Thursday, February 9, 2012

HE KEPT SAYING TO HIMSELF


HE KEPT SAYING TO HIMSELF

He kept saying to himself
it’s not that hard to know the truth.
The truth is what you see
when there’s no one else there
to witness you witnessing it.
When your nakedness lets you be you
without worrying too much
about who that is.
He kept saying to himself
the truth is the infinite elaboration
of an archetypal fractal.
Keep it simple and austere.
The truth is a subatomic shapeshifter.
When you look at it it acts like a particle.
Turn away and it’s a wavelength beyond comprehension.
The swords of the cannoneer cattails
banged on him like a shield in passing
as he covered his eyes
to bull his way through the underbrush
heaving his mud-caked legs
over the hurtles of the fallen birches.
What animal ever moved
with as much clamour and damage as this
as it nosed it way along the soft lake shore at dusk?
He kept saying to himself
since when has the silence
ever needed anyone to speak up on its behalf?
What idiot spreads a starmap out on a table
to show space where it’s located
or tell time what hour it is
though neither of them have asked?
He kept saying to himself
like a swamp that reeks of enlightenment
now watch where you step
as he monkeyed himself up
a jawbone of grey rocks
to a thin pate of yellow grass
that looked as if someone
had bleached their hair too much.
He kept saying to himself
as he lay upon his side on the ground
and watched the wavelets on the lake making jewellery
and spotted the two great blue herons
on the far shore
standing like gatekeepers
among the dishevelled palisade
of dead trees with its stakes all askew
like an abandoned Iroquois village
that was content to forget what it knew of pain in silence;
he kept saying to himself
because his thoughts were as inter-reflective
as sky and water
nothing needs to be here
none of this
not the herons the lake or me
and yet here we are large as life
each facilitating the other’s interdependent origination
whether we like it understand it embrace it or not
everyone’s the matrix of everyone else.
The waters of life have made a waterclock of the womb
and the day we stop being born
is just a short bridge of water away
from the next bucket of being
that pulls us like a rabbit
out of the top hat of a wishing well.
His eyes tweaked by the occasional glimpse
of the silver eyelash of a star
in the blue-green sheen of the peacock air
breaking through the Persian silks of the sky
as the sun goes down with Venus in its wake
he kept saying to himself
it’s all picture-music without meaning
you can hear in your blood
with your eyes
at your fingertips
on the nape of your neck
like the breath of a friend
or the breathless scent of an enemy
who’s finally caught up with you
like loveletters and death threats from the past
that forgot what they were going to say
when they were given a chance to speak.
He kept saying to himself
as he watched the aerial ballet of swallows and bats
swooping down low over the water
through the starclusters of frenzied gnats in ecstasy
over their fifteen minutes of fame in the after light of the sun
bleeding out on the horizon
what could it add to their bliss
if everyone of them were to have a star named after them?
He lingered in the ruthless beauty
of the spontaneous inconsequence of all this
and felt even less employed than they
as a witness who wasn’t called upon
to provide an alibi
for his awareness of the creative liberties
and impersonal risks life takes with itself
like an isolated imagination
with no more motive or purpose
than the wind when it plays
with the waves and the leaves
and taunts the the autumn willows
to drop their veils
like rotten curtains
blowing ghosts out the windows
of an abandoned one room schoolhouse.
Nothing to learn.
Nothing to teach.
Nothing to conceal or reveal.
No paradigms of spontaneity
out of reach of the mind
that grasps at them
like air and light and water
he kept saying to himself
as he felt the darkness
alert his eyes to a deeper vigilance
opportunistically alive in the woods
watching the anomaly of his presence here
from deep within
like a snapping turtle looking up at waterbirds
like a pair of wire-cutters
sticking out of a tool box
at a no trespassing sign in peril
of taking its purple passage too literally
to heed its own warning to drop everything
and take to the air
before it’s pulled down under
like Cygnus into the starmud of the cosmic Id.
Here self-reflection comes to die
like a third eye in a graveyard of mirrors
that can no longer recognize their own seeing
in whatever appears before them
as the unlikely similitude of a sentient being.
He kept telling himself
you can’t raise a phoenix out of a sumac
when its flightfeathers are falling all around you
like Icarus out of the sun
and expect to find your way out of here
by asking a fire pit of ashes and smoke
how far to the next manger
with a star overhead
before it gets too dark to see where you’re going.
He rose to his feet
as if they had somewhere else to go
and followed a deer path up
through a thicket of excruciating hawthorn
that raked his skin like the needles of old record players
screeching across all 78 rpms of the celestial spheres
