NO HONEY IN THE HIVE OF THE LANTERN
No honey in the hive of the lantern,
no flower, no flame, no light, no
people
in the warmth of the windows with a
sales-pitch,
I sit at my desk in front of this
computer-screen,
the snow outside a million gentle
pixels of white,
and I wonder if the dead buried in this
page
are sensitive enough to feel it on
their graves.
And I’m weary of lifemasks trying to
achieve
the desired effect while the living eat
neglect
and mediocrities are trying to speak
like best-selling books where the stars
are just words
and the bees have been culled for
humming sacred syllables.
Numb with stasis more than a month now,
no scalpel like the waning crescent of
the moon at my wrist,
muses of static electricity jumping
from my fingertips
to startle a few dozy lyrics into life,
my lips
cracked and cloven by the
archaeological air,
I’ve been painting waterlilies and
blue dragonflies
to keep something green and liquid
alive
in the desperate urns of my soul on the
windowsill.
I’m a ladder in a tar pit walking up
the down escalator
rung by rung, threshold by threshold,
foothold by foothold
feather by feather, salmon by salmon
and if there’s a pool
at the top I’m meant to pay
regenerative tribute to
in some eternally recurring dream of
time
with my black and blue battered life,
and this bent wavelength of my crooked
sword, so be it.
I’ll haul myself up like an
inevitable lifeboat
to the rescue of my imminent shipwreck
though every nanosecond of the
journey’s been
a crisis at the crossroads and I’ve
learned to proceed
as I did as a kid with my wings
outspread as if I could fly
from one thermal of a dust devil to the
next in a back alley
where I used to kick stones down the
road
like prophetic skulls I took for
granted ahead of me.
If you were born into poverty as I was
and you couldn’t afford inspiration
or you sensed
it was an elitist dream that hadn’t
been blooded by life
and you stood aloof from it, half wary,
half longing,
like a fragrant trap, you could always
rely on your ennui
to get things done just to keep from
being masticated
by your shelf life as a child. As I do
now
experiencing myself as a highly trained
doorway
to nowhere in particular as I walk from
my easel
to my desk, my desk to my easel, trying
to liberate
my disobedience like a caged truant in
an aviary
of peacocks and pheasants that strut
the fanfare of their tails
like comets stood up like bridal
bouquets
at the pale altars of their
unmarriageable daybreaks.
Nothing morbid, petty, self-pitying, or
vindictive
in my solitude, no secret martyrs
trying to beatify
the death of art, no ecclesiastic
heretics breathing
hellfire and brimstone like scripture
from their matchbooks,
I listen to the rasp of the same man I
heard last winter
shovelling snow off the sidewalks in
front of the bank
and the first drugstore ever
established in heritage Canada
as if he were scraping off a canvas
down
to the grisaille underpainting to start
again and again
and again, as the storms pass over like
a living
and I bond with him, how could I not,
no one awake
but he and I, as a self-disciplined
Sisyphean familiar,
labouring as anonymously as I am to do
something useful
as hauling an avalanche uphill into a
snowbank
where the heads of the parking meters
are protruding through
like iron daffodils and frozen rat
snakes too comatose yet
to dream of the vernal equinox
liberating the sidewalks.
Almost six. The quick fix of the dawn
soon calling it quits
for the nightshift that lives
underground, and I’m still
caught in the coils of my genomic
stairwells like the coils
of oracular pythons high on the
volcanic fumes
of poetic caldera preparing to explode
like the igneous flowering of a
magmatic watershed
gone supernova like an old luminary
withdrawing into itself
like an emotional neap tide before a
tsunami of starlight
beaches me like the ark of the Burgess
Shale
high in navigable mountains of
nautical rocks
after forty days and nights on a frozen
sea of insight.
PATRICK WHITE
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