Saturday, September 25, 2010

ONE NATION EATING ANOTHER

ONE NATION EATING ANOTHER

 

One nation eating another.

One people eliminating another

like a medieval column of red meat-eating army ants.

The right hand is at war with the left.

Though they both share a common vision

of their dark mother

one eye hates the other.

Is this Cain?

Is this Abel?

One brings meat.

The other brings vegetables to the table.

What kind of God loves one better than the other?

Jesus liked fish

and Muhammad liked dates

and Moses wasn’t into seafood.

Which one do you think smelled sweetest to God?

The Buddha who could get by for a long time on nothing?

Or the fanatical atheists

who don’t care what they eat

as long as it’s secular

not kosher halal or consecrated?

The new Eve theory of evolution says

we all come from

between one

and a thousand mothers

in East Africa

about five and a half million years ago.

She taught us to sweat when we run

so we could hunt animals at noon

when they had to stop

and catch their breath in the shade

or die of heat exhaustion.

Now we can kill anything we want

without breaking a sweat

thanks to civilization.

But we haven’t lost track

of where we came from.

The weapons may have evolved

from stones and bones

to sophisticated nuclear missiles

that can read our minds from space

before we do

but we’re still the same troupe

of rabid baboons with painted asses

we always were.

We’re still throwing things at each other

like diseased body parts

over the Persian walls of a Mongol siege

in a biological war

of cocks and balls like hand grenades

pine-apples and potato-mashers

and rifles with sensitive triggers

and collapsible gun-butts

taking out whole families at a single burst

of a phallic weapon

that eats their children

like a male lion taking over

another carnivore’s source of life. 

Ever since Sargon of Agade

introduced imperialism to Mesopotamia

it’s never been enough

just to take their stuff and go back home.

Greed is the mutant norm of hunger.

Power is the vengeful recompense

for sexual incompetence.

It’s important to look at what’s intimate

about cosmic events.

History’s just a screening myth

for a lot of preventable accidents

that came down on their heads

instead of landing on their tails.

O sure the world’s full of good people

as anonymous as oxygen

and as secure in themselves as water.

By their fruits ye shall know them.

Fruits is an old-fashioned word

for market-based commodities

but don’t let the archaic diction fool you

there wouldn’t be any logos in the world today

if it weren’t for this ancient wisdom.

We owe a lot to the people we killed

when they came before us

like genetic pioneers.

This little piggy was chosen.

And this little piggy was not.

And this little piggy thought he was an ubermensh

and goose-stepped all the way home.

The world is the cornerstone

of an insane asylum

having a nervous breakdown.

The raptor’s off its meds.

There are continental fates

like third world nations

in the untimely wombs

of fractured fortune-cookies.

It’s hard to see the stars

because the lights in the windows

are on all night

and no one trusts the darkness anymore

but they’re keeping their distance from us

like one of the freaks of nature

there’s no explanation for

that leads

to the auto-extinction

of an intolerable species.

We’ve grown so bright in our blazing

in our own eyes

we blind the light

that opened them in the first place.

The hard bitter medicine of experience

can’t immunize the child

against the loss of its innocence.

When I think of all the people

who have been threshed by the sword in wars

since the birth of civilization

I am stunned by the abyss

of what I want to know

that I will never be able to ask them

all the answers they might have given

like a cure for cancer

and all those personal questions

that can only be asked by friends

when they’re alone

with everyone in their hearts.

They’re picking up the corpses

of scrawny children in the dawn

like dead starfish

out of their element

and stacking them like cordwood

in the deathcarts that creak

through the backalleys of Calcutta.

Usama bin Ladin

is the reincarnation

of the Old Man of the Mountain

Ogadai and his Mongol hordes

destroyeed in Iran

seven centuries ago

when the assassins

got higher than Al Qaeda

on Afghani poppies

supple as the dancing girls

that keep temptation alive in heaven.

But the worst sin

is to kill people

in the name

of an uninhabitable idea.

The terrorists bow to Allah

in the direction of Mars

not Mecca.

Spiritual purity

is not a racial disinfectant.

The Christians cherish Christ’s wounds

and worship him like scars.

