FIFTY YEARS OF WRESTLING WITH THE DARK
ANGEL IN THE WAY
Fifty years of wrestling with the dark
angel in the way.
You’d think we’d be friends by now.
Blue flower
rooted in all that dark energy standing
like an eclipse
in the burning corona of the doorway,
the flammable sugar maple
fallen across the road, the sun that
shines at mystic midnight,
the aniconic black wisdom of a one
person cult
marking its own door with an X for
extinction.
Even a spear of light that drinks from
your heart like a heron
can sometimes feel like a blackfly up
against
the cold windowpanes of obstructive
immensities
shaping the course of your mindstream
in the shadows
of the valleys of death, and darker
yet, the flightpaths of love
buffeted back like arrowheads against
the vortices
of hurricanes and black holes unworthy
of the names of women.
If you haven’t been crippled and
mended by God,
you’ve never met her. You’ve never
known what it’s like
to be so deeply loved by a wound you’d
happily bleed out
like a waterclock for the rest of your
life as you hung
on the hook of the moon prophecying in
euphoric agony.
If you haven’t looked upon human
suffering, your own
and others. If you’ve bleached your
soul with industrial disinfectants
because you’re too weak to get down
and dirty
in your own starmud, and more than your
heart
it’s imperative to keep your hands
clean. If you
haven’t taken off the deathmasks of
the slayer and the slain
to look deeply into the eyes behind the
disguise
like peas in a shell game, you’re
only holding a candle up
to a blind mirror that will never see
anything at all
until you blow it out. Until you learn
to love humans enough
you hate God in your heart of hearts,
she’ll excruciate you
with her absence until your passion is
perfect
and your heresy breaks into the flames
of a great blessing
that knows the night is not a reward,
and even if you’re fully enlightened
you’re still ploughing the moon with
a sword.
Until your blood burns like a black
rose
in the killing frosts of the abyss
etching
the inside of your eyes like tears of
crystal glassware
when the windows turn their eyelids
inside out,
you’re still not intense enough to
thaw the next ice age.
There are no visionaries in the eyes of
your dice.
You might be buried alive in an
avalanche of prophetic skulls
or roaring in the mane of a Leonid
across the atmosphere,
but you’re still heaping the corpses
of your constellations up
on the pyre of a starmap administering
last rites at a sky burial.
The words might be yours. But the voice
that animates them isn’t.
You can say to the starclusters of the
New England asters
when you’re startled by their wild
beauty like a new tenant
in the organic apple orchard you
inherited with the house
one early autumn morning these are my
eyes, but the seeing
knows different. And the being you are
is still a stranger at the gate.
I’ve always tried to live in such a
way that my ghosts
were proud of me, though I know how
nostalgically absurd that is,
an immaculate misconception of my own
ignorance,
an affectionate preference, if nothing
else, it gives me an excuse
to celebrate the qualities the dead
have incorporated into my life
as effortlessly as the air I breathe
for all of us awhile.
And not just the angels, but the demons
as well,
the lucidly dark gifts it takes more
courage than wisdom to accept.
Compassion continually enlightened by
its own delusions.
Inimitable starlight hidden in the
glitter of tinfoil.
The inconceivable revealed by the
unattainable
like the memory of an event that had
already occurred
and been forgotten in the rush to
understand it.
How we throw ourselves like keys into
the grass at night
and down on all fours begin a
systematic search
even when there are no locks on the
doors
and everywhere is passage, no exit, no
entrance,
out in the open as obvious as space
with nowhere to hide.
We fashion compasses and destinations
out of
our labyrinths and cul de sacs. We lose
ourselves
so deeply in what we’re looking for
we’re dying of thirst
immersed in it like fish crying out for
lifeboats.
One mile west. One mile east. One step
back as
the other moves ahead. Progressing
backwards,
in a looping universe is as good as
regressing forwards
whether you’re walking with galaxies
along the Road of Ghosts,
or standing in your own way without
giving your assent
to the creative potential of coming to
the end of yourself
like an unassailable impediment, an
undeniable fact
that returns you like a key to the open
gate
that’s always been yours to enter by
as vagrantly
as the map of a lost leaf on the
mindstream
that’s been following you blind for
lightyears.
PATRICK WHITE
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