ever
I want to disappear into my life
like a bird into the blue oblivion
of a migration of one
that’s never coming back.
Things aren’t solid.
They’re real.
And tonight I will appeal again
to the subtle intelligence of the dark matter
that resonates throughout space
like energy musing upon itself at rest
after long labour
to let me evaporate with the stars
like a breath somebody took
deeply into themselves
and then breathed out.
Did my eyes sweeten the windows
they looked through like women?
Did my looking help ripen the stars?
Strange wounds.
Stranger scars.
There’s no end
to the myriad afterlives of water
that a human lives through
like the weather
of an undiscovered sea
and time just keeps
carrying things forth into the carrying forth
like a clepshydra of severed heads
bleeding like buckets
one into another.
An alphabet of prophetic skulls
that never finish a sentence
because the things we say
already have more in common
with the dead
than they do with the living
from the very first word
that falls from our mouths like an apple.
If I have spoken in tongues and symbols
and mixed occult elixirs
like secret constellations
to heal the injured night
my voice never forgot
that it was a mere gesture of moonlight,
a mystic adagio of picture-music
dancing alone in its own shadows.
And if I went crazy in the pursuit
of an earthly excellence
it was just to pass the time.
Anyone with a spirit needs a cosmic hobby.
Anyone with a mind
needs to let go now and then
like a universe that expresses itself completely
and then stands a human up
like a finger to the lips of a prolonged silence.
And what can you say
to those with a heart
that wait for blood to return
like the wind to their sails
with good news
like oxygen from Atlantis
that things are beginning to look up
except drink up
until you’re sober as dry land again.
The ecliptic intersects the celestial equator
at the equinoctial colure
and it’s spring again
in the northern hemisphere
where the crocuses
are poking their noses
through holes in the snow
like bruises beginning to bloom.
If there is no wonder in your love
you will never know
the profound delight
of being grateful for your life
and the stars won’t humble you
when you ask the night who you are
into knowing what they do.
Stop listening to everything with your mouth
and sit down beside the fountain
like a road or a sundial
that’s found its way back
and hear what your ears
have been saying for years
about the coin you lost in the mindstream
like your passage across the river of death
coming up like the moon
over your left shoulder
to take your breath away.
Wisdom renounces the wise
and therein lies enlightenment.
Ignorance embraces the fools of the spirit
and there are no words for it.
The best is clarity.
Clarity is all.
This is a doorway.
This is a wall.
And this is all the gold of India
I would give if I could
to sit down with Hafiz
by the banks of the Ruknabad
among all those Persian roses
and steal musical riffs from the stream
to say what we impossibly mean
to the young slave girl
with the mole on her cheek
who’s learning to speak our language like a muse.
If I have longed for things all my life
as if they were out of reach
it was one of the dark jewels of my childhood
the died like an eye for a lack of light
that taught me
longing is more creative
than fulfillment
and the nightbird
on its broken branch alone
sings like a wine closer to home
than all the daylight choirs
of happier wings in the vineyard
that inspires the liars into blossoming
like loveletters on the wind
they don’t know where to send.
So I tell them without believing
they know what I’m talking about
to take a page out of the orchard’s book like I do
and when spring’s in the air
send them everywhere.

PATRICK WHITE

THINGS I MUST SAY TO YOU THE CRYSTAL SAID


THINGS I MUST SAY TO YOU THE CRYSTAL SAID

Things I must say to you the crystal said.
Jewels I must turn in the light.
Things I have gathered
like wild herbs from the starfields
to make a cool poultice of the moon
to draw the pain out of the wound
like a child that got turned around
when she was born
on the nightside of her blue eyes
to colour outside the lines of her constellation
like one of the original watersheds of Aquarius
that didn’t take to the bottle and spoon of lesser wells
that warily sip from themselves
as if they were testing for poison,
but poured herself out
in an elation of so many lifelines
so many rivers vital with beginnings
the world mountain discovered her
like gold in the stone
gold in the mindstream
gold in the ore of its bones
gold that shone even in the darkest of valleys
wherever she flowed
like the white moon
when it wants to be mistaken for a swan
and sheds her eyelids like the petals of a waterlily
that’s gone, gone, gone beyond herself
like a waterbird into the undetectable mystery of things
that lifts us up from our own reflections
and calls us to exceed ourselves
by flying beyond our own wings
past the last lake at the end of the universe
we could bask in like a keyhole
in the third eye of an unrelenting sky.

