Tuesday, June 16, 2009

IF IT'S NOT REAL

IF IT’S NOT REAL

 

If it’s not real, if you’re not ready

enlightenment is a bigger folly than ignorance.

The flower doesn’t come to fruition earlier

by prying its petals open like eyelids

to see what it’s dreaming.

And the lightning doesn’t play dice

with the skulls of those it’s already slain.

It was always life’s purpose to live you in vain

as it lives the grass of the field

and the stars in the sky

elaborating itself freely

without being bound to any reason for itself.

Unmothered in the vast abyss

of your tiny awareness

if why? isn’t a calling of the heart

as well as the mind

all your apples will be born blind

and you’ll wind up dissing the sweetness

of what it means to see.

And that’s o.k., too

if you can live it through,

if you can live beyond your own answers

like a star beyond its light

into the imperious enormities of the night

where a lack of eyes

is not an impediment to sight.

But if your heart

isn’t the first frog

to make a splash

in the cosmic pond

you’ll never get off the ground,

you’ll unravel the tapestry into a billion strings of light

looking for your own umbilical cord

with a sword of salt

in a chalice of wounded waters.

 

PATRICK WHITE

 

 

 

 

 

 

 


I'M FLYING UNDER THE LIGHT

I’M FLYING UNDER THE LIGHT

 

I’m flying under the light to avoid detection.

There.That’s the first line. A cornerstone.

Maybe water, granite or quicksand

but the cosmic glain

is cracked open like a skull

to extract the message from the fortune-cookie.

The second line comes easier

though it hasn’t come yet.

I’m waiting like a crematorium at the end of my cigarette.

Yes. Hot coffins for cool people.

Like it. Where’s the rest?

A mirror looks into my face

and sees the enlightened folly of creation

is not the work of a clown.

Forgive the little arrogant flag of flame

I’ve been trying to raise

out of a nation of ashes

like an arsonist with noble aspirations.

I’ve looked up at too many stars over the years

not to see beyond my next breath

like a cloud of unkowing,

a road of ghosts,

into the sweeping clarity

of the silence and the darkness

that have unmarrowed me like a bone

to grow new organs of light, new senses,

new eyes and hearts and minds

that are free of the ferocities of night

that consume them death by death

in unextinguishable fire.

It’s a mode of compassion

I can’t get off my chest,

my way of venting with tears in my eyes

when I consider what becomes of us

who stood here once in the high starfields

alone in an opening between the groves

and gave our eyes back to the sky like water

that tasted of too much suffering

to be sweetened like an apple by grief

or provide us with a vision of relief

that floats better

than all these lifeboats of belief

we’ve overturned.

Time’s refugees,

even in the donated tents of these bones,

flapping like skin in a desert wind,

only our homelessness is our own.

Like stars and dirt and leaves

we’re swept off the stairs

across thresholds, out the door

and into the dustpans of our own eyes

whenever we think about putting down roots

and waking up beside our own boots

like bodies that walked all the way with us

to a known address and a bed

we didn’t share with the dead.

Even when the moon is full and beautiful

I can hear the clacking castanets

of the crabs and the pebbles

rounded like skulls in the tides

of the untold myriads

that have come and gone like the sea.

To be so much and then nothing,

to be washed clean of everything you cherish

to watch the dyes run like blood and paint

or arsonists from autumn leaves

when your mind has lucked out

like a watercolour in the rain

and your brain unspools like mud.

Sometimes I think my awareness

is no more than the smear

of an incidental rainbow

on a distended bubble

whose inflation always

snaps back on itself in tears.

I prick myself on the thorn of a star

and let my eyes pop into vaster skies

and almost convince myself

that our bodies are crushed like grapes

to deepen the abyss of the wines

that bleed us into oblivion.

Or life is a dream without a dreamer,

fireflies in a well without an echo,

a magician so overcome by his own spell

there are doves flying out of his nostrils

and fish building nests in his brain like a tree

and yet he still can’t conceive

of what he pulled out of his hat.

And fulfillment may well be the enlightened flower

of the ignorant roots of desire

like the truth in the mouth of a liar

but I’m not assuming I’m a vegetable

and who knows,

when you put it all together

from the earth and the light and the rain

into one brain

I might be nothing more

than just another kind of weather

trying to take shelter

in this makeshift eye of the storm.

But do you see what I mean?

There’s no more continuity in being blind

than there is in looking into the face of God

and seeing the worlds within worlds

that seep like feelings into her thoughts

as if one world without a witness weren’t enough.

Words stumble here like physics

before its singularity

and are left like bodies and shoes

on the myriad thresholds of hyperspace

where the worlds pour into each other

like a waterclock of salmon

returning to the source of it all

like the pulse of the sea to the call

of the voiceless bell that gives birth

to all the unimaginable generations of time

that have wounded the faceless mirrors of eternity

by breaking the silence and serenity

of the well that would not answer

by dropping in like eyes

that disappear in waves

washing out their own reflections.

