HOMOGENOUS GREY WITH VIOLET TOWERS OF
DELPHINIUMS
Homogenous grey with violet towers of
delphiniums
so intensely purple, they’re an
imperium unto themselves
in a twilight zone between night and
the dawn,
a mystic state of blood when the eyes
in your heart
climb down from their firetowers like
stars, vacate
their watch without leave weary of
being on the lookout
for two bullets to the back of your
head as if
it were better all were lost than to
proceed by rote
at someone else’s peril. If only we
could bleed
like the masterpiece of these waiting
for our eyes
to catch up to the sleeping visionary
within us all.
Would we see our dreams dying in the
vastness
like the fragrance of flowers that
exhaled themselves
like forbidden passions in a garden of
moonlight and lemons
as if every moment of life were an
encounter
with what’s most strange and
mystifying about us
as the cowled shadow of the figure by
the blind sundial
turns as if to ask at last, can you see
me now? Am I not
more beautiful than anything your
imagination
was afraid to meet for fear of falling
in love irreparably?
Would the seed build the rafters of a
new treehouse for us all
by impregnating the earth with more
intimate metaphors
that embrace their own perishing like
an enduring love affair
with what remains most daringly
inconceivable about us?
Easy enough to explain, but whoever
understands it,
inherits a dynastic empire of
afterlives in a silence
so profound no one without the
bloodseal of the delphiniums
in their heart has attempted it yet as
a way
of inhabiting the unattainable by
reaching out
like the stars in a spearhead of
flowers
to the aimless distances in a passing
stranger’s eyes.
The mercy’s in the blooming and the
planets
gather around like the fruits of why it
should be so.
The mindstream divines the way of water
as it flows.
And what could the light that unites
what’s most remote
from us to the aniconic images of love
that bind us
to one another like delphiniums and
gardeners
to the hidden suns of the seeds in the
starmud
of our shining but inspiration, that
wounded joy
made manifest in the eyes of the way we
express ourselves
when we encounter love as if it were
never meant to happen
like the royal house of the delphiniums
in inexplicable rapture
they can trace their bloodlines back to
the stars
as each of us, enthroned like the king
and queen,
the prince and the pauper, the singer
and the thief,
the sage and the fool, for a day and a
night of love, ours?
PATRICK WHITE
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