SPRING RAIN IN THE SMALL HOURS OF THE
MORNING
Spring rain in the small hours of the
morning,
exlixir of leaves, tears of anthracite
on the asphalt streets,
drumming circles rippling out of every
pulse of the heart
that makes an impact, ghosts of
gasoline thrown
on the pyres of the rootfires trying to
ignite the lampposts
that have never known what it was to
shine on their own
like daffodils and crocuses, trout
lilies and wood sorrel,
without someone else telling them when
and when not to.
Water music in the iron vocal cords of
the gutter
free-flowing into its own underworld
echo
like a mind stream making found art out
of
accumulated garbage that announces it
has no soul
though the dolmens of the pygmy
fire-hydrants
stubbornly refuse to believe it. Some
nights so brutal
the moon knocks its teeth out trying to
take a bite
out of the curb like a crust of bread
made of cement.
Corpses of soiled swans sculpted by the
rain
lying like road kill in the parking lot
of Mac’s Milk
like a ghoulish leper colony in
fluorescent light.
The powerlines weeping like mandalic
spiderwebs
on their own, melancholic dreamcatchers
letting it out
like broken necklaces of tears filling
the moats
around the throats of crystal skulls
losing it
like glaciers to global warming,
prophetic windows
thawing out their frost-bitten eyes by
disappearing
from sight as the cedars sweep
chandeliers of light
from their wings as they try to take
off the lake,
the rain packing down the starmud of
the path
they were meant to take, their feet on
the earth,
their heads in the clouds like totem
poles and pagodas.
Soaked to the skin, the bloom of the
rose with thorns
like silver buckles off my black
leather jacket
heavy and sodden as the flesh of a rat
snake
that’s been run over by some stupid
farmer
as it was coming out of hibernation
like a wavelength
pariahed by rainbows, as water droplets
tap
their fingers on the rim of my gangster
hat
tilted on its axis like a total eclipse
of the rings
of Saturn trying to look tougher than
it actually is,
there’s nowhere to go but down to the
rising river
where the willows are rinsing their
hair
under the faucet of a kitchen sink the
way
my sisters used to before our blood
parted
like the waters of the Red Sea that
never closed up
behind me like a wound that’s gone on
hemorrhaging
for lightyears like hydrocephalic Al
Gol in Perseus
holding his sword down like the
reflection of a headlight
trembling in tribute to the ladies of
the lake who hold
their bare arms out like the boughs of
drowned trees
to receive it. The snowman with eyes of
bituminous coal
disappears in a bath of warm,
carboniferous tears
that appeal like black diamonds to the
evergreens
for understanding and compassion not to
come too late
as I open the floodgates of my heart
like a lockmaster
white water rafting the spring runoff
in a lifeboat
he’s trying to bail out like a
waterclock that’s jumped
an hour ahead of itself to wander in
the light
like the narrative theme of a real
dream character
trying not to drown in its own
mindstream
this close to waking up like the ghost
of a sleepwalker.
No one in my bed I long to return to
like a shipwreck
No poem in my heart I’m trying to
protect
like the dishevelled bouquet of a wet
matchbook
trying to keep love alive like a dying
art long enough
to catch fire like the vernal equinox
in the imagination
of an underground flowergirl setting my
roots aflame
with blue hyacinths and wild irises of
tantric sex.
My solitude seeks no mercy from the
rain.
No dilution of my blood that runs like
a watercolour of pain
vainly trying to unskein the black and
red threads
of a passion for life from the bass
riff of a death wish
blinded by the approaching light of the
eerie beauty
of the black sun eclipsed at nadir in
the Circlet of the Western Fish.
PATRICK WHITE
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