Sunday, April 18, 2010

OVER AND OVER AND OVER AGAIN

OVER AND OVER AND OVER AGAIN

 

Over and over and over again

you return to me each time

made more beautiful by the pain

I embrace you with

like the aura of fireflies

in the afterlife of the lightning

that was struck by you.

Over and over and over again

I have watched the birds leave in the fall

and come back in the spring

and whether they were coming or going

especially at midnight when you couldn’t see them

high overhead like the souls of the dead

I’ve always heard the same longing in their call

for something I’ve never been able to wholly comprehend

except as the way I miss you

on this journey without end

where the destination isn’t always

the friend of the road

as the stars foretold it would be.

And I don’t know why

I always associate pain with lucidity

like the price of shattered glass

when you hurl the moon through it

from the inside

to let the light in through the damage

and you back into my life again

like the radiant sorrow of a lonely tomorrow

that today already lives in vain

like a weathervane

trying to give the wind a direction

it’s never taken before.

Over and over and over again

I have looked for your hidden mystery

in the history of gone

for some living intimacy that lives on

but I’ve run out of doors and gates and windows

flowers and skies I can leave open

hoping you might find your way back in somehow

from those spaces greater than skin that fit you now

like the dress you were buried in.

The random singularity of death’s one demand

might shake the tree

into the soft hooves of the highest fruit

that gallop off like wild horses

spooked by their own windfall into the silence

but over and over and over again

I turn the fact that you once existed

like a jewel I once knew from the inside

into an act of insight

that over and over and over again

rocks me like the aftershock of an earthquake

as if your death weren’t once but many

and I would live my way through them all

listening to the geese depart at night in the fall

wondering which one emobodied your soul

like a star-bound angel in earthly feathers

and whether you noticed me as you left

over and over and over again

standing in the light by the window

a tiny dark figure down below

listening for you in the darkness

like a vase of full of ashes

wishing it had wings.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 


OVER AND OVER AND OVER AGAIN

OVER AND OVER AND OVER AGAIN

 

Over and over and over again

you return to me each time

made more beautiful by the pain

I embrace you with

like the aura of fireflies

in the afterlife of the lightning

that was struck by you.

Over and over and over again

I have watched the birds leave in the fall

and come back in the spring

and whether they were coming or going

especially at midnight when you couldn’t see them

high overhead like the souls of the dead

I’ve always heard the same longing in their call

for something I’ve never been able to wholly comprehend

except as the way I miss you

on this journey without end

where the destination isn’t always

the friend of the road

as the stars foretold it would be.

And I don’t know why

I always associate pain with lucidity

like the price of shattered glass

when you hurl the moon through it

from the inside

to let the light in through the damage

and you back into my life again

like the radiant sorrow of a lonely tomorrow

that today already lives in vain

like a weathervane

trying to give the wind a direction

it’s never taken before.

Over and over and over again

I have looked for your hidden mystery

in the history of gone

for some living intimacy that lives on

but I’ve run out of doors and gates and windows

flowers and skies I can leave open

hoping you might find your way back in somehow

from those spaces greater than skin that fit you now

like the dress you were buried in.

The random singularity of death’s one demand

might shake the tree

into the soft hooves of the highest fruit

that gallop off like wild horses

spooked by their own windfall into the silence

but over and over and over again

I turn the fact that you once existed

like a jewel I once knew from the inside

into an act of insight

that over and over and over again

rocks me like the aftershock of an earthquake

as if your death weren’t once but many

and I would live my way through them all

listening to the geese depart at night in the fall

wondering which one emobodied your soul

like a star-bound angel in earthly feathers

and whether you noticed me as you left

over and over and over again

standing in the light by the window

a tiny dark figure down below

listening for you in the darkness

like a vase of full of ashes

wishing it had wings.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 


IN HARMONIOUS OPPOSITION

IN HARMONIOUS OPPOSITION

 

In harmonious opposition all things exist.

Even the discordant sympathies

of the great sea of awareness

getting things off its chest like waves.

