IN THE GREEN ROOM WITH THE HAY OUT OF A
MAGICAL SCARECROW
In the green room with the hay out of a
magical scarecrow,
I’m putting tarpaper on my pyramid
like a suspicious eclipse.
Tar and honey on a biscuit that breaks
like a stale cartouche.
Swoosh. That’s the wing of a sabre in
the saddle. The moon’s
in Pegasus. I didn’t think that was
possible. Has my head
come off like a narcissus bud at the
end of a golf club?
Am I liberated enough? Or is this still
the foodstall?
Gotta stop asking that as if I didn’t
know any better.
It doesn’t matter. And I’m happy
about that. Peasant King
when I’m not Buddha Pinocchio.
Wouldn’t want to hurt
his feelings. He’s a friend of mine.
I don’t take him for granted.
But you relate to him as the mood suits
you. Ah, Cohen,
you lovely man, he’s flexible as a
Zen ventriloquist.
An embarrassment of riches. A
motherlode. Mountain gold
gleaming in the fissures of the night
like a mended teacup.
Mystic scar tissue. The shining goes
dark before it blinds you
into a supercharged photonic
significance of covert insight
into the nature of life resonating with
everything
like an old guitar humming to itself in
a corner of dust
though that has a way of making me feel
like the sex life of the Hubble Telescope
in a degenerating orbit. Quick. A
candle. A moth. Luna.
What are you willing to die for as a
way of life?
PATRICK WHITE
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