The Jews return home

to Armageddon in Megiddo

and the blue-eyed Texas Bible Belt

anticipates the Last Judgment

that will wipe everybody out

at the Second Coming

because the first didn’t work out so well

like birds that don’t sing in a eucalyptus

because all the bees and beetles and butterflies

that used to tend the blossoms

in the orange groves of their grandfathers

have been eradicated

from the tree of life

like Palestinian villages

that couldn’t adapt

to Israeli bulldozers

whenever a child threw

a stone at a tank

like David at Goliath

three thousand years earlier.

The unified field theory

the oneness of being human

the equality of women

the face you see revealed

wherever you turn

behind the veils of Isis

and the ineffability of God

is the tauhid of Islam

that has no simulacrum

no likeness

no mithal

no comparison

no identity

you can check like a passport.

The minute you say anything about God

she’s the subject of racial profiling.

If she looks like a human

she must be a threat.

The personal history of ignorance

is a private library in a morgue

no one’s had time to read yet.

Data’s not the same thing to knowledge

as a cell is to life

or a star to a galaxy.

What you can see

knows less about the light

than what you can’t.

And getting to know what you can’t

is wisdom.

And wisdom is space.

And space is the ultimate insight.

But nearly fifty years of writing like this

about the world’s horrors

trying to balance

the enormity of my cosmic rage

at a tiny planet

against the little I know of compassion

and I’d have to say from the very first

nothing’s changed

except it’s gotten worse.

I’ve always been stunned

by New England asters

in late September

growing by the sides of long dusty roads

I never mean to come back to

but when I walk over

to take a closer look

just for old time’s sake

I always see the blood of helpless children

splashed all over them.

It kills the mystic in me

stone cold dead

and makes even looking at flowers

a self-indulgence of mine

they can’t afford.

I look at the stars

and even they seem

like a waste of time

for all the years they’ve been shining

indifferently down on nothing

looking for something to relate to.

I look at life

my life

and those of my friends

and those of others just like me

all through history

living on the other side of the street

in the slums of Karachi

in the migrating herds of people

who are hunted like refugees

by rapacious crocodiles waiting in the river

between them and the greener pastures up ahead

after they’re dead and rotten

and the names of their children are said

because they were born

in Darfur

or Detroit

or the Democratic Republic of Congo

as if they were already forgotten

just a moment ago.

I look at the planet

as Pierre Teilhard de Chardin did

and see a sphere of mind enveloping it

like an atmosphere around a marble of starmud

and sense the planet’s waking up to us

like dead brain cells

that couldn’t quite get

the knack of conciousness.

I look at the squalor the ignorance

the starving the torment the war

the atrocities the chaos and destruction

the victims of reptilian viciousness

perpetrating horrors on the innocent

that make you feel

God may be dead

but the demonic’s lost

none of its appeal

to the ghouls around his deathbed.

And I see how much less than insignificant I am

in the grand scheme of things

like a bad dream I can’t wake up from

to do anything more than scream murder

when murder’s being done

to the children

and the people they love

and who love them.

I’m good with words

and I’ve got an excellent education

but that’s where it ends.

I might make a good fire-alarm

lighthouse or air-raid siren

in another life

but in this one

I look upon all those who are dead

because of our lies greed and corruption

because never have so many died

in the course of human endeavour

to feed so few

so much.

I never go to bed

without feeling

I’m forsaking someone somewhere

who could have used my help

if I were a different kind of person

than this one

who is so defamed in his own eyes

by the hungry accusing innocence of the dead

until my heart starts breaking

and a soothing compassionate half-defeated voice

arises like a battered angel

from under the hard stone

where three-quarters of the world

rests its head tonight on a tormented planet

and lays a cool herb of moonlight on my forehead

and says

Patrick

if your heart is breaking

let’s hope it’s bread.

 

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Wednesday, September 22, 2010

MY EYES ARE GETTING BETTER

MY EYES ARE GETTING BETTER

 

My eyes are getting better

as I get older

despite the sunspots

and leggy eclipses

and when I look back

I can see further than I ever did

except it isn’t the light

that illuminates things any more

it’s time

and that’s a whole other palette

with colours of its own

wavelengths faster than light.

