PARANOIA KILLS LIKE A FANATIC WHAT IT
SUSPECTS WITHOUT CONVICTION
Paranoia kills like a fanatic what it
suspects without conviction
isn’t true about what it believes
about thinking. It’s getting
mad out here, the moon’s gone rabid
and the tides are awry.
Given my age and the quality of my rage
tempered
like the sword I fell upon in the
waters of life
more evolutionary than the revolution
that dropped out
to go back to Daddy’s law school like
one of the fashionistas
of idealism who’d rather be wealthy
and wonderful than real,
I scry the future behind me in Dr. John
Dee’s black mirror,
menace in the air, darkness growing
like black mold
in the walls of the house of life, the
garotte tightening
around the necks of those who stick out
like deathbed confessions
that there are still things worth dying
for that make you feel
you’ve wasted your life, given how
little has changed.
The bees are estranged from the flowers
by neonicotinoids
that go out of their way like
pesticides to kill anything
anyone loves anymore, if that’s still
credibly possible.
I stare personally into the blank,
oblivion of the door
that’s opening up ahead like the
threshold of a return address
and I think to myself, every
groundhog’s got two holes
to escape by and I can see an eyeless
night at the end
of the tunnel of death littered with
the corpses of star-nosed moles
that died like molecules for nothing
when the light
went looking for their eyes like a
convenient disguise
for seeing nothing, hearing nothing,
knowing nothing,
the old stars in front of the aimless
firing squads of the fireflies,
terrorists in sleeper cells of
waterboarded nightmares
with mini-black holes in their hearts
you can enter
like a bullet through the brain and
leave by an exit-wound
through the mouth of God as the spin
doctors infringe
on her copyright, factualizing the
fictions, and fictionalizing
the facts like a twenty-four hour news
cycle
that teaches you there’s nothing
personal in the way
you can’t help but hate your fellow
man as if
the only thing that bonded us to one
another anymore
on this chromosomatic coil of flypaper
were the buzzing
of our anger and disgust at getting
stuck without an alibi
for who we are as we plea deal for
brain resistant headstones
we can hide under for the duration like
cut worms in our roots.
I want to trust. I want to love. I want
to seek. I want
to listen to what others speak as if we
shared the same silence.
I don’t want to read any more
statistics about
the collateral damage of our pandemic
neglect.
Twenty-five million children, give a
few of them
faces and fingertips in your mind,
blood your abstractions
and see your own kids in your mind with
the same
quizzical look of disappointed surprise
in their
blue, black, green, brown, trusting
eyes when they realize
they’ve lived just long enough to be
killed by the lies
the elect of the world tell like
bedtime stories to landmines
and political screening myths
proclaiming they were victimized
by the lack of happy endings for bad
seeds who don’t believe
in the same genetically modified creeds
of wheat
it’s become a violation of an
industrial patent on our cells
to break with each other meiotically
once and awhile
as if we really meant bread and
medicine when we said
hunger and disease, tired of our guilt
spoiling the health
of our featherless chickens born ready
for processing
as if the hogs had found a way of
shortening the food chain
like a rosary of pearls thrown like
loaves and fishes into the trough.
I want to look out over the valley of
life as I’m leaving it
like dusk over the shoulder of a
mountain I climbed
to get closer to the stars without
going blind like people
who look into the face of God and think
they recognize themselves.
It may be retrograde on my part to want
to celebrate
in an age of desecration, but there’s
a beatific demon
of crazy wisdom within me that says do,
dance, sing,
whether you have a reason to or not,
embrace the absurdity
of dancing with the cloud shadows on
the darkening hilltops
against the gathering storm of a
clockwork apocalypse
on the nightshift of a graveyard where
the stars go to die
because they can’t live on the mean
skies that make them feel
like mere satellites of the visionary
fingerpaintings
we smear on our narrowing eyes like the
aperture of a Cyclops.
Even if you have to sing like a soft
metal alloy in a language
twisted by the mutated sensibilities of
the times as
the cherry bloom cankers its perfection
at Chernobyl and Fukushima
as the first sign of the fallout of a
drastic spring.
Sing about anything as if there were a
muse of chaos
lodged in your heart like a cardinal in
an evergreen
that took over your house like a riot
of homeless guests.
Dirge, dorn, whimper like a deermouse
that believes
it’s got Lime disease, put your hands
over your ears
like a hood over the head of a
red-tailed hawk
and shriek at the sky like fingernails
clawing a blackboard
if you must, but find a way to go
insane
that lets you sing in the asylum to
yourself
sitting by the window in the artificial
light of a false dawn
with an irrefutable smile on your face
you don’t need to wipe off
like a mirror that’s getting ready to
take your place in the universe.
Right here and even now where it’s
imminently conceivable
things will get worse and worse and
worse and worse
and the dead will legislate for the
living myths of origin
only the stillborn of the imagination
will subscribe to,
and the dispossessed alienated by a
deathmask
that slowly effaces them like a
farcical masquerade
of the lives they pretend to be living
for the sake of appearances
will cultivate exotic norms of madness
that will conform
to the unconscionable scions of chaos
living like
the mountainous echo of a moral code
that couldn’t restrain them
deep within where apocalypse originates
not as fire or ice
but the afterbirth of a forbidden
silence that never shows its face.
Even in the midst of this, Loki, a
sacred clown,
a downcast harlequin with long fingers
sitting disconsolately
on a beach ball as the circus packs up
to move on,
a trickster crow, a dark farce of your
dynastic selves
in a long hall of mirrors warped by the
gravitational lies
you have to vow to the dark every night
to ground the shapeshifter
you’ve become in your absence in the
starmud
of your next astronomical catastrophe
to keep
from taking your extinction personally,
whatever,
whomever, whyever you have to do, make
it the labour
of a capricious preference, if nothing
else, to sing like a universe
to the genius of your solitude as if
you were setting
a loveletter to your muse on fire to
show her how
serious you are about passionately
annihilating your inspiration
in the thousands of eyes she has shed
like tears over the lightyears
to silver the mirrors that flow like
the radiant rivers of the waters of life
from your improbable heart over the
precipitous thresholds
of a homeless art that’s been on this
mysterious road long enough
not to close the gate after it like an
exit with nothing to look forward to.
PATRICK WHITE
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