There. That’s a breathful.
A dust-devil in a gust of stars.
A precipitous river of my own.
But I like listening to the green mountains
talk about things that are perennially true
that no one ever believes.
There’s inspiration in the fires
that inspires their leaves
to burn like old myths
and poems that went up in flames
true to the muse of autumn
that has forgotten their names.

And I’m listening to this little world mountain
this dolmen of a crystal you gave me
this palace of mirrors
that sits above my desk
and tells me things about you
only an older spirit than the road I’m on could know.
It whispers to me at night
like a fragrance of light
from the unseen flowers
behind your eyes
flowing down from the high fields
and unscalable facets
of the mystic mountain you live upon
planting trees.
Abruptly enlightened medieval Rinzai Zen masters
did the same
in the mountains of Japan
as if they were rooting their pupils
like worlds within worlds
within a grain of sand
like the cornerstone of it all.
Trees are the future memories
of a prophetic skull
that stays true to its ancestors
like pines in the fall.
Anyone who plants a tree
raises a temple to the wisdom of birds
who will speak to you
in the native tongue of a new language
in voices older than words.
Anyone who plants a tree
attains what lives beyond them like an afterlife
that’s always rooted in now
and even the dead branch
that holds the autumn crow in the rain
when things are bleak with the passage of things
will turn into a strong rafter in the house of life
and the moon will add its blossom to it
and the sun its butterfly
and everything that grows
will greet you as a child of its own.
And life will hold you up
like a candle
like a Douglas fir
like a star
like the tiered pagoda
of a pine-cone
like a mirror
like a bird
like a quiet smile
in the sweetest of solitudes
and well-pleased with what you’ve sown
hang you like a thousand shining chandeliers of rain
in the sacred groves of the Pleiades
to show you what has grown over the years
from the labours you undertook
from the tears you shed
to green the wounded mountain back to health
by adding your life to its life
is you returning
like a prodigal daughter of water
to the mystic springs
of your own starcrazy source.

Ride the wave.
Ride the snake.
Ride the wind.
Ride the fire.
Ride your own eyebeam
like a sword that delivers
the boon of life
like the first word
of a new universe
that’s just heard its name called
like an endless beginning.

You are comet. You are wheat. You are starwheat.
You’re a comet in the starwheat
making crop circles.
Aquarius.
Aquarians can take their skin off
and put it on again like water
and pour themselves out forever
like the sea in every drop
so when the tide returns
it’s never empty-handed.
I see a naked watersnake
swimming through the moonlight
like the path of something perpetually true
and inconceivably beautiful
as if time itself had learned to move like that
and every ripple was an era
widening its wingspan in its wake.
Hic sunt dracones.
That’s how dragons learned to fly.
The highest and the lowest all in one.
The snake in the claws of the eagle.
Wisdom in the lawlessness of insight.
God.
You.
Me.
The Mysterium.
For those who haven’t opened
the eyes in their blood yet
to see the bloodflowers
the bloodstars
talking to each other
like variations of the same light
these visions are the lost dream grammar
of an ancient madness
you can’t recover from like a fever.
But to those who know the fireflies
are lamps on the road
the stars are not useless
and everywhere is the clarity and passage
of a river that forever arrives.

And I can see the wounded child
who’s brave about her pain
but feels like a ladder in the rain
no one will hold for her
to climb down like the moon from her window.
And those that should have been waiting down below
to catch her if she falls
have scattered like stars
on the insides of her eyelids when she blinks.
Abandonment is that hollow shell
you find washed up somewhere on a beach
and raise to your ear
to hear the sea far off
like a life that’s going on without you.
Even the sea can’t fill that cup.
Only another emptiness
could feel at home
in the homelessness of that space.
Abandonment is getting up every morning
and putting your face on inside out
and thinking of it as some kind of good luck
you’re on the other side of the universe
all on your own.
And though you howl like a wolf on the wind
the moon still cannot hear you.
That’s how longing is born
in the fires of separation;
that’s how the universe is called
every moment out of the nothingness
like someone to love,
and the deeper and darker the emptiness
the higher and brighter the mountain.
The watershed holds the fountain up
like a bouquet to the rain.
Emptiness doesn’t stand like a god
in the shadow of an unknown definition.
It’s the selflessness of everything that is.
Unborn it lives without distinction in the heart of things.
Unperishing it dies for everyone
without leaving anyone out.

