Tuesday, February 14, 2012

O SWEET FREEDOM


O SWEET FREEDOM

O sweet freedom to be nothing for awhile.
To blindfold the clock
with its own shadow
like a masked bandit
and let it get away with something for a change.
I love the cheap thrill
of feeling like a thief
with an ageless sense of timing.
One tug on my serpentine spinal cord
and I unplug my electric identity
like a searchlight
that keeps its eye on me
like a blackhole it doesn’t know anything about.
I’ve stopped looking for meaning
in the flight of the doves
I release from their cages
like words stuck in the throats
of Selkirk chimneys
like harps and hearts and wishbones.
The joy of a liberated dove
I’m out!
seems to be enough of a rapture
to give meaning to the spontaneous outburst
of an enlightened universe
as if it had just broken through
to the other side
of its own koan
like an iron cosmic egg.
Like a Rinzai master shouting Katsu!
and throwing down his horse-hair hossu.
Like me sitting here
in the middle of a small heritage town
without feeling I’m one of the original fieldstones
of the bank across the street.
O the sweet freedom
to let the waters of life
take great liberties with my roots
to let whatever flowers in the wild starfields
hidden in the white darkness of noon
bloom as they will
and whatever comes to fruition fall
like the stroke of midnight
beheading the clock on the wall
so Cinderella
doesn’t have to hurry home from the ball.
Not to be.
Not to see.
Not to do anything
that wasn’t already done in the first place
and all the bonds that baffled the dawn
with too many horizons to overcome
undo themselves like vapour trails in the sunset
and I’m as free as space
to be ubiquitiously anywhere at once.
I don’t need to eat through the bone of one leg
caught in a trapline
to free the other.
I don’t have to go mad
trying to kill myself
to save myself from death.
I don’t have to be shamed by mirrors
that bear false witness
against my own reflection.
I can look at my own face
and casually ruminate
about whether it matters
that either of us is here or not.
I can be lead astray by poems
that come on like gold rushs
but end in lead
like the philosopher’s stone
and still be intrigued by the passion
of getting there
without worrying about
finding my way back alone.
Inside every man of great renown
is a frustrated clown
that takes him far too seriously.
I have laboured like an ox
to keep grinding out starwheat
on the millstone of the daily grind
but comes a time
when you sit down on the ground
among the grain and the chaff
exhausted by your fruitless attempt
to turn your mind
into loaves and fishs for the multitudes
and have a good laugh
at your own expense
when you see how few people
are truly hungry enough to eat.
How many are dying of thirst
beside a freshwater lake.
Open your mouth and eat.
Roll over and drink.
And go read Eccclesiastes
if you want to know why.
Mithras Tauroctonus the bull-killer
can put all the horns on the silo he wants
like the first and last crescents of the cornucopias
on a harvest moon.
I’m at large in the zodiac
playing with poppies
as if I were slaying matadors
that flare like scarlet capes in my blood.
Moon.
One.
Sun.
Nothing.
The thistle bristles with swords.
Van Gogh cuts off his own ear
and gives it to a brothel rose
as if that were the only way she could hear
his endearing words
as if that little gesture of the heart
were the beginning of expressionist art
or the artist as mummy
if you stretch your canvases like bandages
and mistaking yourself for a model
paint with them on
to keep your blood
from running into the colours
like a red sky in the morning
that doesn’t give you any warning
though Gaugin was sailor enough to know that
and beat a hasty retreat back to Tahiti.
O sweet freedom
not to have to whitewash
the truth of the graffiti under the bridge
with the genocidal lies of scripture
that paint in blood
with the same brush
they use to sweep whole nations
under the rug.
I kick the empty spraycan of my heart
down the road
like the hollow shell casing
of a losing revolution.
In order to establish
my vision of life
I had to overthrow my eyes
to justify the way I see things.
Been alone so long
it looks like love to me.
I don’t know how else to explain this
to the winners who doubt my word
except I’m a loser in bliss
for reasons you’d find absurd.
Not to have slammed the door in my face
just as it was opening
would have been a complete and utter disgrace
to the people who were waiting to be impressed.
My future’s just another afterlife
that hasn’t been made aware
of my arrival.
Still I have a lot more fun
getting around as a pauper
than I ever did a prince.
I have no interest at all
at dying in line
to inherit a dead man’s office.
I’ve learned to get along
on my insufficiency just fine
by mimicking the appetites
of a self-exiled poetic refugee
with the aristocratic poverty
of an intellectual past
and the emotional life
of the last dynast of my homeless ancestors
none of whom made it this far.
O sweet freedom
not to be related to anything
like the key to someone’s heart
lying in the grass at the side of a road
that no one’s taken in years.
You can answer the call.
You can respond to a summons.
But my calling’s
the falling of mirrors
that have run out of tears
like doorbells
that don’t cry hard enough to be sincere.
Some I smash like a pinata.
Al Capone with a baseball bat.
And others come crashing down like chandeliers
that thought they were better organized
than what appeared to be
a minor uprising
of disordered angry stars.
I take a broom to the cobwebs of the constellations