trying to torture the truth out of him
like petty inquisitors who had all the right answers
to a man who had forfeited his soul
for the courage to ask all the wrong questions
as he kept saying to himself
as if he were standing in front of a mirror
and not by the shore of a lake
if you take the dark glass away from your eye
everything will become clear as night.
If you take the dark glass away from your eye
everything will become clear as night.
He saw the Summer Triangle capsizing in the west
and the Pleiades like a profusion of insights
at the tail end of Perseus
holding the Medusa’s severed head
up to the mobs of enlightened ghouls
gawking in in a bliss of bloodlust
to discover that the light
was no less heartless than the dark
when it comes to blooding its abstractions.
He walked through constellations of spiderwebs
the sun had moved out of
like a jewel out of the house of a dreamcatcher
so far beyond repair
it forgot timing was as important as content
and expired like an out of date calendar
with nothing left to celebrate.
And he kept saying to himself
nothing lasts forever
not even time
and there are holes in the nets
the Circlet of the Western Fish could swim through
like hanged men who fell through a noose
toward paradise
as easily as threading their blood
through the eye of a needle.
No more rites of passage.
No more luminous renewals.
No more transits of nadir and zenith
in chains forged from unlucky horseshoes
or the triumphal wreaths of olive emperors.
The feast of life a mere table of contents
after a long prelude of taboos
that weren’t worth the menus they were written on
once the real dragons were sedated in zoos.
The trespassers not up to their own temptations
and even the great desecrators and idol slayers
indifferent to their salvation through sin
just so many snakes sewn into a bag
and drowned in the river with Rasputin.
And rarer still that atrocity
that can trouble a child’s dreams
who lullabies a voodoo doll to sleep in her arms at night
because today’s passive victim
is tomorrow’s active participant.
He heard the chronic lapping of bare-footed waves
stubbing their toes on the rocks below
when they tried to walk across the lake without a lifeboat
and went down with all hands aboard
and he kept saying to himself
when the wind dies down
only horses and slaves are drowned in the doldrums
and the rest are left to endure their grim continuance
watching their sails wither like waterlilies at anchor
moored to the docks of an empty-handed port
like a return voyage that never left home.
And he kept on saying to himself
be a good explorer and mount
a northwest expedition through death.
Grind your way out of here if you must
like the visionary glacier that once
gouged out the eye-sockets of these lakes
as if they were milling starwheat on stone.
And let the tears you’ve shed
to absolve yourself of yourself
he kept on saying to himself
over the course of a lifetime thaw and gather here
so that the crow the beaver the muskrat
the shrew the mole the bear the deer the bush wolf
the pike the trout and the small-mouthed bass
can drink from their own reflections
as they appear and disappear in your eyes.
And let the Algonquian women beat the wild rice
into their laps and the prows of their birch bark canoes
under a full moon that buffs their stealth with laughter
ride low in the water with the bounty of life.
As he pulled his foot out of the cleft of a root
and regained his balance
by putting all his weight on the other
like a heron when it’s spear fishing on the moon
he kept on saying to himself
you don’t have to go as far as the stars
to discover the origin of everything
when fireflies are a lot closer to home
and their light is infinitely more intimate.
A fish jumps at the stars
as he makes a path of least resistance
through the junipers and basswood trees
and the lake dilates with ripples
like a mind at peace with itself.
Dark energy accelerates his eyes
at the same velocity as the expanding universe
and looking into the starless voids ahead
he keeps saying to himself
one more insight one more insight
one insight more
like Venus in the dawn
and everything will break into light
like gold pouring out of dark ore
like life sprouting out of a dead stump
like a nightbird with a wounded song
falling like a feather of feeling
out of the immensities it encompasses
within its wingspan
as if that alone were enough
to tip the scales of life and death in its favour.
He steps into a clearing like a red-tailed hawk
into the eye of a storm
where some unknown local
had planted a secret garden years ago
that had gone on growing without them
far off the gravel road where the cars
growled by like bears
and no one could see it
and he keeps on saying to himself
if I’m not meant to be here
even in this happenstantial kind of way
for whom did these flowers bloom
and these rocks flint knapped from the Canadian Shield
be gathered here like Stonehenge
so that time could sacrifice its virginity
to the spring equinox
and the last of the wild geese high overhead
returning the souls of the dead
like water to its watershed
and the swallows and Monarch butterflies