But I’m not sure it was me who said that

though they’re my words

but I know it’s mostly me who says

I don’t want to disgrace the Buddha with wisdom.

I’d rather sing like the sea

winging its way with a voice of its own

like the improvised lyrics

that make me up as they flow along with the seabirds.

As it is so it is.

But one isn’t the reflection of the other.

When I try to mean what I say

it turns into conditioned gibberish

but if I listen exquisitely to the silence

it begins to play with me like an audience.

If you don’t want to be lost at sea

tear down the lighthouse.

Only the dead know where they’re going.

I snap my fingers like a koan

and chandeliers of stars come crashing down

like mirrors of rain

and all my signposts

turn into mystic weathervanes

whirling like a gust of Sufi dust at the crossroads

of the alone with the Alone

like a red-tailed hawk

on a hot August afternoon

rising like prophetic fire

on the helical stairwell

of my two-way transcendence. 

As it is so am I

fire and flame

though we’re not the same

as soon as I give it a name.

The dragon that brings rain

is slain by a lance of water.

That’s the way things are here.

And I’ve lived dangerously enough to know

that taking a risk

isn’t the same as being given a chance.

Enlightenment knows how to dance in a snakepit

without getting bit.

Ignorance puts up warning signs and hesitates.

And after awhile one gate looks the same as two

and so on forever like a repeating decimal

that’s never done.

The seeing is one

but ignorant eyes

are blue sky

that have never seen the sun

shine at midnight

though they have their suspicions.

The trouble with being stupid is

not that you don’t have insight

but you look into the light

and think that your existence here

is one of its conditions.

The wise know there are none.

Everything is space without a mirror.

They look into the light

until even the light disappears.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Friday, April 16, 2010

LONG SAD THOUGHTS OF HOME

LONG SAD THOUGHTS OF HOME

 

Long sad thoughts of home.

Hello is blue.

Farewell shifts toward the infra-red.

Do the stars ever feel

they don’t know where they belong anymore?

I’m a direction looking for a compass.

I’m a map of the rain.

None of my constellations

know how to connect the dots

into the improbable myths of my longing

I tell to the blind in braille

wishing they had eyes

instead of these square skulls of dice

with empty eye-sockets

that stare back at me like black holes.

I try to shine

but I don’t know where the light goes

and I feel the sky is always disappointed.

My face ages like a stamp on a loveletter without a return address.

My heart is a bell that keeps on tolling away

like a labour of sadness

that doesn’t know what else to say

before the mute stark brutal truth of human suffering

waiting for a mouth like a wounded abyss to scream.

My life has always been the exception

of the dream I thought I was having at the time.

The one in which I seek and do not find.

I’m an exile when I’m romantic.

I’m an exclusion when I’m not.

I’ve never met anyone who wasn’t unique

but people en masse are obvious

and I do not seek what they seek

though that makes me feel arrogant.

Everything’s got to be out in the open and on the level

often enough not to go straight to hell

like a plumb-line to the devil

at the bottom of a dry well

that gave up crying years ago

when damnation turned into indifference.

I take everything to heart.

I don’t miss a detail.

I think I’m too smart

to be taken in again

by the blameless orphans

the night left on the stairs of my homelessness

but I’ve always let compassion make a fool of me

when occasion arises

even though I’ve long felt

the heart of the human condition is our helplessness.

It’s one thing to lament the state of people’s souls

but it’s a whole other universe

an heretical shape of space

on the other side of your eyes 

to feel sorry for what happens to their bodies

as if matter and mind were just two modes of roadkill.

Frogs in the rain on a highway

in high and low beam

and ghosts of water turning into fog

inverted clouds of unknowing

with more corpses in them

like crushed popcorn than mystics

or T-Tauri stars breaking into light

that doesn’t care which side of the blind it shines on.

