Thursday, January 21, 2010

MAKING PEACE WITH MY FATHER

MAKING PEACE WITH MY FATHER

 

You could be dead by now.

How would I know?

Last time I saw you

was fifty-five years ago.

My first day of school.

Your last with us.

You’re the little man now, Paddy,

you said

then got on a greyhound bus

in front of Tang’s Pagoda

as I watched the door close

on that fuselage without wings

as if the whale had just swallowed Jonah whole.

The last time I noticed we had the same eyes.

The end of your reign of terror.

As I remember you fifty-five years later

you were brutal, violent, cruel,

a con-man and a drunk. 

You hurt people then laughed at their pain.

You were the lethal meltdown of a radioactive brain

that made the grass glow at night

from thousands of miles away

and poisoned the rain.

I went to jail with my mother to bail you out

more often than I was pushed into going to church.

And when you got out

you were always as angry as a killer bee

in the soggy autumn orchard of your hangover.

Life for you as it is for any coward

was one long complaint you took out on us.

My first seven years

I watched as many ambulances

take my shattered mother away for months

as many cop cars washing up on our doorstep

with all those messages in a bottle

that had your name on them

like a federal warrant for your arrest

as I recall the clinking horse-drawn milkwagons

with their coloured cardboard bottle caps

or the tinkling neighbourhood ice-cream trucks.

Remembering you now at this late date

is like fingering the fossils of a Tyrannosaurus Rex

and feeling the faint resonance

of your ferocity even yet

through my fingertips

like a warm-blooded mammal

in the menacing shadow of a reptilian law

whose last judgment was always a jugular in a jaw.

If you’re dead,

if you’re truly dead,

did you die alone?

Did anyone grieve?

Did you change over the years

and become a good man

as righteous as the stroke of midnight

and atone for anything

before you boarded the next bus for the abyss?

Was your last flashback of life

the sunami you drowned in

after your psychological fault lines

flintknapped an earthquake

that brought the whole planet down on us

everytime you barged through the door

back from the bar

and turned a home into an avalanche?

Did you remember your children?

Did you remember me?

Did you ever wonder

how I turned out without you?

Who knows?

Maybe I’m way too late for your funeral

and this wreath of blood and thorns I bring

to lay on your grave

like the bitter irony you fathered in me

is not a fitting obsequy for either of us

because maybe, possibly, improbably

as you aged like an acid

time defanged your thunder

like a white cottonmouth

and the moon took back its crescents

and the lightning began to make crutches of the trees

it used to split like cedar shakes

with double-bladed bolts of light

that scorched so much more

than they ever illuminated in the darkness they returned to. 

As if the whole of the little earth I knew then,

my mother, me, my brother, my sisters

sported the wounds you gashed

on everyone’s heart and a skull

like chopping blocks

under your bloodied blunted war-ax.

For longer than autumn’s been keeping time now

with rosaries of geese in passage

like the secret names

of God on the run

for bouncing rubber cheques,

I have carried you around inside of me

like a chromosome in a coffin.

It’s a kind of genetic locket

I sometimes open 

to remember you by

when I’m mythologizing my scars

like blackholes among the stars

or the empty eyesockets

on the wailing walls of the dice

you loaded like the prophetic skulls of a bad choice. 

And I still don’t know if I’ve come

like an eviction notice

to this dismal place

to condemn you

or exorcise your ghost

I have despised you for so long within me

like the sloughed skin of a snakey oilslick,

the black blood of a haemmoraging eclipse

that covers everything like an executioner’s hood,

the birds, the sun, the sea,

every tarnished cell of me

in a darkness that won’t wash off.

Or maybe I’ve just shown up again

like Empedocles on Aetna

to jump into the collapsed caldera of your grave

like the last flower.

Ambiguous homage with seven kinds of meaning

to a spent volcano

buried in itself

that once knew how to preserve the dead

in all the twisted shapes of prolonged agony

that has characterized the living ever since.

Every day of my life

I have wanted to give you back your name

like a white cross on a black plague door

that isn’t me anymore

and never was.

Or maybe I should

jump down into your grave and say

Hey, Dad, isn’t this sad for you and me

this is the way we take leave of each other for good

like chainsaws snarling through the heartwood of the family tree?