who paused here to add their inflections to the palette
know what hour it is?
A billion pine needles
from as many lost compasses and clocks
softens the ground he walks on
and pungently greens the air
with the fragrance of thick dolorous tears
running down the bark of old love affairs
that never stopped bleeding out.
And there the New England asters
who batted their violet eyelashes
at the stars all summer long
to catch their attention
hags of the last frost that killed them
like the cold shoulder of a disinterested universe.
And he keeps saying to himself
like a mantra under the duff of his heart
it doesn’t matter whose ghost
was meant to be summoned to this stranger’s garden
like the memory of some cherished intimacy
long past the point of no return
slipped under the door
that’s hinged like the earth is to the sun
to our exits and entrances
like a parting note of farewell
as profoundly poignant as autumn in passing;
all that matters is that someone anyone
however lost or overwhelmed by despair
however helpless or alone
however far from the nearest fire
makes their way through the dark
to a moonlit clearing in the woods
just to sit by a secret garden of their own
and watching their breath
like a wraith on the cold night air
answer it like a prayer
that went off into the unknown
like a thread of smoke from a dying candle
without appealing to the stars for anything.
Just to sit there without saying anything
no razor to your wrist
no complaint
no prophet in your belly
no spiritual lost and founds
looking for the lost innocence
of their missing children
no protest
no surrender
no serpent fire
burning up the ladders of your spine
until you’re frantic with the crazy wisdom
of realizing how much you can’t
and you’re looking for water on the moon
to quench your fever for life
no rejections or rendezvous
with fire-sprites or witchy manitous
no reason to be here
no reason you’re not
the silence not expecting a response
and the sound of life on the nightshift
while everyone else sleeps
and only a solitary watchman
to shine the occasional light
through the windows of their dreams
where what is and what appears to be
is reflected on both sides of the same translucency.
No muse to inspire an elegy to an unknown human
as if the earth itself weren’t enough of a headstone
to lay your head down upon
and listen to the deep underground voices of the dead
rooted in a garden that outgrew its sorrows
like the blood of a wild rose
left untempted in the wilderness
transcends its thorns with the beauty of a wound
that only a human exalted
by the spearhead of the same event
that humbles him to death
could suffer and celebrate in the same breath.
No mixed passions of starmud
that slip like Indian paintbrush and chicory
out of the palms of our hands
when the painter falls asleep
and the landscape finishes itself.
Just this small gesture of a shrine
this tiny enclosure of the heart
to some foregone human divinity
that once made it shine
like enamel buttercups
and scarlet columbine
tinkling in the spring rain
like wind chimes above the moss.
The ululations of a delinquent loon
couldn’t make the night feel
any more lonely than it already was
as he kept saying to himself
real not real
life is art.
Art is life.
The reality of delusion is art.
The delusion of reality is life.
There are toys in the wrack
of the worst catastrophes of life
and serial killers in the toy boxes of art.
You make it up like trout lilies and loosestrife
as you flow along with your own mindstream
like a leaf on the theme of your heart
whether you’re falling
into billions of individual degrees of separation
and the strong rope you were trying to climb up to heaven
frays on the edge of the world
into a million weak threads
of monadic drops of lonely water
working out the lyrics to go with the music
like wild irises in a secret garden that’s gone to seed.
Or you’re weeping like a chandelier
whose candles have gone out in a palace of light.
Or you’re the free-spirited genius of rain
the dispirited wizard of a starless night
or the nymph phase of a waterlily on the moon that died young
as the man said of the things
he just couldn’t keep to himself.
The mind is an artist.
Able to paint the worlds.
As someone here once saw something
that inspired them to paint
this prolifically sad human heartscape
like a bouquet of local wildflowers
and when they were done
and their eyes had gone with the light
from their vision of life
where a black sun always shines at midnight
and sets at dawn
left this palette of complementary emotions
like the fire pit of a phoenix
that’s flown south for the winter
with the spirit of the autumn leaves
that leaves us alone in a place like this
to add a few touches of our own.
Less blue in our longing for death.
More moon in the auras of life
and over there where
the ruby-throated hummingbirds
added their highlights like whole notes
to the picture-music of the wild grapevines
a deeper more loving delirium of stars
like the royal jewels of the underworld
inspired by the darkest muses
that ever shone a light
into the depths of the night in the eyes
of this most human of mysteries
burning in the crowns of the disrobed trees.