When insight blossoms
like the moon
on a dead branch
compassion’s the fruit
that’s always in reach.
Life doesn’t practise
what the heartless teach.
This morning
I’m sitting at the feet
of your little crystal buddha
enthroned in full lotus position
as he turns my heart in the light
like a jewel in the eye of a diamond-cutter.
And the sky is generous with tears
as it clarifies the windows of perception
with eyes as old and wise
as the sun at midnight.
And every thought I have of you is a fierce peace.
And every feeling a black mirror
deeper than white
that has extinguished my face
like one of last night’s stars
in the bliss of a greater illumination.
The mystic specificity of my mind
pales like the moon
in a blinding abyss
of no-minded indistinction.
And the stars that shone down on nothing for so long
like an indecipherable language
are now looking up at you
like the fountainmouth
high above the treeline
in the mountains
of an Aquarian understanding
of what they’ve always meant to say.
There are no echoes in the voices of love.
No avalanche of Rosetta Stones.
No scoffing crows.
No genuflections of the dove.
There are no shadows hiding like daggers
under the cloaks of day
to get even at noon
for things that happened at midnight.
Love is a feather
from a passing bird in flight
life puts into the scales
and the earth turns eastward toward the light
and death takes its finger off the measure
of life’s most cherished treasure.
And now the buddha turns into
two lovers sitting upright
face to face
in a lotus embrace
of enlightened connubium
in a coincidence of the contradictories
as if two were not the extinction of one.
And when desire opens its flames like petals
and blooms like a phoenix
there are no strangers in the fire.
And love doesn’t burn its feet
by making a firewalk
of the nameless constellation
rising from the dark innocence
of its sweet dreamless sleep
like the thirteenth house of the zodiac
with two people home from everywhere
with myths of their own
like Venus and Mars
turning the lights on and off
like lovers and stars
while the neighbours stare in amazement
through closed windows and locked doors
at the bright vacancy of the rumours
the dark abundance of the night
that knows all we are and do
and will and have done
is true to the overproof joy I take
in this lyric of a jewel in the light.
It turns me like your eyes
turning the key in the dark gate
of a mystic moonrise
where fate elaborates the worlds
like pearls from grains of sand
and time refires its last hour
like a master glass blower
to make more space
for stars in the desert at night
by breathing on the flames
that feather the ashes of the moths
in the urns of our names
with the wings
of a dragon
the wings of a phoenix
the wings of a sphinx in the rain
planting trees on the slopes of a pyramid
to watch the dead mountain grow green again
and know all the secret paths down into its afterlife
like a river running through the wilderness
or this theme of stars on the mindstream
beguiled by the mystic wiles
of a cougar caught in the moonlight
like a jewel in the eye of a dreamcatcher.
Or the seasoned seer in a mirror like me
enraptured by the anarchic fireflies
beading themselves
like the mandalic stars
of a new constellation
only the enlightened can see
enflamed like a prophecy
empowered by love
to rise in the night of your name.