and sweep their reflections
like bad imitations
of outmoded myths
from the mirror.
I like to keep things clear
between me and the light
so there’s no duplicity in what I see
and no darkness in the night
that can claim to be the ancient shadow
of my spontaneous lucidity
without cooking their fire-bug phoenix
in its own flames.
The fire god comes looking for fire.
But I don’t spend much time
dwelling on the event
like a fire-hydrant in a cathedral
afraid of falling into hell.
I’ve fallen down hilariously drunk
sipping mystic elixirs
from my own skull
as if it were the holy grail
but I’ve never gotten off on
drinking from a bell
that keeps pouring me out on the ground
like bad wine
that didn’t turn into sacred blood.
O sweet freedom
what a treat
not to meet me in my solitude.
Not to lead people
like a starmap
that puts them on the wrong track
so they can learn their own way back
through all the labyrinths and lightyears
they’ve been away
and though they might recognize
the old place as home
it’s not the same threshold,
the doors don’t answer
to their names anymore
and the windows have forgotten their faces
like phases of the moon
that bloomed and passed
like warm breath on cold glass.
I have looked at the stars
and sweetened the night air with wonder
that we both collaborate
in exploring the mystery of our being here
without knowing why.
The question longs
to experience the answer
the way a dancer longs for music
to go with the words
or a painter tries to explain the light
to his eyes.
But not two is the closest anyone can get
to knowing the world from the inside out
and the silence is polyglot
not a universal language
and what it can’t define
it expresses.
Seeing paints its own eyes
on the prow of a lifeboat
that’s been washed out to sea
with nobody in it
and nothing to save
but these endless waves of moonlight
swimming through stone
like ancient hieroglyphs
for water and fish
adrift in a desert of stars.
The intimate personal history
of the mystery in each one of us
the way the same moon
is cherished by every rosary
and millions of lockets of dew
as if it could only be known by you alone
like the absence of a lover far away
that brings you closer together.
Seeing doesn’t belong to the eye
anymore than a house belongs to the hammer
that built it
or the mind
to the starmud foundation stone of the brain
that laid it like a cosmic egg
in a phoenix’ nest.
There’s more to insight than meets the eye.
O sweet freedom
even one of your mirages
is more than enough
to appease the lightning with fireflies.
My feelings have never looked for sanctuary
in a safe heart
because the best place to hide
is out in the open
where the sea doesn’t run from its own weather
and the night isn’t overwhelmed
by a riot of stars
smashing every telescopic lens in sight
like the priest of a false god
with only one eye.
O sweet freedom
to be the only rodeo clown
in the annual funeral march of martyred icons
parading down Gore Street
with a police escort
and red lights screaming
like an ambulance
going through withdrawal
trying to overcome its addiction to poppies.
I breathe time
and burn my fingers in the eternal flame
of my blood playing with a fire it couldn’t put out.
God might not love me yet
not recognizing the genius
of her own work
but that doesn’t mean
I’m any less of a masterpiece
than any of these other jerks
or that I don’t know how
to conduct myself accordingly.
It’s just that you won’t find me
hanging out in a gallery
or behind the cover of a book
with my shirt off
as if that were really
all I had to say.
It’s not a sign of true freedom
if your zodiac is still under house arrest.
Or you’re still sending
that old refrain of madness to school
to learn to sing in the dulcet tones of a lucid voice
on pheaobarbitol.
Success is the quickest way to underwhelm yourself.
Ripeness kicks the stool from under the apple.
Failure has more enduring effects.
A dead tree can lie down longer
like the hull of a ship
than a strong rafter
can stand up
like a mast on the bridge.
You might take matters
like the wheel of birth and death
into your firm hands
and try to weather the storm
like a feather in a hurricane
but the waters of life
still slip through your fingers
like stars and clouds and rain
and your grasp on any rival circumstance
that might threaten your survival.
The dispossessed are freer than those
that are standing in line
waiting for their own arrival.
O sweet freedom
not to send my thoughts out like missionaries
to preach to the dissipated
the importance of staying in focus.
Not to go divining the source of the light
with a prism
that enshrines its Catholic colours
in see-through Protestant glass.
There are no sundogs
under my atheist eyes.
I don’t project what I believe
like an eye-beam on a dark world
and expect to be conceived
like the image of God
as if I was born
the way I appear
from a cracked mirror.
I slip through the fault-lines
on the palms of my hands
like a hero plunging
into a gaping abyss
with legendary decorum
to save Rome from an earthquake in the Forum.
And O sweet freedom
that there’s nothing sacrificial
about taking my own advice not to.
And no disappointed expectations.
Age disappears.
Origin disappears.
End disappears.
Being without disclosure.
Seeing without design.
Emptiness without intent.
No I
or its opposite.
And nowhere a sign
of what someone somewhere once meant.
Less than empty
a measure more than enough
to keep one tiny human heart
as perishable as a strawberry
full to eternity
with the sweetness of life on earth
when there’s no birth
no death
in the taste of the moment.