I may well be just a bag of water

chemicals with glands

a sky-minded telescope with nine apertures in it

scanning the heavens for any sign of divine intelligence

that wasn’t as alien to me

as I am to most of you

and I still don’t know why

I am the way I am

and there isn’t a lie

I’ve been able to make fit me like skin

I don’t eventually outgrow like a phase of the moon

when she’s looking the other way

and it’s a curse to try to prove what you imagined

before you began to speak

and I still don’t know what it is I truly seek

or if I’m just looking for the hell of it

but I’ve always hoped somehow

without my even knowing

whatever I saw along the wayless way

as I left the solar system

like a comet with a long track record

of making bad things come true

was a measure of healing

was an antidote

that could be extracted from the feeling I have

whenever I consider what’s up ahead for all of us

like salmon leaping upstream

against the flow of things

back to our mysterious origins

to propogate ourselves among the dead

after all these long far gone years at sea

I followed the sirens who sang to me like rocks

thinking they were muses

I just couldn’t live without.

Now I think of death as a galaxy

that has crossed over its own event horizon

beyond the speed of light

that puts it out of sight of the rest of us

but doesn’t notice the slightest bit of difference

when it disappears like a wave into water

as if nothing had changed.

I am so far from home

I am remembering my way forward like a prophecy

of things to come

that have already happened

and there’s nothing in my past

that doesn’t lie before me like the future.

There’s no coming or going in now.

And when I take off all these masks of space and time

like a windblown orchard by the sea

and reveal there was never anyone there behind them

they could hide from me

I return to a town

that has followed me for years

like a complete stranger

and everybody recognizes me somehow.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Thursday, April 15, 2010

AWARENESS COMES FORWARD

AWARENESS COMES FORWARD

 

Awareness comes forward with undoubtable proof

there is no mind to be conscious of.

Deep study superficializes your ignorance with subtlety.

A craze of blue in a maze of tree shadows on the lawn.

Grape hyacinth colouring in the sun.

And then it’s gone like a lost crayon.

And a candle takes its place

like a future autumn in the scheme of things

that must pass to stay the way they are.

The light doesn’t say I am a star

The water doesn’t say I am rain

as if they had to account for themselves

by identifying themselves to a brain

that insists on knowing the names of things

like a child that never colours outside the lines

that are erased in a blaze of noon.

The condemned man says his life

is the doing of someone else

who isn’t the slightest like him.

But spiritual journeys are always circular

and going out is a way of going in.

Things end where they begin.

The light equally illuminates hell

in the same breath that reveals paradise.

Perishing is the way we stay alive.

You want to live?

You’ve got to perish to survive.

As it is in heaven so it is on earth.

Death without birth.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 


Wednesday, April 14, 2010

THE ONLY WAY TO CONTROL THINGS

THE ONLY WAY TO CONTROL THINGS

 

The only way to control things is with an open hand.

Water on rock

a fist can’t do anything to stop the rain

that keeps washing its bloody knuckles

by kissing the raw red buds of the pain-killing poppies clean.

Anger grows ashamed of itself

in the presence of unopposible compassion

just as planets are humbled by their atmospheres.

The soft supple things of life insist

and the hard brittle ones comply.

Bullies are the broken toys of wimps.

Power limps.

But space is an open hand.

Mass may shape it

but it teaches matter how to move

just as the sky converts its openness

into a cloud and a bird

or the silence nurtures

the embryo of a blue word

in the empty womb of the dark mother

like the echo of something that can’t be said.

The only way to control things is with an open hand.

Not a posture of giving.

Not a posture of receiving.

Not a posture of greeting or farewell.

Not hanging on or letting go

but the single bridge they both make

when they’re both at peace with the flow.

It’s not the branch it’s not the trunk

it’s not the root it’s not the fruit

but the open handedness of its leaves

that is a tree’s consummate passion.

Isis tatoos her star on their palms

like sailors and sails

to keep them from drowning

and into the valleys of their open hands

that lie at the foot of their crook-backed mountains

the aloof stars risk the intimacy of fireflies

and fate flows down like tributaries into the mindstream

as life roots its wildflowers on both shores

as if there were no sides to the flowing

of our binary lifelines.

The only way to control things is with an open hand.

You cannot bind the knower to the knowing

as if time had to know where eternity was going

before anything could change.

