BECAUSE I’VE BECOME AWARE OF
Because I’ve become aware of what my
cells knew
three and a half billion years ago does
that make me
wise and sonorous? Some days I’m a
ripe apple
in a big-hearted sunset basking in my
red shifting shadows,
and whatever’s spiritual about me, it
seems,
though I’ve never been able to put my
finger on it,
lingers like a warm buzz of animal
contentment
as if life and time were the synonymous
friends
of a tranquil atmosphere where just to
be here as it is, right now, this
sense that everything, suffering and
the bliss of insight alike
had already been wholly achieved
billions of years ago
and we’re just remembering our way
into the future again
without going anywhere because
nothing’s left out.
How can the magic circles of the dreams
we draw in the rain
like the geometry of water, ever be
over if they
never had a beginning when not having a
beginning
doesn’t mean you don’t exist?
Inconceivably
from all appearances. The powder blue
damselfly
a mascara pencil on the eyelid of the
larkspur
with a white star instead of a moondog
for an iris.
And then something you once loved in
your own
peculiar way, makes you cry and
eternity breaks the circle
like a cosmic egg you’re trying to
fly out of
and you look at time and change and
passage
as you wash a gust of molecules like
gold dust
to rinse the dazzling blindness out of
your eyes in tears
at not knowing where they’ve gone.
Some died.
Do they live on? Some just drifted away
like smoke
from the wick of the candle they used
to dance upon
in the upwelling of the flame that
melted it down.
Hunger first. Then desire. Then
suffering. It’s more
the compassion of the poet in me that
says that
than it is the Buddhist heretic.
Evolution eats itself
to transcend death as fast as possible
creatively.
Nothing else to compare it with you
can’t says it’s wrong
though you’re troubled by the
rightness of it,
and though we do, it’s still fearful
to cherish what
seems so randomly expendable like the
strawdog
of a work of genius you throw on the
fire as soon
as you’ve finished with it. Who is
being worshipped
that so many have to die like feted
sacrifices
to a hunger that devours the galaxies
like starfish?
Infinite appetite at a bone dance that
knows the music stops
when it does. Witness the euphoria of
the crazed book of life
in the Burgess Shale, pressed like a
flower between
the pages and pages of time without a
narrative theme
it’s left to us to make up sitting
around like solar systems
the boundary stones of the fires of our
hearts, as if we
we’re the ones telling the story, not
anxiously listening to it.
The desperate and the damaged, the
shell-shocked, maimed
and mutilated, no chivalry in the
struggle for survival,
and even beauty, a snare it’s wise to
be aware of,
all the mistakes a Hox gene can make,
even poetry
the most resplendent delusion of my
heart and art,
a way of whistling lullabies in the
dark when you really need
your mother, consolation philosophies
we’re addicted to
like the endorphins of our own creative
imaginations
sweeter than any drug a junkie ever
o.d.’d on. There’s
a big gap in the story we’re trying
to cross on the bridge
of a burning guitar, a caesura the
equal of anything on Mars.
And every cable of the way strung out
like nerves and spinal cords
on the suspension of our belief in the
totally believable extremes
we’re facing with affectionate daubs
of starmud on our nose
trying to shine our way across on the
liferafts of our eyebeams.
The Great Divide. Everyone standing on
one bank of the abyss
calling out in the night to another not
sure if they, or this,
or that bank even exists, of if things
just go through the ice
and disappear for good. For worse. Or
neither. Ingathered
or scattered, or the mindstream
returning to its watershed,
or we just wash the starmud off our
noses so thoroughly
the snowman gets thrown out with the
bathwater, and there’s
just a carrot, six lumps of coal and
two sticks to show for it
as we step off into our empty
omnipresence like mirrors
into the tears of their own
reflections, air out of the parachutes
that housed us like ants and bees in
the daylilies.
Or as I’m doing now, the blindfold
off. Looking
down the barrel of a firing squad of
stars like a black hole
at the singularity of the one blank
among so many bullets,
to see if it’s got our name on it,
while the others go off
in a game of Russian roulette with the
Leonids.
Vodka double. Straight up. Fire.
Courage or suicide?
Definitely brutal in the eerie finality
of the endless outcome
if you’ve got the eyes for it,
falcons under the hood of your eclipse.
Or maybe nothing can be separated from
the intelligence
that divined it in the first place like
the surest sign
of evolution riding its inspiration out
the way a star rides
its own light like the wavelength of a
single thought
blossoming like a tiny blue flower
throughout the universe.
PATRICK WHITE
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