PATRICK WHITE

WITH FINGERS OF SAND


WITH FINGERS OF SAND

With fingers of sand, with hands of water
with hearts fuller than apples with night,
we reach out to pluck the orchid on the moon,
to touch beauty on the wing,
the coal swan with feathers of flame,
the shadows that wear our face,
the skin of a waterleaf of gold
that evaporates like an eyelid of dust,
the pilgrim on the smoke-road of the candle,
the black panther in an oildrum,
and the vision is blanched from the seeing
like the albumen of an egg,
the albino leper cooked in the mouth of the moon,
we reach out for what exceeds us,
for the dark thresholds of blood
in the palace of the rose,
the vivid windows of the sea
with their curtains of light and salt,
the green chandeliers of the rain,
the hidden excellence of the early wood sorrel
that whispers to us from its solitude,
shy secrets, indigo birds of paradise
with harps of eloquent feathers,
the laments and deadly night shades
of the alone with the alone in a shadowless abyss.

And there’s the predicate of an unexpected jewel
sewn into the lining of everything;
even the flies are touched by rainbows
and the morning lifts her gown
and wades gloriously through the oilslicks,
hummingbirds in the sour trumpets of the weeds,
jungle parrots painting passion fruit
with palettes of stuttering neon,
hard oyster hearts that bed with pearls. Everyone
reveres the beauty of the wine on the lips
of the unsayable quality of being
that supersedes them, a facet of the turning jewel
that falls like the eyelash of an angel,
a winged samara of autumn dusk
into the seeing, and for a moment as long as life
they touch the pulse of an ageless longing
and feel beating within them
in a panic of wonder and joy,
the radiance of the starbound dove
caught in the throat of the chimney.

Even the worst have known the nightsky reach down
and wipe the stains from their eyes,
or felt embraced by a warm summer rain
that polished their skin like heritage silver
and remembered it for the rest of their lives.
For me, the chalice in the ore is you;
for me, you are all lenses, all mirrors
dewed by the waterveils of the mystery
in the early morning dark before creation
begins itself anew. My heart is seized by the fire-trance
of a sacred silence, the word within the word
as if wax suddenly discovered the flame
whose dancing made its flesh melt in a luminous consummation.
Even seared in the igneous cages of my heart,
an iron tiger baring its worn fangs
to the torment of the staring, when I think of you,
a nightbird with gates for wings
brings me a star and a key
and the bars turn into the pillars of palatial winds,
and an openness lies before me that tastes of lilacs and rain.
For years I’ve been witching for water in hell,
for years I’ve been diving for corpses in quicksand,
living like a squall in a shipwreck
under the eyes of a pleading lighthouse,
and the morning was just the morning
and the night was just the night,
and I thought it would go on like this
until I stared myself to death,
believing there was only the suffering
and the emptiness, and the suffering
and the black, mute bells of the wingless seabirds.
Now there’s a planet that gleams like an eye
in the peacock silks of the twilight,
and a woman standing in the last shadows of the willow
like a doorway, like a ghost on a wharf,
like the depths of an urgent spear.

