A ROCK IN THE CURRENT, A SKULL IN THE
RIVER
A rock in the current, a skull in the
river,
time patiently washing away the
sidereal silt of my mind
as if insight were alluvial. You can’t
keep
what you won’t give away so fling it
from you
by the handful, phases of the moon,
apple bloom,
fire seeds, eyes that looked through
you once into
the secret life of the abyss that
glyphed love lyrics
and occult zodiacs for homeless exiles
across
the multitudinous firmament like a
mystic tattooist
inking ice ages in caves for spiritual
Neanderthals
alarmed by the approach of a tedious
apocalypse,
dead shamans at the feet of defecating
rhinos,
and the hunting magic that expressed
the inner life
of slayer and slain in images of blood
and burnt bone,
hemorrhagic red ochres of midnight,
extinct
as the grammar of fire that once
adorned their torches.
You see how I get carried away by the
blackwater
of my visions sweeping me downstream
from these arcane symbols of self I can
barely remember
except as the vague stations of an
ongoing shapeshifter
who knows that all he has in common
with time
is its flowing. Evolution isn’t a
popularity contest
but some recollections are more violet
or vermillion
than others, and I recall the features
of several women,
a few kids and an occasional friend who
were
more indelible watercolours in the rain
than others.
Rainbows made manifest by an auspicious
eclipse,
starclusters in the eyes of radiant
snakepits,
the brass rings of moondogs on lunar
doors
that opened like the first crescent of
the knife
you held to your wrist to purge the bad
spirits
as you fought for your life in an
undeclared holy war
of transfiguring omens trying to seek
out
the unsayable syllables of the name of
your god.
Estranged lovers of mine still clinging
like exposed roots
to the river banks of my shoreless
afterlife
moving on in a muddle of stars leaving
dolmens and gravestones in my wake
to say where I once stopped long enough
to die
to erect a constellation as a wayward
direction
of where I’d gone for those breaking
trail
into the available dimensions beyond
the last handprint I spray painted on
the wall
of a gate you could pass through to the
other side.
Enter at your own peril. No proxies or
strawmen,
no voodoo dolls or false idols, no
puppet masters,
no witchdoctors with elk antlers or
candelabra on their heads
make it this far without being divested
of their identities
like shoes at the thresholds of an
interminable firewalk
that insists you take your winged heels
off
like no vehicles past this point of
departure
and walk barefoot over the stars
scattered like thorns
along the path of a dangerous
initiation no one’s ever mastered.
Here in this mindless realm genuine
achievement is measured
by the aspirations of brilliant
failures courageous enough
to overturn the sacrificial altars of
their conscious expertise
and risk the untutored innocence and
polymorphous madness
of their ancient childhoods again, the
crazy wisdom
of realizing even on your deathbed as
you violate
the first rule of your worst taboo,
true to your disobedience
to the end, there isn’t enough time
to grow old
when you’re on the run with all you
can be carried away by
as eternity opens its coffin like an
eyelid on the deathmask of time
and reveals the continuity of all your
cosmic beginnings
expanding like a universe that wouldn’t
be caught dead
standing still when there’s so much
fire left forever to steal from.
Go ask the stars, if you need the
affirmation of angels,
where they got their light from, or the
demons,
the shining ones, who hide their
radiance in shadows,
if you need earthbound followers to
believe in your own eyes.
O fool, in your heart of hearts, admit
what you already know.
Life is an evanescent stillness that’s
been transcending itself in motion
like a secret that wanted to be known
when there was no one
to listen but a void with the
imagination to create
a selfless reflection of the kind of
empty awareness that could.
So we all die laughing in the lifemask
of a mirror
that’s never seen its own eyes except
as these nightskies
of fireflies and stars we all disappear
into like creators
into their own works, like children at
play with our bones.
PATRICK WHITE
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