HOMOGENOUS GREY WITH VIOLET TOWERS OF
DELPHINIUMS
Homogenous grey with violet towers of
delphiniums
so intensely purple, they’re an
imperium unto themselves
in a twilight zone between night and
the dawn, 
a mystic state of blood when the eyes
in your heart 
climb down from their firetowers like
stars, vacate 
their watch without leave weary of
being on the lookout 
for two bullets to the back of your
head as if 
it were better all were lost than to
proceed by rote
at someone else’s peril. If only we
could bleed 
like the masterpiece of these waiting
for our eyes 
to catch up to the sleeping visionary
within us all. 
Would we see our dreams dying in the
vastness 
like the fragrance of flowers that
exhaled themselves
like forbidden passions in a garden of
moonlight and lemons 
as if every moment of life were an
encounter 
with what’s most strange and
mystifying about us 
as the cowled shadow of the figure by
the blind sundial
turns as if to ask at last, can you see
me now? Am I not 
more beautiful than anything your
imagination 
was afraid to meet for fear of falling
in love irreparably?
Would the seed build the rafters of a
new treehouse for us all
by impregnating the earth with more
intimate metaphors 
that embrace their own perishing like
an enduring love affair 
with what remains most daringly
inconceivable about us?
Easy enough to explain, but whoever
understands it, 
inherits a dynastic empire of
afterlives in a silence 
so profound no one without the
bloodseal of the delphiniums 
in their heart has attempted it yet as
a way 
of inhabiting the unattainable by
reaching out 
like the stars in a spearhead of
flowers 
to the aimless distances in a passing
stranger’s eyes.
The mercy’s in the blooming and the
planets 
gather around like the fruits of why it
should be so.
The mindstream divines the way of water
as it flows.
And what could the light that unites
what’s most remote 
from us to the aniconic images of love
that bind us 
to one another like delphiniums and
gardeners 
to the hidden suns of the seeds in the
starmud 
of our shining but inspiration, that
wounded joy 
made manifest in the eyes of the way we
express ourselves 
when we encounter love as if it were
never meant to happen 
like the royal house of the delphiniums
in inexplicable rapture
they can trace their bloodlines back to
the stars
as each of us, enthroned like the king
and queen, 
the prince and the pauper, the singer
and the thief, 
the sage and the fool, for a day and a
night of love, ours?
PATRICK WHITE
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