Sometimes it seems as if

there are only two kinds of people in the world:

those that are going and those that have gone.

Where did they go?

Where are they coming from?

Are we the only strangers on the road

and our inhospitable purpose, this passing?

When she leaned on the windowsill

and cradled her head in her hands

to watch the summer clouds

her arms were cormorants of light

and she wore the window awry like a crown.

And the old Japanese man

with hair whiter than moonlight

who used to apologize to the weeds

he uprooted all morning long

in the whisper of a language

only he could understand

for making a distinction.

Where have they gone

where eyes can go and see and come back

across the threshold of their extinction, 

mile zero of a road that leads

everywhere all at once

like any point in the infinite space

of the expanding universe?

Why must we leave

the mystic particulars of our lives

like shoes and bodies and names

at the opening door of our bootless generalities?

These fingertips were kissed by a mother

who strung them tenderly

like ten little birds

ten little arrows

to the lips of her bow.

Now that they’ve flown

can anyone follow

the light into the unknown

or lift their reflections from the waters,

their shadows from the gound

like breadcrumbs and fingertips

to say where they’ve gone

or even more impossibly

find out where we are now

so they can find their way back to us?

Or is all that we ever were and will be

irrevocably lost

like the root in the flower

that passes it by

on its way into the open

where its eyelids fall away?

When I fall away from myself

like a drop of water

from the tongue of a leaf,

an unspoken word, a tear,

like rain on an autumn headstone

will the stone ripple

like the rings of a tree

to let you know

that the great sea of life

still jumps like a fish within me

to break through the immaculate

silence of the pond,

its undulant membrane of light,

like spring in the morning,

like a pulse of light beyond

the dark side of the mirror

that has never seen the moon,

that absorbs everything

like a cloak, or an oilslick,

an eclipse, a black hole

where things never appear,

to let you know I’m here. I’m here

where I have always been

where the joy of life transcends

its own thresholds of meaning

by parting its own waters

like the wake of a night passage

or the curtains of an open window

or a woman who opens her legs like a compass,

suffering her own felicity

to give birth to the shoreless sea,

drop by drop,

you and me

each moment we live

where death hasn’t laid down its threshold

and birth can’t get through its own gate

because the concepts have left no living ancestry

in this empty world of now

where we live, where we

have always lived,

our elbows on the horizon

like two moons on a windowsill,

wondering, longing, dreaming,

a breath, a veil, a mist

as we evaporate

like visions off the lakes of our eyes

into the great abyss of our unkowing

like a nightstream that lives

by going on, inexhaustibly.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Monday, June 8, 2009

A COUNTRY OF ONE ON THE MOON

A COUNTRY OF ONE ON THE MOON

 

A country of one on the moon

trying to declare my independence

from the occupying constellations

that have pimped my fate like a website.

If I never could hold on to my skin long

maybe I’m a serpent shedding worlds

like the kite-string of the eleventh dimension,

infinite worlds like the thoughts

of a vast intelligence with time to squander

its unintelligible nature upon itself

to the astonishment of everything that exists.

Or maybe not. But if there’s anything divine

about my mind, it’s that

it’s not created in the image of anything.

There’s no likeness in the mirror of God.

But when has that ever stopped anyone from looking?

A name, an address, a town, a country, a planet,

and I still don’t know who I am

in this homelessness with curtains

when I look through myself like a window

with eyes of rain older than anything I’ll find.

And there may be a sadness in the sweetness of the apple

silvered by the moon when I’m alone

but I don’t spend my solitude in chains

even when I fall

knowing there’s nothing

to attach myself to that I haven’t already let go of

in the name of learning how to love

what isn’t there.

And that’s the big hole

in the side of the wounded silo

that lavishes my abundance on the emptiness

as if there were plenty of me where I came from.

And when I look for the source of the rose of blood

with all its passions, mysteries, and histories of delusion 

that engendered this thorn of a heart

that doesn’t know what it’s guarding,

immediately it’s as obvious as me

that even spiritually

nature abhors a vacuum

and the mind is a bigger room than space

older than the moment before birth

and younger than death could ever be

longing for being it can’t possess

without letting go of its own immortality.

A grub of flesh with big ideas

that keep leapfrogging over the edge

of their own conception, I move

from medium to medium

changing form through water, earth, air, light, space

like wine through so many worlds,

so many cups of the moon

and the mindlessness that keeps it all flowing.

Butterfly mind, serpent mind, mind

that idles like grass in the easy breeze,

mind that tightens like a fist

trying to squeeze the light out of space

like salt from the sea,

ore from the rock of a mining company,

mind that is baffled

by the ultimacy of suffering

when joy seems so brief a day,

and aspiration even to the highest things

is a breath let out, not in

even when it sings

to the world like rain

about the roots of pain.

Fountain mind, tree mind

growing out of the darkness

of its starmud toward the sky

so that the words come

like birds to the lips of an old song,

like the genius of stars to water.

Mountain mind that empties me like a valley

and opens my mouth

like an oracular cave to the public

who want to prophecy through it

to give their words weight and meaning

and the lottery of a chance of coming true.