X marks the spot where all maps are born

to lead you back to yourself

like a treasure you forgot to bury.

An open hand is a ploughed field ready for seed.

An open hand is the generosity that is inherent in need.

An open hand is and is not an open hand.

No hinges can define it

because it’s not a two-faced Janus

standing in the doorway of a new year.

An open hand doesn’t look forward.

And open hand doesn’t look back.

What opens like a flower doesn’t close like a door

and when a hand opens

it opens at the urging of a light within

that makes the light without glow like the mother of wine.

An open hand isn’t the writing on the wall.

Moses came down the mountain with a stone tablet

but an open hand makes an avalanche of the ten commandments

and goes its own way without submission or regret

like a vine with a prehensile grip.

An open hand is the only way to control things

when things are out of control.

It isn’t a day of yes followed by a night of no.

There’s nothing divine or infernal about it.

An open hand is all that humans need to know

about their own nature

when they let their gods and demons go.

Nothing missing.

Nothing complete.

An open hand is enlightenment.

A fist puts a bad spin on ignorance.

An open hand is a book older than the Bible.

An open hand isn’t a tool

or a new kind of stealth weapon.

And open hand isn’t a weathervane

or a rudder in the wind

or one wing of a bird

with a secret twin.

An open hand is the only way to control things

without killing them for their own good.

An open hand does not say thou shalt not

or you should.

An open hand is not a white flag of surrender

a victory flag or a sloppy salute.

It’s not the price tag you look at

when no one is looking

on a second-hand suit

you’ve been wearing out like a body for years.

An open hand isn’t the hesitant offer of an uncertain friend

held out like a placebo that can’t heal anything.

You might have fixed the palings

but you still haven’t mended the fence.

An open hand is the way things feel when you’re truly alive.

It’s got nothing to do with how the fittest survive.

An open hand is the afterlife of a fist that died in defeat

trying to unseat an older power

that swallows it like a god

dissolves a cube of sugar in water

and finds it sweet to be absolved of the deed.

An open hand is a cup that could hold an ocean

but never overflows.

An open hand isn’t a relic of the thorns

that pinned a butterfly messiah

to the webbed cross of a sacreligious spider

or Ciceronian appendages nailed to a senate door

like a bill that didn’t pass

or Che Guevara’s hands cut off

by the people they laboured for like rebel fruit

that went against the grain of the tree

that poisoned everybody like a jackboot.

An open hand isn’t a proposal for reform.

It’s not the new norm.

It’s not what not to do

when people are watching you

to see if you’re the same as them.

An open hand is the only way to control things

when you don’t know what to do

at the genetic crossroads

of cosmic and domestic things

that weigh on your mind

like the dirty laundry of evolution

piling up in the corners

like falling standards of confusion.

It doesn’t question anything

so it never rejects an answer.

It doesn’t pretend to be the sign

that beatifies its own suggestion.

An open hand isn’t trying to make

a housewife of an iris

or trying to nail things down

to get a grip on things

like a man who knows how to suffer like a floor.

An open hand isn’t something

worth living or dying for.

It won’t save your life.

It won’t take it.

It’s not a lifeboat or an anchor.

Four fingers and a conductor for a thumb

don’t make a choir of flesh

that will make the angels come like groupies

and just because

you’ve got runners on four bases

doesn’t mean you can hit a homerun

like the stand-in umpire

behind the homeplate of your palm.

Four men out and one man on

and the thumb bunts to the outfield

in the last inning of a pre-fixed playoff game

that shaves the score like a pencil into points.

An open hand is the only way to disarm a fist

that buries the road you’re on

like an improvised explosive device

timed to go off in your face like a hand grenade.

The only way to control things without controlling them

is with an open hand.

An open hand does not deny or affirm.

An open hand legislates like the light

and judges like the rain.

Five fingers are the roots of a hung jury.

Five syllables of an incommensurable life sentence.

An open hand isn’t the servile agent of a willful mind.

It doesn’t do anyone’s bidding.