PATRICK WHITE

Monday, February 13, 2012

IN YOU


IN YOU

In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon’s dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single drop of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can’t be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn’t in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.

PATRICK WHITE

WHEN YOU LOOK AT A STAR


WHEN YOU LOOK AT A STAR

When you look at a star
can you see
how the night leaves
the intimate doors
of intuitive eventuality ajar?
I’m all future with a prophetic past.
Aviomantic signs of liberated doves.
So many lifespans in a single moment.
How many light-years to the nearest star?
And how many shadows back?
Trying to say the inexpressible in words is like
to trying to thaw a snowstorm
on the tip of your tongue
flake by flake syllabically
or trying to explain bubbles to a glacier
in a momentary suspension of disbelief.
When you look at a star
do you see
that’s it’s you
that’s shining up that far
and it’s you down here
receiving your own light back like a ball
you made of your childhood
and threw up in the air
like a celestial sphere
when you had
all the time in the world
to come back and catch it later?
And as I grew older
not waiting for it to come back down
I learned to play vertical pool with the stars
to move things around
that were once considered fixed.
When you look at a star
if you want to clear the table
if you want to make the longshot
if you want to change the birthmark of misfortune
into an upturned elephant trunk of good luck
you have to chalk the cue with your skull.
But I ask you earnestly
if no one’s ever failed their death
is it probable
anyone’s ever failed their life
despite what their tears and fears have told them
about where they’ve ended up?
But a good beginning doesn’t lead to a good end
because a good beginning never stops.
A good beginning is without conclusion.
It doesn’t need to look beyond itself
because nothing’s missing from the very start.
When you look at a star
do you see the ancient wisdom
in a child’s heart
do you feel the depth
of all the eyes that have looked at it before
with longing wonder and sorrow
asking you to give them some direction
by adding yourself like another dimension to the past?
Is there a firefly of human suffering
mingled in the shining?
A window makes a better starmap
than a ten inch mirror
in a Schmidt-Cassegrain reflecting telescope
on an equatorial mount with clock drive
following them around like paparazzi
but when the stars want to know
where they’re at
it’s your eyes they parallax
at both ends
of the wingspan of your orbit.
It’s your seeing that gives them a fix.
The same eye by which I see God
is the eye by which God sees me.
It’s the same with everything
from fireflies to supernovas.
The donkey looks into the well.
The well looks back at the donkey.
Tat tvam asi.
You are that.
The lampshade and the blue parrot.
The donkey and the carrot.
When you look at a star
do you dress your destiny up
in hand-me-down constellations
like clothes you’ll grow into one day
or do you wear them like patchs on myths
you’re trying to give up
about how rough it’s been
to be chosen beauty queen
and bear the diamond tiara of the Pleiades
like the Northern Crown?
When you look at a star
is it the chip of a broken mirror
the plinth of a shattered chandelier
the Holy Ghost of fireflies
a fire-womb of immaculate fusions
that bear the transgender features
of their ancestral elements
like Abrahamic hydrogen?
A burning bush
in the valley of Tuwa
that eventually talks itself out like a candle
when the conversation begins to harden
like an auditory hallucination
into a puddle
of earwax shadows and wicks?
Or do you discern something more
you can’t quite put your finger on
or point to
not a presence
but there
an absence
but everywhere
and you standing there
like this tiny insight
with the precipitous extremeties
of a human being
trying to discover your own nature
in the inexplicability of all that shining
wondering if the rumours of awareness
the universe has been spreading about you
are true or not?
When you look at a star
have you ever thought
if mass is energy
maybe matter is mind
and thinking of one
as something that has to get over the other
is like expecting a wave to transcend water?
Light and lamp.
Body and mind.
Not one of two
but two in one
and even that’s one too much.
The flower opens
in the light of the sun
like a kiss on the eyelid
and the sun blooms
as if it had a crush on the flower.
When you look at a star
can you feel how the light
touchs your eyes as gently as a butterfly
as if all the eyelashs you’ve lost in a lifetime
like the ribbing of broken kites
or the spokes of a bike
or the straws of overworked brooms
had come back to you
as a living thing
with antennae legs and wings?
Have you ever looked at a star
and wondered how far away it would be
if you were to measure the distance in thought-years?
And such a small thing the mind
a child’s hand