PATRICK WHITE

WHAT I WANTED TO SHOW YOU


WHAT I WANTED TO SHOW YOU

What I wanted to show you,
you will not see.
What I wanted to give you,
you will not receive.
The wind may mourn your passing
like an abandoned dog
and the leaves of the silver Russian olive
may be baffled into silver
by the way you left the gate open
to a bigger, colder, darker world than it was
before you told me you loved me
like an arsonist in a wheat field,
a comet above the willow tree
that wept its way into autumn.
Go. I lay no claims or obligations
at your feet anymore than I would
try to smudge space
with the black rose of the night
that tastes of old eclipses in my blood.
You say ebulliently
you want to know passionately
the depths of love,
but like the fools before you
who blundered into the fire,
you’re only witching for volcanoes
with the tongue of a snake.
As well look for fishroads
under the dead seas of the moon
as follow the path you’re on.
And your beauty is no excuse,
your body no sanctuary,
your blackberry heart
no pilgrim to anywhere
you can’t stand in the light
trying on shadows like lingerie
in the mirror of the delusions
you’ve clarified like the skin of a bubble
that has smeared the reflection of the world so long
you think you’re a planet with trees.
You’re a spiritual junkie
jonesing for suffusions of the inconceivable
to animate the dust and galaxies
you have no life or love to breathe into
other than that little wind
you carry around in a bottle
in case you’re ever stranded
without an emergency exit
from all the lies you tell in paradise.
You suffer the mythically inflated gigantism
of your own unbearable insignificance,
and abase yourself prophetically
before the mountain of your own lostness,
hoping for a map
of your wandering in stone
that would authorize your confusion
as holier than the rest.
Lonely for converts,
you tell me I’m sure of heaven.
Just as lonely I reply
if someone like me
were to show up in heaven,
it couldn’t be much of place to aspire to
and how could the blessed
not feel cheated?
But you don’t get it;
you really don’t understand
that life isn’t an auditon of angels
and the black cartoon
you’ve made of yourself
to win a feather
isn’t a prelude
to the main feature
when the lights go out
and the ushers
who conducted the dead to their seats
evaporate in the aisles
and you upstage the movie
with your nakedness
as if God couldn’t see
the snake-flute of your body
dancing with serpents in the dark.
Lust alone would have been enough
to keep us together
but waking from your dream
of forbidden undertows,
washed ashore again
on your oracular island,
you kept trying to weld the right light
to the wrong shadow,
and eventually
even the most exotic futility grows boring.
You dipped the stone-flaked arrowhead
of your aboriginal heart
in the toxic fires of your own undoing
and pointing it at mine
tried to deceive yourself into a direction.
And now you want,
now you long,
now you want to come back
and immerse yourself in the life
you once stepped over
like a drunk asleep on the sidewalk.
You’ve suffered and grown,
you’ve wept and derived humility
from irreparable loss;
you’ve trembled before
the first, terrible intimations of the vastness
of the sky in your heart
like the virgin flight of a lost bird,
and you want to be given another chance,
to surrender yourself at the gate
you once walked through backwards
so enamoured were you of your shadow.
And you promise the river your tears,
the moon your scars, me
the rarest of your orchids in the night.
But when I ask you
what the drunk was dreaming
you still look blankly around the room
as if everything in existence
were merely the baffled clue to your beauty
and the answer
something black and revealing that clings.
You still can’t imagine
how easy it is
to say no to you.