It isn’t the delta at the end of a long river

whose life flashs before its eyes

like an ancient civilization

as it disappears into the sea.

An open hand doesn’t squat on the ground

like some denuded navel-gazer

who mistakes his belly-button for his third eye.

An open hand says as much to the deaf as the blind.

The only way to control things is with an open hand.

An open hand is the sign of a mind at rest

with what it doesn’t understand.

An open hand isn’t a contract with anything.

An open hand isn’t a flatlining fist.

An open hand is a loveletter that doesn’t insist

on being returned like a dove

that’s just discovered land.

An open hand is the fairest image of a god

ever created in the likeness of a human.

An open hand is the omnidirectional threshold

of the homelessness we built

on a cornerstone of quicksand

like water moonlighting as a rose.

An open hand isn’t celibate or promiscuous.

An open hand warms itself

around the cold fires of the stars

and tells tall tales about the constellations

of scars and callouses that have sprung up

like villages along its lifelines.

The only way to control things is with an open hand.

An open hand is a myth of origins

that ends where it begins.

An open hand makes no distinction

between matter and mind.

An open hand is the enlightened gesture

of a human who knows without grasping

what they don’t understand

and welcomes without expectation

all those who cross over it like the floor

and pass under it like the roof

of a house without a door or a window

to keep anything in or out.

An open hand is as certain as doubt

it doesn’t know what it’s all about

but the only way to control things

when they’re coming apart

and coming together

is with a hand

as open as an ample heart

that gets it by letting it go

one breath one death

one footstep one heartbeat

one spring one autumn

one hail and farewell after another.

The only way to control things is with a open hand.

An open hand rests in its power like the flower

the Buddha gave away to Ananda

as all he could and couldn’t and wouldn’t say.

Seekers look for starmaps to paradise

like the night looking for the day

that shines all around them

and blinds them.

But look as they may

an open hand is always the way that finds them.

The only way to control things is with an open hand

that binds us to the boundlessness

of letting go of who we are

like a star on the lam

that poured itself out like insight

to say to the night I am.

This is my hand.

It’s open.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Monday, April 12, 2010

WHAT DOESN'T KILL YOU

WHAT DOESN’T KILL YOU


What doesn’t kill you makes you stronger?

The opinion of a weak man.

Another philosophical cannibal

who ate the heart of Hannibal

trying to transcend himself homeopathically

like an elephant high in the Alps.

And what does it make you stronger for?

More of the same lame supremacy

hobbling across the stage

like the wounded iamb of a crippled king

suffering played with like a toy

who tore the wings off things like a spider?

As flies to wanton boys are we to the gods

they kill us for their sport.

And some people root well

in the manure of suffering

and tell me that it makes them grow

and I could easily believe it does

if I were a vegetable

but the apple is not more beautiful for its bruises

the child is not ennobled by his hunger

and if you’re truly alone

who is there to liberate you from your solitude?

Is the water more beautiful when it’s tormented

by the things it flows through around and under

than it is when it’s left to find peace all on its own?

There’s a dumb blank stupid face on pain

when you look in the mirror

and the mirror turns to stone.

There are memories.

There are scars.

There’s Auschwitz Gaza and Darfur.

There are lifeboats that jumped ship like plague rats

and ran aground in Genoa like the middle ages.

There are thorns and nails and skulls

and the sacred relics of the unholy atrocities

that burn people in fire to keep them from going to hell.

For all the people killed by cannon

as many have been killed by bells.

Killer wasps.

But no honey in the holyland

when you beat the stars out of

the golden dome of the hive like a pinata.

Inured to suffering like the least of all possible worlds

you may have learned to grow a garden in a snakepit

but the rose is not defanged

nor the thornapple of its antidote less venomous.

Some tears fall on barren ground.

And some tears are famous.

And it could be we suffer at our own hands

open our bellies and veins

as a way of putting a good face on a bad space

that’s got us down and out

in Ottawa and Osaka

and it’s amazing to watch honour overcome life

but it’s still just a way of opening a loveletter with a knife

and when all is dead and done

taking no for an answer.

