SAVAGE
ASHTRAY
In
the early grey morning trying to tune the tinny rain 
 to
the fleeting keys of the pentatonic birds, 
  
a bad musician lost in the labyrinth of its ear
like
a spider or a sodden note with too many sad flags 
 caught
in the torn stave of its saturated web, 
  I
arrive like a messenger from far coasts 
and
the exotic nightlife of the bright cities of the stars, 
 having
crossed the passionate ocean of the poppy
  that
dared her maiden voyage in a bottle. 
And
I say to myself, because no one is listening, behind seawalls 
 of
black coffee and rolled cigarettes 
  because
I own no part of the sky, no 
fraction
of the leaking house I’m quartered in 
 with
a library of pleading guestbooks I refuse to sign: 
  look
for the secret gold in the crumbling foundation stone, 
pull
yourself out of the rock like a charmed sword 
 or
the mad ore of a sad crown in a kingdom of one.
  But
pauper that I am, I’ve never managed more 
than
an empty throne, and the antiquated office chair I sit in 
 was
crafted from the timber of burnt windowsills 
  I
rescued like eyelashes from the cooling ashes 
of
my last revision of the schools of weeping glass 
 who
loved the flaring of the mystic arsonist I used to be.
  Whole
generations can die in the pause 
between
one heartbeat and the next and I don’t remember 
 when
it was that I woke up older than the rain 
  that
once derailed my affair with a married sphinx, 
but
yesterday is not a bruise I want to wear tomorrow 
 and
today is not wise enough to guess the riddle of my sorrow. 
  More
amused than bitter in the expanding interim 
of
my cosmic solitude, there are graves ahead 
 I
feel compelled to answer from the irrefutable depths 
  of
the opulent silence that owes my voice 
a
god and a name. And there are roads that I must lead home again, 
 adopted
rivers that have never met their natural headwaters, 
  and
valleys full of fireflies I must endow like brides
before
the waxing crescent of the autumn moon 
 severs
the fruit from the wombs of their lachrymose guitars.
  And
I am weary and scared and inconsolably alone 
in
the stern mirrors of the morning that reflect my face
 like
an apology that came too late to make a difference, 
  or
bridge the distance between one beginning 
and
the next. This is my life, I tell myself, and hope I’m lying. 
 This
is the blue stairwell of my irremissible longing 
  to
suffer the unattainable until I am wholly transformed 
in
a single embrace, to die with eyes, to heal the wounded beast of coal
 so
much like nightfall in my blood with salves of flowing diamond, 
  or
crawl from the ashes of miscreant angels with wings.
This
is my life on earth as it is, and this who I am in the changing.
 
a lightning rod in a makeshift morgue 
  trying
to raise myself from the vast surrender of the dead 
I
was born among to weld their chains to the clouds 
 in
a flash of liberation. And this is my life in the ruins 
  of
darker aspirations that squandered its victory bells 
in
useless assaults against the intransigent walls of heaven,
 
the adamant gates of hell. And should I now deny 
  out
here in the open with my small army of masks
depleted
by desertion, what I haven’t even admitted to myself?
 There
never was a way to wage peace against a world 
  collegiately
braced for war. There never was a way
to
campaign for love and survive the treaties and truces
 that
snarled like poison kisses on the cheek of the moon 
  I
could not turn, the bitter cups and skulls and crazy wines 
of
the sacrificial knives it kept refilling like a garden. 
So
now there’s this exordium of islands and exiles like me
  buried
every step of the wayless way ahead 
in
our own footprints, casualties of the blessings and bullets that
missed.
 This
is my life, and I will not decry it like a stormbird
  off
the precipitous coasts of savage ashtrays
nor
haunt the shore with reading lamps to jackal through the salvage.
PATRICK
WHITE
 
 
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