PATRICK WHITE

Sunday, February 19, 2012

AND I LOVE IT OUT HERE


AND I LOVE IT OUT HERE

And I love it out here this far into my solitude
where the stars are as high and holy and out of reach
as they always were
and everything that is finished irrelevant or gone to waste
discovers a secret peace in its exile and desolation
that doesn’t distinguish one light in the night from another
and there isn’t a road you can take that was meant for someone else.
Even when the wind blows the leaves around
like things I should have said to myself years ago
like things I should have known
that don’t come with a Buddha or a book
heavy with bells and the blissful fruit of wiser autumns
everything takes its place
in the spaciousness of an infinite center
the dislocated cannot exit
and even those who have found themselves
to be nothing real
cannot enter.
It’s as if all things were wounded so deeply and expansively
by the wary act of their existence
the dagger of circumstance and chance
can’t find a place to strike
and so there’s nothing to heal
nothing to fear
nothing to watch out for
that could hurt you any worse
than everything already is.
The wind on the water that trembles like skin
and the scales and feathers of the tangerine moonrise
shedding its wings on the serpentine mindstream
that flows off into the distance like a dragon
someone forgot to believe in
because they thought they grew up.
And time doesn’t ask itself what night it is
or the fish the depth of the water
and the flightplan of the hunting hawk
if it has one
is merely what catches its eye.
Parsifal the mottled fool
leaves home with the grail in his saddlebag
and it makes no difference to the kingdom
whether he finds it or not.
The first shall be last and the last shall be first
and then the grass eats the grazer who ate the grass.
There’s nothing to change
that hasn’t already been brought to pass
by the leftover leaves in the birch trees
that abandon their bones like old shamans
down by the banks of the river in spring
for the fish and the birds to pick clean.
The silence is moss on the skull of a rock
sprouting elegant chandeliers of columbine
that hang their heads like streetlights
over a long road with no one in sight.
So what could it possibly mean to be a stranger
among your own feelings and thoughts
when there are no gates you can stand outside of
and the enlightened beginning of the waterlily
as five petals open
and one flower blooms advaitistically
is rooted like a deep insight into a mirror that rots?
Is the coming any less endless than the going?
Or an ignorant life any less life than knowing
you can’t know what you’re seeking
until it finds you like someone it overlooked?
The empty herons’ nests high
in the dead trees of the swamp
are full of moonlight
and everywhere I walk
frogs punctuate the sloppy grammar of the water
that unspools like one long periodic sentence that’s never complete
as if the world hasn’t finished saying me yet
like something it means.
My delusions rise like waterbirds from a moonlit lake
to go witching for water among the stars
and I let them knowing they’re
the indirections by which we find directions out.
First you go down a lot of rivers
and then you take the road.
There’s a scaffolding of dark matter
we wore on the outside like an exoskeleton
and dark energies
that exhausted themselves like slaves
so we could walk erect in our watchtowers of flesh
like the ego of a candle with a spine for a wick.
Black bones buried somewhere
that once were us.
Churches that wandered off the beaten path like gravestones.
Dark sanctities of a dead lawgiver
that entrusted the truth to a liar
as if the night had a sense of humour.
And everything is as it is without discrimination
in the eyes of the light that falls upon us
as if we didn’t exist
though as far back as I can remember
my spirit has always cast its shadow upon the earth
like Venus on a moonless night
and my body laboured
like a prophet with a whale in his belly
to spread the word.
And subtlety of subtleties
wonder of wonders
my mind got a good look at what it isn’t
and spontaneously learned
to be playfully creative
with the absurdity of being here
whispering into my own ear
like a wind that talks to flowers
descended from the stars
about how far we all are from home.

PATRICK WHITE

THINGS MIGHT BE DRIFTING AWAY


THINGS MIGHT BE DRIFTING AWAY

Things might be drifting away
like an empty lifeboat
with nothing left to save
but the memory of moonlight
on the rush of a wave of the heart
that rose and fell
like a bell of insight on the night watch
that said all’s well all’s well for the night.
And so it was for a while.

Time might seem
that it’s overstaying its welcome
and you’ve become the estranged guest
of a bad dream
in your own bed
in the thirteenth house of the zodiac
where the dispossessed
shack up with the misbegotten
and the ghosts of everything you’ve forgotten
don’t give you any rest
until all that you’ve cursed
out of anger and need
has been immensely forgiven and blessed.
And perhaps it appears
you’ve been the rogue star
of a sign in long exile
far away from now
and that might account
for your misplaced trust in mirrors
and your lack of confidence in star maps.

Happiness just happens
like good luck and grace
and the creative inspiration
to rejoice in your time and place here
as if the purpose of your voice
were always to praise
even on the darkest of days
when the only thing
that shone in your eyes
weren’t the stars you kept
locked away in your tears
like the face paint of clowns
or the crown jewels of the Pleiades
but a bitter farce of black holes
in the veils of the mirage
that eclipsed your enlightenment
with a starless night
it’s impossible to get beyond.
And so it may well be
for those who’ve been
as far gone for as long you have.

But even the blind are shining
though they can’t see it
and the deaf are still singing
though they can’t hear it
and the dead are still living
though they can’t feel it.
And those who have given up seeking
still find what they were looking for
like a loveletter with a return address
and an open door that recognizes them
like the prodigal threshold
of a homeless human
about to cross one more
like the last step of a long journey
that lost its way back in all directions
like the radiance of a star in space and time
that never took its eye off the past.

We cherish the flowers of summer that bloom last
more poignantly than those of the spring
because we feel our own hour of farewell
in the progress of their passing.
The sadness of an earthly excellence
fulfilled and surpassed
we see in the shedding of the aster’s petals
and in the lowering of the wild rose’s eyelids
and in the lengthening of the black walnut’s shadows
that move like cool water
across the dry grass of a late afternoon
signs of the same night approaching us.
And we know it will be dusk soon.

We’ll look up at the blue moon in late October
and whether the silos are full or empty
wonder if every harvest
wears the same death mask we do
with the smile of a scythe on its face
or if the goddess of the grain
bears true witness to
the perennial innocence of death
in the way she enhances
the white spectre of the first frost
to shock the garden down to its roots
with the same koan she uses
to enlighten the dew on the stargrass.