When you see things with your eyes

the past may be red deepening into black

and the future a furious white-blue

that pushes the darkness back

a T Tauri star or two

but when you see things

with the whole of your being

it isn’t time that’s passing

it’s you

and it turns out linear perspective isn’t true

and things in the distance aren’t blue

because there are as many farewells

in the foreground

as there are the prophetic yellows

of intimate tomorrows

that haven’t happened yet

way at the back.

Memory isn’t the distilled essence of existence

you can swill in your hand

like a glass of brandy in front of the fireplace

to keep warm when it’s cold outside.

Memory doesn’t drink out of a glass

like sacrificial blood out of a thermometer.

It scoops the moon out of the nightstream

and drinks with both hands.

It revels in its madness

like Li Po’s poetry

not the prose of a vain Narcissus.

It isn’t the pale reflection

of what was once vital.

It walks with those

who haven’t been born yet

as easily as it talks to ghosts

without changing the subject.

I’ve got future memories

I’ve carried around inside myself for years

like the embryos of what’s become of yesterday.

There are sorrows up ahead

I haven’t endured yet

that I’ve already cried for

well in advance of my tears.

Is a river the past

or the future of the sea

and which one’s the prophet

and which one’s the prophecy

that didn’t come to pass?

Does the man head back to the boy he used to be?

A couple of earthquakes

it was hard to stand up to

and the cornerstone of my youth

sank through the quicksand of my maturity

like a California sabre-tooth

that won’t be discovered

until thousands of years from now

when archaeologists start looking

for missing links in the fossils of the truth.

Tomorrow’s late

and yesterday can’t catch up

but the thing that I like best about now

is that it never hesitates

to be where it will when it wants

without worrying about where everyone else is.

At least that’s what I tell myself

when I can’t stop thinking about you

like someone who will never happen again

the way love first said your name

as if a word

were destined

to become more famous

than the voice that said it

like an afterlife

reclaimed from the lost and found.

Where are you now

who came like a deathwish

to the geni in the lamp

of an unknown constellation

who wouldn’t give you what you wanted?

Did you ever forgive me?

Sometimes its more dangerous to be deceived

than it is to be haunted by a truth

you never believed in.

You wanted to live in the moment

as if time were the homogenity of space

and I tried to tell you that it wasn’t midnight everywhere

and somewhere the sun was still shining

but there are some clouds

that prefer shrouds to happy linings

and I don’t remember which one of us died first

but to this day

when anyone rubs me the wrong way

I grant them three curses.

And of the three.

Loving someone unconditionally is the worst.

And neither of the other two

are much better than the first

when you’re asked to decide

between truth and compassion

as if you were tasked

to divide the baby

between two mothers

and you suddenly realize

how hard it is to choose

which one of your eyes to put out

in the name of the other

like a candleflame with a forked tongue

that sees everything

as if it had two shadows

and one of them was longer than the other

like the short and the long straw

of a subjective risk

that couldn’t  bridge the gap

between the cool lucidities

of the fireflies of insight

that tried to make constellations out of everything

and the way

you kept splitting the tree of knowledge

like a wishbone

down the middle

between my uncertain intensities

and the unlikely absolutes

of your pre-emptive lightning strikes.

Caesar may have accidentally burned down

the library at Alexandria

where seventy-two imminently isolated scholars

wrote the exact same Septuagint

to prove the divinity of its revelation

but a greater loss

than the amassed wisdom of the past

is the way your intellect

wouldn’t take the lid off

a masonjar full of fireflies

you jammed like stars

into a moment you wanted to preserve forever.

I meet the past everywhere on the road I’m on now

coming back from the future

as if I had all the time in the world

to recall tomorrow

without a sense of urgency.

Or as I once said to a beautiful young artist

when she was poor and nameless.

Until you’ve bought

your own work back

at a garage sale

for next to nothing

you can’t be sure

you’re going to be famous.

And there’s no way

you can trick yesterday

out of the arms of the past

like the new moon

out of the arms of the old.

I was one of the tantric children

of literature once

an enfant terrible like Rimbaud.

I got a taste of fame.

