THE SNOW A SILENCE WHITER THAN LAST
NIGHT
The snow a silence whiter than last
night
and the sky, a red violet. A mysterious
rose.
As if the night were blushing at
something said
that wasn’t meant to be disclosed.
I feel cramped without the stars,
embedded
like a hibernating frog in my own
starmud,
my bloodstream reconfigured as the thin
thread
of a red alcoholic thermometer, though
I don’t drink.
Nocturnal solitaries huddle their way
through the night
like dark comets past the unwary
mirrors
of the nightwatchmen working on their
novels
as if nobody were watching. I people
the abyss
with my life and let my mindstream
decide
where it wants to wander through its
own timelessness
as if the past, as well as any future I
could imagine
could take the lead at anytime from
compliance
with the present, and it wouldn’t
make
the least bit of difference. Three
waves
of the same oceanic awareness. Three
talons
open like the triune esoteric crescents
of the moon
and one hawk blooms like a poppy in the
snow.
My imagination isn’t a cry I follow
deeper into the woods of a hidden
mindscape
as if it were mapping my eyes like
stars
it had never seen before and was
wracking its brains
to come up with names that made it feel
less homesick.
It is me. Like a nightbird is the child
of the wind.
Like a song whose dark secret is a
longing to live.
Like the heart of a stranger is the
hearth of his homelessness.
I am the evanescent foundation stone of
my own fire.
Like the moon, a lantern in the arms of
my own journey.
I gather the fruit of a rootless tree
and it tastes
like the voice of the sun and the moon
waxing lyrical
as the water and light of the alpha and
omega
of sacred syllables, with the third
extreme
of the earth in between shining in the
middle intensity
of the three wise men in Orion’s belt
just before the dawn pales the
seeing-eye dog
of blind Osiris blazing like an
underground root fire
set below the treeline of cedars ageing
on the hills to the west.
I remember the lovers I carried both
ways
across the thresholds of a burning
house,
and what I’ve made of my sorrows are
wildflowers
that bloom for a night in a garden that
tends to itself.
If my children are lost to me as they
are,
I don’t ask my imagination to explain
why anymore.
I let it drink its fill of compassion
from my heart
like a bottomless well deeper than the
stars are high
and I leave my door ajar for the dead
who still call me friend
to come in, whatever the hour, as often
as I open it
to the apparitions of the living I
greet like dream figures
who have just stepped into my intuitive
vision
of not needing to wake them up until I
do because
as I keep repeating like the riff of a
mantra on a blue guitar,
mark one jewel like the third eye of
Venus in the dawn
and they’re all marked with the same
morning star.
I invite the darkness to enfold me
within the pages
of its imageless book like the godhead
of the great void
revealing a story that keeps growing in
the telling of it
as the mindstream changes the tempo of
its narrative theme
from a pulse, to the merest fragrance
of a melody
expiring like the last breath on the
deathbed of bird-bone flute.
I am all skulls. I am all shepherd
moons. I am space
that exculpates gravity to bend and
relent at a black mass.
I refuse to imprison my enlightenment
in a church
and get by with finding my way by a
candle
that casts as many shadows as it
illuminates.
I put my hands up over my eyes like the
wingspan
of an eclipse over a full moon, instead
of folding them
like birds roosting in a dark wood,
praying for light,
and the stars that fire the eyes of the
Queen of Heaven
grow brighter than I’ve ever seen
them before.
PATRICK WHITE
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