Isn’t it just so incomparably sad

that a son being honest as a deathbed

with his father as he dies

over and over again in his imagination

as I do now here beside you

should lean over and whisper into his father’s ear

with a heavy heart that regrets it was ever born to mean it

Hey, Dad, I want you to know

when it’s my time to go

and I get to the other side

of all that was

and can be abandoned

time will heal everything

you did and didn’t do

and all these severed bloodlines

reach their final watershed,

all the weak threads

of what was unbound

like rain in the river

fall into the flowing 

and be made whole as strong rope again,

and the eye that offended be plucked out

and an old fist be opened up like the new palm

of a better afterlife than the one we had here,

and reunited families everywhere

break bread together in love and laughter

and every father be a strong rafter

and every mother be a lamp in a tent

and a cool night wind

as intimate and near

as stars in a desert,

and every son

say farewell to his father

as I do now here beside you

on this re-useable illusion of a death bed

where I am trying so hard to listen

to the voices in my heart

instead of the wise-guys in my head:

Father, farewell.

You gave me these empty eyes.

My mother filled them with compassion.

May peace marrow your troubled bones at last

and God soften the stone

upon which you lay your head.

What has passed has passed

like a storm out over open water.

You were my father at noon.

I was your son at midnight.

You withdrew like a shadow

that dreaded the light.

May God grant you a deeper insight

into these lives

we pass along to one another

like candles in the doorway of a dark night

and the courage to see

when they’re blown out

and death comes to sever even this little thread

of earthbound lucidity

that exists like blood between you and me

why even if these eyes of yours you gave me

were washed up like the survivors of a shipwreck

on the eyelids of the same shores

we started out from together,

asked whose son I might be

and who among all the generations

of the unborn and unperishing gathered there

was the road that fathered my journey,

I would answer

my life was a river with only one bank

that flowed from a sea of shadows on the moon.

I would embrace my mother in tears

if I saw her standing there

for all the long, hard, humiliating years

she always sat on the edge of the bed

the last thing at night

before we fell asleep under her eyes

and quietly lowered herself down

like a ladder into a snakepit

so we could climb out

without getting bit by the same viper

that had struck her like black lightning

in the heel in an orchard in spring.

About you I wouldn’t say anything.

I’d swallow my voice like a sword.

I wouldn’t sacrifice a word

on the altar of the silence

that waited like a god

to hear himself named.

I’d shake my head.

I wouldn’t look for you among the dead.

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

.

 

 

 

 

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Monday, January 18, 2010

THE LIMITS OF SEEING

 

THE LIMITS OF SEEING

 

The limits of seeing

are the limits of every human being

a godseye shy of the truth

of the way things are and will be

like the light of a star

revealing the way we were

long before we could see.

 

PATRICK WHITE

 

 

 


HOW TO WRITE A MASTERPIECE WITHOUT BREAKING A SWEAT

HOW TO WRITE A MASTERPIECE WITHOUT BREAKING A SWEAT

 

for Alysia

 

Give up at the beginning.

Scan the vanity that stands before things

as if it’s mastered them

for parasites and viruses

and wash yourself clean of yourself in the light

like an expanding universe

that saw a pond before it and jumped in.

Splash. The worlds begin.

Ripples of Basho and Rumi.

Listen. Tears. As if the night were crying.

Forget all about who you are and want to be

in the Great Barrier Reef of Literature

that rips through the hull out of the moon

as it passes over

a scion of the sea

like one of the original themes of life.

Take your bodymind off like shoes caked with starmud

at the doors of the abyss of your original homelessness

as if they were just so many hovels and Taj Mahals

you crawled into along the way like a snail.

Here you cannot succeed. You cannot fail.

Space and everything in it

is not the spirit’s lost and found.

Even before you build the boat

you’ve run aground.

The trivial is not trivial

nor the profound profound.

Where does the knot go

when you pull on your shoelaces?

Where does your fist go when you open your hand?

Where do you go when you understand?

Don’t stare blankly at the eyeless page

like the bottom of an empty cup

waiting for tea-leaves to appear

as if you were waiting for fate to make the first move

or you couldn’t see.