Suffering might go into remission for awhile

and concentration camps turn into constellations

and a good rain wash the blood off the flowers

and the geraniums you planted around the house

keep away snakes

and the poppies bleed like junkie donors

trying to make a few bucks at the blood bank

that can’t thank them enough for their bloodstreams

but the wheel of death and birth

is always out of alignment

like most of the planets

and things come back again

like the second run of a storm

or a tidal wave that rises like a dragon

from the dream of an underground watershed

shaken by an earthquake from a deep sleep.

And I can’t see how any of this makes me stronger.

You might feel exalted by the power

in the bulldrums of the thunder

but you won’t like the taste of the lightning in your tea

when you’re rhapsodically high on your own overview

like a flag above the best

and the mountain loses its nerve

and turns into quicksand under you

and the sun stops still at noon above the walls of Jericho

and the horns of the prophet aren’t blessed

and you ask yourself in your helplessness

like a guitar that’s forgotten how to open its mouth and scream

why pain is always the black kool-aid of change

why suffering always spins the cocoon

around our transformations

as our fingernails go black as the new moon

that started out trying to make butterflies

but wound up sealing mummies in a tomb.

Can’t love do as much and more?

Isn’t joy as much of a magician as sorrow

Isn’t wonder as much of an elixir today

as it will be tomorrow

or compassion as much of a grail

or truth as much of a feather

in the scale of things

or beauty as much of a potion

to change the course of our wind blown waterwings

on the great ocean of suffering

as the rose that drowned in its own blood

like the undertow of the dream

that was swept under heavy Aztec eyelids like syphilis?

Every angel in the way

was first called Satan.

They were all Satan.

They were cops at roadblocks.

They got in your face

to keep you from harming yourself

by going down the wrong path.

They turned your eyes around and sent you back

the way of all light in the night.

Jacob wrestled with the angel in the way

and walked away with a limp

like Hephaestus and Richard the Second.

Satan dislocated their hips.

Did they hobble away stronger

because they were the divinely wounded kings

of crippled things?

Or was Satan weakened by his victory

and humans strengthened by their defeat?

What doesn’t kill you makes you stronger

is a slave’s notion of how to endure the unendurable

and grow like revolution from defeat to defeat.

History is laced with the sententious pragmatism of chaste scars.

Victory heals and smiles and doesn’t hesitate.

Defeat heals and scars and waits.

A war between two sides of the same gate

neither side ever walks through

into a bigger overview of things

that brings peace to the war of wings

over who was captain of the bird

that circled like a lapwing on the runway

but neither victory nor defeat

however high the control tower

ever got off the ground.

It’s just that way with power.

It likes to march.

It doesn’t fly.

But if you ever do make it through

those flightless gates

into the space beyond the common ground

you’re trying to take a stand on

to keep from being knocked down

like the Colossus of Rhodes

or the flyweight lighthouses

of Atlantis and Crete

you won’t need any kind of move

to pin your opponent by his shoulders

like Atlas to the earth

in a UFC clash of the titans.

You can’t be brought to heel

like a starmap kneeling in the dirt

nursing blackholes like daggers underneath your scars.

Our endless igneous wars

are just a bad dream of Vulcan

Venus wakes up from in the arms of Mars

and delivers herself in the nick of time

from a death thrust of rust

that assays everything that’s won as lost

to fire’s version of frost.

In this place where nothing’s overcome

and nothing’s lost or won

there’s no triumph or defeat

anything weak

or anything that makes you stronger

by disdaining to kill you like the Buddha in the road

it met coming the other way

no stern angel blocking your passage

like Moses forbidden the promised land

or Adam and Eve driven out of Eden

by vicious militias of cherubim

no lamb led to the slaughter

no lion maimed by the meek

and no one blinded by what they seek

because there’s no way  

you can knock someone off their feet

who’s walking on stars

as if they were jewels of water.

And the winds of war

aren’t the measure of your next breath

and life doesn’t grow stronger by living longer than death.

 

PATRICK WHITE