I spit it out

like bottled water

from the wellsprings of the muses

who found their inspiration in clean living

but never got fired up

by the lack of truth in their diet.

I shut my mouth.

I was as precocious as a highchair.

I would go to a poetry reading

and turn it into a riot.

Fire on the water.

Autumn trees on the Fall River.

I was an arsonist

in a volunteer fire brigade

witching for water in hell.

Now I’m the emergency exit

at the end of a long line

of alarm bells

I’m swinging on like Quasimodo

in self-defense.

I don’t need a mirror

to know

what the lucky don’t see

in what’s ugly.

Beauty falls in love with the Beast.

But I haven’t been to church in awhile

since my soul

took out a restraining order

to keep the priest away from the child.

Early autumn along the backroads into heaven.

The sumac’s burning.

The sumac’s burning.

The phoenix is on its pyre.

Is this a birth?

Is this a death?

Or just where highway seven

meets the five eleven

and time intersects the timeless

like the red yellow and green

of stop pause and go

that hangs its streetlight

like the stages of a ripening pepper

above the kids in the crosswalk

of another Halloween

that walks with the dead

all the way to the other side of the living

like a ghost in a bedsheet

with a bagful of jelly beans?

Let the living and the dead alike

grasp what little they can

of happiness

but if your hands are full of nothing

there isn’t much room

for anything else.

Let go of it.

Throw it down.

Nothing’s free

if it’s still void-bound.

Then sit down on the ground

and have a good laugh

at your own expense

when you see the dark abundance

in the bright vacancy

like black matter

through a gravitational lense

that expends ninety-six percent of itself

on a universe

to keep the lights on

the other four parts we can see.

But isn’t it good to know

there’s so much in life

we’ll never get our hands on?

That so much that’s out there

wants nothing to do with anyone

either of us will ever be?

That you and I

and what we remember

of the way we created each other in agony

in love and lust and jealousy

and all those little endearing ways

we couldn’t be each other when we had to

and these hills I keep retiring

more and more to at night alone

just to be closer to the stars

and the stars themselves

exhausting the last of their farewells

on a summer that’s already turned its back

and gone down over the hills

and the way memory over the years

stops opening itself up like a family album

and begins to take on the image

of anyone who’s standing

near enough to the mirror

for it to appear

in the guise of what it’s become?

Isn’t it good to know

that memory is the mother of the muses

and that the past

isn’t a museum of dead artifacts

and teeth missing from elusive jawbones

grinning at the absurdity

of what does and doesn’t last

and how luxuriously the present cherishs

the garbage of the past?

Isn’t it good to know

memory is the watershed of inspiration

that flows down the world mountain

to keep the sea’s glass full

of the mystic wine

that can drown a drunk in a dropful

and rescue the moon from the eyes of the blind

who refuse to get into the lifeboat

when they’re asked to leave

everything else behind?

Isn’t it good to know

however many fools go to school

and fall in love with knowledge

like ladders with windows

they can look at the world through

like enlightened towers

with an elevated view

of what surrounds them out there

that even we we die

we’re still exceptions to eternity

and not the rule?

That we remember each other creatively

and not as we were

once and for all forever for good

as the people way back when

who misunderstood

when you leave someone

you don’t add them

to the great resevoir of the past

like a future you left behind you

that couldn’t last

because time had done with it

the same thing it does

to the emotional life

of any other pyramid

lost the sands of an hourglass.

The future’s just a ruse of time

that sucks us into

accepting the present

as a provisional compromise

with the moment at hand

as if history without a past

were the only alternative left

to living forever.

But however we refine clarity

it’s still not enlightenment

if you’re still telling the story

and the story isn’t telling you

at the same time

in another universe

stranger than this one

that makes us up as it goes along

out of whatever it comes upon

like someone far away we’ll never meet

but we keep looking for in the eyes

of every human we greet

like a myth of origins

taking its seat around the fire

like a house of the zodiac

that bears credible witness

to the truth of the fact

that time is more of a maniac

than a liar.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


MY EYES ARE GETTING BETTER

MY EYES ARE GETTING BETTER

 

My eyes are getting better

as I get older

despite the sunspots

and leggy eclipses

and when I look back

I can see further than I ever did

except it isn’t the light

that illuminates things any more

it’s time

and that’s a whole other palette

with colours of its own

wavelengths faster than light.