Don’t sit there like the table of contents

for the whole universe

as if you were playing Russian roulette

with blanks in the starting gun of the Big Bang.

Sooner or later something’s bound to go off

but insight isn’t the same as fireworks

as you pass like a bullet through your own brain

thinking it’s the bullet that hurts.

There’s a dark abundance to an empty mind.

There’s a bright vacancy to one that’s full.

Be dark on both sides of yourself like the new moon

and the wholeness you feel

will not be the wholeness of a retracted self

but the unimaginable generosity of the real

as it frees you inescapably

to be the valley that listens to the mountain

that hasn’t spoken in years.

Put your finger to your lips like a full eclipse

and without praying with Isaac

or braying with Esau

let your voice be the composure

of the negative space in the smile of the Mona Lisa.

You can labour for mastery for years

apprenticed to your sweat and tears, 

but perfection happens effortlessly

like the moon through the window

when no one’s home to say

I see it through my eyes

I hear it with my ears.

Inside the fire

there’s no witness

burning at the stake of what appears.

The beauty of your original clarity

doesn’t surround itself with mirrors.

That star is always an open gate ahead of its own divining

like the darkness in the eyes of the jewels of life

that look so deeply and intensely into the night

that darkness falls upon darkness

and light upon light

to illuminate the myriad secrets of their shining

like a child amazed

by all the constellations it can make

from the radiant genius of a single insight.

When God whispers into her own ear

like a hidden secret that longs to be known

it’s always you that you hear

saying the world to yourself

in a language all your own.

Let there be light.

Let there be night.

Star. Tree. Firefly. Stone.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Saturday, January 16, 2010

DON'T KNOW WHERE I'M GOING

DON’T KNOW WHERE I’M GOING

 

Don’t know where I’m going.

Don’t care who I am.

No place I need to be.

No face I’ve got to see.

Don’t care if I’m loved.

Don’t care if I’m not.

What arises arises mindlessly.

What business has it with me?

Imagination’s just another word for free.

Free, free, free at last

I’ve let my people go.

I walk without a shadow.

There’s nothing about tomorrow

that hasn’t already passed

and yesterday’s a prophecy

of what isn’t waiting to come.

One thing suggests another

and worlds are arrayed before me

like the stillness

of the lost feather of the moon

on running water.

I endure my own weather like the sea.

The lightning strikes itself like a match

to take a look

but there’s no one to witness the clarity.

I don’t taunt my ghost like a man

who’s going to live forever.

If I flower I flower.

If I shine I shine.

Whatever appears

in the black and white mirrors

of the infernal or divine

may or may not be

the meaning of my roots.

My affirmation refutes

what my denial ordains

and the cause doesn’t

account for its effects.

I am the perfection of all my defects

so enlightenment and ignorance

are two waves of the same awareness in me.

The fool and the sage speak with the same voice.

Desire beatifies my heretics

like lies I’ve told to the stars

but their election was never a choice

and my wounds don’t seek the truth

in the afterlife of my scars.

The old man does not say I am old

nor I am young the youth.

Autumn is not older than spring

and spring isn’t apprenticed to fall.

I can hear my own footsteps

coming down the hall like time

to meet me after all these years of looking

through everyone else’s eyes

but even when I take my face off

at the end of the day

like a tired sky

and point to the stars the light concealed

my self-portrait is always a disguise.

And nothing is revealed.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


DON'T KNOW WHERE I'M GOING

DON’T KNOW WHERE I’M GOING

 

Don’t know where I’m going.

Don’t care who I am.

No place I need to be.

No face I’ve got to see.

Don’t care if I’m loved.

Don’t care if I’m not.

What arises arises mindlessly.

What business has it with me?

Imagination’s just another word for free.

Free, free, free at last

I’ve let my people go.

I walk without a shadow.

There’s nothing about tomorrow

that hasn’t already passed

and yesterday’s a prophecy

of what isn’t waiting to come.

One thing suggests another

and worlds are arrayed before me

like the stillness

of the lost feather of the moon

on running water.

I endure my own weather like the sea.

The lightning strikes itself like a match

to take a look

but there’s no one to witness the clarity.

