WHO COULD HAVE ANTICIPATED?
Who could have anticipated being who
and where we are
this moment? Did we imagine now, did we
see
ourselves here when we were children?
These windows,
that view, those stairs across the
street we’ve
never walked to the top of into the
stale darkness
of a room that hasn’t been used by
anything
but flies, echoes and shadows for
years?
The hollow stillness, the white gold
ray
of winter light illuminating an
emulsion of dust?
How strange to be the awareness of
anyone.
To take your identity off like a name
tag,
to shed your skin like a wavelength
weary
of being a particle and when no one’s
looking
slip into the vastness without making a
ripple
like a watersnake as supple as smoke
among the stars.
Peace in the evanescence of my eyes, my
heart
unfeathered like the petal of a wild
aster,
a forgotten poem, the small gesture of
a thought
that didn’t take root on the skull of
a rock.
If the rain were a flower, it would be
columbine.
I’m standing on this aquiline
precipice
scattering my ashes on the wind like
words
that were fire once when I was younger
than tomorrow
o when was that?---and sang like an
arsonist
with a blue guitar about the women I
loved
and the sorrows of the mysterious wines
they mingled in my blood like a seance
of bells,
and the joys, out of thousands, that
elected
like a moment or two of auspicious
beauty and bliss
to winter with me through these
lightyears of solitude
as if life were indelibly thriving
under the ice-caps
of a shepherd moon like an introverted
mindstream
that kept returning to itself like the
solar flare
of an unopened loveletter stamped: No
longer
at this address. Even a starmap can
sometimes
get lost in the abyss. You are that.
That is this.
Shadows of the mind, ricocheting
splinters of radiance
lodged like mystic thorns in the heart,
the Burgess Shale
encyclopedically contained in every
fossil of a memory
imprinted on my imagination like the
life forms
of words anyone of which could have
been my mother-tongue.
My lyrical innocence may have passed,
but not
the wonder of listening to the stars
singing to themselves
like nightbirds getting on with the
labour of longing
as if work were a form of worship, as
the Upanishad says.
The hour liberated from its waterclocks
and sundials,
the empty lifeboat of the moon from its
urgent rescues,
unmoored from the wharfs and umbilical
cords
of its earthly obligations, just to
drift like a compass needle
in deep space, unaligned from its
addiction to true north.
If I take one step beyond being, it
isn’t death, or oblivion.
I’m only washing my skin off the
world so I see it afresh
like the bright vacancy, dark abundance
of what’s shining
through the flowing lens of an
unpolluted abyss.
It’s the return journey that
reflowers the wild grape vines
that lose it in the winter. Every
breath, a miraculous revival
of wines that have deepened their
dreams in the interim.
Images and symbols are overlaid in
space
like the playbills of a visionary
hunting magic
still looking after all these caves and
labyrinths
for the unattainable prey of the
mysterious female
I keep following like the life-giving
herds of the stars,
the ghost dancers among the white
buffalo of the clouds
that gather and disperse me like the
world out of nothing.
I can hear my life howling like a wolf
moon
over the dark corpse of these hills,
but I’ve never known
where the music’s coming from or why
it’s grieving.
Or why so many open windows and
returning birds
greet the spring with odes and epitaphs
in the same breath
like galaxies passing through one
another, the ghosts
of two strangers encountering the
unknown
like the harmony of infinite points of
view
going in radiantly contradictory
directions at the same time.
Life on the burning bridges of the
stars like a lover
trying to span the universe with cosmic
thoughts
reflecting the face of the other on the
underside of time.
As if one were the light, and one, more
vastly sublime
than even the night can find the words
to speak of
shining like eye sockets of dice in the
black mirror
of the prophetic skulls orbiting the
prayer wheels
of the mind like interlocking mountain
gears of the rain
on the downside of a species whose time
has come.
Though I still think it might be
crucial to know
who you aren’t as well as who you
think you are
before you go extinct. Who sends a cold
furnace
or an urn of the ashes of the
nightbirds to speak
like a shabby messenger for the light
as they knew it once
in the wildflowers of the earth sowing
the starfields
with seeds on the wind about to open
their eyes again
from the long dream of trying to shine
from the inside out?
My starmud is rooted in light and
flowers in the darkness.
The supersymmetry of above and below
make one hourglass.
As many demons in the nightsky as there
are angels in a cemetery.
Heaven and hell, one electron, that can
be in several places
at the same time, how many worlds is my
mind sustaining
where everything is an infinite
elaboration of this one
and that of all the imaginary
alternatives that are
necessarily bound to occur like the
will of someone so free
it spontaneously has nothing to do with
any of them
like the imageless image of the creator
we create
in the likeness of to resemble
ourselves without our faces on?
I give my oceanic thoughtwaves the same
free rein
I give the wild mustangs of moonlight
an immeasurable range of emotions to
roam in
without being broken, saddled or
spurred
toward any destination in my
homelessness
knowing that all movement is a
characteristic feature
of the stillness that keeps it all
going. The more you focus
the more you blur the effect. And when
you look
out of the corner of your eye at life,
it’s as if
a thief of fire with the insight of a
wolf moon
that thought it howled alone in its own
forsaken mindscape
discovered us awake at the window
listening to it
and like the picture-music of a shaman
on a limestone wall
put his finger to his lips to bond us
like carbon
to a secret we all share without ever
telling each other.
PATRICK WHITE
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