And you might dread the coming excruciations
of the scarecrow immolated on the pyre
of its own substance
like the short straw of flesh
that once sustained it
lost in a draw with death.
And come to scorn your heart like an urn
filled with ashes in the aftermath
of the same fire that once filled it
so full of desire to bloom
it could no more contain itself
than a seed can keep a secret from the spring.
You could see it that way.
And who among those clinging
like a blue atmosphere
to this homeless grain of dust
in the vastness of these sidereal immensities
within and without
that animate us like starmud
to join in this dance of life and death
like a legacy of shining
that can’t be washed out of our eyes
though tears have fallen for lightyears
on the root fires of what we’ve loved and lost.
Who among these
could say you were wrong?

Because no river’s flowing
the wrong way to the sea
in this reunion of arrivals and departures
at the stations of our afterlives
on this wheel of birth and death.
We’re all going to make it back
to where we came from
one way or another.
Some like rain.
Some like ice.
Some like snow.
Some like the lingering ghost
of morning mist on the lake
that’s gone before noon
and some like water on the moon.
The flowing of the river
summoned by the sea
to the source of its coming and going
is the calling of life everywhere
to transcend itself
by passing into the unknown
like the available dimension of a future
that’s no further beyond us
than the past is
in the light of distant stars.
The sword doesn’t wound itself.
Fire doesn’t burn itself.
Water doesn’t drown in itself.
And life doesn’t bleed out of itself
like the dream of a fortune-telling poppy
or a water clock that’s run itself to ground.

The eye isn’t the seeing.
The ear isn’t the hearing.
The tongue isn’t the tasting.
The skin isn’t the touching.
The voice isn’t the saying.
The brain isn’t the thinking.
The heart isn’t the feeling
anymore than life
is the carrying in
and death is the bearing out.
The darkness isn’t a lack of light
and the light isn’t the absence of night.
Death is unborn.
Life is unperishing.
Formless in a world of forms.
Two wavelengths of the same awareness.

You say you can see night gathering
under the door you’re afraid to answer
long before anyone knocks
and though you dream by your own light
you don’t know who’s casting the shadows.
Is sorrow any younger in the heart of a child
than it is in the memory of an old man?
Joy any less vivid in the eyes of an old woman
attending to the flowers in her garden
than it is in a girl having tea with her dolls?
Is this day not as new to the widow
as it is to the newly-wed?
Experience is the capstone and dunce-cap
of the sum of destructions
that made us who we are today.
And in life it’s the brilliance of our failures
that throws more light on the dark matter
of the issue before us
than all the star power
of the blazing successes
that blind us to our own shining.

You step out of a backlit doorway
into the dark
and slowly the darkness grows
the eyes you need to see the stars.
And maybe death is like that.
Nothing to look at but black
until we blow the candle out
that’s been misleading us all the way.
Maybe that’s why the jaws of skulls
are always caught gaping at something
that’s more than they can say.
But look at the expressions on their faces.
Maybe their eyes
are too overwhelmed by what they’re seeing
to want to get in the way.
You could see it like that.
You could see it through the eyes of the rain.
You can taste it on the tongue of a candle flame.
You can read it from right to left
in the Kufic script of the wind.
You can hear it in what the stars are whispering
through the keyholes in the pyramids.
You can feel it all around you
like bubbles of skin and air.
Like empty rooms with atmosphere.
As many ways and roads and rivers as there are
that flow into it down the world mountain
back to the sea
back to the same undifferentiated watershed
of these myriads of mystic specificity
and who could number them all
as many as the stars
or all the grains of sand
of all the deserts and beaches on earth
as many as the dead of every kind who’ve come and gone
all that blood mind passion dream and imagination
all those tears all that despair lucidity and apprehension
love and familial affection
all that waste and hatred and emotional sewage
dissolved wholly back into the sea
like a watercolour left out in the rain
like a name written on water
by a poet who died young
in a foreign language far away from home
just as birth arrays the universe before us
and says make of it what you can
so death approaches no less a peer of life
than we are in our relationship with all things
and offers us
the same great creative opportunity life does.
Green bough.
Dead branch.
Sunset.
Moon rise.
The hidden night bird alights
on either alike
and folding its wings
like gates and books
and the eyelids of those who dream
at the beginning and end
of a long dark radiant journey,
sings.

PATRICK WHITE