MY LITTLE BOOK’S OUT THERE BEING READ
My little book’s out there being read
by someone
I hope somewhere like the plank of a
shipwreck
with my name on it, the flyleaf of an
artificial coral reef,
you gotta go deep, you gotta drown your
book
on the moon, an underwater, island,
barrow tomb
so you can bury your death in the life
it gave shelter to.
Hey, little fish, welcome to my wake. I
won’t say
I sank for your sake, but, here, where
my oracular bones
are being pearled at the bottom of the
Sea of Tranquillity,
it’s good to see you thriving as if
evolution
were a high end colourist with a mad
palette of hotspots
and at night, schools of argent
insights emerging
in moonlight like the leaves of the
wind in
the silver, Russian olives that
lyrically mentored me on earth.
And, you, squirmy worm, literrateur,
you can tunnel
through me like a blind, star-nosed
mole boring
black holes for what was most
illuminating about me
to leak out of like the shadows of the
shadows you see
as you follow the crumbs of the feast
deeper into
the labyrinth you’ll never come to
the end of
like a wandering scholar following its
tail back to its mouth,
the spitting image of a vicious,
disappointed sentimentalist.
Have a happy. The party’s on me.
Knock yourself out.
Can’t you hear the moon bawling like
a large mammal
from the ice age in a tarpit on the
dark side of life?
My little book’s out there being read
like the poetic genome of some
potentially
extinct species of some hominid who
knew
it wouldn’t be long before he was the
last of his kind,
and spit-painted his handprint like the
negative
of a silhouette he never coloured in
with lifelines
like a starmap that might have led the
gypsy palmists
astray like a ghost with a candelabra
in an open doorway.
My little book’s out there, indelible
as hardback and ink,
sporting the vision of life I once wore
like constellations
tattooed on my eyes so my tears
couldn’t wash them out
like the flood myth of a watercolour I
never meant.
My little book’s out there shining
like a fossil
in the eyes of the graverobbers on the
black market
of the Burgess Shale of my sedimentary
starmud,
indexed in the Dewey Decimal System in
the library
of Ashurbanipal. Cosmetic scalpels like
the birdsfeet
of sandpipers scarring the lyrics of
their song
in wounded clay left out to bake in the
kiln of the sun.
It’s healthy to mock yourself like
the fool
at the foot of a throne the peasant’s
revolt in you
was always inclined to abdicate like a
gravestone
after Richard the Second lied to Wat
Tyler in l381.
Even if you’ve made a sacred clown of
yourself
doesn’t mean you can’t have a
little fun
in a dans macabre with death when it
takes you
way too seriously like a terminal
literalist who expects
you to mean everything you express as
if
you weren’t just skywriting among the
stars
like a ghost declaring how much it
loved so and so,
no boundary stones like the prophetic
skulls
of the turf wars we make of our global
evanescence.
My little book’s out there somewhere,
a petal of flame
that blooms in fire once every seven
thousand years
like the pine-cone pagoda of a Zen
monastery
with its one good eye on enlightenment,
and the other
on the shadows of God it casts like
gravegoods into the abyss.
Nothing more rapturous than an
heretical arsonist
being burnt at the stake of his own
auto de fe
like a scapegoat on the pyre of a
left-handed sacrifice
as the anti-venom to the toxic
innocence of the orthodox
who purify themselves like smallpox
among the natives,
guilt by infection. Better to eat your
own ashes in hell
than contaminate your neighbour’s
spiritual housewell
with the decaprified horns of the
goatsheads
that poison the waters of life with
lies about the clarity
of waterlilies festering like nuns in
virgin swamps.
I’ve never had an agenda for what I
wanted to achieve
when I fell in love like a hole in the
road on my way
to someone else, as if I had an errand
to run that
my life and death depended on arriving
in time
with news of the misdiagnosis of
everything
I thought was wrong with me in a
gnostic moment
that turned me into a happy docetist in
the urn
of old papyri buried in a cave until a
goatherd came along
and woke me up like a genie in a lamp
burning like serpent fire in the
snakeoil
milked from the paps of Medusan
amphorae
as if there’d been a mass mastectomy
of breasts
that could kill as easily as they
healed the visionary fevers
of the poetically snakebit. My little
book is out there
somewhere like a binary star system
doing
a ghost dance around a firepit that
blossoms
like the eternal flame at the sacred
forks
where the sacred rivers join like the
tines
of a snake’s-tongue searching the air
like lightning
for someone to strike like a root-fire
of revelation.
Until the autumn oak breaks into a
conflagration of leaves
how else can you shake a windfall of
acorns down to earth
for the wild boars to keep growing the
tusks of the moon
you’ll have to pay death one night
for your passageway
to the other side of your unsalvageable
Orphic descents?
My little book’s out there somewhere
like a liferaft
in an hourglass with nobody on it,
riding the thought waves
of strange seas of awareness where the
stars
go pearl diving and come up with the
moon.
The same mindstream I was carried along
on
like an autumn leaf, cutting through a
stranger’s woods.
Flightfeather of a book in a gust of
stars like Cygnus
that can open its wings and fly like a
cross
or land a high dive like a wild swan on
a river,
threading the eye of the needle between
an eagle
and a flying horse. My little book’s
nocturnal
but it’s not morose. Aesthetically
infernal, but not an urn.
PATRICK WHITE
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