When you see things with your eyes

the past may be red deepening into black

and the future a furious white-blue

that pushes the darkness back

a T Tauri star or two

but when you see things

with the whole of your being

it isn’t time that’s passing

it’s you

and it turns out linear perspective isn’t true

and things in the distance aren’t blue

because there are as many farewells

in the foreground

as there are the prophetic yellows

of intimate tomorrows

that haven’t happened yet

way at the back.

Memory isn’t the distilled essence of existence

you can swill in your hand

like a glass of brandy in front of the fireplace

to keep warm when it’s cold outside.

Memory doesn’t drink out of a glass

like sacrificial blood out of a thermometer.

It scoops the moon out of the nightstream

and drinks with both hands.

It revels in its madness

like Li Po’s poetry

not the prose of a vain Narcissus.

It isn’t the pale reflection

of what was once vital.

It walks with those

who haven’t been born yet

as easily as it talks to ghosts

without changing the subject.

I’ve got future memories

I’ve carried around inside myself for years

like the embryos of what’s become of yesterday.

There are sorrows up ahead

I haven’t endured yet

that I’ve already cried for

well in advance of my tears.

Is a river the past

or the future of the sea

and which one’s the prophet

and which one’s the prophecy

that didn’t come to pass?

Does the man head back to the boy he used to be?

A couple of earthquakes

it was hard to stand up to

and the cornerstone of my youth

sank through the quicksand of my maturity

like a California sabre-tooth

that won’t be discovered

until thousands of years from now

when archaeologists start looking

for missing links in the fossils of the truth.

Tomorrow’s late

and yesterday can’t catch up

but the thing that I like best about now

is that it never hesitates

to be where it will when it wants

without worrying about where everyone else is.

At least that’s what I tell myself

when I can’t stop thinking about you

like someone who will never happen again

the way love first said your name

as if a word

were destined

to become more famous

than the voice that said it

like an afterlife

reclaimed from the lost and found.

Where are you now

who came like a deathwish

to the geni in the lamp

of an unknown constellation

who wouldn’t give you what you wanted?

Did you ever forgive me?

Sometimes its more dangerous to be deceived

than it is to be haunted by a truth

you never believed in.

You wanted to live in the moment

as if time were the homogenity of space

and I tried to tell you that it wasn’t midnight everywhere

and somewhere the sun was still shining

but there are some clouds

that prefer shrouds to happy linings

and I don’t remember which one of us died first

but to this day

when anyone rubs me the wrong way

I grant them three curses.

And of the three.

Loving someone unconditionally is the worst.

And neither of the other two

are much better than the first

when you’re asked to decide

between truth and compassion

as if you were tasked

to divide the baby

between two mothers

and you suddenly realize

how hard it is to choose

which one of your eyes to put out

in the name of the other

like a candleflame with a forked tongue

that sees everything

as if it had two shadows

and one of them was longer than the other

like the short and the long straw

of a subjective risk

that couldn’t  bridge the gap

between the cool lucidities

of the fireflies of insight

that tried to make constellations out of everything

and the way

you kept splitting the tree of knowledge

like a wishbone

down the middle

between my uncertain intensities

and the unlikely absolutes

of your pre-emptive lightning strikes.

Caesar may have accidentally burned down

the library at Alexandria

where seventy-two imminently isolated scholars

wrote the exact same Septuagint

to prove the divinity of its revelation

but a greater loss

than the amassed wisdom of the past

is the way your intellect

wouldn’t take the lid off

a masonjar full of fireflies

you jammed like stars

into a moment you wanted to preserve forever.

I meet the past everywhere on the road I’m on now

coming back from the future

as if I had all the time in the world

to recall tomorrow

without a sense of urgency.

Or as I once said to a beautiful young artist

when she was poor and nameless.

Until you’ve bought

your own work back

at a garage sale

for next to nothing

you can’t be sure

you’re going to be famous.

And there’s no way

you can trick yesterday

out of the arms of the past

like the new moon

out of the arms of the old.

