REMINDING MYSELF TO KEEP IT CLEAR, KEEP
IT BRIGHT AS STARMUD
Reminding myself to keep it clear, keep
it bright as starmud,
keep it dangerous and liveable,
creatively unimaginable,
not to fall asleep at the wheel of
birth and death,
drift off the soft shoulders of a
sleepwalking road in this
starless fog of unknowing tallowing my
highbeams
like candles dipped in beeswax. Keep
leaves on the tree
as long as I can, though yesterday’s
younger than I am,
bring this sunset to fruition for the
sake of the seeds
I sow in my wake on the moon as if all
those dead seas
might bring forth yet. If I fill up
every moment of my life
with the whole of me, no phase left
out, am I not
a waterclock as young as I am old, as
wise in childhood,
as I am foolish as an old man dancing
in a graveyard
as if he had no more care in the world
than to fall down
and get up again, laughing in elation
at getting away
with the hilarious outrage of being
himself. Death
shows me its birthmark and I show it
mine. We
read each other like signs of things to
come. It
keeps me serious about the joys that
ripen my life
and I lighten it up like a skeleton
with a funny bone.
Alone, I hold myself in common along
with everybody else.
Together, I’m severing umbilical
cords with my teeth
to show people burning on the pyres of
their kites,
how easy it is to fly on your own by
just letting go.
Daring said feathers and falling took
flight.
I’ll meet you again on the wind. I’ll
ride your bannisters
as I once did your arms, like spiral
stairwells
all the way to the bottom and loop back
up
like a flourish in the cursive script
of my skywriting
when I sign my next love poem like a
ghost of smoke
in a Joseph’s coat in a dusk scarred
by the contrails
of my fly-bys as I flaunt my freedom
like a swallow in the sun.
Sorrows galore, to be sure, abounding
tribulations
taking their toll on my prophetic
skulls like a carillon
of funeral bells, despair sticking like
creosote
on all my constellations like stars to
flypaper,
patinas of soot settling like the
shadow of an eclipse
on all the Gothic eyelids of my rose
petals
as if the paling picture-music hadn’t
been exposed enough
to sunflowers to keep a smile on things
like a blue jay.
So what? The blossoms are not
antithetical to their roots.
I’m a Dutch elm. I’m growing up as
much
as I’m growing down. I’m most out
of touch
with the things I’ve always had a
good grasp on
like Ophichus and Serpens, its oracular
python.
I can’t name as many flowers anymore
as I used to
when I wandered through the starfields
like a rogue planet with nothing on my
mind
but the sound the Milky Way makes in
the distance
like a white water rapid I’m
approaching
on a prayer and a wing upstream of the
mind
to shoot on my own, an arrow from a
compound bow that can sing.
I still have an eagle’s eye and a
classical supernova
for a heart Sagitta’s pointing at
like a diamond cursor
frozen to a blacked out starmap in the
blitz of London
and I can fly as well as I ever could
aerobatically
like a phoenix through the mystic
firestorms
that sweep over me when a tail wind
feathers my flames,
but there are sky burials I lay wild
asters on
anonymously that seem to grow deeper
than these valleys I’m passing
through like a stranger
in the shadows of mountains cast like
the sundials
of the dead I keep looking over my
shoulder for
the longer I mourn, like a moonrise in
the east
as if there would always be the
midnight call of Canada geese
in the autumn farewells I make to the
windfalls
of wheat and apples in the smiles of
departed friends.
Yet even among all these asteroids that
threaten
to strike me down like ostrakons and
the first thrown stones
of the hypocrites who never learned to
shine
by a light of their own, I’m still
more of a rosary
than I am an abacus of the debts I owe
to society
for tolerating me like a scapegoat at
home in the wilderness
I was driven into like a photon for
giving off light
even as I jumped from one heresy in
paradise
to the next blessing of an angelic
parachute in Pandemonium.
Orbitals of rain like an encyclopedia
of tree rings
that resonate like the tuning forks and
witching wands
of springs past and yet to come budding
in my heartwood
like the fledgling flightpaths of new
poems in residence
in the abandoned cockpit of the heron’s
nest they wear
like laurels in the eye of the storm
waxing lyrical
about the crowns in the homegrown
coffins of the dead trees
as the moon blossoms like a white owl
on a green bough.
PATRICK WHITE
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