The best place to hide is out in the open

just as the best place to speak

is into the silence

when you haven’t been consulted.

Mind that is and isn’t mine,

pure revelation of horror and beauty

in the playfulness of the light

when it takes the hand of a sister feeling.

Janitor mind that sustains my body cell by cell,

burning old textbooks like disproven prophets

in the furnace of a heart

that’s run out of its past

like desks and coal.

Mind bell in your own dream

why do you reforge me as cannon

to make the children scream out in their sleep

when none of us have learned

the lesson of why you weep

and we mourn like refugees

trying to outdistance the nightmare

by advancing our horizons?

If space is time, one continuum,

then do we die because we’ve run out of space?

Can I measure my age in miles?

There aren’t years enough

in a mile of light

to assess how far away I am

from what I have become.

Cleverness, irony, ambiguity,

paradox, eloquence, oxymoron,

eagles of the imperial rhetoric,

cataract cliches fogging the eyes

of the populist peacock

who thinks he sees for everyone,

the married foam of battered brides

who were wrecked like night ships on the wrong tide

and impeach the moon for the error,

the mystic gusts of stars

that blow their radiance like dust

into the eyes of a blind man

hoping to make him see

and the myth-mongering ideologues

who rub their stakes together like the firesticks

of a praying mantis hunting heretics,

all those who have turned their lives

into one long apology for death

as if it were a lapse of spiritual manners,

all the token choices of the mob

raising their placard voices up to God

like angry flowers nippling acid rain,

all tools broken by their own futility,

hammers in the dirt, and toothless saws,

constellations of flies that died at a windowpane,

untold moments of life,

mini blackholes of light

trying to aspire to the stars;

at best, fireflies in canning jars.

Despair if it’s your nature to despair,

or dare to hope dangerously

for things that can never be

if you can’t endure what you see,

or judge it all magnanimously with a laugh

and brush the issue aside with the hem of your robe

like an imperial indulgence

at the limits of empire.

Any road you take

is as hard as any other eventually.

How do you express your impossibility to the stars

like indifferent listeners,

or satisfy questions that swallow you whole

like a python, an eclipse, a koan

when they take their own tails in the mouths

like the meanings of words

and eat you all the way up to the head

like the road you’re walking now?

I don’t abuse my masks

as if they weren’t needed

by attaching them to an identity

when even this nothingness is no more

than a good guess just to be polite.

Hey, when I first got here, the stars were free.

And the daughters of water

approached me innocently as trees

and fire was a splendour without equal

and there were no assassins

sequestered like shadows

behind the doors of light

like a god that had been overlooked

and every breath was a breeze that took me

and every thought that opened like a flower

rooted deeply in the earth

was a bee of my growth

and even the lightning flowed

like honey from the hive.

I learned to climb the highest fruit trees

in the abandoned apple orchards of Victoria

right up to the topmost branch

without calling for a ladder

to take the danger out of things

as I shook the windfall down to my worried mother.

So now I am the way I am now.

Like an element of anti-matter

that hasn’t discovered its place

below the salt on the periodic table

laid out like a game of snakes and ladders.

I took the moon for the cornerstone of my homelessness

and shapes of water like a woman’s body for the Taj Mahal.

And my unlikeness reveals itself in everything.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


SEEING YOU AGAIN

SEEING YOU AGAIN

 

Seeing you again after all this time

is a single stitch in a hundred mile long wound

that couldn’t bridge its differences.

Spanish earrings like captured constellations

dangling from your earlobes like a jailor’s keys,

everyone still thinks

when you make your rounds

you’re someone they would like to please

by giving up their freedom

for a few skimpy minutes with you

on your knees.

You haven’t lost your knack

for making men feel lasciviously wonderful

and it would be easy to forget so much

like a last wish on death-row

just to fuck you

but there are scars on the window

that look like the moon

weighing itself like a stone

in the hand of an angry boy

who wants to break something.

You were more of a delusion to me

than I ever was to you.

It was my arrow

from my own bow

that made a target

of the archer’s heart

I wore on my head

like the crown of an apple

and missed.

It’s seven parts vanity

and three parts lust

to want to be loved

the way you always imagined.

You did your best with what you had to work with

to make something neither of us knew

come true in the aftermath

of all we destroyed in each other

as one by one our delusions

fell like sumptuous nobles

on the swords of the gladiolas

that had flared like trumpets of blood.

Now we sit beside each other

like two gardens that failed

to find common ground

as the stars salt the earth we walk upon

down memory-lane

meticulously avoiding

all the testy improvised devices

that still lie buried like passions in the road

waiting for the next insurgency to explode.

You indulge my vanity like a cup of coffee

with the most slimming subsitutes

for sincerity

but I understand

behind the sleazy gestures

it’s just your way of trying to heal what you can

without being forgiven

for not knowing when to quit.

It’s not often you get to sit down

and have a conversation

with your own obituary

and not believe a word of it.

 

PATRICK WHITE