I don’t taunt my ghost like a man

who’s going to live forever.

If I flower I flower.

If I shine I shine.

Whatever appears

in the black and white mirrors

of the infernal or divine

may or may not be

the meaning of my roots.

My affirmation refutes

what my denial ordains

and the cause doesn’t

account for its effects.

I am the perfection of all my defects

so enlightenment and ignorance

are two waves of the same awareness in me.

The fool and the sage speak with the same voice.

Desire beatifies my heretics

like lies I’ve told to the stars

but their election was never a choice

and my wounds don’t seek the truth

in the afterlife of my scars.

The old man does not say I am old

nor I am young the youth.

Autumn is not older than spring

and spring isn’t apprenticed to fall.

I can hear my own footsteps

coming down the hall like time

to meet me after all these years of looking

through everyone else’s eyes

but even when I take my face off

at the end of the day

like a tired sky

and point to the stars the light concealed

my self-portrait is always a disguise.

And nothing is revealed.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Friday, January 15, 2010

ONE HALF OF THE WORLD

ONE HALF OF THE WORLD

 

One half of the world spends its time

trying to heal what the other half wounded

but there are no such divisions of labour among the dead

nor can you shoot yourself in the mouth and call it Somalia

and expect to be martyred by your suicide

as things get progressively worse.

Saint Suicide beatified by Saint Jude of the Lost Cause.

Desdemona slashing her wrists on the moon.

No one’s going to read your poetry when you’re gone

if there’s nothing to live on to gratify their hunger.

But don’t let the worms go to your head

just because they like their poets dead.

You’re paralyzed by the shadows of gigantic problems.

You don’t know how to take the stinger out of the storm

or defuse the lightning before it fries your mistletoe.

The world speaks to you eloquently in a dead language

but your voice still lies buried in the desert of an hourglass

waiting to be discovered like the Rosetta Stone.

And you are so irreparably alone with matter and night

you despair of ever deepening your darkness into light.

You don’t know how to pour grails out of the ores of your insight.

And if life is as cynically absurd as you contest

and the slayer and the slain

are looking for the same vein for the same hit

because they just can’t deal with it anymore,

why are you trying to erect all these quicksand temples to peace

on a firm foundation of war?

Why do you throw acid in the eyes of the stars

when they try to shine down like rain

on the maps of your scars

as if they were spies

as if they were blackholes in disguise?

You won’t find the secret meaning of flowers in desecrated roots.

Your bitterness won’t think its way into wine.

That lump of coal you carry around with you like a heart

won’t suddenly turn into diamonds that have learned to flow

around everything they couldn’t cut.

What kind of seer can’t survive her own fire

or endure her own weather like the sea?

Your total eclipse is just another facial

a cosmetician’s trying to give

the bad complexion of the moon

as you pack out-of-date starmud into your famous wound

as if you were repairing plaster.

Nothing steps out of the trees into the open

to drink from your eyes in the mirror.

You might have bloomed like a haemoraging rose

but you’re still waiting for bees like sewing machines

to stitch you up.

And if you’ve come here to ask me to tell you to live.

Live.

And if you want me to speak a word

about what your biggest problem is

among all that psychological stuff

you cling to like a teddy-bear in a nightmare

with an atrocity for an ending.

Sure it’s absurd.

But you’re not absurd enough

to live it without knowing why

the last word of God when she dies

is always the loneliest of birds in the mouth of a voiceless sky.

And you think life let you down like flowers on the wrong grave.

But I know you’re hooked up like the tracks of a nasty thought

to the blisstrain of an unstable brain that’s jumped the rails.

And there’s no one to save

but you like a trembling jewel

from the chains of the dreamcatcher

that lies in wait for a fool

to mistake its life for the plight of a fly

that’s dying like a dragon.

And if you tell me you don’t know how

to sweep the deserts off your stairs

that coil like the ribs of skeletal snakes

all the way up to heaven like a fire-escape,

I’d say stop trying to ride your event-horizons like a broom

and learn to fly like the wind among the stars

that have burned all night like blue acetylene

to weld you back together

without leaving any scars.

And if you want someone to answer for your death.

I will.

I’ll take my next breath.

 

PATRICK WHITE