PATRICK WHITE

Wednesday, February 8, 2012

WHAT I WOULD SAY TO YOU


WHAT I WOULD SAY TO YOU

What I would say to you if you were near,
if this definitive namelessless that walks me down to the river
to add my tears to the flowing, to sit on my rock
and stare at my self in reverse on a throne of water
enrobed in my star-dazzled solitude, setting fire
to poems I never wanted to own,
every burning lily of paper floating away
like another crown I’ve set free
from this domain of air and shadows
to seek its own regency, its own unknowable moment of shining,
weren’t the eyeless oblivion that engendered us both;
I would say to you in the pyres and the petals
of these wild wounded swans, in the black down and ash
of these exorcised ghosts, in the dream wakes
of these poems that confess their love to the flames
with every exhalation, with every feather of smoke
gone to smudge the sky of the stars that brought them here
in the form of a man, I would say,
it was always the hive of your silence
that was the fairest likeness of you, the bluest honey
rarer than night, I’ve ever tasted.
And I’d try not to talk too much,
letting the fish jump for the two of us,
and the winged serpents of the luminosity slip away
like things not said into the water
and I’d draw you in under the bough of my arm
that was never much of a yoke
as if you were the fruit of an astounded tree,
and hold you a long time in the vastness
before I turned to kiss you for everything
and fall down back into the silver grass
to make love to you on the moon.
And you in my arms again, your cheek on my chest
your leg across mine, my hand, a wing of tender caresses,
I would mingle blood and starlight
with the wine of your body and being
like a chalice lying empty by the river
that has brought us both to drink from one another
like the deer that will come out later from the grove
to drink from their own reflections. And gestures of life and death
would flutter through me like the red-winged blackbirds
among the scepters of the cattails,
and I’d want to thank and accuse the incomprehensible sky
for this night of being human long enough
to understand its brevity is its beauty
and its brevity goes on forever like you and I,
burnt poems, wounded swans, lovers, indelibly.
Life is suggested to us, never proclaimed,
like the course of the river, as the limbs of the fallen oak
look as if they’re trying to swim, and one poem
more enduring than the rest,
floats downstream under a frozen elbow
raised to take the next stroke,
and with a final flare as it comes to the end of itself
levitates up into the air and disappears like a buddha
into the absolute perfect emptiness of an enlightenment
that grasps at nothing. Form
is emptiness; emptiness is form, and the poem
had a good death I suppose as a lifeboat in flames,
and though you’re not with me now,
we’ve never been apart, as the shadow of an unknown bird
lands on the water, and then another,
and I think of them as you and I
arriving somewhere together out of the sky and the night
and the bright vacancy
between the sidereal knots
in the nets of the constellations, to drift among the stars awhile
weary of flying, two poems back from the dead.

And I wonder what love is, knowing
love is I wonder what love is,
as the fireflies flash their assent,
and the cars pass in the distance on highbeam,
and the frogs spring away from their flints. And I come here
as much for the island that spreads the stream
into the waterlegs of a woman
like the orchid of her sex, as to be alone with myself
like a wharf deeply saddened by a thousand farewells,
to launch my fleet of poems
like the blossoms of the abandoned orchard on the far bank.
I like being a child alone on the shores of things,
turning the stones over, lost like a fragrance
among the whispering flowers, ruling my loneliness like a stick,.
and I’ve always asked questions no one could answer,
awed by the fact of being here at all
under stars I can name like personal friends, but here,
everything’s got a mouth of its own to answer,
and the answers seem more timeless for being left unsaid.

And I’m never as old by these waters
as I am anywhere else, and the dusty apricot of the moon
you told me to watch as you would
is always so much more on this undulant black mirror
than a window will ever be able to say to a man at a desk.
There’s a birch and three willows
and the third of the three is you
dipping your hair in the water
as if you were trying to root in glass.
And it’s no surprise to know you know how
to drink the whole river in a single gulp
and swallow a whole star with your eyes
in a single glimmer
the way a solitary drop of water
at the tip of the tongue of the stargrass
entirely fits the entire skin of the sky
because I already know how you can consume the whole of me
from the nightsong in the flight of the bird in my voice
and from a single hair of your head,
or the eyelash on your cheek
that is all that separates us now,
from the ashes on the last breath of a single burning poem,
so I can be here with you as I have always been
on the other side of death
where everything in creation
above and below this river of night,
from the furthest galaxy
to the dragonfly on my right
is expanding like a lily of fire into us,
as if we were the emptiness that receives the light.
So it’s easy to know where it’s all going;
releasing these little fire-boats on the stream,
raising themselves up like the breathless flowers of a dream
rooted in the infinite depths of the knowing,
it’s always, like birds and stars and fish
been flowing into us.

