MY
LONELY ISLAND MUSIC
My
lonely island music,
already
I see in your eyes, devastation in the dead zone,
skulls
littering the field, autumns wandering away
weeping
like windows that mistook themselves for the sky
and
murdered a bird. Mystic September, vamp of this vision,
how
could the moon not leap from my tongue
in
praise of the world that shines through you
bathing
alone in the dawn of every moment, utterly
alive,
your beauty the page of a unwritten scripture
poised
in the ink at the nib of every blade of grass to say
beyond
the saying
what
can’t be said. How unbearably sad
in
this defeated hour that so few know the truth
that
walks ahead of them like their own footprints
returning
to the door they left by, already lost,
their
houses, foundation stones of quicksand. Get it right in the seed,
get
it right in the root of the eye, let the wind
take
the ashes, sweep the shadows from the stairs,
and
all the moons of yesterday are caravans of blossoms on the water.
Get
it wrong and you’re a widow plundering corpses
for
wedding rings and pocket-watches, black rain
on
the open eyes of the dead. Devoid of transcendence
in
the mirroring awareness, on a diet of fire,
you’ll
end up combing your hair with a ladder.
Can
you hear this bell of green before it rings, can you see
the
painting in your blood before the brush is lifted
like
a maggot of consciousness to the rose?
If
you can, then check your shadow at the threshold
and
walk naked into the far fields of your seeing, your feet
on
the ground, your head in the stars; if you can’t,
you’re
deepening your ignorance by ignoring your depths,
your
light passes over itself like an eclipse or the hand
of
a black magician, conjuring. Peril in the seeing.
A
mask of frost over the surgical face of the heart. Understand
deeply
and with authority that this dream cannot be understood,
taste
this dream for yourself and look once
into
the brilliant darkness that lies beyond wisdom and forsaking
and
acknowledge in a crown of water
you
are queen of that, your own teacherless realms.
Can’t
you feel the roots of the black orchid of this space
wounding
the soil with the stars of another night-sky
already
opening above and below you? Rightly and brightly,
you
are that opening, the sum of all the awareness of the whole of your
life
expressed
in the unborn no-point of a star of perception in space,
blue
knowledge beyond the scope of the death-sighted.
Why
study your own legends like snapped twigs on the trail
and
send yourself in a straitjacket to school
when
you already know by heart
the
book of the breath you must live? Open your fist. Where
did
it go? What’s in your hand? Do you understand? Our lives
are
the shadows of birds sown like seed across the skies,
fish-maps
printed on water, compasses looking for directions
that
don’t exist. We are brief and we are vital, pilgrims
on
a bridge of ancient zeroes, angels under every stone,
gypsies
at home. Hold your life up like a match to a mirror in a dark room
to
see whose face it is
then
blow yourself out like an orchard
before
blazing becomes a kind of blindness.
Put
the world to your lips like a finger
in
the black clarity of the silence. Do you see, do you see
the
white songbird of the moon enter the throat of the well
to
flaunt its plumage privately in an empty theater,
the
roar of the ghosts of the infinite aeons for applause,
the
sound of one hand clapping? Anciently, you were so
and
now you are so
and
tomorrow after tomorrow you shall be so, hidden
right
under your own nose, calling yourself like a girl to her friend
when
the game is over to come out of hiding. Most people
never
understand more than a keyhole and a whisper of themselves,
trembling
behind the dangerous doors of their own names
when
they’re called to come out and play
with
a universe that begins in every moment,
a
fire-fly in a canning jar. They graze on the fodder of illusions,
domesticated
by their own cupboards and cowardice,
peopling
the wilderness beyond their artificial paradise
with
demons that threaten to behead them in a palace coup
for
the genuine liberation of an empty throne.
The
blossom doesn’t know its own beginning,
nor
the snowflake, its end. Can you find your true face
in
this mirror of echoes,
the
one you wore before the birth of silence?
I
shall come looking for you like the wind
and
I shall find you among trees and flowers
and
among the grasses of the fields
and
in the living light that breathes over the harvest
and
in the water-mind of the stream that flexes the reeds
and
playfully graces the ripe honey of the sun
with
a sweetness unknown to the business of bees. No inside, no outside,
everywhere
I step is the arrival and the walking of my blood
the
whole of the way to you from whom I cannot be separated,
slipped
like a letter under a door that opens, a mouth in space,
to
paint the moon on an eye of scarlet water. One leaf falling,
the
whole history of the world
in
the way I love you by letting go; in the way
when
you are closest, your heart, the thunder
of
subtle intimacies in a lost well,
I
drown in the vastness like a bird in the reflection of the sky,
happy
refugees all along the side-roads of my nerves,
my
mind, a fool of the moon, all parade and passage.
Do
you understand? Not different, not the same,
we
are rain on a window, faces beyond
the
blindness of mirrors that use our eyes to see.
In
every feather, in every leaf, in every flight of the word
ten
thousand dawns, all of the earth,
this emptiness within emptiness singing to itself in the void.
PATRICK
WHITE
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