and yet within its grasp
all that mass black matter energy light space time?
How could you fit
all those cosmic immensities
and the abyss that contains them
into such a small place
if they weren’t your own ideas?
When you look at a star
do you ever get the feeling
you’re swimming through your own gene-pool
your own meme pool
the Pierian spring
where it meets the sea
at the bottom of your mountain mindstream?
When you look at a star
do you ever turn the light around
and look into yourself
through its eyes
and realize
you’ve been communing with your own reflection
inconceivably
for billions of years
and that little insight
is the cosmic light of awareness
that fills the night with everything that is
when is is not the opposite of is not
and there’s no separation in the first atom
between thought life light mind matter and form
and the lion lies down with the lamb
and the old woman says she is not old
and the sparrow lays her egg in the serpent’s coil
and the old man who has seen everything says
my eyes are as young now
as you were back then
and your beauty is today?
When I was a boy
growing up in a garbage can
like a diamond in the rough
everyone wanted to cut
and buff the edges off
to polish me like a lens
so everybody could see how focused I was
when I looked up at the stars
from the bottom of a spent wishing well
where you could see them even during the day.
Though I was taught
they were responsible for my fate
and I should blame them for what I am
and not the black dwarfs of hate
who perverted the space around me
like slumlords
until even the buds of the flowers
were white as the knuckles of clenched fists
I never thought for a moment
that anything that clean and beautiful
that far away
from the scene of the crime at the time
could ever do anything here
that needed an alibi.
When I looked at the stars
I was enraptured by their mystery.
I was exalted by their unattainability
and the age of the silence
that surrounded their fires
knowing they’ve burned longer
than the light has lived
and seen more
than their eyes can forgive
of human life on the planet.
And the greatest agony of my childhood
from seven till ten
such that I would weep
my bitterness to sleep every night
like a child abandoned to a hospital
was that I was born way too early
to get to Aldebaran.
When I looked at a star
I didn’t gape like a telescope
into the depths of its utter solitude
but looked upon it like a far intimacy
I could draw near
until I could feel it breathing like silver
all over the mirror
that was as clear
as any dark spear
that ever wounded a mystic with bliss.
Strange whisperings of exiled sages
pouring stories of home
into a young boy’s ear
like my mother used to talk about
her childhood in Queensland
as if she were in the Garden of Eden.
When I looked at a star
and listened to its picture-music
I was so deeply moved
by the beauty and sadness of the song
like inspiration in utter solitude
I went into exile with it here
and it was my blossom
no wind could blow away
and it was my root
in the starmud
nothing could pull up
and throw away.
When I looked at a star
I was enthralled
by the dispassionate attachment
and creative dynamic
that burned me like a sacrificial heretic
in the ice of inspiration.
I could forget the small orbit
of house arrest
that a circumstantial planet
had affixed like an electronic anklet around my leg
for being born unforgivably poor.
When I looked at a star
it was as if the flightfeather
of a bluewhite fire bird
landed on the windowsill of my cell
to take pity on me
and share its freedom
with someone living in a cage.
When I looked at a star
it was the synteretic spark
I sent out like a dove from the ark
with two of every mind
in the zodiac aboard
after forty days of flood
to look for Atlantis
like the next best thing
to Mt. Ararat or Cathay.
It was the angel that always looked back
with the same mystic fury in its eyes
that were in mine
when I looked up.
When I looked at a star
I could prognosticate the future
like the distant memory
of someone returning to their origins
waking up from exile
to discover it wasn’t a dream.
You can tell by the way a star
flashs like a panicked chameleon
on the event horizon of a blackhole
things are what they seem
when you’re peering through atmospheres
with tears in your eyes.
I used to make telescopes when I was young.
I would grind their pyrex eyes
with ever finer grades of carborundum
until they could see just right.
I shaped their fibre-glass bodies
until they were as smooth as a woman’s skin.
And I took them out into the open fields naked
far beyond the intrusions of the city lights
and exposed them to the stars
who revered them like clear-eyed mirrors
and adorned one with leaves
and the other with sidereal veils
and said like the elders
and old midwives of an Ojibway tribe
when they name the newborn.
This one shall be called Eve.
And this one Isis.
And to celebrate their birth
opened a third eye
and said
as it is on earth
it shall not be in the sky.

PATRICK WHITE