PATRICK WHITE

WERE THERE STARS


WERE THERE STARS

Were there stars in your hair that night?
I cannot remember,
so taken with your face
and the mystery and the silence and the sorrow
of the tender bell in your eyes
that could summon ghosts
of yesterday’s embodiments to the fire
of any passion that lost itself prophetically
at a rave of shadows among the trees.
You eased out of your wardrobe of rivers
like a snake on the moon
sloughing its skin like the eclipse
of a far more vulnerable shining,
and I couldn’t tell if you were
a doe or a lynx
stepping out of the alder groves warily
to lap the moonlight
that flaked the shore
with the silver petals of an undulant rose
older and darker than night blood.
I could feel the danger within you,
the abyss of the early grave
that waited for you like a key
to come in out of the pain
that bled you like a shadow
pouring out of an open wound
that whispered to you like a secret scream
only the dead who owned you could hear.
Your hunger desperately sought salvation
from the eyes
that pleaded with you
to blow yourself out like a candle,
cancel the inevitability of your suffering
with the shudder and sigh of sex.
We lay down naked together
by the willow-stained waters
in that summer of flesh
and sought oblivion from each other
like two compatible cremations
that concealed a ravenous phoenix
ending its fast of fire.
Purified by the depth and darkness
of your intensities,
I burned in you
and felt the flames
of a dangerous angel
who had broken her afterlife like a curfew
flow over me
like dawn at a keyboard of feathers.
Your breasts still come up overnight
like supple mushrooms against my chest
and the moist heat of your mouth
throbbing with flowers like July
as you seized your joy
from the agony of the roots you tormented
to give up their dead
like bruised cherries.
I have never died as fully since
at the insistence
of any woman’s appetite
nor known a night so final,
so brutal with time and beauty
as the pendulous moon swung
like an executioner’s ax
over the nape of its own reflection
swanning on the waters.
We made love as if
we were both defying
the truth we didn’t need to say.
I wanted to plead with you,
I wanted to call out into your emptiness
like a beseeching bird
disappearing into a dark valley,
but my voice ran ahead of its echo like light
and the things I would have asked you
not to do
had already been achieved.
Heroin, your asp,
at the funeral I stood back
beyond the baffled wreaths of flowers
and the ambivalent silence
of the modest gathering that mourned you,
maculate in the shadows
of the Japanese plum tree
we once made love under
and I kissed the rose of your blood
shedding in mine
like a wound
my love was never sword enough to heal
as they closed
and boarded you over like a well.
I spent the night like an empty vase
beside your grave
until the stars that bloomed above you like wildflowers
thawed my tears in the morning light.
I walked out of the cemetery
through the hard harps and spears
of its iron gates
and I have never been back.
The years since have been
chameleonic as a hooker
who plys her art
on the stairs of a temple
even the priests of my lust
are forbidden to enter,
but as you said I would
as you lay with me that night
like a knife beside the sea,
I have returned to you over and over again
like a witching wand
looking for water in hell,
like a cult of one to a lost island
that holds you like a secret
and wept like a candle of honey
in the dark hive of your unanswerable silence,
intoning the names
of an impossible god
on a rosary of black suns
until my heart hangs like a bell
dumb with grief
looking up at the stars
you rinsed like a tide from your hair.
And I lean on the crutch and the crook
of a shepherd’s question,
looking everywhere for you
like the wind
sweeping the shadows of fireflies
like the fall of hair from your eyes
that night you tore yourself away from me
like a veil of blood and sorrows
wounded by the terrible light
of the black pearl
that ripened within you like the skull
of a full eclipse.
O my poor, broken angel,
you might have been fat and frumpy by now
if you had lived.
I could have watched your beauty
shed like the moon over the years,
and smile like an island
to remember how lost I was in your tides once,
a constellation of starfish
tumbled like dice in your dark undertow,
trying to shine, god, how
I tried to shine for you, how
I ached to embrace your planet safely
in the mandala of an empowering radiance
that could show you
I was worth living for
if nothing else.
Given the freedom
of the emptiness that engulfed us both,
we could have lived within each other,
we could have evolved our own atmospheres,
appointed our own stars,
written our own myths of origin
on the black pages of that journal of skies
where you scribbled down the events
of your pre-emptive afterlife
as if you wanted to make your ghost indelible.
As it was, the only thing I could do,
was take you in
like the last breath of a summer night
I could never let go of
without following it
like a shadow of you into death.
I haven’t wished for much over the years,
and the dreams have come and gone as they will,
and my hair has gone gray
and my eyes are looped like powerlines
and the sad bells of a heavy solitude
that has yoked me to the grindstone of the turning world
to mill the stars like a tide
on the blood wheel of a worn heart.
I finally burned and broke all the weeping mirrors
I consulted like half-assed mediums
to see if I could restore you somehow
to the more intimate shining of that last night
you turned and ran back,
your shoes in your hand,
to make sure your final kiss would endure like a temple.
You pitied the agony of shapeshifting
you knew the black water ahead
was about to go through
as it smashed like goblets and crystal chandeliers
on the roaring skulls of the rocks.
You pitied me because you knew I loved you,
because you knew you were already
a future memory
and I was a prophecy from the past
that had ridden beyond itself like light
to illuminate nothing but your absence
measured in the filaments and lifelines
of eyeless oceans
like a seabird
circling a blind lighthouse on the moon.

PATRICK WHITE