THE EARTH HIDES NOTHING FROM YOU
The earth hides nothing from you
when its time comes to be revealed.
Not the bones of the dead, not the
green wind
blowing on the young leaves of the
maple
to see if it still remembers how to
break into flame
or the loaded horse-hair brushes of the
flowers
trying to decide what colours to apply
first
to the blue-toned underpainting of the
sky on their easel.
And this is the essential freedom of
information act.
Walking with a thoughtful, cooly
blissful, festive spirit
on a windy night by a spring lake
trying on stars
like earrings to go with the season
like crocuses
realizing, as if you weren’t there
alone, though you are,
how inestimably unique and precious it
seems
just to be aware of this lake in the
moonlight
trying to grow waterlilies in her Mars
black hair
and one wild iris, because she’s
obviously French.
And I can tell by the way the eddies
and ripples
circle and tendril the sensuous
undulance
of her dark depths, and the way she’s
eyeing me
as I toe my way along the path I’m
making up on the go,
she’s intrigued and modestly
threatened
or she’s got other things on her mind
if I’m meant to know, I’ll know, in
her good time, not mine
because there is no birth or death in
the present moment,
it doesn’t have a future, it doesn’t
have a past,
and it flashes by so fast, it hasn’t
even happened yet
so everything is still and silent and
timeless
and yet nothing is hidden, nothing held
back.
Everything’s shining out like a star
that can’t keep what it knows to
itself.
And any lingering question
of who you might have been is
everywhere
reflected in the universe like a face
in a mirror
with no one standing in front of it.
Something deep within and without me
seems
to humanize the lake in my
mother-tongue
and how astoundingly wonderful just to
listen
to the lake’s accent when she answers
back
in a language I can fully understand is
universal,
rich with metaphors and similitudes
that are the bloodlines
of everything in existence rooted in a
grammar of dark matter
that can be as eloquent as the stars
when it waxes lyrical in spring, its
uncontainable heart
overbrimming with joy at the return of
the nightbirds.
The great, blue, lunar heron and the
solar ray of the osprey
returning after long absence to their
nests,
like lost jewels to a ring, eyes to the
skull of a blind seer,
high in the Ys of the dead trees that
look like harpoons
and dangerous tuning forks and witching
wands
out whaling for water, stuck in the
flukes of the lake.
Evanescent shape-shifters in the
vagrant emptiness
learning to read each other like a star
group,
say, the Pleiades, the daughters of
Atlas,
the cornerstone of the world it upholds
like a starmap
adjusting our eyes, our seeing, our
unreasonable being here at all,
to the light and gravity of everything
around us
in harmony with a life that’s never
at peace with itself creatively
to keep the wild grapevines growing
like grails
that everyone seeks like sweetness and
light
at the root of the truth of themselves,
as soon
they’ll be sipping bliss from the
towering stars
like ruby-throated hummingbirds from
the larkspur.
Be empty as a cracked cup or an eyeless
skull
and know what it is to be filled
by a lake that takes the low place so
you
can flow into it like a bloodbank into
the lifestream
of the spring run off of winter stars
thawing in the dark hills
like patchy galaxies of snow that have
found a way
to get off their islands by realizing
one wavelength of light
one wavelength of water
one wavelength of thought or insight
one wavelength of love and compassion
one wavelength of a seeker with a
mindful heart
is all the flowing of the same night
creek
growing into consciousness like a
stranger
we come face to face with as it dawns
upon us
emerging out of this dream of a self
like a dragonfly from its chrysalis,
like the wet sapphire of an eye
from the dark abundance of the seed
that prophesied that it would be so,
the best way to navigate your way
on this ocean of awareness even if
you’re shipwrecked
like these dead trees at the bottom of
the lake
with herons in your crow’s nest
is to take your hand off the wheel and
let go.
Let go the way an archer releases a
bird from a power line
or the first purple marten of the year
from the blossoming bow of an alder
branch
hung with catkins in keeping with the
fourth month
of Bran in the Celtic calendar and the
letter, Fearn,
in the Druidic way of speaking to trees
to ask for directions through life and
death and beyond
as if they’d made a library out of
the whole forest
by listening to the wind in an alder
copse
in a language the alders understood
they spoke in common with the water
stars
of the blind and enlightened alike.
And if there’s no one to fall in love
with,
or out of, this time of the night
starwalk
the circuitous blossoming of your way
deep into a nearby grove sometime,
along the shoreline of the improbable
concourse
of the way of things like a wild
grapevine
gave up being on the go, for growing,
once it got a taste of its own wine,
and watching the Pleiades like crown
jewels
in the burgundy upper branchs of a
birch
closer to heaven than you could ever
have imagined you could be,
fall in love with a lake with a French
accent
and the soul of a Celtic sybil, and
doing
what the moon does with her lunar sword
unsheathed
lay your silver tribute down upon her
waters.
PATRICK WHITE
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