I was one of the tantric children

of literature once

an enfant terrible like Rimbaud.

I got a taste of fame.

I spit it out

like bottled water

from the wellsprings of the muses

who found their inspiration in clean living

but never got fired up

by the lack of truth in their diet.

I shut my mouth.

I was as precocious as a highchair.

I would go to a poetry reading

and turn it into a riot.

Fire on the water.

Autumn trees on the Fall River.

I was an arsonist

in a volunteer fire brigade

witching for water in hell.

Now I’m the emergency exit

at the end of a long line

of alarm bells

I’m swinging on like Quasimodo

in self-defense.

I don’t need a mirror

to know

what the lucky don’t see

in what’s ugly.

Beauty falls in love with the Beast.

But I haven’t been to church in awhile

since my soul

took out a restraining order

to keep the priest away from the child.

Early autumn along the backroads into heaven.

The sumac’s burning.

The sumac’s burning.

The phoenix is on its pyre.

Is this a birth?

Is this a death?

Or just where highway seven

meets the five eleven

and time intersects the timeless

like the red yellow and green

of stop pause and go

that hangs its streetlight

like the stages of a ripening pepper

above the kids in the crosswalk

of another Halloween

that walks with the dead

all the way to the other side of the living

like a ghost in a bedsheet

with a bagful of jelly beans?

Let the living and the dead alike

grasp what little they can

of happiness

but if your hands are full of nothing

there isn’t much room

for anything else.

Let go of it.

Throw it down.

Nothing’s free

if it’s still void-bound.

Then sit down on the ground

and have a good laugh

at your own expense

when you see the dark abundance

in the bright vacancy

like black matter

through a gravitational lense

that expends ninety-six percent of itself

on a universe

to keep the lights on

the other four parts we can see.

But isn’t it good to know

there’s so much in life

we’ll never get our hands on?

That so much that’s out there

wants nothing to do with anyone

either of us will ever be?

That you and I

and what we remember

of the way we created each other in agony

in love and lust and jealousy

and all those little endearing ways

we couldn’t be each other when we had to

and these hills I keep retiring

more and more to at night alone

just to be closer to the stars

and the stars themselves

exhausting the last of their farewells

on a summer that’s already turned its back

and gone down over the hills

and the way memory over the years

stops opening itself up like a family album

and begins to take on the image

of anyone who’s standing

near enough to the mirror

for it to appear

in the guise of what it’s become?

Isn’t it good to know

that memory is the mother of the muses

and that the past

isn’t a museum of dead artifacts

and teeth missing from elusive jawbones

grinning at the absurdity

of what does and doesn’t last

and how luxuriously the present cherishs

the garbage of the past?

Isn’t it good to know

memory is the watershed of inspiration

that flows down the world mountain

to keep the sea’s glass full

of the mystic wine

that can drown a drunk in a dropful

and rescue the moon from the eyes of the blind

who refuse to get into the lifeboat

when they’re asked to leave

everything else behind?

Isn’t it good to know

however many fools go to school

and fall in love with knowledge

like ladders with windows

they can look at the world through

like enlightened towers

with an elevated view

of what surrounds them out there

that even we we die

we’re still exceptions to eternity

and not the rule?

That we remember each other creatively

and not as we were

once and for all forever for good

as the people way back when

who misunderstood

when you leave someone

you don’t add them

to the great resevoir of the past

like a future you left behind you

that couldn’t last

because time had done with it

the same thing it does

to the emotional life

of any other pyramid

lost the sands of an hourglass.

The future’s just a ruse of time

that sucks us into

accepting the present

as a provisional compromise

with the moment at hand

as if history without a past

were the only alternative left

to living forever.

But however we refine clarity

it’s still not enlightenment

if you’re still telling the story

and the story isn’t telling you

at the same time

in another universe

stranger than this one

that makes us up as it goes along

out of whatever it comes upon

like someone far away we’ll never meet

but we keep looking for in the eyes

of every human we greet

like a myth of origins

taking its seat around the fire

like a house of the zodiac

that bears credible witness

to the truth of the fact

that time is more of a maniac

than a liar.

 

PATRICK WHITE